Late 20th century oil on canvas including a central figure, bird, young women embracing, and flowers, unsigned, painted in the style of the renowned and world-famous French artist Marc Chagall. The work, unframed, measures 24" by 20". The creator was obviously familiar with the paintings and graphic work of Chagall. Very decorative alternative to having a Chagall print.

This is a difficult to describe painting----we see a beach on a summer's day, the blue sea beyond; budding clouds, a spiky yucca at left, and what look at first like children's sandbox toys in the sand, until it appears that maybe they're not children's sandbox toys. The "tower" at right looks more like a Greek islands windmill, the "sail" a takeoff from the yucca. There's also a starfish, a bucket, a brightly colored striped beach ball--and a difficult to make out signature...

Vintage watercolor painting of a swampy pond with a stand of woods in the center distance, signed at lower right by listed Massachusetts artist HENDRICKS A. HALLETT (1847-1921). The scene is poetic and very calming. Hallett was born in Charlestown, Massachusetts and studied in Antwerp and Paris before returning for more training in Boston. He was a longtime member of the Boston Art Club and the Boston Society of Watercolor Painters...

An original turn of the century print, apparently from a publication of the era, featuring a cabman and an elegantly dressed woman walking away, signed at lower left corner by the noted Spanish artist FRANCISCO XAVIER (JAVIER) GOSE (1876-1915). This original lithograph is not behind glass and is loose in the current framing. The measurement of the sheet is approximately 12" by 9" (19" by 17" in the framing). There is a tear at top as shown, and a slight crease at right...

An example of the 1957 poster of a seated nude, titled "Andre Derain Dessins", by Galerie Maeght. The lithograph is framed in a silver metal frame with orange backdrop. Measurements are 25 3/4" by 18 3/4" (30 1/2" by 24 1/4" as framed). Derain was a major French artist in the first half of the twentieth century, renowned early on for his Fauvist works and later for a wealth of works, both drawings and paintings, many of which depicted the female nude. WILL BE SHIPPED WITHOUT GLASS.

Original old photo of the imposing Palace of Fine Arts building in the Marina section of San Francisco, the photo originally in a brown tone, enhanced tastefully with light blue tints. The building was erected for the 1915 Panama Pacific International Exposition in San Francisco, and the complex is all that remains of the construction undertaken for that event. Today it and the park-like grounds remain a graceful and familiar part of the San Francisco urban landscape...

An etching with extensive watercolor depicting two arches of an old bridge with a house built on the pier between the arches, two men in red coats and a dog on the bank below the bridge and lane with trees and houses on the right. Titled along the lower margin to the left, “Part of the Old Bridge east Shrewsbury.” It is unsigned, but part of the old mount that is saved in a folder on the back of the present mount states that it is by Paul Sandby (British 1725-1809)...

This is an oil on canvas painting (measuring 7 3/4" by 9 3/4", plus very thin simple wood frame), laid down on a board, by the noted Northern California artist JOHN HENRY RAMM (1879-1948). It is titled on the reverse in the artist's own distinctive handwriting "Looking Down Bush Street" and initialed and dated 1930 (not signed on front, but, this is definitely the artist's way of signing; I have handled a number of his works in the past)...

Etching titled "THE GREEN SHUTTER NEW ORLEANS", signed with initials in the plate and in pencil by the artist in margin, the sheet 9 7/8" by 7 3/4", framed as found in narrow black strip frame of the period. Buell was a noted woman etcher, active from the 1920's through the late 1950's. Born in Illinois, she received some art training at Oberlin College in Ohio, and further study at the Art Students League in New York and with famed etcher Martin Lewis...

This is a fine wood engraving from the end of the 1920's by well listed American printmaker LYND WARD (1905-1985). The work is from the 1929 woodcut novel "God's Man" by Ward. Measuring 6 3/8" by 4 1/2" inside the mat (13 1/2" by 11 1/2" as framed) this print is by an artist well recognized today especially for his achievements in the graphic arts and illustration art...

Ink drawing "Wooded Road", measuring 11" by 16", unframed, circa 1930's or 1940's, signed at lower right by listed American artist ISOLDE THERESE GILBERT (1907-1986). There are two labels, discovered when the piece was opened up (frame is low quality and worn). One red-bordered label gives the artist name, work's title, and size; another, of The City Library Association, Springfield (MA) Museum of Fine Arts, again provides title/artist name...

From a local estate, the homeowners having spent much time in Southeast Asia, an oil on panel unframed and unsigned painting of a younger man wearing some traditional simple clothing. The piece measures 26 3/4" by 23 3/4" and dates to the late 20th century. It is competently painted, the figure tightly outlined, the colors muted gray and tan and white, his waistband area providing a spare touch of bright color.

Watercolor on paper painting of waves lapping at rocks in the ocean, 9" by 12", unframed, signed at lower right in blue by well-listed California artist GEORGE DEMONT OTIS (1879-1962). The simple scene of waves lapping at a rock is simple yet complete. The artist was born in Memphis, Tennessee and was raised in the Midwest after being orphaned. He showed early talent and was enrolled at the Art Institute of Chicago at 14, followed later by more training in Philadelphia and New York...

Small oil on canvasboard contemporary painting of high mountains in the western United States, or, possibly, Canada, unframed, 6" by 9", signed at lower left with what appears as "Wingsford", "Wingard" or similar. The painting is by a trained hand, the depth of the landscape and the majesty of the mountain captured with skill. The painting is in excellent condition.

Young Flute Player is the title of an oil painting by Benedetto Luti from the 1720’s, now in the Hermitage. An earlier version by Luti depicted a young boy in a blue jacket without any instrument. This engraving, made by Victor Marie Picot was published in London in 1780 as Boy and Lute, obviously mixing up the motif and the artist (!). Contributing to this is probably the Walpole family crest having been pushed in between the letters of the title...

A highly detailed nineteenth century PENCIL DRAWING, NOT A PRINT, featuring a classic turreted castle, with numerous (approximately twenty) figures completing the scene, unframed, 7" by 9 1/8". The artist signed at lower left corner "F. Pohl", and "1846" is written on the reverse. Nearby are two blue stamps that could be collector stamps. Condition is excellent, needs a frame.

"William Hogarth" "The Man of Taste" and "Rich's Triumphant Entry" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates...

Three fine engravings of Mount Vernon, Monticello, and Independence Hall, nicely mounted and framed together vertically. The framed piece measures 16 1/2" by 11". These appear to be the same images that appear on US currency, and the very high quality of the printing (intaglio?) is similar. One wonders if these have been produced by the Bureau of Engraving and Printing, either as printing proofs, or perhaps as official souvenirs to be sold in a gift shop setting. The detail is extremely cris...