Chinese export porcelain stem plate, made for the Thai market. With polychrome decoration of Thepanom between two Norasingh, among foliage on a black ground, details of the deities in gold. Condition: good, rim with few color flakes, wear to the gilt (rim). Dimension: diameter: c. 13 cm, height: 6.9 cm.

Green lead glazed oil lamp or candle stand from the Han Dynasty. In excellent condition with no damage, there are still traces of the classic silver patina as may be seen in enlargements. H: 13.5cm/5.3in and D: 10.5cm/4.2in.

Rare soy brown glazed stoneware vessel made in the shape of a grain silo. This basic style are well documented in Qingbai wares but this is the first I have seen in a brown glaze, also it has a fence going around the base which is quite unusual. It is in excellent condition with no repairs, cracks or fritting of the glaze and it is unusually large. H: 24cm/9.5in and D: 18cm/7in. It reminds me a lot of a Jizhou glaze but this seems heavier and more stable.

An unusually small creamer, Chinese export porcelain from the Qianlong period, c 1770. Decoration in the European taste of scattered flowers, a thin lattice border and garlands. Height "3 1/3/ 8.5 cm. Condition: a professional restoration is visible near the beak where the decoration is restored with exactly the same enamels as the original (cf. pics).

An adorable and substantial Kissi-Noboli figure, Sierra Leone / Liberia, early excarvated type, pre 19th. century AD.

The greyish brown steatite figure is depicting a squating older man holding his hands in front of his knees. Groteque facial features...

Interesting fragments of large stoneware tiles, Vulci/Volci, Etruscan, c. 6th-4th. cent. BC.

Fine substantial pieces moulded and painted floral motifs.

Size: 16 x 10,5 cm. and 15 x 9 cm. both very thick.

Provenance: P. Treffz-Eichhöfer collection, Stuttgart, Comes with certificate from Gallery Antiqueo, Paris, France 2007! Ex. New York Auctionhouse.

A vintage necklace in fine twisted silver wire of ancient clay mummy beads and a large faience amulet of Bes, Late period to Roman period, c. 600-100 BC.

Size: 43 mm. for the amulet, the necklace is 29-30 cm. in a double row. Incl. a couple of - probably modern but old - charms in bronze or cobber.

Condition: Nice Very fine and intact.

Provenance: Collection of Gunna Munkvad, Denmark, aquired from the 1960s-1980s.

An unprecedented 19th century ceramic sculpture of a tumble of Shishi lions in a playful fight covered in unusual green-blue glaze. The Banko mark is impressed into the white clay of the base. It is very unusual to find large sculptures or works in Banko ware. This is 30 × 25 x 26.5 cm (12 x 10 x 10-1/2 inches) and in excellent condition...

A very large and impressive Wheel-lock pistol, from Suhl, Germany, steel fitted and with ebonized stock, c. early 17th. cent.

Armoury / regimentsmark inlaid in the handle and stamped with Suhl control mark.

Size: 55 cm. long.

Condition: Nice Very fine, faint traces of hairline repair to stock at one place, very nicely done and almost not visible, perhaps from the time of use. Cleaned metal parts, later ramrod, othervise intact and choice.

Ex...

A lovely and extremely rare, large version of a Wheel-lock pistol in Noble quality, Germany, Augsburg, c. 1570-1580.

With swamped two-stage barrel, struck on the top flat of the octagonal breech with the Augsburg mark (Neue Støckel 1294), and the cock of the fine metal lock is engraved with marine monsters.

Ebonized full stock inlaid with white staghorn or bone panels between horn lines and borders mainly engraved with overlapping foliage and scrollwork...

Magnificent pottery Ding. The long legs and “cockscomb” design where, the legs join the body, are in keeping with bronze vessels from the Zhou to Warring States period, which pottery pieces were trying to emulate. There are traces of a repetitive meandering impressed band below mid circumference. The body is thinly potted with very light gray clay and originally had a dark gray slip applied to the outside (the original gray slip is still intact in the cavity)...

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance...

This scroll contains a sutra written as [寿至蓬莱不老僊], pronounced in Japanese as “Jyu-Ita-Hōrai-Furō-Sen.” Originating from Chinese, the characters “蓬莱” refer to the mythical land of “Penglai,” home to the immortals...

Antique Japanese 4-panel small screen painting of landscape. Mountain landscape with rocky outcroppings, huts and trees on the edge of a wide expanse of water. A group of scholars contemplate a water fall. More figures sit outside waterside huts. A lone figure fishes from a boat. Painted in ink and light colors on paper. Signed Unkoku Toeki (1591-1644).
Unkoku Toeki was the second son of Unkoku Tōgan...

During the Meiji period in Japan, the humble iron kettle, known as a "tetsubin," emerged as an iconic symbol of traditional craftsmanship and functional artistry. Crafted with meticulous attention to detail and often adorned with intricate designs—as can be seen here with a cherry blossom motif and a what appears to be a pine-cone for a gripper—they became an essential tool in the Japanese tea ceremony...

Antique Chinese pair of ceramic roof tiles in the form of flying horses. Galloping through swirling clouds with back legs kicking. Glazed yellow with black details.

Age: Qing Dynasty

Dimensions: 9 1/2" high x 10 1/2" long x 5" wide

A really nice and detailed core style cylinder seal, of the Neo-Assyrian Empire, 9th.-7th. cent BC.

The seal depicts the king in a running 'Persian' stance, spearing an Ibex with a short spear or arrow, while holding a sicle-sword in the other hand. A quiver on his back and the star symbol of the Sungod over the Three Of Life.

Size: 21 mm. tall and 8-9 mm...

Fine Small Chinese Song / Yuan Dynasty Celadon Glazed Porcelain Jar

This attractive small porcelain jar was made in the 12th - 14th century during the Song (AD 960 - 1279) or the Yuan Dynasty (1279 - 1368). It is quite "heavily-potted" and coated in a thick pale olive-green glaze. The body, when soft, was indented with five wide vertical impressions to give it a lobed appearance...