Late 1600s / early 1700s

Large mountain-form brushrest molded with a fanciful design of a mythical horse prancing over stylized waves. Known as haima in Chinese, this decoration was popular on ceramics in the late transitional period through the early Kangxi period and often seen painted in wucai or enamels on biscuit...

1700s

Small beehive-form pot is covered in a rich, lustrous copper-red glaze that drains to a pale celadon tone on one side. The interior is glazed white with the glaze crackles being highlighted by ink staining from long term use. The copper has drained from the mouth leaving the often seen attractive white ring. The glaze stops at the beginning of the foot which though left unglazed has burnt a pale orange tone in the firing...

Qianlong seal mark, but 1800s

Round box is very well-potted and very skillfully painted in underglaze cobalt blue with a design of a boy, or possibly an immortal, riding on the back of a crane flying among clouds. The brushwork is finely detailed—even picking out tiny feathers on the crane’s back. Encircling both the base and the lid are bands of mille-fleurs decoration executed in minute detail with skillful brushwork...

Guangxu mark, ca. 1875-1908

Both finely potted bowls are covered with a lustrous clear glaze, then painted in a broad palette of overglaze enamels. The thousand flowers design, known in Chinese as jiacai (mingles colors), covers the entire exterior of each bowl from the foot to the rim. The flowers include lotus, peony, hydrangea, chrysanthemum and more. The small spaces between the leaves and blossoms are filled with gold enamel...

1800s

Bulbous jar with rounded shoulders rising gently to a low, tapering mouth. Glazed overall with a fine clear glaze on the inside and outside as well as the base. Painted with bird and flower scenes within two cartouches in a famille verte palette of greens, yellow, aubergine and iron-red. The two main paintings are separated by a red and green enamel floral arabesque...

1700s

Jar or bottle vase has a low neck with a flaring mouth and a spherical body supported on a footring. The mouth’s edge is clear glazed, showing the buff-white body. Glazed with a russet-brown rust glaze suffused with silvery-black flecks, that depending on the light, can yield tones from a metallic red-brown to silvery-purple. The footring is unglazed revealing a warm, buff-white porcelain body. Good condition, with no damages...

Qianlong sealmark, but probably 1900s

Small, globular form brushwasher thinly potted and fits comfortably in the hand. Covered inside and outside with a smooth, even clear glaze stopping just short of the narrow, exposed footring that reveals the white porcelain paste. One side is painted in several colors of overglaze enamels depicting a floral arbor. The other side is decorated with three tiny stylized bats...

Gilded Lacquer Bronze Seated Shakyamuni, 17th Century

It is 11.25 inches (28.5 cm) tall by 8 inches (20.5 cm) wide. It weighs 6.2 lb.

It is in good condition with no cracks, except loss of lacquer, chip at one arm, manufacture defect of firing holes near the bottom, and an old repair to a chip at the back (as seen in the photos).

Large format photos available upon request.

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A Very Rare and Fine Set of Amulet, Key-Holder: Korea, Choson period, 19th Century, This is amazing example of Korean women¡¯s ornament accessory with symbols of happiness and wealthy and also for longevity and good fortune in late Choson period This large sized amulet or charm is being called also Key-holder, which is formed with nine coin-shape joined each other with floral design below two dragons on the top decorated with seven precious mineral colors (Ä¥º¸) delicately done all...

1700s / 1800s

Small square form tapers gently to a slight ogee shoulder around the square mouth. Covered in a thick ge or guan type Song dynasty style glaze suffused with pale golden brown stained crackles. The glaze forms a curtain effect on two adjacent sides where the second application does not completely cover the first...

Late 1800s / Early 1900s

Gently flaring bowl with lid, both very well-painted with fruiting vines, bamboo and butterflies probably after a pattern from the Qianlong period. The enamel colors are clear and delicate in the case of the aqua blue and pale green; the fruits are subtly shaded with red and green over white enamel. The bowl is raised on an unglazed footring revealing the white porcelain paste. Four character Guangxu marks are on the lid and the base of the bowl in red enamel...

Kangxi mark, but probably 1800s

Gong-shaped brush washer for use on scholar’s table. Covered overall in a glossy, clear glaze and decorated only with two concentric rings of cobalt blue encircling the mouth. The clear glaze reveals the fine white porcelain body. There are a few characteristic pinholes in the glaze on both the exterior and interior surfaces. The narrow, well-carved footring is unglazed, showing the dense white porcelain paste. There is a Kangxi mark in underglaze blue on ...

Ming Dynasty, 1500s

Very heavy pear-form bronze vase stylized after ceramic vases of the same period, probably intended as a decoration in a scholar’s studio. Cast with a graceful qilong dragon wrapped around the body and neck with its bifurcated tail terminating on the upper neck of the vase and above the dragon’s head. The dragon’s features are well defined, including the single horn on top of its head, a hairy mane and goatee, and also a prominent backbone. The vase retains its or...

A porcelain dish with an extremely nice, decorative overglaze enamel dcoration. Transitional Period between the Ming and the Qing Dynasty ( mid seventeenth century ) South. Possibly Jangxi. Condition : There is a original firing crack on the back of the piece . Please see the quite nice original condition of the piece on the enclosed images. D : 11,2 cm. Dear Customers, in the earlier times of Trocadero that was different. Today we are faced with a tide of falsifications here, which is offer...

1800s

Lid is suffused with brilliant apple-green that deepens to an emerald tone and the top is carved overall with an intricate stylized dragon design. Encircling the lower pedestal is a key fret incised carving. The insides of the box and lid are well-hollowed. This box was intended for cosmetics or possibly for seal paste. There is a small nick to the inner rim of the box but is in overall good condition, retaining its original lustrous polish.

Acquired from a prominent North Caro...

1700s / 1800s

Even, whitish celadon tone, intricately pierced and carved on both sides with a scene of a daoist immortal rowing his log craft over the waves. A crane flies overhead symbolizing wishes for longevity. The raft terminates in a pine tree. The pine tree along with a flower basket in the center, are symbols of one of the eight immortals, Lan Caihe. This plaque was original intended to be used as a pendant ornament. There are two small holes in both the top and bottom edges to per...

An Extremely Rare Solid Gold Buddhist Sutra: Korea, Koryo Period, 11th -13th Century, It is extremely rare solid gold leaf sutra of "Vajraccedika, prajnaparamita" , "Ma Ha Ban Ya Pa Ra Mil Da Sim Kyung", from late Unified Silla to Koryo period: The Buddhist text of the prajnaparamita¡± sutra (sutra on the perfection of wisdom) was written in repousse on leave of thin gold sheet in Chinese regular script (Kai-Shu). This sutra has two °Apsarases (Heavenly Maidens" in repousse on the bo...

Qianlong minyao seal mark in underglaze blue on base, probably of the period 1736-1795

The decoration is executed entirely in overglaze blue enamel depicting various personal seal marks (chops). The enamel is thickly applied and well-painted. The border is encircled by a fretwork design in the same thick, blue enamel. The area immediately surrounding the enamel decorations exhibits a halo effect when carefully viewed at an angle to the light—a detail often noted on 18th century porcelai...