A small serving bowl mukuzuke of wasted form with a scalloped rim decorated with an underglaze blue ground of scrolling vines with chrysanthemum leaves inset with reserves containing a pair of auspicious objects, an artemeisia leave and a cash or jewelled shippo, bound by ribbons. The border enamelled and gilded with a band of nindoumon karakusa, honey suckle or acanthus leaf arabesque...

Japanese porcelain soup tureen whose shape is inspired by European goldsmith pieces. On the sides two heads of modeled Buddhist lions and on the lid a crown. Simple decor of phoenixes, flowers, plants and waves in the color palette of the Imari style. An old collector's label indicated that this tureen was part of the service of Augustus the Strong. Probably verifiable statement for motivated collectors...

Fine Japanese Arita Imari Wucai Dish c.1700. # 1 An attractively decorated dish styled after late Ming wucai enamelled wares, noted for their bold and vivid colouring. A meandering vine with various flowers surround a central kotobuki or good luck character...

A shard has been grafted into the side of this large misshapen Shino bottle dating from the Momoyama to early Edo period, the repair lined with gold. Gold also circle the neck where the discarded misfire was repaired, and gleams on the lip. It is 22 cm (9 inches) tall and in excellent condition...

Rare and interesting model of a stoneware vase with brown enamel and fine details of lotus and a crane. Height : 19,5 cm. Japan Edo (1603-1868). Provenance : Collection of Mrs André Schoeller. Sold by Me Ader, Drouot, 18-19 fevrier 1963, n°15

A lovely chawan made of three separate excavated shards connected by lines of gold dating from the Kamakura to early Muromachi periods (13th to 14th centuries). It is 15.7 cm diameter, 7 cm tall and in excellent condition, enclosed in an old wooden box.

Japanese Genroku era Imari bowl with blue underglaze and red and gold overglaze enamel decoration. The octagonal form with alternating panels on both interior and exterior of flowers and of boat in garden landscape. The cavetto with vase and flowers decoration. Flowers and vine decoration around the foot. Flower head decoration in red enamel inside blue ring within ring foot. The white glaze around the buff colored foot rim burned to a thin dark iron colored ring before the unglazed rim...

A fine so-called “Deshima”, or more likely a scene of Scheveningen in the Netherlands or an imaginary composition based upon it, after an unknown original by Frederik van Frytom. Although this is the most reproduced version in the literature the design is actually a sinofication of the original Dutch landscape...

An E-karatsu Yobitsugi bowl made of various shards attached with wide bands of gold to a discarded base: the pieces dating from the Momoyama to early Edo periods. It is 22 x 20 x 6 cm 8-1/2 x 8 x 2-1/4 inches) and comes enclosed in a modern kiri-wood collectors box titled E-Karatsu Hachi.
This method of using pieces from multiple works with lacquer repair is called Yobitsugi...

Storage jar with tapering body, broad shoulder and slightly everted lip. Used for storing tea leaves.
Stoneware with some inclusions, pitted surface and natural ash glaze patches.

Iga ware, Mie Prefecture, Japan, Edo period, 17th or possibly a little later (early 18th century).

Comes with wooden storage box of a later date.

H 10-1/2 inches

Excellent condition

From the Collection of Osborne and Victor Hauge and their wives

Hard to find Japanese red lacquer Chochin Kabuto. This example of munition has the ability to fold for compact storage. The front 2 prongs are made for the meadate ornament. The underside of the shikoro (neck guard) in black lacquer, and the lames plates are secured with blue silk cords. Mounted on custom steel stand.

Red lacquer menpo may be purchased separately. (#1371484)

Edo Period 19th Century

Dimensions: 13" x 12.5" x 10.5" H (18" H on stand)

Set of Five Arita Blue and White Lobed Dishes. Each decorated with a seated Kirin among rocks and grasses within a scrolling karakusa border. The reverse with a six character Chenghua mark. Japanese 18thC. Diameter 22.3cm. Condition: excellent.

The size of Shigaraki Vase: 13 3/4" High x 9 5/8" Dia 350 mm x 245 mm
This is very old and rare Japanese Shigaraki Vase from Early Edo (Edo Zenki) 17th Century. Please see the history of Shigaraki and what is Shigaraki at separate paragraph. The condition of Vase, please note there are two Kizu (damage spot) at the top rim area as photo showing.The lower body of line indentation is Hera (spatula) marking.and Kama kizu (kiln flaw). Otherwise great shape for the age from 17th century...

During Japan's Momoyama period, spanning from the late 16th to the early 17th century, Bizen pottery flourished, producing exquisite pieces such as this symmetrical and elegant flower vase. Crafted from locally sourced Bizen clay, this vase embodies simplicity and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze...

An unusual Kakiemon dish the outer register finely painted with the Shochikubai. The pine, bamboo and prunus painted separately with elongated trailing branches growing from rockwork. The centre painted with a single bough of flowering Camellias, Tsubaki, symbolic of the season of Spring. The reverse painted with a continuous vine arabesque, karakusa and four supur marks arranged in a "Y" shape. An identical dish is to be found in the Sakaida (Kakiemon) family collection...

Arita fine porcelain tea bowl, decorated with dragons and stylized flowers, painted in underglaze cobalt blue. Japanese work from the early 18th century, perhaps a little earlier. Good enamel quality, pretty deep blue, excellent firing. Well drawn. This type of bowl is rare. Below are 6 Chinese characters that we have not translated.The top edge is coated with brown iron oxide pigment. Good condition. Height: 95mm. We have a second.

Antique 17th century (circa 1650-1680) Japanese Arita porcelain ewer of oval form with a waisted neck and loop handles, painted in underglaze-blue with panels of peonies reserved on karakusa, the neck is with stylized peonies...

Fine Japanese Arita Imari Wucai Dish c.1700. # 2 An attractively decorated dish styled after late Ming wucai enamelled wares, noted for their bold and vivid colouring. A meandering vine with various flowers surround a central kotobuki or good luck character. The back is decorated with various lingzhi motifs and within the foot-rim is a apocryphal Chinese Ming reign mark for Jiajing.

For a similar dish see pp 282-3 No 157 of the complete catalogue of the Kurita Museum where it is des...

A Japanese porcelain Arita ware dish with blue decoration of peonies and leafs in a scroll pattern. The dish measures 10 3/4" in diameter x 1 1/2" tall, and is from the 17th Century. Condition: The dish has a scalloped edge and is in excellent condition. Free shipping within the USA.

A lobed 4" white porcelain Kakiemon bowl with molded iris plants on the exterior. The interior is simply enameled with four small floral clusters.

Condition: Excellent. No chips, hairlines or restoration.

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

This piece is quite unique for its brown color which may have been produced using a copper glaze under very specific conditions. Typical o...

A rare set of three Deshima (Scheveningen) small bowls of lobed lotus petal form, two of which have all the elements of the traditional Deshima pattern, cups in this pattern appear to be exceptionally rare in the literature compared with flat wares, and one with a Chinese interpretation of the scene, where the figures and landscape are transposed into Chinese Immortals and a traditional Chinese style landscape, examples of which appear in the Burghley Collection etc. The mark to the base “Ka...

Small porcelain ko-sometsuke plate made in China for the 17th century Japanese market. Blue and white design of three running rabbits. A bird, possibly a phoenix flies in the sky. Around the rim of the plate are four galloping horses. The underside of the plate is decorated with three thin blue rings and a simple dot pattern. The edges of the plate and the many small irregularities in the firing are especially prized in this type of ware. "Ko-sometsuke ('old blue and white') porcelain w...

A fine so-called “Deshima”, or more likely a scene of Scheveningen in the Netherlands or an imaginary composition based upon it, after an unknown original by Frederik van Frytom. The bowl is decorated with four elements of the pattern, two figures in a field, a female figure with cow held upon a leash, a rider in a landscape, and a “light-house”, beacon upon a hill. There is an Arita dish in the Groingen Museum with three of the elements, clearly copying very closely a Delft original of ...

At various times over the long history of tea practice in Japan, Korean-ware has come into high fashion and ships full of the finest ceramics from the neighboring country were brought to its shores. Such pieces have long been favored by learned cha-jin (tea people); and, older pieces such as this are quite prized today as relatively few from this era have survived in good condition. While it is possible this piece is of Japanese origin, its apparent age would make it more likely to h...

A good example of an “Ai Kutani” style dish decorated with a continuous scrolling vine of Peony flowers with Peony leaves and Buds set against a “frog spawn” type ground, which is typical of the period; see Volume II of the Shibata Collection no 347 for an identical border arabesque there dated circa 1670-80. The reverse of the dish is decorated with a gently undulating vine arabesque incorporating auspicious gobenka, flowers with five petals – see no 344 from the same volume for a sim...

The cabinet is solidly constructed with planks of resinous wood probably Hinoki (a variety of cypress), it is reinforced with artistically forged and cut fittings in the purest Japanese spirit, it has 3 locks which is exceptional, the main side with key, that of the upper part of the door also with key and secret sliding system and that of the lower part simply with secret system. This type of chest was used, it is said, by ship captains. 2 identical chests were kept in the 1950s at the Metrop...

An antique Japanese gilt wood temple Ranma (transom). Hand carved depicting a pair of Kingfisher with 3 Swallows amongst Lotus blossoms and leaves. One Swallow has caught a small fish while one Kingfisher has caught the leg of a frog. Deep relief with inscription on left and partial inscription on right.

Momoyama Period (1573-1603)

Dimensions: 43" Wide by 11 3/8" High by 2 3/8" Deep

Seto is a pottery tradition established in the 12th century with the aim of reproducing fine Chinese porcelain and tenmoku-style tea bowls—which were hard to come by in Japan at the time. Later, during the Muromachi period, Seto potters established kilns in Mino thus starting the period known as ko-Seto, or “old Seto.” These pieces were distinctive as they were produced in small batches and with great care. Later in Edo, the large-kiln style of production or “ogama” was introduced ushe...

16th century blue and white glazed Ko sometsuke porcelain dish, made in China for export to Japan for use in the Japanese Tea Ceremony, decorated with blue underglaze bird and flowers. "Ko-sometsuke (‘old blue and white’) porcelain was produced specifically for the Japanese market during the final decades of the Ming dynasty (1368-1644). The lack of Chinese imperial patronage during this period prompted the potters at the Jingdezhen kilns, Jiangxi province, to seek out new markets for thei...

Japanese kakiemon dishes late 17 ° circa 1700. Porcelain enamelled with deer. D:18 cm. In a perfect state. Very rare set of 8 to the same model. For sale individually or by several the price is for one.

Arita hard porcelain dish. The decoration is painted with stylized flowers in underglaze cobalt blue and enamelled with medallions. The edge is coated with a thick chocolate brown enamel, typical. Japanese work from the end of the 17th century or the beginning of the 18th. It is a rare artistic model. Below a mark drawn in blue and traces of pernettes. Good condition. Some enamel skids. Diameter 195mm.

A very rare early and finely decorated blue underglazed 3.5" porcelain container bearing the mark of Dohachi I, father of Japanese porcelain.

Condition: Excellent, no chips, hairlines or restoration. The pierced wooden lid, which appears to once have had a nob, has a chip to the underside.

White porcelain dish decorated with underglaze cobalt blue and colored enamels in the Kakiémon style. Japanese work from the end of the 17th century around 1700. It seems to be a creation of the Arita kilns rather than those of Kakiemon because the blue is underglaze. But the exceptional quality begs the question. We know of only one example of porcelain bearing an absolutely identical decoration, it is a small bowl housed in the Baur museum in Geneva. Underside typical Fuku mark. Diameter: 232...

An Arita porcelain whistle in the form of a reclining Chinese boy. Decorated in Kakiemon-type underglaze blue, green and iron-red enamels. Circa 1680 ~ 1700.

A similar whistle is illustrated in Christiaan J. A. Jorg’s ‘Fine & Curious, Japanese Export Porcelain in Dutch Collections.’

Approximately 7.4 cm long. Perfect condition.

Please study the photographs.

Within the UK payment by bank to bank transfer is preferred.

Customers resident in China...

This is an exquisite antique Japanese Imari porcelain jar and cover from the late 17th century, precisely from the Edo period, circa 1680-1700 AD. The jar is a testament to the unparalleled craftsmanship of the Japanese artisans of the time. The ovoid body of the jar is expertly decorated underglaze with peonies and chrysanthemums in iron red, cobalt blue, and gilt. The decoration seems to be growing out of rockwork, which adds an extra layer of depth and texture to the piece.

The neck of t...