Small gouache on paper painting of famous Mount Vesuvius volcano towering over Italy's Bay of Naples as it emits puffs of smoke, 6" by 8 3/8" inside the mat, 11 1/4" by 13 1/4" in inexpensive modern framing, unsigned. This is quite possibly or even likely a work of the artist Giuseppe Corelli (1858-1925); compare to another, signed work by that name in my shop...

A fine early watercolor with gum arabic highlighting, the subject a stag in a landscape, by a well-listed English 19th century artist, NEWTON SMITH FIELDING (1799-1856). The work measures 5 3/8" by 8" and is laid on another piece of paper. Including the present mat, dimensions are 16" by 20". The signature is actually on that second piece of paper, in pencil, at lower center. Fielding was born in England and died in Paris...

Three drawings in pencil on gray-blue paper, each 7 1/2" by 12" approximately inside the mat, all of coastal scenes with multiple figures, sailing ships and even dogs and donkeys. Two are signed with the "W C" initials and are dated Nov. 1866; the third one with conjoined initials is titled "Falmouth" (a city in Cornwall, on the southwest coast of England) and is dated 12 June 1867...

A watercolor painting of raspberries in a small wicker basket, signed at lower right center with what appears as "J. L. Guinand", and dated there 1895. The work could be by a French artist or perhaps by an American with a French name. I do not see a listing for such an artist. The work measures 7 1/4" by 11 1/2" and 17 3/4" by 21 3/4" framed. The paper is slightly puckered and there is a small unexplained blue area at far right edge that seems out of place...

Scenes From Arabian Nights Mid-19th Century Watercolor Is a beautiful work on paper 20x22 inches FRENCH ARTIST UNKNOWN

"The British Countess" Oil on canvas, 25" x 30" unframed Jonathan Pratt was a Midlands artist working in Birmingham. He was an extremely diverse artist painting genre, figure and portraits, as well as street scenes, rural and coastal views in Britain, France and Algiers. He studied in Birmingham and exhibited a total of 279 works there between 1864-1915, the latter being posthumously exhibited...

An example of the etching "The Complete Angler", by the noted English artist credited with creating the so-called "Etching Revival" of the latter 19th century, FRANCIS SEYMOUR-HADEN (1818-1910). The print is signed in the plate and lower right and dated there 1877, but was likely printed in the year 1880, in an edition of 1000. Measurements are 6 1/2" by 8 3/4" inside the present mat and 12 1/2" by 14 3/4" as framed...

GREEK ICON, christ the Savior, oil on panel 13”x9.5” 1700

Original Watercolor Painting by Salomon Corrodi (1810-1892), spectacular Bay of Amalfi seen from the West showing it's sandy coast with boats as well as houses and the steep cliffs of the terrain. In the background cliffs and the road by the sea lead to the bay of Minori. In the hazy background one can also distinguish the elevation of the Golf of Salerno...

A fine detailed engraved scene of a Arab Fortress, possibly North Africa signed E. pieroth, circa 1880s

An interesting late 19th century, antique drawing of woodland plants, unsigned on front, word "Stanyan" on reverse, where the date "Oct. 28th/84" is written in pencil in old hand. The work measures 15" by 11" (slightly smaller inside the pink mat--which plays off the pink flowers) and 23 1/2" by 19 3/4" in frame (no glass)...

From our European Collection, a very fine oil on canvas by British painter William Robert Symonds, signed and dated 1875. Symonds, who lived from 1851-1934, was a genre painter known for touching scenes of people and animals, and most often of small children in random snapshots of everyday life, where he captured well their innocence and curious musings...

Neapolitan School "Grand Tour" era gouache painting on paper laid on a thin card, RATHER LARGE SIZE FOR THESE, at 19 1/2" by 36", the scene quite extensive with smoking Vesuvius at far left, and a number of figures in picturesque nineteenth century garb, the title "Napoli dal Campo" at lower left. Finely detailed distant buildings and trees complete the charming Italian scene...

A stunning Pair of Antique Japanese Meiji Period (1868-1912) paper doors, depicting 2 hunting noblemen on elegant horses with bows and arrows on the first panel, as well as pine trees on the second panel. Very finely hand painted. Script/Signature on the bottom right side of the second panel. Condition: 1st panel has a repaired torn area and both doors show aging/flaking of the paper at the very bottom. These doors are framed in black wood as shown in the photos. Wonderfully preserved colours...

Japanese Woodblock “Kabuki” signed measures 15x10 Inches

This is a work so finely executed that it is difficult to believe that it is a drawing and not a print, but I absolutely guarantee it to be an original drawing...

An etching featuring cattle driven through a wood in a storm, 3 1/2" by 5 1/2" inside the mat, 8 1/2" by 10 1/2" in interesting simple wood frame with hand cut design, the work by noted American artist PETER MORAN (1841-1914). The title is "Showery Weather", and the print was issued in the year 1889. Moran was the youngest of the well-known Moran brothers of American art (Thomas, and Edward). He was born in England and was in the United States by 1844. Through most of his life he worked in t...

This is a very finely executed watercolor on paper of a young woman in the clothing of the old country. I've opened this up and see that the work is on paper laid on a board, and it is not signed. The measurements inside the gold mat are 9 1/4" by 7 1/4" (17" by 13" in ornate old frame). I am sure, given the quality of the work (note the care lavished on the eyes and face, in particular), that the artist would be someone recognized and listed. There is an old circa 1930 Hobbs & Sutphen (Chic...

A well-executed watercolor of a tightly grouped bouquet of flowers. This may be a theorem made with stencils, though this painting looks as if it was done freehand. Theorems were more often stenciled on velvet. The style is of the mid-19th century. It could be either American or English. The frame is a good one of that period. The painting was almost certainly in an oval frame originally and the slight shadow around it is evidence of that frame. The sight size is 12 3/8 x 15 ½ inches with the ...

Francois van Severdonck, Belgian, 1809-1889, "Sheep and Lamb in a Spring Landscape", Oil on panel, painting measures 7 x 9 3/8 inches in a 12 x 15 1/2 inch gold period frame. Signed and dated "F. Van Severdonck f. 1863" in the lower left, inscribed and signed by the artist on the reverse. A luminous painting with striking color and detail.

To be sold together as a PAIR, here are two ink and gouache drawings of clipper style ships known as barques, each measuring 12 1/2" by 17 3/8" (21 1/2" by 26 3/4" as framed). One is signed "John M. Gorrie" and the other is also signed by the artist and dated 1956. Surprisingly, I do not see a listing for this talented artist. On the reverse is written on one "The Four Masted Barque Herzogin Cecilie"/formerly North German Lloyd Training Ship", and on the second work on reverse label is writte...

Watercolor on paper country road scene with figure and possibly a horse, 4" by 8 3/4" inside the mat, signed at lower right "Lauro" and inscribed "A mi querido cunado (brother-in-law) Daniel" and dated 1881. I have searched for a listed artist that could correspond to this name but have not come up with a compatible listing. Purchased this at a flea market in Buenos Aires, Argentina. The work is in reasonable condition considering that it is 140 years old...there is foxing, some browned areas...

(Consignment). Milanese marble sculpture of a Bedouin Princess signed and dated 1881 by Carlos Vessina, White Carrera marble measuring 29.5 inches tall, 20 inch width, 8 inch deep

While we have yet to identify the artist or the subject, we would contend that the work is first rate considering the mood captured by the painter. The man exudes a somewhat austere aristocratic brood, yet exudes the strengths of youth and ambition, a man ready to make his place in the world. We believe the work to be of the British school painted c. 1850 or earlier as suggested by the early Victorian shape of the seat rail. The clothing hearkens more to the earlier half of the century, as do...

This is a very early watercolor, 9 1/2" by 5 3/4" framed, in the style of the early 19th century, titled at bottom "Double Rose", by an anonymous artist lost to time. His or her handiwork has survived likely 150 years or more but has lost a little color from fading, and the paper has browned. These are not faults---rather, they give the drawing age and character. Whoever made this would be happy to know that his or her work is admired so far in the future! The frame is gold but post-dates th...

Robert Henri 1865-1929 As a young man, he studied in Paris, where he identified strongly with the Impressionists, and determined to lead an even more dramatic revolt against American academic art, as reflected by the conservative National Academy of Design. Together with a small team of enthusiastic followers, he pioneered the Ashcan School of American realism, depicting urban life in an uncompromisingly brutalist style. By the time of the Armory Show, America's first large-scale introduction to...

A PAIR of American oil on board mountain landscapes, each 23 1/2" by 11 3/4" (29 1/2" by 17 1/2" framed), both signed at lower corner A. A. Baker. There does not seem to be biographical information on the Hudson River-inspired artist, who likely painted these in the mid 1880's. It is doubtful that they have ever been cleaned. There is a smell of smoke. One has a 1" puncture of the board (in the tree at right), the pressure having come from the reverse side; the piece remains attached. Frames...

This is an ANTIQUE OIL ON CANVAS depicting a CASTLE BY THE SEA on a Moonlit Night. Sailing Vessels to the right and a Horse drawn Carriage below the Castle. Circa 1875- early 1900's. Note the image does show reflected light when photographed... unsigned and unframed. 22.5" X 30" showing age and can be restored...selling as found

This is a German School Floral still life. Oil on canvas 15 7/8 x 22 in. Signed and dated o. Seitz/1900'' at l.r. Has the Victorian Look and Feel. Plain Wood Frame

A beautiful framed work by the famous Japanese artist. Utagawa Kunisada (Japanese: 歌川 国貞; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (三代 歌川 豊国, Sandai Otagawa Toyokuni), was a Japanese ukiyo-e artist. He is considered the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi. This work is titled...

John Charles Maggs.(British,1819 - 1896 )

The London to Bath Coach Pulling up to the Spaniards Tavern, Bath, England in 1884

Oil on Canvas, signed, and dated l.r.

Painting: 14: x 26"
Frame: 20.5" x 32.5" (outer frame later)

A newly discovered gem from one of England's best coaching painters.

John Charles Maggs (1819–1896) was a painter best known for his coaching scenes. He was born in Bath, England in 1819, his father being a furniture japanner there. John ...

Oil on canvas landscape painting of a New Jersey landscape signed by T. W. Vail. In very good condition, it measures in frame 17.25 inches x 13.25", site size 15.5" x 11.75". Circa 1900

An early example of American portraiture done circa 1840 depicting a woman dressed in fine clothes holding a letter with a red wax seal

William Richardson Tyler (American 1825-1896)

Misty Morning at Windsor Castle

Oil-on-canvas, signed lower left

Painting Size: 18.5”” x 29.5”
Frame Size: 31” x 42”

**Please Note: This item is not currently on view in our gallery. Please call at least 48 hours in advance if you wish to see it.

Tyler is known to have lived and worked in Troy, NY during the 1850‘s and 60‘s where, aside from Abel Buell Moore, he was Troy’s best known artist. ...

A nicely painted work of Boston-born still life painter CHARLES STORER (1817-1907), the subject red roses, painted on gray art board, measuring 10" by 14" (15 1/2" by 19 1/4" framed). The artist signed at center left edge and dated the painting 1901. This is an excellent example of still life work of the period in New England. Storer was born in Boston, He exhibited at the Boston Art Club and the National Academy. Most existing paintings appear to date to near the end of the artist's life. ...

This 1862 oil on canvas by the British artist Alfred Vickers measures 11 3/4 x 15 3/4 inches, signed and dated l.l., housed in original frame, partial European label on back. Born in London, Vickers was a self-taught landscape painter, who exhibited at the British Institute and the Royal Academy.

A small gem of a watercolor painting, the subject a traditional house in a landscape with trees, signed at lower right "F Diday fecit", ("fecit" Latin for "did it" or "made it"), circa mid 19th century. The work on laid paper measures 3 1/4" by 5 1/8" inside the beautifully hand drawn lines mat. Presently this is unframed. The drawing is NOT laid down--just hinged to a thin board at top edge, though there is old tape/tape residue on reverse in corners, those corner areas appearing as slightly...

Anextremely rare and large tile Painting by P. Duboisson after the artist Eduardo Zamacois y Zabala (2 July 1841 in Bilbao – 12 January 1871 in Madrid) was a Spanish Academic painter who specialized in small-scale canvases. He was the father of the French writer, Miguel Zamacoïs, brother of the writer Niceto de Zamacois, the singer Elisa Zamacois and the actor Ricardo Zamacois, and also an uncle of the writer Eduardo Zamacois and the music composer Joaquín Zamacois. Fired Tile measures 20x14...

**NOT PRINTS**----A PAIR of fabulous original antique botanical drawings or paintings as they might be described, in watercolor, each 12" by 15 1/2" (and 19" by 25" as identically framed), both bearing old 1958 framing labels from the legendary Goodspeed's Book Shop on Beacon Hill in Boston. These drawings, found in Connecticut, are of the first half of the 19th century. The fruits depicted are the Large Jambu, otherwise commonly known as the Rose Apple; and the Rambutan (from the Malay "rambu...

The Great Mississippi Steamboat Race by Currier and Ives, July 1870, from New Orleans to St. Louis. Frame Size 15 x19". Currier and Ives was a successful American printmaking firm based in New York City from 1835 to 1907 headed first by Nathaniel Currier, and later jointly with his partner James Merritt Ives. The prolific firm produced prints from paintings by fine artists as black and white lithographs that were hand colored. Lithographic prints could be reproduced quickly and purchased inexpen...

Vintage circa 1880's oil on canvas, 20" by 14" and 1" wide old dark oak simple frame, likely the original, signed at lower right side with the typical conjoined "MStraus" signature of well listed Northern California artist MEYER STRAUS (1831-1905). Straus was born in southern Germany, and was in the US by 1848. He traveled the southern states, including New Orleans and Mobile areas, as well as Ohio and Illinois. Due to deteriorating health, he moved to California by the 1870's, where he paint...

Frederick Garrison Hall, American Artist , “A SCENE IN TOURS” Soft Ground Etching, 25x20” ….. FREDERICK GARRISON HALL (1879 - 1946) Born in Baltimore, Maryland, Hall was an architect by training. He launched his career as an etcher with a number of pastoral scenes beginning in 1918, following studies under William Paxton and Henri Royer. Through the 1920s, Hall produced a number of compelling works depicting notable American and European buildings and settings. He lived and worked in...

Painting on canvas by the acclaimed 19th century American artist HENRY STULL, featuring a portrait of the head of a pampered thoroughbred racehorse, signed at lower right and dated there 1896. The work measures 12 1/2" by 10 1/4", (16 1/2" by 15" framed). Stull is considered one of two major American painters of thoroughbred racehorses, the other being Edward Troye. Born in Hamilton, Ontario, Canada, he was exposed at an early age to horses. By 1873 he headed to New York City to become an ac...

Flowers in Basket Still Life

A total of FOUR watercolor paintings, framed as pairs, in two frames, each watercolor 10" by 4 7/8", each frame 17 3/4" by 17 3/4". All of the watercolors are signed at lower left with initials "FD". Judging from the scenes, these are likely Northern European and of late nineteenth century date. Condition is excellent, one frame has a little nick at top right. Some research may help determine the identity of the artist.

Oil on canvas painting of a young woman accompanied by a knight in a secluded landscape including a wall at left, 15" by 10" (arched top), 21 1/2" by 16 1/2" in modern day dark tasteful framing, signed at lower left center "TFaed". This could be an image of "Highland Mary" Campbell, to whom Scottish poet Robert Burns had a romantic attachment in the 1780's. I am standing behind this as a work of Scottish genre and history painter THOMAS FAED (1826-1900), although auction specialists in Scotlan...

This is an unsigned oil on paper laid on board work, quite possibly an oil study for a more finished painting, circa 1870's, by the 19th century American painter JUNIUS SLOAN (1827-1900), the subject trees silhouetted against an extensive landscape, two ladies in period dress at center left, several houses in the middle distance, and two tiny cows grazing at right. The painting, 6" by 12", 9" by 15" in 20th century framing, is titled on the reverse of the board in old penciled hand, difficult t...

A charming, somewhat naïve antique oil on canvas painting, 16" by 23" (18 3/4" by 27" in late 20th century frame), unsigned, featuring a winter's day in the country, mountains in the distance, and two figures in the foreground braving the cold to chat, a glow in the central home at right center indicating that a fire is warming it. At far left in the distance is the rest of the village. The painting was painted by an American hand after 1885 (the metal stretchers with that date in the corners...

Alphonse Legros 1837-1911 French This is an original drypoint etching by French artist Alphonse Legros (1837-1911) The title of this work is: La Ferme De Labbaye (farm at the monastery) Created and printed circa 1880, this image measures 8 1/2X11 1/8 inches. Hand signed and titled in pencil. Printed on a medium weight wove type paper with a partial watermark.

Harrison Bird Brown 1831-1915 American This is an original oil on canvas painting by American Harrison Bird Brown (1831-1915) This view of Seaside Cliffs and the moody sea has an image size of 14X24 inches, signed lower right H.B. Brown. This painting is housed in a period gold fluted cove frame. The overall frame measures 25X34 inches. Very fine original condition.

Sir Francis Seymour Haden, British, 1818-1910, "Shere Mill Pond No. II". This is a very fine early state etching, image size 7 x 13 1/8 inches, 1860, state VI/IX, cat: Schneiderman-37, plate signed and dated. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law, James Whistler. In addition to being a highly regarded artist, he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first pr...

NINETEENTH CENTURY, CHINESE NANKING “OPERA” CARVED AND FRAMED WALL SCULPTURE, Measuring 21” x 32”. The carving done circa 1840 and mounted and framed in the 1940’s. The work was typically done for export to the Irish market…..please also see # 3582

An antique drawing in ink and watercolor, 4 1/4" by 6 3/4" inside the mat, 11" by 13 1/4" framed, unsigned, featuring a rolling landscape with stand of trees and tiny figures. At left a full hay wagon is pulled by an animal; at center a couple walks together; at right, three others take a break and chat. This could possibly be an American drawing after an English etching. The materials and framing look American, the scene less so. What is certain is that this is an original work and not a pr...

A beautiful antique oil painting of a Girl in a bonnet Holding a Flower Basket. Early 19th century English oil on canvas in original antique frame. Overall size 32ʺW × 2ʺD × 41ʺH in good antique condition minor imperfections commensurate of age.

Oil on canvas, 9 1/2" by 13 14" (18" by 22 1/2" as framed), signed in red at lower left "J. A. McClurg" and dated there with what looks like "1900" or "1908". There's a vintage Denver artists materials sticker on the stretcher, Considering the scene and the sticker, I am tempted to call this one a Colorado plains/edge of the Rockies picture, in the nineteenth century tradition of Bierstadt, Worthington Whittredge, Samuel Colman, and so many others in that school......I do not see a listing for...

Joseph Pennell 1857-1926 American This is a fairly scarce etching by American artist Joseph Pennell. The title is: Chelsea, No. II, it was created and printed in 1886, in an edition of only 20. Hand signed in pencil by the artist. The image measures 6 1/2X9 1/2 inches. This imag appears in the Wuerth catalog as image number 114. Printed on a medium weight wove type sheet. Chelsea Bridge is a bridge over the River Thames in west London.

(Consignment). Edward Dalton MARCHANT 1806-1887 Portrait of General U.S. US Grant, measuring 16.5 x 13.75“ treated 1864. This is a grant attracted to the attention of many portrait painter is during the war especially in 1864 year he became a lieutenant general and commander of all union forces Period the artist who is a war hero Pennsylvania painter just one year earlier has spent three months at the White House creating a canvas of Lincoln that is emancipator

Portrait of the British Schooner "ESTHER"

Oil on canvas, 19th century Signed indistinctly lower right "Wm Mc *****" and dated

Painting: 21" x 28.5"
Frame: 27" x 34.25"

Ship portraits, such as this, were commissioned by the new owner often time itinerant artists who traveled around different boat builders looking for work. They documented exactly what the ship looked like with full sails, flags and rigging so if a boat was lost at sea the portrait could...

BIOGRAPHY - Vincent Clare, was born in and spent most of his life in London, at Fern Cottage, Nursery Road, Southgate. One will often find that Vincent's paintings are signed and inscribed, with his address, on the reverse. Like his father (George) and brother (Oliver), Vincent became quite well known for his still life and flower paintings. His technique was similar to his father's, however, his brushstrokes were slightly freer and at times he would work with a more pastel palette. Though...

Sir Francis Seymour Haden 1818-1910 British This is a rare etching by British artist Sir Francis Seymour Haden. This etching and drypoint is titled: The Fisherman. It was created and printed in 1864. Hand signed in pencil which is quite rare for this image. Printed in a warm toned ink, the image measures 5 1/2X8 7/16 inches. This etching is the 5th state of 5 with extensive use of plate tone in the water and sky. Haden was an avid fisherman, and apart from doing etchings and being a wel...