19th century Japanese iron mae-kanagu (tobacco pouch clasp fitting) depicting God of Abundance Daikoku resting by a bale of rice, his hammer in his hands. Iron is notoriously difficult to work with. Very nice design, wonderful face with wide smile, superb crisp detailing, gold inlays. Length 1 7/16 inches.

19th century Japanese iron mae-kanagu (tobacco pouch clasp fitting) depicting a sparrow serving sake from a bottle to an old man with a sake cup. The topic represented is Shitakiri Suzume, or the story of a tongue cut sparrow - see H. Joly LEGEND IN JAPANESE ART, p. 496. Iron is notoriously difficult to work with. Excellent design, superb crisp detailing, silver inlays and gilding. Length 1 7/16 inches.

19th century Japanese iron mae-kanagu (tobacco pouch clasp fitting) in a form of a haboki - a feather brush used for swiping ashes during tea ceremony. Iron is notoriously difficult to work with. Excellent design, superb crisp detailing, gilded highlights. Length 1 7/8 inches.

An antique Japanese Cha Tansu made of Momiji (Maple) and Katsura woods. 4 sliding doors along the top hid a storage area where tea service acessories were kept. 2 sliding etched glass doors covered a display area where Japanese seasonal and holiday objects were showcased while the etching hid a small drawer and a storage space that the previous owner wanted to have left hidden. 2 more sliding doors, a hinged door and 2 side by side drawers round out this tansu...

An antique Japanese Chobako (merchant safe-keep box) made entirely of Kiri (Paulownia) wood with original hand forged iron hardware. Acquired a beautiful 200+ year old age patina. Hinged door secures 3 drawers behind which lies a secret box located behind the side by side drawers above.

Unusual side footing purposely made to provide air flow under the box...

This is a Kake-fukusa in this Edo period( 1646-1710)is very excellent in the museum Item class. It is konbuin kake-fukusa of the Kyoto museum and the one of the same class. All embroider it by the hand with silk. The colors are all dyestuff of nature.There is a very thin stain. There is a very little rubbing. However, the state is very excellent. It is made by the technology of workman's highest class in Edo period. It is original of Edo period. Please add to your collection...

An antique Japanese Kotansu (personal storage chest) made of Kiri (Paulownia) and Sugi (Cryptomeria) woods. 2 sliding doors with vertical slats opens to a shelf with 3 small drawers. 3 drawers below the doors for additional storage. All original hand forged iron hardware. Urushi lacquer frame and front outline with natural wood drawers and door panels. Originally used as a storage chest for books and small items...

19th century netsuke of carved as a group of eels, elongated nuts and chestnuts, three of which contain deeply carved village scenes. Excellent carving with deep undercutting, eyes inlaid with brown horn, wonderful mellow patina. Signed GYOKUHO on the back of the eel that forms natural himotoshi - the artist is very well known for that kind of work and is discussed on p. 424 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. Length 1 9/16 inches.

19th century netsuke of carved as a cluster of 3 branches of natural fungus, seal with deer finial and double gourd with stopper and its lower end containing carved village scene. Excellent and elegant work with clever use of anabori (cavern) carving technique, wonderful mellow patina. Signed GYOKUHO on the back - the artist is very well known for that kind of work and is discussed on p. 424 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. Height 1 1/2 inches.

Late 18th - early 19th century netsuke of seated Gama Sennin with his constant companion - 3-legged frog - on his head, and another standing sennin wearing a leaf skirt and leaning on the back of Gama’s toad. Unusual subject, excellent quality carving with great faces and beautifully carved leaf patterns, warm yellow patina. Excellent warm patina, old age lines, great feel of age to the piece. Height 2 3/16 inches.

Unusual 19th century netsuke in bean shape carved on the inside with a scene of a shishi family (2 adults and a cub) frolicking among flowering peony bushes. Rare use of anabori (cavern) carving technique, perfect sculpting with deep undercutting. Beautiful faces and flower petals, great patina. Signed NAGAMITSU SAKU (made by Nagamitsu) in oval reserve on the bottom - for information on the artist see NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick, p. 813...

Late 18th - early 19th century netsuke of a standing sennin (Chinese sage) holding an open scroll in his hands. Excellent carving on his smiling face, beautiful flowing lines of his robe, precisely incised and etched textile patterns, deep himotoshi in accordance with the habit of the time. The netsuke is of typical 18th century triangular section, old age lines. Beautiful wear to the piece, warm yellow patina, especially on the back where netsuke was touching the silk of kimono...

An antique Japanese single section low Tansu chest made of Hinoki :(Cypress) and Sugi (Cryptomeria) woods. All original hand forged iron hardware including the Hirute style handles. Two sliding doors open to a large storage area.

Dimensions: 35" Wide by 22 1/2" High by 15 1/2" Deep

This is a horse cover in Edo period. The carp climbs the waterfall. This design is hemp and tsutsuigaki. In surrounding light blue cotton, the design of katazomed and the wing is tsutsugaki. The part of the string is cotton and katazome. It spun by the hand, it drew by the hand, and it dyed it. It is a source dispelling technology. There is a thin stain. There is no damage. However, the state is very good. It is a valuable excellent article...

This is very rare tasutasugaki noren at the end of shogunate of Edo period(1860-1868). Design of freehand paste resist dyeing with kyara (fragrant wood) oil shop. It began to sell kyara oil in the Edo style period and Kyoto. bintuke abura(oil put up to hair)¡ The sumo wrestling taking uses it in modern days. This handsome tsutsugaki doorway hanging freehnd paste resist dyeing with cros¡. It consists of the indigo dye of the hemp spun by the hand. The indigo dye is indigo of nature...

Height: 16.5 cm (6.8 in)
Width: 7 cm (2.7 in)

Chinese Kangxi Period polychrome porcelain vase; made for the European market; some gilt wear; good condition

Burmese soapstone Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Mon Period, 18th Century
Size: Height 34.5 C.M. / Width 22 C.M.
Size including stand: Height 41 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Wood mask, with strong features, of a Mahakala. Dark brown glossy patina. Bhutan, 19th century. Height: 28.5 cm. The mask is nicely mounted on a custom stand. Very good condition. NOTE: collected in Nepal in 1978.