A masterful rendering of an unusually large rooster posturing in full stance. The metals used are copper, silver, and gold. The major body of the cockerel is called shibuichi which is meticulously composed of silver and copper mixture. The feathers are beautifully sculpted and chased in details. The movement of the feathers pronounce the figurative composition. Its tail feather is patinated and infused into the silver.
Japanese Meiji Period Musha Ningyo (Boys' Day Doll) depicting the legendary Emperor Ojin, seated in court attire and wearing dramatic cream brocades and lacquered armor, a fan in his right hand and wearing a classic gold eboshi cap. His face is finely carved with a regal expression. A rare and fine example. 18.5h x 20w inches, 47h x 51w cm.
Japanese hand-forged iron jizai, used for suspending a tea kettle over a fire pit within the home. Made with a charming iron fish with incised details of scales, face, and separately attached fins.
Edo period (1603-1868)
Dimensions: 8" w x 48" - 53" long
Antique Japanese Okimono Bamboo Sculpture of a Snow Monkey Holding a Peach. Unique
master carving of wonderful charm and presence with a fine patina. A must for the monkey and Japanese enthusiast. 12 inches, 30.5 cm tall. Excellent Condition. From a prominent and widely exhibited collection.
Antique Japanese ikebana basket for flower arranging. Made of light color split bamboo woven into a rounded form. Contrasting dark and twisting wisteria vines make up the handle and pierce the undulating form of the basket.
Age: Meiji period (1868-1912)
Dimensions: 15" high x 12" wide x 11" deep
Japanese antique wonderful set of six puppet figures, known as oshi-e ningyo. The set includes a beautiful maiden, a samurai, a female attendant, a male official, Ebisu and Daikoku, figures are made of very thinly shaved layers of wood and paper with silk clothing and painted details, each figure is held by a stick and fitted with a stand (made later), the oshi-e ningyo were often made by households in Northeastern Japan and were made to celebrate girls day or as a prayer for happiness...
Very Large 19th Century Meiji Period Japanese Ningyo pair of an Oiran Bijin, the highest ranking Kyoto courtesan bijin and her Kamuro (attendant), an elaborately attired pair of the finest quality. The Oiran and her attendant are wearing the most gorgeous, sumptuous brocades and textiles, all hand woven and painted chirimen silk crepe of beautiful shabori designs. The faces are exquisitely carved and covered with many layers of gofun (white oyster shell lacquer)...
Wonderful Japanese Kutani Celadon statue of Sen no Rikyū (千利休, 1522 – April 21, 1591), the mastermind of chanoyu, the Japanese Way of Tea. It was made during the Meiji Period (1868 - 1912) by an unknown artist of Kutani. There is his seal...
Japanese two section clothing tansu, constructed with natural finish Kiri (paulownia) wood. Original condition. The four drawers with classic design of round iron hand-forged locks and pair of warabite drawer pulls, iron corner hardware and side handles.
Meiji Period (1868-1912)
Dimensions: 36 3/4" L x 16 1/2" D x 40 1/2" H
Antique Japanese warrior dolls, musha ningyo displayed for the Japanese Boys Day. Clad in armor is a beautiful young widow, the Empress Jingo with her faithful retainer/high ranking minister, Takenouchi no Sukune. He is holding her baby Ojin (Oh-jin) who was later known as “The God of War”, the 15th Japanese emperor, Emperor Ojin. These are all original dolls including the baby.
Some old records indicate that in 300 AD, God came down to talk to Empress Jingo in her sleep...
A large Hizen-yaki, Arita kilns polychrome enameled charger. Imari, so named for the trade port through which these polychrome wares transited, decoration with namban (a reference to foreign subject or influence) figures, bijin, 'three friends of Winter', cranes, chidori, elephants and more (much going on). Edo period. Good condition. Diameter, varying between 18 5/8 to 18 3/4 inches
A finely potted six-sun dish painted with the subject of two fisherman in a boat in the style Of Hokusai. The design is probably derived from several sources, notably the prints “Fishing in Rough Water” at Takamizawa, one of the 100 views of Mount Fuji and “Long line Fishing” on the Miyato river.
The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century...
Scene for “Tokyo Daily Newspaper” with “Tokyo Nichi-Nichi Shinbun” inscribed in the banner at top, issued ca. 1890
Yoshiiku was noted for his prints included in the popular illustrated newspapers at the time.
Signed Ikkeisai Yoshiiku on lower left with artist’s seal ca. 1890, very good impression and strong color, vertical center crease, various areas of moderate soiling, slight backing tape residue on upper left corner, not backed.
Oban tate-e: 9 ¼ x 14 in.
A 19th Century Isho Ningyo set of two Geisha entertainers, one a Koto Player, the other
the highest ranking Orian singing. They are of the finest quality. They
have beautifully carved faces and hands, and wear gorgeous, sumptuous brocades
with fantastic embroidery. The Orian has fine embroidery of a carp ascending a waterfall, a
crane, and turtles on waves. The Koto Player has embroidery of cherry blossoms
and patterns of gold threads. The Koto is made of paloma wood, teak, and
ivory...
Spectacular and dramatic Japanese Bunraku Puppet of a Sambaso dancer, rooted in
myth, religion, and rituals performed at Shinto shrines and the imperial court, rituals aimed at conjuring up the gods. Has articulated eyes, mouth and arms making an array of wonderful expressions. He is holding his bell rattle, wearing a silk costume and a lacquered hat, presented on a classic Bunraku Puppet stand. 25.5 inches (65cm) tall.
One of a collection of three fantastic and rare, large Edo Period Iki masks, de-accessioned from
the Musée Archéologique in Strasbourg, France during the mid-20th Century. These three are rare for their large size. They have never before been offered on the art market. The other two masks are posted on this site. Carved Poloma wood with gofun (oyster shell lacquer), glass eyes and human
hair. 7.5 inches (19 cm) high x 7 inches (18 cm) wide.
Unique antique Japanese doll set of warrior dolls (musha ningyo) for the Japanese Boy's Day. 17 3/4 inches tall empress Jingo with her faithful minister, Takenouchi no Sukune, 12 inches tall holding prince Ojin (Oh-jin), the future 15th Japanese emperor who later became known as "The God of War".
Boy's Day in Japan was traditionally held among Samurai and aristocrat families in the Edo period...
Old Japanese doll resembling the Kuge (aristocrat) from the Heian period (794-1185), 16 inches tall. This doll was probably one of the zuishin (imperial guard) dolls for the Hina Festival (Girl’s Day in Japan). His long face mostly resembles the Kyoho-bina which is the imperial pair dolls from the mid Edo period (1603-1868).
Considering the quality, size and time (late Edo), this doll must have been made for someone special...
Late Edo Period (1850-1868) Japanese Musha Ningyô (Boys Day Doll) wearing an Eboshi, a court hat and robes with
crests. He is seated in a court position and has a handsomely caved face. His silk fiber hairs are
tied in a top knot. This is a well executed example. 11 inches (28cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.
Meiji Period (circa 1880) Japanese Musha Ningyô (Boys Day Doll) depicting the Legendary Toyotomi Hideyoshi, seated in court
position wearing dramatic brocades and gold lacquered armor, a gembun fan in
his right hand and wearing a classic winged cap. His face is finely carved with a
regal expression. This Ningyô is Meiji craftsmanship at its best. 14.5 inches, 37 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.
Antique Japanese carved wooden ranma (decorative transom). Beautifully carved with blossoming lotus flowers on a background of swirling water. The lotus flowers range in different stages of blossoming, a Buddhist symbol for the different stages of enlightenment. Carved of keyaki (zelkova Japanese elm) wood and framed in brown and gold lacquered wood.
Age: Meiji Period (1868-1912)
Dimensions: 8 1/2" high x 46 1/2" wide
Antique Japanese carved wooden figure of Nio (Buddhist temple guardian), carved of wood with wonderful details and intensity of expression, traces of original pigment, once guarded the exterior gate to Buddhist temple, on metal stand, Edo Period.
Size of figure: 30" high x 17" wide x 7" deep.
Size on metal stand: 32" high x 18" wide x 12" deep.
Antique Japanese carved wooden Kyōgen theatre mask of Zo-onna (middle-aged woman). Still beautiful, she is more serious than her younger counterparts...
Yokote Kasuri Yogi was used in the Akita region during the Meiji period. Dyed with natural indigo. In this regard, the cotton is hand-spun. The pattern is Urashima Taro. This pattern is extremely rare. Very good condition No stains or damage. Size 147cm x 140cm (57.8" x 55.1")
Cotton Kurume kasuri futonji with a castle motif. Kurume in Fukuoka Pref. in Kyushu has been one of the main product places of indigo dyed cotton kasuri since late Edo period (early 19th century). It is made of hand-spun cotton that means probably it was made before Meiji 15 (1882) and vegetable indigo dyed. In excellent condition except for minor brown stains only in the back. It has white cotton belt for hanging in the back. The second half of th 19th century. 129cm x 158cm
Oshi-e, litterally "pressed picture" which is made of fragments of antique European print and Japanese silk and the motif is a civilian man in Edo period. The history of Oshi-e date back to Heian period, found in Shosoin Treasures (around 10th century) It was very popular toy in Edo period with motif of Kabuki Theatre actors. The ground paper is "Itame-gami" which is ten layers of washi and has thin cotton lining so that it looks like a shallow relief. In good condition. The second half of the 1...
Fireman's hanten made of thick cotton and hand-stitched sashiko (quilting). It has hand painted "Edo Machi Hikeshi" (town fireman) with "Matoi" which was hold by fireman to show his own "Kumi", brigade. It also has hand painted birds and waves design inside. 19th century. In good condition. W:118cm, L:91cm
Two pieces of urumi-zome cloth which are made of hand-spun cotton and vegetable indigo dye. Urumi-zome is katazome (stencil-resist-dye) imitating shibori-zome (tie-dye) and it requires more process than common katazome to make blurring like shibori. Both have rips but other part of the cloth is not weak. The right one has a patch in the back. The second half of the 19th century. Right one:75cm x 126cm, Left one:65cm x 126cm
Ca. 1800
This porcelain bowl, molded in chrysanthemum form, is decorated in underglaze cobalt blue and overglaze enamels in red, green and gold. The center of the interior is painted with a 16-petaled flower in underglaze blue, and the well is painted with various plant and landscape scenes. The exterior is surrounded with an underglaze blue floral pattern, and the base is painted with a Chinese “Chenghua” mark, as is often seen on 18th and early 19th Century Imari dishes. The bowl is ...
Shimacho with more than 545 fragments which are mostly hand-spun cotton and vegetable indigo dye. Some of them are silk or colored yarn are also silk. Shima means stripes in Japanese but also means an island. Cotton textiles were imported from south Asian countries from mid 16th century and the were called "shima momen", cotton textiles from islands. Kasuri or check patterns were also included in shima (stripes). It has kanji characters "安政 4,Ansei 4" 1857, very late Edo period. The book h...
Kajibanten (fireman's jacket) with sashiko, made of cotton. It has hand-drawn "shachi" motif, which is a mythical carp with the head of a lion and the body of a fish and it is an auspicious protecter. Generally, in good condition but some wear in the neck and brownish stain near hem. 19th century.
W:122cm, L:87cm
Antique Japanese choba tansu from the Matsumoto area. Made of keyaki (elm) wood with dramatic grain. The top portion of the tansu has two drawers. Below this is a compartment on the left opened by two sliding panels with horizontal slats. On the right hand side of the chest and continuing on to the bottom portion of the tansu, is a series of various sized drawers, the lowest of which spans the width of the tansu. Iron hardware includes warabite shaped drawer pulls, round lock plates with c...
This is a Japanese antique indigo dye cotton sakiori big thick apron textile.There is a very slight stain, but there is no damage.The indigo dyed sakiro is very beautiful.
Size:length:60cm(23.6inch)Width:90㎝(35.4inch)
Cloth with katazome (stencil-resist dye) which is hand spun and vegetable indigo and pigment dye. In good condition, however slightly colors faded. 19th century. W:32.5cm, L:180cm
Japanese Beautiful zanshi and sashiko Stitch furoshiki Meiji era (1868-1912).It is made of hand-spun cotton.It has a few thin stains. However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition.
size:136cm x 118cm(53.5" x 46.4")
In Japan, woven baskets such as this are often referred to as “karamono” (Chinese style) to denote their stylistic origins tending towards symmetrical proportions and tight weaves. Though the maker and date of production for this piece are unknown, judging from appearance it was likely crafted in Late Edo or in Meiji—with the box being furnished at the time Houn-sai granted his endorsement. Generally speaking, it is more common for Tea Masters to certify and endorse pieces of known origin,...