Oil on canvas painting of a forest in autumn or possibly winter, 13" by 20" (16" by 23" framed), not signed on front but inscribed on canvas reverse "Hommage reconnaissance a M. Fr. Tompkins/J. Caron/1909". A title also appears there, "Sous Bois en XXXXX" (unreadable). This is a highly impressionistic work by listed Belgian artist JOSEPH CARON (1866-1944). Caron appears to have painted primarily landscapes, almost always with an impressionist hand...

PAIR of English landscape oil on canvas landscape paintings, each including a cottage, a figure (one fishing off a small bridge, the other walking towards the cottage), and feathery trees, each 9" by 16" (18" by 25" framed), one inscribed in ink on the stretcher "Sketch in Kent C.J. Riley". If we assume that this be the artist, I am unable to find a listing for such a name. The style suggests a date of circa 1870's...

Watercolor on paper painting of a vase and flowers, 14 3/4" by 11 1/4" (21" by 16 1/2" framed), signed at lower right "L. Hirsch" and dated there 1979. I do not think the artist is listed but he or she has displayed considerable talent in creating this decorative and attractive work. The frame shows a little wear but is presentable overall...

This is a finely executed watercolor of a seated woman, perhaps in a studio, her props including a metal or ceramic vessel and a draped table, apparently unsigned, and drawn in the later years of the 19th century. The work measures 11 1/2" by 8" inside the old faded red mat, and 20" by 16 1/2" in its modern frame. I opened this up in hopes of finding a signature or other information, but the paper is laid down securely to a board and there is nothing to be seen...

An Italian Old Master red chalk drawing of a putto, 8 3/4" by 6", 12 3/4" by 11 1/4" nicely framed with inner gold fillet and quality frame from Munn in Los Angeles. The work is unsigned and unattributed. Likely early 18th century. There is some soiling at top left, right center and near the lower portion, two vertical folds and more light folds at upper left, and a small abrasion of paper, seen as white area, near nose area, all as seen in photos.

Gouache and watercolor on smooth side of Masonite painting of a merchant ship in a stormy sea, 11 1/2" by 15 3/4" (18" by 22" as framed---no glass), signed at lower right "HINGER" (California artist Richard Hinger, born 1937). The work is technically excellent, leading one to think it a print, but I guarantee this to be an original work...

Old vintage pastel on paper drawing of a New England landscape in the fall, including a white 19th century house and a lone figure, 12" by 9" (15 1/2" by 12 1/2" framed), no glass, signed very faintly at lower right corner as (I believe) "F. Will" (or, T. Will, or T. or F. Wills). I do not think the artist is the listed Frank-Will. This particular scene seems to be after a well known original by a noted American artist...

Large watercolor painting of a peaceful lane or street, buildings suggesting Hispanic origin mixing with the lush vegetation, 21" by 30" (31" by 39" nicely framed, with museum glass, yet), signed at lower right "H. Brzezinski"...

Watercolor on paper laid on thin card painting of a fetching, dark-haired young woman, apparently in Venice (tiny gondola/architecture at far right), holding spring flowers at the water's edge, " by ", and signed at right center "E. LARRI". I do not see a listing by this name but he/she worked squarely in the tradition of 19th century Italian watercolor art. The piece was in a nondescript frame when found, and backed by curling old acidic wood. I have removed it from the frame for photography...

Oil on canvasboard painting of a greatly simplified vase with flowers, unframed, 16" by 12", signed at lower right "Dieter" and bearing on the reverse the title "Spring Bouquet" and "W. D. ZANDER/25 EAST END AVE/N.Y N.Y 10028". This is a work, possibly circa 1970's or 1980's, by a long-lived gentleman with an extraordinary life history, who happens also to have been a very talented artist. Zander was born in Germany in 1915, and educated in Neuchatel, Switzerland...

Pastel on paper laid on board drawing of trees and fields, a shed providing a human element, 7" by 9" (11" by 12 3/4" framed), signed at lower right "R...

Oil on canvas painting of a peaceful eastern scene including distant pyramidal mountain peak, luminous sky, feathery trees and rock formation, the only sign of man an idle rowboat in center foreground, 12" by 20" and 2 1/2" wide period frame, signed with the conjoined initials of the artist at lower left (in red) and dated there 1882. The artist is JOHN WHITE ALLEN SCOTT (1815-1907), an accomplished Boston artist who was active in New England and the Catskill Mountain region of New York from th...

Here is a classic old painting on gray academy board, the subject roses in a vase, 20 1/2" by 14 1/4" as framed, signed at lower right "M Say" or similar. It likely dates to circa 1900, at a time when young ladies were expected to take up painting as a domestic skill, and still life of roses was always a most popular subject. Today these works are sought after by those decorating in the shabby chic style. The work has some flaws typical of century-old works, including soiling, minor scuffs, ...

Oil on canvas painting of a woman in a verdant landscape, 30" by 24", unframed, titled on the stretcher "NUDE HOLDING FLOWERS", and also signed there, "by Greg Harris 1981 Feb.". This is a quite early work by an artist now firmly established in the contemporary impressionist art scene nationally, GREGORY FRANK HARRIS (1953-). Harris was born in Southern California to parents that included a painter mother. He showed precocity in art and music and other creative pursuits, and by 1977 was begi...

Pencil on paper drawing of a young man, in true 1930's American Scene style. The work measures 12 1/4" by 9 1/2" inside the present mat, the full sheet extending under the mat (some of the drawing is hidden by present mat) 14 1/2" by 11 3/8". The work is unsigned. I would imagine that the artist would be someone listed, judging from the quality and sensitivity of the portrait. The paper has yellowed with time, and the area under the present mat is a different shade from the exposed area, so ...

Watercolor and gouache on paper laid on thin card painting of a typical street scene in an Austrian city, 12 1/2" by 8 1/2" (17" by 13" in circa 1920's black frame), signed at extreme lower left corner and dated there 1917. I have spent considerable time trying to determine what the signature says....I tried Seiler and other similar combinations but so far seem to be unable to link this to a listed artist, though the quality is undeniable. There is lots of detail in the figures walking or stan...

This is a small watercolor on thin card of a young woman with peaches and cream complexion and ringlets in her hair in the style of the 1820's through about 1860, unsigned, 5 3/4" by 3 3/4" plus narrow late 20th century frame, At first glance I thought this English or American, or Canadian, considering the Toronto gallery stamp on the framing paper, but upon opening it I discovered a stamp in old German script on the reverse, as shown. Condition is generally very fresh, I note a very minor abr...

Found in Phoenix, Arizona, this is a striking and unusual modern work by a talented but so far unidentified hand, 20" by 24" plus narrow simple wood frame, signed at lower right and dated there 1981. The scene is buildings, depicted in a semi-abstract, even cubist manner, all in various earth tones such as cream, tan, brown, and yellow. A pale blue sky and foreground makes for a cooling, interesting contrast. The Christian cross towering over it all adds a mysterious element. The painting wo...