A very heavy late Victorian 14K rose gold watch chain completed with a matching t-bar. The curb link chain is completed with a t-bar, a dog clip, and a 1-1/2” length of chain to suspend a fob. The chain is stamped repeatedly with the Imperial Russian mark for 56 zolotnik gold (a tad purer than 14K) used 1898-1908...

A classic late Victorian gold padlock clasp. These were used mostly for bracelets but could also be used with necklaces. Today, they are often worn as charms or in their original function. In Victorian jewelry symbolism, padlocks represented the unbreakable bonds of love. The padlock with stamped with the English 9ct mark, but the jump tests as 14K gold.

• Origin: England, ca...

A stunning platinum lavaliere and rose cut diamond necklace from the Belle Epoque (Edwardian period). The platinum chain transitions at the middle to rows of rose cut diamonds in millgrained platinum collets separated by knife-edge spackers that meet in a matching inverted pear-shaped plaque set with a large pear-shaped rose cut diamond. A second smaller diamond below exaggerates the pear-shaped motif...

An extremely rare and beautifully made French Art Nouveau pin depicting a sirène (mermaid) and sea monsters. The rarity of the design cannot be overstated—for every 50 or so griffins maybe one mermaid piece turns up. The mermaid is depicted within a trefoil border created by the bodies of the writhing sea monsters. A garland of lilypads (interesting that the designer didn’t remember that lilypads grow in freshwater while mermaids live in oceans) preserves her nether region modesty...

A nice Art Nouveau griffin pendant worked in 18K gold and platinum, the wings set with rose cut diamonds and the open jaws grasping another diamond. The pose, in a sort of near-frontal pose with detailed ribbed wings outspread, is somewhat unusual and makes a dramatic statement. The piece was originally a brooch and pendant combination, but the original pinstem was removed. The clasp remains and is stamped with French 18K marks. The pendant loops are original...

An elegant Belle Epoque bracelet comprising links in the Louis XVI style, set alternately with round emeralds and rose cut diamonds. The gemstones are set in crimped collets that mimic the center of each flower. Each link is hinged in a way that allows the bracelet to drape nicely on the wrist. The clasp is stamped with French 18K hallmarks and a illegible master goldsmith’s mark.

• Origin: France, ca...

A lovely Art Nouveau gold watch pin in the form of a maiden appearing within the ruffled form of a pansy blossom. Tendrils of her hair cascade out toward the edges eventually disappearing into the veining of the flower’s petals. The back retains the original clasp and a hook to hang a watch. The pin could easily be converted to a pendant with the addition of a bail at the top. The hook could then be used to suspend a pearl or other gemstone drop...

A stunning Art Deco worked in white gold, each link set with a square onyx plaque topped with a cabochon opal in a milgrain white gold collet. Spacers between the links are set with onyx beads flanked at the corners with old European, mine, and single cut diamonds. The opals have very good play of color, predominantly in shades of green and blue with orange flashes. The links are fully articulated so the bracelet sits nicely on the wrist...

This lovely festoon or garland necklace features a winged heart, which is symbolic of love and openness. The heart is enameled in green with orange highlights, and the heart and the wings are set with seed pearls. Above are curlicues of gold, and below is a (tested) diamond dropper. It’s got a faint 10k mark on the back, but tests as 14k (this is not unusual). The spring ring is marked Gold Filled, but the chain tests for 14k, so it’s probably a replacement...

I acquired this Georg Jensen silver repousse bracelet years ago but waited for a long time to present it in the store - I was tempted to keep it and would have done so but for its length. This is Jensen’s des...

1960's Chinese 14K Gold Filigree Calligraphy Coin Disk Bracelet Marked "14K"

It is 7.5 inches (19 cm) in circumference by 2 inches (5 cm) diameter and 0.7 inch (1.77 cm) wide. It is 12.1 gram.

It has surface scratches (as seen in the photos).

The calligraphy has words of happiness, fortune, longevity, prosperity, health, safety, and completeness.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from...

A modernist sterling silver hand wrought cuff bracelet and/or spiral triangular earrings by Lore Garrick, (1920-2013). Lore Garrick made hand crafted jewelry in NYC in the 1950s. Known as 'Mother Lore' because her son became Tamal Krishna Goswami, she made the first pieces of jewelry for the Hare Krishna movement in Los Angeles.

The bracelet is constructed of two layers of sterling with a spiral on the thick curved wire layer. The artist purposefully oxidized the area under the wire for a ...

This stunner tests as a very strong 14kt, so it’s very likely to a 15kt English piece. It is set with what we are pretty sure is an iolite (hard to test because of the setting), and 4 pear-shaped purple garnets, all foiled, all set within an Etruscan Revival motif of coiling snake-like decorated gold ropes and leaves, with two dangling gold chains. The brooch measures 1-1/2 x 1-1/2 x 3/4" deep and weighs 8.7g. With the chains, the whole piece measures 2-1/2” long. The pin stem assembly is al...

This unusual brooch features poppies with lovely curving, flowing lines, mounted on an oval of mother-of-pearl. Poppies symbolize sleep (Dorothy in the field of poppies, on her way to Oz), rest, and eternal life. The flower is silver plate, and is somewhat worn on the high places (those bits actually serve to highlight the design). The mother of pearl is convex. It measures 1-3/4” x 1-3/8”. The pin assembly is mounted on a yellow metal plaque, and is of the old style. It rattles a little bit...

Stunning vintage Italian silver charm bracelet wrought in the Etruscan style and adorned with four beautiful fob charms set with semi-precious and glass cabs. I love these pieces for their "shock and awe" approach to accesorizing that goes hand in hand with the boldness and seductiveness of Europe's southern-most coasts. Usually crafted in 800 or 900 silver and associated with the Peruzzi and Coppini Bros, Etruscan bracelets of this type are labor intensive to make with their dozens of florets, ...

The "Aztec Roses" motif is a classic for Mexican silver cuff bracelet from the Deco period. They are usually executed en repoussage, come in all widths and configurations and the most "famous" ones are signed by Sanborn's and Maciel. The impressive in heft and presence example I am presenting here differs from most in that its repousse work is closed in the back with an additional sheet of sterling. This technique serves at least two purposes as it protects the relief work and adds strength and ...

This is a classic “cigar band” ring from around the turn of the last century, and moving into the Edwardian era, often called a “gypsy” ring, made from richly-colored 18kt yellow gold. The center stone is a diamond, the outer two stones are rubies. It has decorative scroll work on the shoulders. The hallmarks are for Chester, England, 1903, and there is an illegible maker’s mark. It weighs 4.0g, and is approximately size 5. The shank is a little off round, and it’s possible that it w...

This locket features a lovely Egyptian girl or woman – or perhaps a goddess! - in profile, wearing a headdress (from which a few locks of hair have escaped – so charming!), and hoop earrings. She is nestled within a crescent moon (symbolic of the female principal, intuition, and new beginnings). Inside it has both photo rings, but no celluloid. Unusually large, it measures 1-5/8”, and weighs .77 ounce. It is made of gold over silver, and there is a very faint “sterling” stamp on the in...