Japanese keyaki wood toad.

Age: Japan, Showa Period, Mid-20th Century
Size: Height 11.2 C.M. / Width 16.7 C.M. / Length 21.7 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Antique Japanese musha-ningyo samurai doll of the old warrior, Takenouchi no Sukune and the baby Ōjin. Takenouchi was the vassal of the Empress warrior, Jingū-kōgō.
The wife of the 14th sovereign, Chuai, Jingū ruled as empress-regent after her husband was killed in battle in 200 A.D. Considered the 15th Japanese imperial ruler, she lead an invasion of "the promise" land (believed to be the Korean Peninsula)...

Antique Japanese musha-ningo (samurai doll) of the Empress Jingū-kōgō (Okinagatarashi-hime no Mikoto 170 - 269). The wife of the 14th sovereign, Chuai, Jingū ruled as empress-regent after her husband was killed in battle in 200 A.D. Considered the 15th Japanese imperial ruler, she lead an invasion of "the promise" land (believed to be the Korean Peninsula). After 3 years away, Empress Jingū returned to Japan, surviving a ship wreck...

Satsuma tea bowl, decorated with richness of detail, depicting the evocative Nikkō Shrine and numerous visiting pilgrims. The external reserves are decorated with figures and characters, each of which is represented with great care and precision. Signed Kyoto Satsuma with Shimazu clan mon under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 15 cm. State of conservation: Very good

Refined Satsuma tea bowl, decorated with skill and richness of detail, lobed in the shape of a chrysanthemum with inflected edge. Inside, four chrysanthemums painted in white and pink enamel stand out against a golden background of chrysanthemums, which also extend outside...

Satsuma ceramic tea bowl, depicting a traditional village with theater masks along the inner and outer rim. The bowl features an elaborate decoration made with enamel and gold. Signed Senzan under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6.5 x 15 cm. State of conservation: Very good

A bronze okimono depicting a young geisha walking barefoot with an elegant kimono and a smiling face, with her hands raised behind her head. I have the perfect haircut to match the quality of the Tokyo school and the high quality of the foot to highlight the elegance and elegance of the movement. Signed Harumitsu (Seikō) entered a square uppercut. Origin: Japan Period: Meiji end of 19th century. Dimensions: 30 x 11.5 x 10 cm...

Quality dark patina bronze sculpture depicting the study of a powerful tiger in an unusual position. The animal's posture is engaging with the paw raised and the tail curled upwards along the end. The streaks of the fur are depicted in a masterly way and highlighted with a strong engraving. Signed under the belly with the mark of the Maruki company (in the square) and the engraver Atsuyoshi. Origin: Japan Period: Meiji second half of the 19th century. Dimensions: 26 x 49 x 14 cm...

Okimono of the Tokyo school made in bronze, depicting a farmer returning home after the harvest. He carries two fruit baskets, which are filled with harvest products. To carry the baskets, the farmer has a long stick over his shoulder, with the ends of the baskets hooked to it. Origin: Japan Period: Meiji end of 19th century. Dimensions: 31.5 x 23 x 13 cm. State of conservation: Very good

Ivory okimono with blind travelers defending themselves from the aggression of four scoundrels who try to rob them of their bags and food. The scene involves nine characters, three of whom receive sticks, umbrellas and punches. One of the most curious moments is the character at the top, who loses a geta during the battle...

Ivory okimono depicting a fisherman returning on his journey, carrying on his back a basket on which his child is resting and holding a large fish. The woven basket, the ropes, the engravings on the clothes and the hands were made with great precision and care. Origin: Japan Period: Meiji end of 19th century. Dimensions: 24.5 x 10 x 6.5 cm. State of conservation: Very good

BOY ON BABY

Quite a unique old traditional Japanese Fushimi ningyo clay doll, together with too small boy? or too big baby?, 19th century, 26 x 13.5 x H 20 cm (10.23 x 5.31 x 7.87in), with the engraved sign at the bottom seemed to be the one of 'Ikaruga Kouemon' as the Edo period's master Fushimi doll craftsman, but not sure...

A masterpiece of Akahada Pottery ware in the shape of a wooden bucket with elaborate scrolling feet from the kiln of Okuda Mokuhaku. It is 18 x 18 x 19 cm (7 x 7 x 7-1/2 inches) and is in excellent condition, enclosed in a modern wooden collector’s box.
Okuda Mokuhaku (1800-1871) was born the son of a merchant in Sakai Machi Yamato Koriyama in Nara Prefecture that served the local lords with hair ornaments, make-up supplies and other fashionable items...

Meiji Period ca. 1880 zen temple meal gong from Tottori Prefecture, Japan. Rich patina from temple candle smoke and oil lanterns. Excellent condition. With striker. Heavy original iron chain for hanging. 22" long x 12" tall and 6" deep. Ask for shipping quote.

The cigarette holder is made of iron decorated with a damascened dragon in gold, silver and sentoku (copper alloy). On the reverse is represented Mount Fuji damascened in silver, at the bottom right the mint mark as well as the "24 carat gold" guarantee...

A marine ivory okimono, depicting a Ryu dragon fleeing upwards into the clouds passing under the arm of a character sitting on the tatami. Signature 'Gekko (?) tō' 月古かたな engraved under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 20 x 8 x 6 cm. State of conservation: Very good

Bronze okimono depicting a player of the biwa (琵琶), a short-necked Japanese stringed musical instrument, portrayed in a sitting position. Signature engraved under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 15.5 x 14 x 12 cm. – Weight: 1.2 kg. State of conservation: Very good

Ivory okimono depicting a Japanese farmer tying three daikon turnips with a rope. The details of the farmer are finely engraved and sculpted, testifying to the artist's mastery. Origin: Japan Period: Meiji end of 19th century. Dimensions: 10 x 12.5 x 9.5 cm. Ivory dimensions: 7 x 8.5 x 5 cm. State of conservation: Very good

Kogo box 香合, incense and perfume holder, in polychrome enamels in the cloisonné technique with a turquoise background depicting a mandarin duck. On the sides there are floral motifs of bamboo and lotus flowers. The turquoise background evokes the image of crystal clear waters and clear skies. The interior is covered with an original fabric. Origin: Japan Period: Meiji end of 19th century. Dimensions: 3.3 x 6 x 4.5 cm. State of conservation: Very good

Bronze okimono from the Tokyo school, depicting a farmer with a basket, which contains seeds. The farmer is represented in a working position, intent on sowing seeds. Signed Seiya six within square reserve on the relief base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 26.5 x 13.5 x 13.5 cm. State of conservation: Very good

A fabulous Rootwood stand of dark red hardwood with a web of interlacing root-legs beneath. It is 48 x 32 x 8 cm (19 x 12-1/2 x 3 inches) and is in overall fine condition, dating from the first half of the 20th century.

Pair of 1900's Japanese Bamboo Carved Vase with Figurine

Each is 14.9 inches (38 cm) tall by 6.4 inches (11.8 cm) wide. Total weight is 2.8 lb.

They have hairline cracks, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A sparse image of tiny boats, sails stretched with wind floating out off the coast by Shirakura Niho enclosed in the original signed wooden box titled Enko Hobari (Sails Stretched in the Distant Harbor). Pigment on silk bordered in patterned cloth extended in beige. The scroll is 65.5 x 132.5 cm (25-3/4 x 52 inches). There is some toning to the silk typical of age, but is in overall fine condition...

The box is made of iron embossed with a hammer, the forging work itself is admirable, it presents a particularity rarely encountered in works of this type, in fact the artist sculpted the trunk of the tree hollow in the iron and forged the branches in relief. The inlays are in shakudo (copper and gold alloy), sentoku (copper alloy) in silver and gilded copper. The details are solid gold. The tree, rocks and plants are admirably drawn and perfectly executed...

Antique Japanese Musha-ningyo doll of a samurai warrior, the hero Minamoto Yoshitsune. He is seated and wears an elaborate kabuto with dragon meadate. His quiver and arrows are strapped to his back and his two swords are intact. His clothing is made of silk brocade and his armor is metal and lacquer...

Antique Japanese ceramic figure of a rabbit. Glazed with a crackle glaze. Recumbent from with head slightly turned. Details of eyes and nose in black and gray.

Age: Taisho Period (early 20th century)

Dimensions: 4 1/4" high x 8" long x 5 1/2" wide

Old Japanese Green to Blue Nippon Coralene Handles Vase with Roses Marked

It is 9 inches (22.8 cm) tall by 5.75 inches (14.6 cm) wide. It is 1.6 lb.

It has rubbing of gold, stains, minor missing beads, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally ...

A peaceful cluster of homes blanketed in snow by Shirakura Niho enclosed in the original signed wooden box titled Kamo Sekkei (Kamo in Snow). This is likely an image from very close to the artists heart, he lived west of the Kamo River in Kyoto, and one can imagine this being one of the bridges spanning that river he has seen out on a winter day. Ink,Gofun & Light color on Silk bordered in light colored cloth. The scroll is 46.5 x 203.5 cm (18-1/4 x 80 inches) and is in overall excellent cond...

This scroll is an excellent example of the early Showa era style of Shirakura Niho centering around 1930 enclosed in the original signed wooden box titled Teishu Sotai. The painting features two persons in a boat contemplating a precipitous waterfall which extends up through the clouds. The phrase Teishu Sotai in old Japanese translates to "meeting of moored boats" in English. It is often used metaphorically to describe a chance encounter or a meeting between two people who happen to be in the...

A work so compositionally striking we chose it for the cover of the exhibition catalog by Shirakura Niho titled Baika Shoin Zu (The Plum Blossom Retreat). Pigment on silk in a silk border enclosed in the original signed wooden box. It is 55.5 x 127.5㎝ (21-3/4 x 50 inches) and is in excellent condition.
Shirakura Kinichiro (Kinro, Niho or Jiho, Kanyu, 1896-1974) was born the first son of lawyer and scholar Shirakura Shigeichi in Shibata city, Niigata. His father was a noted Kangakusha,...

Antique Japanese bronze censer in the form of a monkey. Elongated right arm is holding a ring attached to a chain and another ring for hanging. The monkey's left arm hangs by his side and it's tail wraps around. There is a round door in the back for inserting incense. The smoke would come out an opening in the monkey's mouth. Charming expression. Deep patina.

Age: Meiji Period (1868-1912)

Dimensions: 22" high (29" including chain)

Unusual 19th century Japanese carved wooden head of rakan - one of the 16 (sometimes the number is given as 18) initial disciples of the historical Buddha.. Was carved and, judging by patina, most probably used, as the top of a votive statue. Wonderfully captured facial expression, beautiful patina. The bottom of the post is branded with the mark of the workshop where the piece was carved. Height 3.71 inches.

Unusual 19th century Japanese carved wooden head of a scholar. Was carved and, judging by patina, most probably used, as the top of a votive statue. Wonderfully captured facial expression, beautiful patina, inscribed in ink on the back of the post. The bottom of the post is branded with the mark of the workshop where the piece was carved. Height 3.64 inches.

Unusual 19th century Japanese carved wooden head of a warrior blind in one eye. Was carved and, judging by patina, most probably used, as the top of a votive statue. Wonderfully captured facial expression, beautiful patina, inscribed in ink on the bottom, inscription can be translated as GREAT SAMURAI MARUMITSU. Height 2.76 inches.

Unusual 19th century Japanese carved wooden head of a monk. Was carved and, judging by patina, most probably used, as the top of a votive statue. Wonderfully captured facial expression, old gesso painted eyes, beautiful patina, inscribed in ink on the back of the post. Height 2.6 inches.

Unusual 19th century Japanese carved wooden head of a courtier in a tall hat. Was carved and, judging by patina, most probably used, as the top of a votive statue. Wonderfully captured facial expression, beautiful patina. Height 4.6 inches.

Unusual 19th century small Japanese carved wooden head of a rakan - one of the 16 (sometimes the number is given as 18) initial disciples of the historical Buddha. Was carved and, judging by patina, most probably used, as the top of a votive statue. Wonderfully captured sorrowful facial expression, old loss to the nose, beautiful patina. Lengthy inscription in ink on the base post. Height 2.2 inches.

Antique Japanese set of five lotus leaves and blossoms. Carved of wood and lacquered silver. Made for a Buddhist altar, these leaves and blossoms symbolize the stages of the path toward enlightenment. Every petal of the lotus flower is carved separately. Each blossom and leaf comes fitted with a custom metal stand so they can be rearranged at will.

Age: Taisho Period

Dimensions: approx 26"hight (tallest leaf)

Antique Japanese pair of jingasa, hats worn by samurai or foot soldiers. Lacquered black and marked with the mon (family crest) of the Ogasawara clan. The Ogasawara were descended from Seiwa Genji. They acted as shugo, governing Shinamo Provence during the Sengoku Period (1185-1600). This pair of hats dates to the Edo Period (1608-1867) when the Ogasawara were daimyo (feudal lords) of territories on Kyushu.
The underside of each jingasa has gold leaf and remnants of padding.

Height: 22 cm (8.8 in)
Width: 11 cm (4.3 in)
Depth: 8 cm (3.2 in)

Fine pair of Meiji bronze elephant bookends; very well modelled skin and musculature throughout; tusks are of a natural material; both pieces signed on the base; good condition

Ivory okimono which portrays an affectionate scene of daily life: a father holding his child in his arms while holding the toy desired by the child. The okimono is signed Tomokata under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 17.5 x 6.3 x 5.3 cm. State of conservation: Very good

Satsuma vase, with slender neck and terminal part adorned in pure gold decorated with a garden of chrysanthemums, made with enamel and gold in relief. Different varieties of chrysanthemums are depicted, with precision and detail, which differ in the shape, color and size of the petals, creating a fascinating visual effect. Signed under the base Kinkozan in gold on a framed black background and signature imprinted in the ceramic. Origin: Japan Period: Meiji end of 19th century. Dim...

Kogo box in maki-è lacquer, with a rounded lid depicting a naturalistic scene. The gold decoration depicts the Japanese pine, known as Matsu, and a typical house with a thatched roof along the banks of a waterway. Sold with its tomobako. Origin: Japan Period: Meiji end of 19th century. Dimensions: 3.5 x 7 x 8 cm. State of conservation: Very good

This is the indigo-dyed cotton Tsutsugaki Nobori flag dedicated to the Inari Shrine during the Edo period. Among the characters of tsutsugaki, it is an item written with very high technology. This is an indigo-dyed cotton fabric with a very nice texture that was made in 1825 during the Edo period　bunsei 8 years. Hand-spun natural indigo-dyed cotton. There is some discoloration, but there is no damage and the condition is very good. You can easily hang it on the wall with pins. ...

A fine shoe-shaped - katsugata tea bowl of black Oribe (oribe-kuro chawan), the coarse Mino clay is covered with a thick black glaze, on one side a cartouches featuring irregular strips patterns in iron-brown glaze on creamy ground. Japan, Edo, Meiji period, 19th cent. L 13.5 cm, H 6.5 cm. Condition: Excellent with signs of use and wear.

Satsuma ceramic plate adorned with polychrome and gold decorations within numerous reserves of unique shape and size, depicting scenes of Japanese daily life. The plate is signed under the base 'Dai Nihon Yokohama Hotoda shōten seizō'. Origin: Japan Period: Meiji end of 19th century. Dimensions: 4 x 29 cm. State of conservation: Very good

An ivory okimono, carved from a single block, depicting a hunter accompanied by an onagadori rooster and a child with a net in his hand. Yukiharu 之晴 signature in relief seal under the base within a rectangular reserve in red lacquer. Origin: Japan Period: Meiji end of 19th century. Dimensions: 29 x 7.5 x 6 cm. State of conservation: Very good

Festival costumes for children made and used in the Kanto region. Since this item was used in the summer, men-chijimi is used. This material was the highest quality item for children in the late Edo period. The finest materials are used by skilled craftsmen to draw the finest lines, which are extremely sharp and delicate. The blurring technique gives the hawk movement and makes it dynamic. The cotton material is hand-spun men-chijimi. There are some small stains, but they are not noticeable. ...

A museum piece. Dated Manji 2 (ca. 1659) April Auspicious Day. Large, heavy bronze shrine lantern with hoju embossed under the top petals. Beautiful diaper patterns on the panels. Originally used as an oil lamp. Very good condition. 15" wide x 22" tall. Ask for shipping quote.

A fascinating Jar-shaped set of stacking food boxes known as a Jubako in multi-color dating from the early 20th century. Jubako were used to serve food to groups or family on festive occasions, where the food was presented in the box, and each person would take what they wanted, rather than have the meal served on individual dishes as in more formal Kaiseki meals. Assembled it is 20 cm (8 inches) diameter 32.5 cm (13 inches) tall and is in overall excellent condition.

Very large tile in the shape of (and virtually in the size of) a handscroll decorated in underglaze blue with a crashing wave and a full moon. The image is surrounded by borders of geometric flowers and medallions filled with a phoenix. Some of the phoenixes looks left, others look right. Medallions colored in underglaze pink and yellow.

On the back are two ‘loops’ to hang the tile up.

Japan, Seto, Meiji era, 1870s-1900.

H 10.6 x W 39.25 x D 0.25 in.

Excellent condi...

Ivory netsuke of a craftsman making a bucket.

Signature below, the first unidentified character : ?光.

Japan – Late Edo period (1603-1868) ou Meiji era (1868-1912), 19th century – ?光
Width: 1.2 in (3.8 cm) – depth: 1.2 in (3.7 cm) – height: 1.2 in (3.8 cm)

Ivory netsuke of a craftsman with a fan. Near the holes reserved for the rope (himotoshi), maple leaves.

Signed below, the first character unidentified: ?夫 .

Japan – Late Edo period (1603-1868) or Meiji era (1868-1912), 19th century – ?夫
Width: 1.9 in (5 cm) – depth: 1.6 in (4.5 cm) – hauteur : 1.6 in (4.2 cm)

Boxwood netsuke of two chestnuts, one smaller on top of the larger.

Chestnuts, found all over Japan, are considered a symbol of victory and a good omen.

Japan – Meiji era (1868-1912)
Width: 2 cm (5 cm) – depth: 0.8 in (2.8 cm) – height: 1.6 in (4 cm)

Okimono bronze sculpture of a garlic head with a few cloves visible.

Unidentified mark on the base, most likely from the foundry.

Japan – Meiji era (1868-1912)
Width: 2 in (5 cm) – depth: 1.5 in (4 cm) – height: 1.8 in (4.7 cm)

Ivory netsuke of a guardian lion, komainu in Japanese or shishi in Chinese, with golden eyes. Resting on its front paws, its head is turned backwards on a four-lobed base.
The komainu is inspired by the Chinese guardian lion shishi, which dates back to the Tang dynasty (581-618). Supposed to ward off evil, it appears on both sides of doors and portals in Shinto shrines and Buddhist temples.

Japan – Meiji era (1868-1912)
Width: 13 in (3.3 cm) – depth: 1.2 in ...

Height: 4.8 cm (1.9 in)
Width: 2.8 cm (1.2 in)
Depth: 2 cm (0.7 in)

Japanese carved netsuke of an Oni carrying Okame on his shoulders; fine details throughout; natural material; lacquer tablet on the base; good condition

Length: 9.3 cm (3.8 in)
Width: 5.9 cm (2.4 in)
Depth: 1.8 cm (0.7 in)

Quality Japanese Komai style cigarette box with a built-in vesta case; fine inlaid silver and gold work throughout; minimal wear

Japanese pair of porcelain Inari kitsune (foxes). Glazed and painted they sit on brightly colored bases, one with a scroll, the other with a ball in it's mouth.
Also called zenko, these good spirit kitsune are specifically associated with the goddess, Inari. Believed to be both messengers and guardians, kitsune served Inari in her role as goddess of agriculture, specifically rice. Part of the folklore surrounding the fox is it’s ability to shape shift into human form. It is believed...

1900's Japanese Ando Jubei Cloisonne Box with Gold & Silver Wires & Maple Tree & Birds

It is 2.28 inches (5.8 cm) tall by 4.76 inches (12.1 cm) wide and 6.45 inches (16.4 cm) in length. It is 2.6 Lb.

It is tarnished and has enamel chips, enamel bruises, rubbing of gold, minor bent and cut marks at the inner metal rim, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purch...