A set of three hanging scroll paintings finely depicted auspicious motifs such as rising sun and old pine tree, jurojin with divine deer and a sacred scroll, as well as a flock of crow rest in the winter old tree that reminds of the zen like scenery. Painted with ink and pigments on silk. Signed Tsunenobu and sealed. It is attributed to Kano Tsunenobu.

Kano Tsunenobu (1636-1713) was the eldest son of Kanō Naonobu (1607-50), younger brother of the renowned artist Kanō Tan'yū (1602-74)...

Hotei, one of the seven lucky gods. Painted with ink on paper. Signed and sealed. It is accompanied by an inscripton authenticating the painting that it is painted by Okamoto Hansuke. It is attributed to Okamoto Hansuke(1575-1657).

Okamoto Hansuke(1575-1657) was a military tactician and calligrapher of the early Edo period. His original surname was Ishigami, and he later inherited the Okamoto clan. He is well known by his given name, Nobunari, and his common name, Hansuke...

Okimono expertly carved from a single block of ivory depicting a hunter in the company of an Onagadori rooster. A child stands at the hunter's feet while he strokes the rooster's feathers. This okimono features the Yukiharu 之晴 signature in relief under the base within a rectangular reserve in red lacquer. Origin: Japan Period: Meiji end of 19th century. Dimensions: 29 x 7.5 x 6 cm. State of conservation: Very good

Bronze okimono depicting the study of a powerful tiger in a furtive position. The animal is represented with its legs bent, its tail curled upwards and its body in a lowered position just before launching the attack. The streaks of the fur, typical of the animal, are depicted in a masterful way and highlighted with a marked engraving. This okimono is signed Hideyoshi 秀義 under the belly. Origin: Japan Period: Meiji second half of the 19th century. Dimensions: 10 x 36 x 9 cm....

Late Edo (1603-1868) Period Shino Chawan with all highlights of the Japanese aesthetics of wabi sabi. It is in perfect antique condition and comes with its original wooden box, a cloth bag (shifuku) and the attestation of a tea master inside.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in single-chamber anagama style kilns set into the hillsides...

Kano School painting depicted Inkwash landscape/Suiboku Sansui. Painted with ink on paper. Signed Naonobu and sealed. It is attributed to Kano Naonobu.

Kanō Naonobu (1607–1650) was a Japanese painter of the Kanō school of painting during the early Edo period...

Urushi sakazuki (sake cup) made of wood and painted with black urushi. It has hand-painted sculp with red urushi which is for a charm against evil spirits and used in a temple or a shrine. It is from Akita prefecture in Tohoku. Late Edo period (The first half of the 19th century). In good condition. H:3.5cm, Diameter:10.3cm

DOROMENKO

Primitive Japanese earthen toy for children called 'Doromenko' (lit. 'Mud face') including rare motif like ghost, fox, fish, etc., 19th century, approx. 3-3.5 cm (1.18-1.37in)...

Important 'Omizutori' festival lacquer plate from the late Meiji Period. Omizutori (お水取り), or the annual, sacred water-drawing festival, is a Japanese Buddhist festival that takes place in the Nigatsu-dō of Tōdai-ji, Nara, Japan. This ceremony is to cleanse the people of their sins as well as to usher in the spring of the new year. Once the Omizutori is completed, the cherry blossoms have started blooming and spring has arrived...

Late Meiji period (1890s to 1912) Japanese lacquered wood set of kushi (hair comb) and kogai (hair pin) with colored and gold lacquer decoration of a carp swimming in a stream among water lillies. Beautifully made out of dense wood allowing for fine teeth, superb lacquering, wonderful work in Japanese taste, loss to part of lacquer on the fish of the comb, otherwise in excellent condition. Kogai length 5.56 inches, comb length 3.46 inches.

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) encased in silver sheath with gold and shakudo inlays representing beans thrown during setsubun ceremony performed at the New Year around the house to exorcise the oni (demons). Superbly made, crisp detailing, wonderful work in Japanese taste, in great condition. Length 3.39 inches.

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) with carved and gold lacquered decoration of a drum in garden settings among flowers. Superbly made, crisp carving, excellent lacquering with various colors, wonderful work in Japanese taste, in great condition. Length 3.37 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold lacquer decoration of narrow theatrical masks on one side and flowers with buds and leaves on the other. Beautifully made out of wood with dense texture allowing for very fine teeth, excellent lacquering, wonderful work in Japanese taste. Length 3.27 inches.

Late Meiji period (1890s to 1912) Japanese turtle shell kushi (hair comb) with gold and silver lacquer decoration of low flower plants among vaporous golden clouds, design continuing over the ridge onto the other side. Exceptionally well made, excellent lacquering, wonderful work in Japanese taste, some wear and insect damage as can be seen on photos. Length 3.43 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with black and gold lacquer decoration of pine saplings and flowering prunus branches, design continuing onto the back. Nice pairing of the two out of the Three (third being bamboo) Friends of Winter. Beautifully made out of wood with dense texture allowing for very fine teeth, superb fine lacquering, wonderful work in Japanese taste, in excellent condition. Length 4.85 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold and brown lacquer decoration of blooming chrysanthemums, design continuing on the back. Beautifully made, excellent lacquering, wonderful work in Japanese taste, in great condition. Length 5.3 inches.

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) with lacquer decoration of a scholarly landscape with trees, torii gate, scholar’’s hut and a bay with distant hills, design continuing on the back. Very well made, beautiful lacquering, wonderful work in Japanese taste, in great condition. Length 3.74 inches.

Late Meiji period (1890s 1912) Japanese pressed buffalo horn kushi (hair comb) with embedded design of metal and mother of pearl flowers. Very well made, wonderful work in Japanese taste, in great condition. Signed YOSAI. Length 3.86 inches.

Late Meiji period (1890s to 1912) Japanese turtle shell kushi (hair comb) with gold lacquer decoration of grasses among vaporous golden clouds, design continuing over the ridge onto the other side. Beautifully made, excellent lacquering, wonderful work in Japanese taste, some wear and insect damage as can be seen on photos. Length 2.77 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold lacquer decoration of a leafy vine, design continuing on the other side. Beautifully made out of dense wood allowing for fine teeth, superb lacquering, wonderful work in Japanese taste, some wear as can be seen on photos. Length 4.2 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with colored and gold lacquer decoration of a bird in flight against a crescent moon among stylized clouds. Beautifully made out of dense wood allowing for fine teeth, very good lacquering, wonderful work in Japanese taste, wear and loss as can be seen on photos. Length 4.05 inches.

Antique Japanese tall bronze vase in the form of a section of a cherry tree trunk. The tree has been pruned and it's new growth is just starting to blossom. 5 bats flit around the trunk. Details like the texture of the cherry tree bark, the faces and fur of the little bats add a life-like feel to the scene. Made for use with dry branches or an insert for water (not included).

Age: Meiji Period (1868-1912)

Dimensions: 13 3/4" high x 6" wide

Antique Japanese jingasa (samurai war hat). Carved of wood and lacquered black with many raised plates and upturned rim. This shape of bajo-jingasa was developed to be worn by warriors on horseback. The underside is lacquered black and his metal eyelets intended for cord. Age Edo Age - 19th century

Dimensions: 6 1/2" high x 16 1/4" long x 12 3/8" wide

HAIL LOTUS SUTRA

Edo period, Japan. H 13.5 cm (5.31in).

Aged wooden 'Butsugu' as a gold-foiled Buddhist altar equipment, similar to a presence like 'ikon' (Western religious painting on panel) of traditional Japanese Buddhist art piece. The seven kanji characters written in Indian ink pronounced as "Na-m-myo-ho-ren-ge-kyo" as a whole mean "I devote myself (embrace) to the teachings of the Lotus Sutra."...

Jurōjin / Gama Deity of Good Luck. Painted with ink and pigments on silk. Signed Tosa no mori Fujiwara Mitsusada and sealed. It is attributed to Tosa Mitsusada.

In Japan, Jurōjin, also known as Gama, is known as one of the Seven Gods of Fortune. He is the God of longevity. Jurōjin is originated from the Chinese Taoist god, the old man of the south pole. He is known as the immortal of the Northern Song dynasty (960 – 1127), and may have been a historical figure of the period...

Large landscape/sansui painting depicted Mt. Fuji and mountain village. Painted with ink and pigments on silk. Signed setsuzan and sealed. It is attributed to Nagashio Setsuzan.

Nagashio Setsuzan(1774-1833) was a Kyoto born painter of the late Edo period(1603-1868). He became a private painter for the Mori clan of the Tokugawa shogunate in Izumo (Shimane Prefecture), and created paintings based on the Kano school.

Some marks, severe crease, damage, foxing, fabric peeling off, and t...

Antique Japanese uma-jirushi, flag standard for battle. This uma-jirushi is in the shape of a large war sensu (folding war fan). Made of gold and black lacquered paper and lacquered wood. The front and back with round circle motif in alternating gold on black on one side and black on gold on the other. Mounted on a metal stand.

Age: Edo Period (18th century)

Dimensions: 51" high x 25" wide

This antique Japanese large flying dragon shrine corbel is a stunning piece of art that is sure to impress. The sculpture is made from one solid block of Keyaki (Zelkova) wood depicting a dragon that appears to abruptly change course in mid-air. The body has dramatic features that visually flow with this sculpture, making it a true masterpiece. The custom iron stand cradles the carving giving the appearance of floating in the air, adding to its allure.

Being a rare find, it would make a...

Height: 11.6 cm (4.7 in)
Width: 7.5 cm (3 in)

Japanese Satsuma vase shows two main polychrome panels of families in rural and domestic settings; all surrounded by profuse and very detailed gilt diaper work; signed on the base, Gyokuzan; good condition

Early to mid- 19th century netsuke representing nio (one of the Buddhist Guardian Kings) sitting on a huge old straw sandal and mending it with a rope. Excellent carving, beautifully stained, wonderful wear and patina. Signed TOMOCHIKA in oval reserve on the bottom - the artist is Tomochika the First as discussed on p. 1148 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. Height 1.2 inches.

Exceptional tripod censer in hard porcelain with a polylobed shape. The censer in the shape of a flattened melon with twelve slices, each decorated with a dragon painted on top in green, manganese and yellow enamels. Below Makuzu Kozan has chiseled his signature in relief which is very important, in fact it is much more complicated to chisel in relief than in hollow. In hollow all it takes is one pass of the tool to trace the characters while in relief you have to lower all the material around t...

Unusual Pottery sweets dish in soft green glaze by the 11th generation head of the Raku Family Keinyu, enclosed in the original signed wooden box titled Chagata Kobachi. Covered in crackled pale green glaze, it is 11.5 cm diameter, 8 cm tall and in excellent condition.
The 11th generation head of the Raku family, Keinyu, was born a second son of Ogawa Naohachi, a sake brewer from Tanba, the present Kameoka city in Kyoto, he was adopted in the Raku family as Tannyû's son-in-law, assuming...

Zabuton, a floor cushion made of hand-spun cotton and vegetable indigo dye. One side has kasuri pattern. It has four layers of cloth and sashiko (quilting) with white cotton yarn. Generally, in good condition but has wear or breaks in hems. Early 20th century. W:58cm, L:59cm.

Mid- 19th century netsuke depicting Kokusempu Riki (Li Kui in Chinese) - one of the Suikoden heroes - holding a huge axe. Loosely based on historical events, the Chinese book called Shui-Hu-Chuan (Suikoden in Japanese, The Water Margin in English) it tells the story of a group of 108 rebels living at the edge of Liangshan Marsh who helped to protect the poor and oppressed. Kokusempu Riki (Li Kui in Chinese) was a priest, who was expelled from the Hakuryojin Temple. Excellent carving, wonderful f...

This is a very attractive and richly decorated Japanese cloisonne vase. At fist glance one would think it was made by Namikawa Yasuyuki because of the mottled colors and glow to the enamel. There are both silver and gold wires used in the designs. It is not signed but it is so similar to a Namikawa piece that we believe it was made by Shibata, his student. It stands 6 inches tall and is quite heavy because of the thick enamel. The vase may have had a lid at one time but I can't say for certain....

This is a beautiful early Japanese satsuma vase. It is made in the style and quality of mercury/gold fired Meizan pieces, except it stands 18 inches tall. It also features a basket weave design and extensive enamel work. It's unsigned and a very heavy piece. The bottom edge is rough so a stand or protection will be needed to keep it from scratching surfaces. This rare piece belongs in a museum.