Large Karatsu influenced kutsu-gata style chawan with hakeme slip decoration under haiyu and temmoku glazes

Stoneware, slip and glazes

6" X 4.75" X 4.25"

Functional, decorative and food safe

A spectacular work by Wada Akira enclosed in the original signed wooden box titled Omiwatari Chawan (God’s Crossing) and date to 2022. The name comes from the cracks in the ice on Lake Suwa, that is said to be the footprints of God. The blue cracks glaze crawls and plays over the white glaze. The shape is very comfortable, with a rounded body inviting the hand to hold and touch. Inside is all glazed, maing it very easy for whisking the frothy tea...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payett, ID. Gas-fired, with copper ring attached in back for hanging on a wall or post. H>5.75"(14.5cm) x W.2"(5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Large Oribe style kutsu-gata chawan with mentori, facets around the form

Stoneware and glazes

5.65" x 3.75"

Functional, decorative and food safe

Large wan-gata form terra cotta teabowl with a black background and yellow, red and green "falling leaves" about the bowl in old Rimpa fashion

Terra cotta, slips and clear glaze

6" x 4.25"

Functional, decorative and food safe

An unusual chawan draped with blue over leopard-skin like some Osaka Obachan on a Friday night romp by Takiguchi Kazuo enclosed in the original signed wooden box. The apple shaped form is pleasant on the hands, not heavy or unruly. A large drip had sagged off the side, affixing itself to the kiln floor, where it has been cut off. A bowl very much in this artists avant-garde spirit...

New stunning Oribe works from Higashida Shigemasa, including, Tea Bowl ,Vases, Sake Cups ,Sake Bottles and Water Containers ,available for purchase...

Tea Cup, Yunomi. Shino Glaze which has pooled into a Blue Circle on the face of the cup, and Kaki glaze Interior and Rim. John Miller; Portland, OR. H. 3.0"(7.75cm) x Dia. 3.0"(7.75cm.) Vol. 6.75oz (200cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school...

A stunning oxidized sterling and 24k yellow gold (tested)ring set with 2 pear and 1 oval cut sapphires and 4 diamonds from the Atelier Zobel/Peter Schmid, Konstance, Germany and now also in Zurich, Switzerland. This ring is a size 6 3/4. The center oval cut sapphire weighs approximately 3.30 cts. The ring weighs 9 grams and is in fine original condition with no chips or cracks to the stones. Signed as shown...

Large, Momoyama inspired, Shino chawan by the master potter and legendary personality; Tsukigata Nahiko (1923-2006). Though it is easy to spot some influences of his master, Arakawa Toyozo, this chawan is all Tsukigata Nahiko. The vivid iron slip shows, like a shadow, under the feldspar Shino glaze with rich areas of natural green glassy ash coating the surface and iron accents about the lip and showing through the surface...

A very striking incised and wood fired vase by veteran omnibus potter; Imai Masayuki. This naturally glazed vase, hanaire, measures 9.25” X 3.75” and is in excellent condition with signed box. The surface of the vase is incised on either side with a sprig, or bouquet of flowers and is dusted by ash from the wood firing...

Wood-fired guinomi, sake cup, by George Gledhill; Payette, ID. Shino Glaze. H.2"(5cm) x Dia.3.635"(9.25cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

This large henko, molded bottle is by forth generation Otani-gama kiln master; Yano Shinichi. This henko comes with signed box and is in excellent condition.

The vase measures 5.25" X 5.25" X 10.25" but the measurements alone do not adequately present the volume and mass of this piece...

An incredible organic form, the delicate petals appearing to waft in some tide by Shingu Sayaka enclosed in the original signed wooden box. A closed bud on the side is lined with hundreds of tiny sharp needles in black. It is 8 x 5 x 4 inches (20 x 12 x 10 cm) and in excellent condition.
Shingu Sayaka was born in Osaka, the industrial and commercial heartland of central Japan, in 1979. She graduated the Osaka University of Arts in 2001, before being selected as an artist in residence ...

Form and void are everything with Wada Akira, and this piece is a fine example of that idea. Akira uses no decoration, no overt gestures to get our attention, but relies on simplicity and elegant shapes covered in his pure white glazes. This comes in the original signed wooden box titled Hakuji Chaire.
Size, D 6.9 cm H 9.1 cm
Condition, Excellent
Wada Akira b.1978,has become certainly one of the most well known names for his mastery in Hakuji glaze. His work are so pop...

A hand-signed copy of "I Shock Myself", the autobiography of famous and notable American artist BEATRICE WOOD (1893-1998). This is the hard cover by Dillingham Press, Ojai, California, and likely the first edition. There is no dust jacket; cover shows some, but very minimal, use. Wood famously lived to be 105 years of age, and her long life was very full. Born in San Francisco to wealth, the 1906 earthquake sent the family moving to New York. Her time there and ultimately in Paris was forma...

A high walled teabowl form with thick wavy slip under my medieval green and temmoku glazes and a bloesem design making the surface appear like tortoise shell at points

Stoneware, slips and glazes

5" x 4.15"

Functional, decorative and food safe

Flower vase with angular shoulder and angular hip, slightly curving in on the sides and standing on a bamboo node foot. Heavy but fine gray stoneware that turned reddish brown upon firing, covered with a celadon green glaze with curved striations made by tracing with his finger. The places where the glaze is scraped back to the stoneware, the clay turned red-brown during firing. Neck covered in cream-colored glaze, inside brown speckled glaze, all typical for Mashiko.

Mingei

Mashiko ...