Nelson Piaso Sterling and Turquoise Shadow Box Ring

Navajo artisan

Size 7

2" x 3/4" face

Weight - 11.50 grams

Marked NP on verso

Excellent condition

Exceptional teadust style temmoku chawan by noted temmoku specialist, Kimura Moriyasu. This chawan is a very potent piece in excellent and unused condition and measures 4.75" X 2.65"...

Robust majolica tin glazed teabowl with abstract bands of color with an alternating rain pattern in black over the bowl.

Terra cotta, glaze and overglazes

5.35" X 4"

Functional, decorative and food safe

A traditional mimi-tsuki cylindrical vase by the artist who wrote the book on traditional firing, Furutani Michio, enclosed in the original signed wooden box. The vase is covered inside and out in natural molten ash glaze and dark charring where it was buried in the embers, the opposite side reveals the expressive nature of Shigaraki clay. It is 26.5 cm (10-1/2 inches) tall and in excellent condition...

A striking design of swirling dots decorates this wide low chawan by female porcelain legend Ono Hakuko enclosed in the original signed wooden box titled Yuri Haku-kin Sai Hira Chawan (White Gold Decorated Wide Tea Bowl). Blue and Green Dots swirl in a vortex from the center of the bowl. It is 16.2 cm (6-3/8 inches) diameter, 4.7 cm (2-7/8 inches) tall and in excellent condition retaining the original shiori...

Casually thrown and slightly altered Momoyama inspired Oni-Shino mizusashi by Kajiura Soshu (b. 1916). Showing a wide array of surface variations including a thick Shino with large areas of an iron red and the bulk of the pot covered in deposited ash from an intense wood firing where the ash and Shino have fused together a rich jade green surface prevails both inside and out of the mizusashi...

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with black&white glaze(chosen-karatsu) as plate. It is also suitable for west...

A shiny golden Kyo-yaki tea bowl in mint condition made by the great Kyo artist Eika Miyaji 25 years ago. Red and white plum trees are hand painted on the body. This is definitely the most beautiful work of Eika Miyaji we have ever seen.

The seal of the potter is stamped on the bottom. His work was often published in great books (please refer to the last picture)

No chips or cracks - mint.

Size: 9 cm height x 10,1 cm in diameter.

Free shipping

Everything we could expect from this innovative artist, striking color combination and gleaming gold by Ichikawa Toru enclosed in the original signed wooden box titled simply Mizusashi. It is 20 cm (8 inches) diameter, 15.5 cm (6 inches) tall and in perfect condition.
Ichikawa Toru was born in Tokyo in 1973. In 2015 he established his current studio in Bizen after 4 years of apprenticeship under another Bizen Outsider, Kakurezaki Ryuichi...

Spectacular keshiki resulting from the combination of multiple kiln affects and textures defines this large footed slab by Kanzaki Shiho enclosed in the original signed wooden box. It is 14 x 20 inches (36 x 51 cm) and in excellent condition.
Kanzaki (b. 1942) prefers firing his kiln for ten days, resulting in the rich textures and heavy ash deposits apparent on this Tsubo...

A very versatile and innovative artist, Sakata Jinnai produces pieces such as the vase seen here in his easily recognizable trademark style. Many of his pieces are earthy and primal in compositions, often inlaid with gold or partially painted in “makie” using various lacquers for dramatic effect. Waves and contours also feature prominently in his work; inspired, he says, by cosmic energies and architectures of the universe...

Guinomi, Sake Cup, Shino Glaze. John Miller; Portland, OR. H. 2.125" (5.25cm) x Dia. 2.75" (7cm.) Vol. 4.25oz (130cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school...

Hi-dasuki lines of red charring streak across the surface of this large Tokkuri Vase by Isezaki Mitsuru (b. 1934) enclosed in the original signed wooden box. A smooth even profusion of bubbles welter about the clay, adding a tactile texture to the elongated body. The vase is over 20 inches (51.5 cm) tall and in perfect condition. Mitsuru was born to a family of potters, his father Yozan and brother Jun both very important in Bizen pottery...

A spectacular large Chawan tea bowl by Udagawa Hosei enclosed in the original signed wooden box titled understatedly Hagi Chawan. The title is the only thing simple about this complex combination of contemporary clay, glaze, tradition, form, function, past and future. The white glazing has altered to soft blue and pink in the firing process, creating a feeling of opulence over the organic vessel...

Two 1998 Ink Paintings by Renowned Korean Artist Don Ahn aka Ahn Dong Kuk (1937-2013), Black Dragon and Zen Wave...

Round ko-tsubo, small vase with temmoku glaze and clear panels with multi-color enamels in vertical stripes

Stoneware, slip, glazes and overglaze enamels

7" X 7"

A draping curtain of dark torn Bizen clay folds over the enigmatic form of this vase by Kaneshige Kosuke enclosed in the original signed wooden box. Texture varies from chattered extrusion to long, combed lines. Soft shades of color glow on the sides of the dark clay. The vase is 9 inches (23 cm) tall, 13 inches (33 cm) wide and in excellent condition, dating circa 1990.
Kaneshige Kosuke was born in 1943, third son of Bizen pillar Kaneshige Toyo. He studied from an early age with his ...

Yunomi, Tea Cup, by John Miller; Portland, OR. Tenmoku, Nuka glazes with hakeme brush work. H.3"(7.5cm) x Dia.3.125"(8cm.) Volume = 6.75oz(200cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (who spent time studying potte...