Sold - sorry. A masterpiece tea bowl by Iga master Tanimoto Kosei, accompanied by his signed and sealed original storage box.

Kosei was born in 1916 in Iga city, Mie Prefecure. He made his National Debut as an oil painter artist, his interest in traditional Iga-yaki ceramics started in 1945, and he becomes an Iga potter in 1947, enjoying a long apprenticeship under master potter Komori Shinobu and Sakuzo Hineno at the Institute of Nanagu Ceramics in Ueno, Mie Prefecture...

Rich rivulets of stunning green crystallize on the surface of this tokkuri sake-bottle by important Mino artist Hayashi Kotaro enclosed in the original signed wooden box. The bottle is roughly 6 inches (15.5 cm) tall and in excellent condition.
Kotaro was born in Gifu prefecture, and graduated the prefectural ceramic facility...

Most noted for his works of Shino, this attractive Oribe piece by Kato Takeshi is distinctive and eye-catching.

Born the son of a potter in 1947, Takeshi studied under Kobayashi Bunichi, Ohashi Momonosuke and later in Kyoto under Uchida Kunio, opening his own kiln in 1973 (Genkuro-gama)...

Flame shapes fan up on the sides of this trumpeting bottle by Funaki Kenji enclosed in the original signed wooden box. It is 6-1/2 x 7-1/2 x 9-1/2 inches (16.5 x 19 x 24 cm) and is in fine condition. Funaki Kenji (b. 1927) was born the son of potter Funaki Michitada (1900-1963) in Matsue, Shimane Prefecture. Michitada had been a follower of the Mingei movement closely associated with its founders Kanjiro, Shoji and Leach...

An eight sided Shino Yunomi Cup by Suzuki Osamu (Kura) enclosed in the original signed wooden box decorated with triangles in red. A striking work, it is 3 inches wide, the same height (7.5 cm) and is in excellent condition. Osamu was born in Gifu prefecture in 1934, and graduated the Tajimi Technical School ceramics division in 1953. That same year he was awarded at the 6th Dento Kogeiten Traditional Crafts Exhibition...

Fantastic and perfectly shaped Bizen chawan by great contemporary artist Hiroshi Toyofuku. It has a stunning glaze with a fine abstract 'landscape' of colors on it. It fits smooth in the palm of the hands and gives you a real warm feeling.

The chawan has his sign and comes with the original woodbox. Please note, his art connects perfectly past and present and is hard to get on the market.

Toyofuku Hiroshi was born in Saitama in 1973...

Labeled as yu-Shino on the box or “evening†Shino, this recent composition by Ryouji Hayashi III displays wonderful textures and hues resembling the blazing sky at sunset. The front of the bowl is decorated with radiating fissures— boldly contrasting with the background while the kodai or foot of the bowl is unglazed showing the light-colored clay beneath.

Ryouji Hayashi (1940 - ) is the third generation potter of the Shozan kiln in Mino...

The light-grey glazed interior of this piece makes an inviting backdrop for a smooth cup of saké. The exterior by contrast is matte with a slightly coarse texture making it easy to hold in the hand. Overall it has a decidedly modern feel to it however the techniques used to produce this attractive guinomi go back many generations...

A small dish from the 1960s by Fujihira Shin enclosed in the original signed wooden box. It is 8 inches (20 cm) diameter and in fine condition.
Fujihira Shin (b. 1922-2012) was born into the family of a ceramics dealer in Kyoto, raised among the pots, and attended the Art University, however, in his second year would lose four years of his life to battling illness. This life and death struggle would make him a strong character, coming forth from then on in his works...

Rare Buncheong Vessel by Shin Sang Ho from 1993, during his buncheong period, with the original signed box. A piece that is both beautiful and important in the history of Korean contemporary ceramics...

Round serving platter in the "Toucans" pattern from Hermes, produced for Hermes by Moustiers France in their famous faience ware.

This redware pottery is heavier than the Limoges porcelain in which this pattern is usually found. The Moustiers ware is less common as fewer pieces were made due their being handmade with a raised design, except the plates which are flat.

The platter is 12 inches (30.5cm) in diameter, and is in excellent condition with no chips or cracks. Marked.

3-piece coffee service consisting of coffee server, lidded sugar bowl and creamer, from Hermes in their "Toucans" pattern, produced by Moustiers France in their famous faience ware.

This redware pottery is heavier than then Limoges porcelain in which this pattern is usually found...

Set of 8 (eight) Hermes Breakfast cups with saucers in the "Toucans" pattern.

These cups were made by Moustiers France for Hermes, in their famous faience ware. This redware pottery is heavier than the Limoges porcelain in which this pattern is usually found...

A relatively new term, “Oni Tamba” is used to describe works of Tamba-ware fired using carbon trap and ash glazing techniques modeled after those pioneered by Tsukigata Nahiko in the 1950’s. This piece in particular displays a bold and innovative ceramic landscape that seems quite impressive for such a young artist as Onishi. One side of the bowl resembles charred igneous rock while the front shows a warm soft orangish glow—like an ember in a fireplace. An unglazed patch on the front of ...

This elegant and mature work of Karatsu pottery has an unglazed foot and beautiful crackled glazing that displays hues ranging from ivory to almond.

Toya Inoue (1942 - ) is a native of the world-renowned pottery center of Karatsu in Saga prefecture. From a young age he was interested in tea and tea-ware and studied tea ceremony under Tansai. Later in his 20’s he was involved in a project to restore ancient kilns. From this experience he decided to make pottery his life’s work an...

A set of five concentric back glazed sake-cups enclosed in the original signed wooden box by Yagi Akira. They vary in size from 2-1/2 inches to 4 inches diameter (6.5 to 10 cm) and in excellent condition. For a similar (admittedly larger) set see “Contemporary Clay, Japanese Ceramics for the New Century “(2005) by Joe Earle.
This name is a must have in any collection of modern Japanese Pottery. Akira was born in Kyoto in 1955, son of avant garde Yagi Kazuo (1918-1979) one of the fo...

At nearly a foot tall and in perpetual motion, this modern spiral vase was made by the late kato Yasukage XIV circa 2008. Tall and imposing the spiraled surface is glazed in a rich Shino glaze that shows off a wide array of textures and color variations from pure white, blushed pink hues and rich iron red circling the base of the pot. The textured flutes draw one in and around the pot and create a vivid canvas for this creative master gone way to early.

Kato Yasukage XIV was from a long l...

A work of perfection by one of Japan’s most admired ceramic artists. This piece by Nakajima Hiroshi demonstrates his mastery of the art of celadon pottery.

Born in 1941 in Hiroshima prefecture, at the age of 28 he established his own kiln and became an independent potter. 1n 1977 he received honorable mention in the Japan Tradional Applied Fine Arts Exhibition. In 1983 he received the Prime Minister’s Award at the first annual Western Japan Ceramic Fair and later in 1983 he was ...

White blossoms decorate a scattering of branches on the surface of this footed sweets dish by Kondo Yutaka enclosed in the original signed wooden box titled FunKa Daizara. It is 8 inches (21 cm) diameter, 3 inches (8 cm) tall and is in excellent condition. The deeply impressed white patterns are striking against black.
Kondo Yutaka (1932-1983) was born into a traditional pottery family in Kyoto. He studied under Living National Treasures Kondo Yuzo and Tomimoto Kenkichi at the Kyoto Mu...

The creator of this extraordinary work, Shibuya Deishi, is best known for his works of “Oni-hagi”—typically made with rough clay and heavy dripping glazes. This piece by contrast seems delicately crafted and has a very soft and warm quality to it. The outside is covered with overlapping molded flower petals done in an almond glaze with ivory accents at the tips of each petal.

Winner of many local and international awards (including the 18th Modern Applied Fine Arts Exhibition...

A ceramic box by Nishibata Daibi enclosed in the original signed wooden box titled Senmon Tobako and exhibited at the 53rd Nihon Dento Kogeiten National Traditional Crafts Exhibition. This piece was awarded at the prestigious event. It is 11 x 11 x 4-1/2 inches (28 x 28 x 11.5 cm) and is in fine condition. Nishibata Daibi was born in Tachikui Village, Hyogu in 1976. After graduating the Law Department of Kyoto University, one of the countries most formidable schools, in 1999, the promising ...

Here is a brilliant Chawan by Master Mashiko Potter and Living National Treasure Shimaoka Tatsuzo enclosed in the original signed and stamped wooden box. It is in mint condition with no chips or cracks.

Shimaoka Tatsuzo (1919-2007) is one of the best-known Japanese potters. The artist studied under another pottery legend, Hamada Shoji, to become one of Mashiko master craftsmen. Shimaoka Tatsuzo became independent in 1953 and after having exposed in renowned venues in Japan, the pot...

Paddled tataki style water jar with shoulder lugs and covered in one of my Oribe glazes with accents of iron to create movement on the surface.

Stoneware and glazes

7.6" x 7.65"

Large and heavily textured henko vase glazed in one of my Oribe glazes with accents of iron about the surface.

Stoneware and glazes

11.5" x 9" x 4.25"

Elegant and rare Ouji celadon chawan by master potter, Ono Kotaro. The interior is carved with a wispy and lyrical floral decoration and the exterior has lotus blossom leaves surrounding the base, around the footring. The Ouji glaze is a very pretty but subtle yellow celadon in person.

This chawan measure 14 x 7cm and is in perfect condition with its original signed box.

Mystical heads adorn the four corners of this Persian-blue glazed open vase by Living National Treasure Kato Takuo enclosed in the original signed wooden box. It is 5 x 4 x 10 inches (11 x 13 x 25.5 cm) and is in excellent condition. Kato Takuo, I am sure, requires no introduction. He was trained in ceramics by both his father, Kato Kobei, and at the Kyoto School of ceramics. He was soon accepted and consistently displayed at any number of National and International Exhibitions, and was name...

Wonderful, classical Shino chawan in the Momoyama traditional style by the grand gentleman of Mino ceramics ; Tamaoki Yasuo. Tamaoki was heralded as one of the five great hopes of Mino by Kuroda Ryoji and he has not failed to live up to that mantle. Exhibited worldwide, illustrated in a large variety of books and catalogues and having pots in a number of museums, Tamaoki, having first studied with Kato Kobei V, has mastered a wide array of pottery and is currently a Prefectural Intangible Cultur...

Rare black and white inlay vase by Kyoto master potter, Kondo Yutaka. Measuring just shy of 25cm tall this vase is cloaked in a black textured surface with impressed, inlay decoration of stark and contrasting white across the surface. This vase is in perfect condition and comes complete with its signed box.

Using the elemental but contrasting colors ofblack and white, Yutaka has created a vivid and highly animated vase with his textbook decoration, textured black surface and vivid white i...

Very rare example of museum-quality Shigaragki-ware by Tsujimura Shiro. It was originally given as a gift from the artist to a secret, wealthy benefactor upon the Grand Opening of the famed Miho Museum near Kyoto, Japan, in 1997.

Some time later we bought it from this famous benefactor, and since then it is in our collection.

This is a very rare and highly collectible and massive item, and it is entirely authentic with an absolutely perfect provenance. In fact, the only ...

A superb work by Japanese Living National Treasure Hara Kiyoshi enclosed in the original signed wooden box dating circa 1985. It is 14 inches (35 cm) diameter, roughly the same height and in fine condition. Due to size the cost of shipping will be accrued separately.
Hara Kiyoshi (b. 1936) was born in Shimane, and studied pottery under Living National Treasures Ishiguro Munemaru and Shimizu Uichi from 1954 before establishing his own kiln, first in Tokyo, then later in Saitama. He was ...

A powerful Mimitsuki Karatsu Mizusashi by Nakagawa Jinembo (Jinenbo b. 1953) enclosed in the original signed wooden box. Vicious white glaze, deeply fissured, supplants the fawn brown of the back, all over a very rough red clay filled with shiseki stones. The piece breathes energy, vivacious and playful it is a pleasure to view and use. The lid is similarly glazed, with hakeme brush marks inside. The piece is roughly 7 inches (18 cm) tall, the same diameter and in perfect condition.
J...

A wonderful Oribe Chawan by Higashida Shigemasa enclosed in the original signed wooden box.

Born in Hiroshima in 1955 Shigemasa received his BA at Shimonoseki Municipal University in 1978 and did a postgraduate course in ceramics at Gifu Prefectural Tajimi Technical High School. He set up his studio in Tokyo where he works predominantly in Shino and Oribe.

His works are characterized by the expression of forms that can only be created by clay and that differ from those o...

molten ash streaks around the form of this superb Shigaraki Tsubo enclosed in the original signed wooden box dating circa 1996 by pottery legend Furutani Michio. It is 8 inches (20.5 cm) diameter, 8-1/2 inches (21 cm) tall and in fine condition.
Furutani Michio is one of the Gods of Shigaraki, an artist who wrote the book on Anagama kilns, and one of the more influential artists of the second half of the 20th century. He was born in Shigaraki; graduating the Konan High School of industr...

Enclosed in the original signed wooden box dated 1998. It is 16 x 10 x 12 inches (40 x 25 x 30 cm) and is in fine condition. Yanigahara Mutsuo (b.1934) was raised in Seto, and studied in Kyoto along with contemporary Morino Taimei with whom he maintained a lifelong friendship. His work is largely sculptural, and his choice of colors is his reflection on the decadence of Japanese society. A list of exhibitions and awards would be much too long but includes the Japan Ceramics Society Gold pr...

A thick glazed tokkuri and chokko cup by Koyama Kiyoko enclosed in the original signed wooden box. The Tokkuri has a playful stance, slightly cocky and leaning, as if it wants to pour. Both are covered in thick, dripping ash glaze, a product of her legendary long firings, sometimes lasting ten days. It is 5 inches (13 cm) tall and in fine condition.
Kiyoko was the subject of the film Hi-Bi (2005) and is the pioneering female wood firing artist in Japan. Born in Sasebo, Nagasaki in 1938,...

Iga Vase by Furutani Michio, boxed and in perfect condition.

Pure quiet and calm is embodied in this white Hagi crystal by important female artist Miwa Hanako enclosed in the original signed wooden box. It is 10-1/2 inches (27 cm) tall 5-1/2 inches (14 cm) diameter and in excellent condition.
Miwa Hanako was born the grand daughter of Living National Treasure Miwa Kyusetsu XI, daughter of Kyusetsu XII who has sought to incorporate sculpture into the realm of traditional Hagi ware. She was raised surrounded in the world of Hagi-ware. She graduated ...

An organic form by Ikegami Kazuo enclosed in the original signed wooden box titled Bitchu Obuje. It is 8-1/2 x 7-1/2 x 9 inches (21.5 x 19 x 23 cm) and is in fine condition.

Slip-Cast Sculpture by Kang Suk Young, Professor, Department of Ceramic Art, College of Art and Design, Ewha Womans University. Kang says, "I gain satisfaction and pleasure from the infinite colors created by the genuineness of white." Kang Suk Young is regarded as the pioneer of the slip-casting movement in Korean contemporary ceramics, and he continues to be in the forefront of introducing new ideas and creative expressions in contemporary Korean Ceramics. His work is in the permanent collecti...

Made in 1984

This tall, footed vase is hand-thrown by one of the master potters of Tamba, Ichino Hiroyuki. It has knife-cut faceted sides and is glazed in iron brown on the exterior with a white-glazed interior. A “hi” mark in hiragana is on the interior of the foot. It is accompanied by its original, artist-signed paulonia wood storage box. Good condition.

Height: 6 1/8 in., Diameter: 4 in.

Shin Eun Sook Marble Sculpture, Mandala. Shin Eun Sook, Chairwoman of the Korean Sculpture Association, is famous for her monumental sculptures, some as tall as 13 meters (over 40 feet), that can be seen throughout Asia in public parks, university campuses, museums, and corporate headquarters. Her small-scale and affordable works like this one are rare. The third photo here is of the artist standing next to her bronze and granite work at Tsinghua University in Beijing, China. The remaining photo...

Shin Eun Sook Granite Sculpture, Cosmos. Shin Eun Sook, Chairwoman of the Korean Sculpture Association, is famous for her monumental sculptures, some as tall as 13 meters (over 40 feet), that can be seen throughout Asia in public parks, university campuses, museums, and corporate headquarters. Her small-scale and affordable works like this one are rare. The third photo here is of the artist standing next to her bronze and granite work at Tsinghua University in Beijing, China. The remaining photo...

Shin Eun Sook Bronze Sculpture with Granite Base. The bronze characters form the written word 'good fortune', in Sino-Korean. Shin Eun Sook, Chairwoman of the Korean Sculpture Association, is famous for her monumental sculptures, some as tall as 13 meters (over 40 feet), that can be seen throughout Asia in public parks, university campuses, museums, and corporate headquarters. Her small-scale and affordable works like this one are rare. The third photo here is of the artist standing next to her ...

Viscious ash and charring cling to the side of this spectacular Mizusashi by Konishi Heinai enclosed in the original signed wooden box. It is 7 inches (18 cm) tall, the same diameter and in fine condition.
Konishi Heinai (1899-1991) was born into a family of farmers in Ehime on the Island of Shikoku. In 1925 he fell head over heels in love with Raku-yaki and it was in the world of pottery he chose to leave his mark. Returning to Shikoku in 1928, he studied various techniques and went on ...

Spectacular Shino Tea Bowl (Chawan) by one of the best known and unique artists of Japan, Katsuhiko Sato. It comes enclosed in its original wooden box.

Katsuhiko is an eccentric artist, working aptly in not only pottery, but also painting and calligraphy. His artwork is part of important auctions and it is exhibited world wide. He was born in Manchuria in 1940, his family returning to Japan in 1947 to settle in Okayama. He formed his unique attitude toward life while on his deathbe...

Kaneta Masanao's work is in major museums throughout the world. He is widely recognized as the foremost Hagi ceramic artist, and one look at this wonderful cup and saucer will tell you why. Saucer: 7 inches (18cm); Cup 3h x 4.5w inches (7.5h x 11.5w cm).

A superb sculptural work of horizontal facets stacked upon each other in twisting obelisk by Mashiko based potter Matsuzaki Ken enclosed in the original signed wooden box. This is a masterpiece by this artist. It is 17 inches (43 cm) tall, 8 x 8-1/2 inches (20 x 21 cm) and in excellent condition. An identical shape is held in the collection of the Museum of Fine Arts, Boston and published in the book “Contemporary Clay, Japanese Ceramics for the New Centruy” by Joe Earle.
Matsuzaki...

This large, textured and incised Iga wood fired vessel is by multi-talented artist, Ohira Kazumasa (b.1943). This vase measures 15" tall and 7" at its widest and is in original condition with heavy texturing along the sides and incised decoration and ginirodori style overglaze on either side of the piece. The piece comes with its original signed wood box and was made for an exhibition in the late 1990's.

Ohira Kazumasa is a man of many talents. Garden designer, sculptor, mural designer a...

Serene and noble seihakuji koro by veteran and master potter Kishimoto Kennin. Published in an exhibition catalogue for a Takashimiya show (a xerox of the relevant pages are included) this seihakuji celadon koro is a classic example of Kishimoto's style and modernization of a traditional form. This koro is in excellent condition except one of the wing-like appendages was unfortunately damaged and has been repaired, please see the attached photo showing both sides of the area in question. The kor...

Three volume set of books on modern Japanese potters coving roughly 100 artist per volume with approximately 200 pages each and measuring about 10" x 8.5". Each volume is fully illustrated with a two page spread per potter which includes the name and address of each in English and the mark the potter uses on his pottery.

Lines of burnt straw scar the surface of this voluminous work by Yamamoto Yuichi enclosed in the original signed wooden box. It is 17-1/2 inches (45 cm) tall, 9 x 10 inches (23 x 25.5 cm) at the base and in excellent condition.
Born the son of Living National Treasure Yamamoto Toshu, Yuichi was raised among the clay and kilns of Bizen, at a vital time when Bizen was devastated by the war economy, and the dramatic years of growth and research following. He began making pottery in 1959, at...

Joo Ji Wan's meditative groups of celadon cubes reference Korea’s ancient tradition of geometric patterns in a contemporary form. Her work was recently displayed at the Korea Society exhibition, Korean Contemporary Ceramics, and it was her work alone that was chosen for the cover of the exhibition catalogue. This fine set of 13 cubes is the very last set of cubes that Joo Ji Wan will offer for sale, as she is moving on to other projects, and there are no more cubes in her inventory or in the i...

Tea Bowl, Matcha Chawan. Ido-gata (well-shaped) with Gray Shino Glaze Exterior and Hakeme-brushed Interior. Iron around Rim. John Miller; Portland, OR. H. 3.25"(8.25cm) x Dia. 4.75"(12.75cm.) VOlume 17.5 oz (520cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Ma...

Tea Cup, Yunomi. Ash Glaze with Iron and Hakeme-brushed Interior. Bamboo node-shaped Foot (take kodai.) John Miller; Portland, OR. H. 3.5"(9cm) x Dia. 3.25"(8.25cm.) Vol. 10oz (310cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterb...

Tea Cup, Yunomi. Ame Glaze. Bambo node-shaped foot (take kodai.) John Miller; Portland, OR. H. 3.25"(8.25cm) x Dia. 3.125"(8cm.) Vol. 8.5oz (260cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (who spent time studying pottery...

Tea Cup, Yunomi. Ash Celadon Glaze over White Slip Exterior & Interior with Tenmoku glazed Lip. John Miller; Portland, OR. H. 3.25"(8.25cm) x Dia. 3.125"(8cm.) Vol. 8.5oz (260cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (w...

Tea Cup, Yunomi. Ash Glaze with Iron Band around RIm, Blue/White Interior. Low foot. John Miller; Portland, OR. H. 3.125"(8cm) x Dia. 3.0"(7.75cm.) Vol. 8oz (240cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (who spent time...

Tea Cup, Yunomi. White Shino Glaze Exterior & Interior with Iron Band around Rim. John Miller; Portland, OR. H. 3.125"(8cm) x Dia. 3.0"(7.75cm.) Vol. 8.5oz (260cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (who spent time s...

Tea Cup, Yunomi. Kai Glaze Exterior, White Glaze Interior, Iron Rim. John Miller; Portland, OR. H. 3.25"(8.25cm) x Dia. 3.0"(7.75cm.) Vol. 8oz (240cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (who spent time studying potte...

Tea Cup, Yunomi. Kaki & Gary Shino Glazes. John Miller; Portland, OR. H. 3.0"(7.75cm) x Dia. 3.0"(7.75cm.) Vol. 8oz (240cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (who spent time studying pottery in Japan,) he had the ch...