An original etching made on a zinc plate, 5 3/4" by 6 1/2" inside the present mat (14 1/4" by 18 1/2" in simple black frame), signed in pencil at lower right margin by important 19th century Italian artist GIOVANNI FATTORI (1825-1908). The title of the print is "Strada dei dintorni Fiorentini". Affixed to the backing is a charming old,early 20th century note handwritten in English...

A small watercolor on paper within an oval, featuring a short vase filled with wildflowers, the piece measuring 8" by 7" as framed; at the lower portion in pencil is an inscription in German: "Die Heimat Blumen Grussen Dich", and "Plauen Mai 1920". This translates roughly as "the flowers of home/homeland greet you". "Heimat" evidently is a German word with no clear translation into English...

A circa 1900 oil on canvas painting of roses against a simple dark background, 12 1/2" by 18", and 20" by 24 1/2" in likely original bright gold frame. There does not appear to be a signature. Roses were a popular subject of painters during that period, with many young ladies especially encouraged to take up painting. The American painter George Cochran Lambdin often used dark or black backgrounds for his floral still life works...

Ink and wash on paper drawing, 14" by 9 3/4" inside the mat, 19 1/2" by 15 1/2" as framed (no glass), signed at lower right by American master artist JOHN EDWARD HELIKER (1909-1999). Heliker was a significant figure in American art of the twentieth century, working as an illustrator, and painting figures, florals, genre and interior scenes, landscapes and marines. At auction, works have exceeded $20,000...

An oil on canvas painting of the symmetrical snow-capped cone of Mt. Fujiyama in Japan, hardy palms in the foreground, signed at lower right by Japanese artist "T. Arashi" (signed in English and Japanese characters), no date, circa 1980. The artist was very talented and has created a beautiful and arresting composition. The mystical, famous mountain stands in all its glory above the surrounding landscape. Condition is excellent. I have not been able to locate information on the artist...

This work is guaranteed to be an original pencil drawing, and not a print nor reproduction of any kind. The drawing (15" by 23", 20" by 26 3/4" in simple metal framing) is amazingly detailed, featuring an old time steam boat, the General Slocum, as it might have appeared in New York harbor around the turn of the century. The Brooklyn Bridge towers at right and sailing craft complete the scene at lower right. The artist signed the work at lower left and dated it 1995...

A vintage impressionist oil on board painting with modernist touches, unsigned, 20" by 16". The work is probably by a listed artist but alas there is no signature. The almost Cubistic handling of the cloth and rear drape and the foreshortened space are most interesting. The work probably dates to about the 1940's. Unframed, and with some small faults common to older paintings, including light soiling, a few minor losses, edge losses etc.

An accomplished drawing in pastel, 16" by 31 1/2" (22" by 38" in present framing), signed on the reverse by local Los Angeles artist Julie Belnick (1957-), and dated there 1989. The strange, surrealistic, stark modernist scene is of two brooms leaning against several walls dividing an otherwise empty space. A silvery gray tone dominates, with some subtle yellow mixed in, resulting in an elegant and mysterious work. Belnick is a Southern California artist with an exhibition history...

A finely detailed oil on panel painting of flowers in a vessel set upon a plinth on a tabletop, painted in the late 20th century but based on the style of the old Dutch master painters of the 17th century, signed at lower left by artist RICARD SANGER. Note the painting of the tulips, in particular. The work measures 20" by 15 1/2" and 27 1/2" by 23" nicely framed. On the reverse is written "Ricard Sanger/Aus. School" (presumably, Austrian?) and then the artist's name again in pencil...

Late 19th century American watercolor painting of sheep in a country landscape with trees, 12" by 24 1/2" (21" by 33 1/2" framed), signed at lower right with initials "S.M.G.". The artist might be hard to identify but the work resembles watercolors by such artists as Carl Weber (see example in my shop). The artist has used a combination of watercolor and white gouache. Condition is excellent. The gold frame has age and there are some missing pieces.

An old oil on canvas painting of a swift-running river in a steep mountain canyon landscape in the fall, 24 1/2" by 20" (32 1/2" by 27 1/2" in circa 1920's pie crust style frame, unsigned on front, with "Herman Herzog/Storm at Yosemite" written on the back of the canvas in an old style hand (difficult to photograph, I have provided two images)...

A Mediterranean landscape painting, oil on board, 13" by 19" (19 1/2" by 25 1/2" framed) signed at lower right "ELBAZ" and above that, the same name in Hebrew script. This could be a work by listed artist ANDRE ELBAZ (1934-) but I am unable to confirm that. The listed Elbaz painted works in Morocco and some have brought large sums at auction there...

Oil on canvas American painting of a clipper foundering in a storm, 20" by 27" (22 1/2" by 29 1/2" in a nice old gold period frame), unsigned, circa 1870's. The work strongly resembles that of American marine artist CLEMENT DREW (1806-1889) but is unsigned...

An interesting late 19th century, antique drawing of woodland plants, unsigned on front, word "Stanyan" on reverse, where the date "Oct. 28th/84" is written in pencil in old hand. The work measures 15" by 11" (slightly smaller inside the pink mat--which plays off the pink flowers) and 23 1/2" by 19 3/4" in frame (no glass). The piece shows some age, in overall toning and there are some meandering abrasions at upper right and along right edge; also there is a rip about 1 1/2" at lower right cor...

A decorative impressionist landscape painting of autumnal trees in an intimate space, perhaps a shallow arroyo, oil on canvasboard, 18" by 14" (25" by 21" framed), signed at lower left by artist Alison Lowe. It is framed in gold frame with clean liner and all in all is a solid decorative picture for moderate cost.

A charcoal and color chalk drawing of a young boy, 8 1/2" by 4 1/2" inside the mat and 11 1/2" by 7 1/2" framed, apparently unsigned. The work is affixed at three edges to another sheet, I was able to peer into the back via the open side and do not see any writing or other information there. The drawing extends beyond the mat, as shown. Nicely executed work by unknown artist.

A really nicely done watercolor on heavy watercolor paper, the subject a New York Central Park view, the artist evidently looking south across a lake towards the famous San Remo Apartments residential building with its distinctive towers. Signed at lower right in Asian (Chinese?) characters and with red artist seal there, also signed and stamped again on the reverse side, where it is titled "Evening at Central Park #13" and dated March 31, 2008. The watercolor is of high quality and obviously ...

A vintage circa 1930's watercolor of old two story hotels on a block in Oakdale, in California's Central Valley, between San Francisco and Yosemite, signed at lower right by listed California woman artist ESTELLA HOISHOLT (1889-1979). The buildings are of brick and a quaint, older style rarely seen nowadays in California, countless earthquakes having taken their toll on masonry buildings. Several figures linger around the hotels, and water is reflected in the foreground of what may be an unpav...