Glazed Gnathia ware oinochoe with trefoil spout and arched handle. The body decorated with leaf-sprays suspended from a band with egg pattern and dots.
The intended black color of the vase changed to a warm red-brown due to excessive heat. Standing on a small ring foot.
For a related example, cf. inv. no. 1873,0820.317 in the British Museum database.
Ceramic
Apulian, Hellenistic period, late 4th century BC
H. 12.5 cm (in)
Intact and fine...

Campanian kylix with four palmettes linked by incised arcs to form a ‘palmette cross’. Thin-walled cup with shallow bowl and gently rounded floor.
Finely impressed palmettes. The linking arcs impressed with a twisted wire.
Former collector’s numeration (95) inside the carefully modeled ring foot. Dark points around the foot indicate that the cup was hold with four fingers when dipped into the black glaze.
Campanian, early 3rd century BC
D...

18th century netsuke of a standing Dutchman with his mouth open, clutching a long-tailed rooster to his chest with one hand, wearing a hat, long coat, gaiters and shoes. Rare subject - Englebert Kaempfer (doctor with the Dutch East India Company who traveled to Edo in 1691-92) singing for Shogun Tsunayoshi at the annual reception of the foreigners in Edo...

18th century decent size wooden netsuke of standing sennin (Chinese sage) wearing a robe and a leaf cape robe and stroking his long beard. Very strong early carving, wonderfully captured facial expression, beautiful flowing lines of the robe, superb sense of volume. Does not stand of flat surface, large differently sized himotoshi in accordance with the habit of the time, superb patina. Excellent netsuke. Height 3.55 inches (90 mm).

Early 19th century boxwood netsuke of a frog on a folded decaying lotus leaf. Very strong early carving, perfectly captured posture, wonderful representation of shapes and textures. Excellent finish, beautiful wear and patina. Signed KYOGETSU in rectangular reserve on the bottom. Length 2.2 inches.

Antique Japanese Raku ware chawan (tea bowl) with crackle glaze and finely applied kintsugi. Red glaze with dark greenish-black spots. Seal impression on the bottom. Kyoto. Evaluation done in the 1930's by TZ Shiota when the family was inheriting the collection from their great grandfather, Federic Torrey...

Chinese Neolithic Painted Pottery Jar - Machang (c. 2300 - 2000 BC)

This twin-handled pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is quite thin-walled and relatively highly-fired. The upper body has been coated in a reddish-brown wash on top of which have been painted geometric patterns in a dark fired-on mineral-based pigment...

Chinese Neolithic Painted Pottery Jar - Machang (c. 2300 - 2000 BC)

This twin-handled pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is relatively highly-fired and made from a buff-coloured pottery with a smooth burnished surface. It has a wide body and two loop handles joined at the waist and upper neck...

Chinese Neolithic Painted Pottery Jar - Machang (c. 2300 - 2000 BC)

This twin-handled pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is relatively highly-fired and made from a buff-coloured pottery with a smooth burnished surface. It has a wide body and two loop handles joined at the waist and upper neck...

Chinese Neolithic Painted Pottery Jar - Machang (c. 2300 - 2000 BC)

This twin-handled pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. This jar is relatively highly-fired and little more "heavily-potted" than some other similar examples. It has a smooth burnished surface...

Chinese Neolithic Painted Pottery Jar - Machang (c...

Chinese Neolithic Painted Pottery Jar - Machang (c. 2300 - 2000 BC)

This twin-handled pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is relatively highly-fired and made from a buff-coloured pottery. It has a wide body and two loop handles joined at the waist and upper neck. The outer surface and inner mouth have been coated in a reddish-br...

Chinese Neolithic Painted Pottery Jar - Machang (c. 2300 - 2000 BC)

This twin-handled pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is relatively highly-fired and made from a buff-coloured pottery with a smooth burnished surface. It has a wide body and two loop handles joined at the waist and upper neck. The outer surface and inner mouth ...

Chinese Neolithic Painted Pottery Jar - Machang (c. 2300 - 2000 BC)

This twin-handled pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is relatively highly-fired and made from a buff-coloured pottery. It has a wide body and two loop handles joined at the waist and upper neck. The outer surface and inner mouth have been coated in a reddish-br...

Chinese Neolithic Painted Pottery Jar - Machang (c.2300 - 2000 BC)

This pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is made from a relatively high-fired yellowish-brown pottery. It is of quite a "squat" form, with the wide body being quite low. There are two sturdy loop handles joined at the waist and just below the rim. The outer surfac...

Rare Chinese Neolithic Pottery Jar - Siwa Culture (c. 1350 BC)

This pottery jar was made by peoples of the Siwa culture (c. 1350 BC), one of the later Chinese Neolithic cultures, overlapping the Bronze Age. It is of a slightly differing shape to most know similar examples in that it has a wider base and, therefore, wider lower body. It is fairly heavily-potted and has been fired to an attractive orange-red colour. There are two loop handles joining the shoulder to the mouth which is of the ...

Ancient Chinese Buddhist Pottery Amulet - Ming Dynasty

This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and many have a surprising amount of detail. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the temple. We find it quite difficult to date...

Ancient Chinese Buddhist Pottery Amulet - Ming Dynasty

This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and some have a surprising amount of detail.hey were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the temple. We find it quite difficult to date t...