Original etching by Wendell H. Black (American, 1919-1972). First edition printed posthumously by Berkley Chappell. In original unframed condition. Titled and numbered 7/25 in pencil l.l. Also signed "Wendell Black '56 by Elaine" l.r. Plate 14 in "The Lost Works of Wendell H. Black" by Henry Sayre.

Lucille Ireland modernist abstraction - oil on board, circa 1950.

Ireland lived on the Philadelphia Main Line and exhibited at the Stabler gallery during the 1950's in NYC. She is listed in "Women Artists in America".

Image measures 22 1/2" x 33 1/4", frame is 2 1/2" wide.

Condition - very good and original, very minor paint ripple in a small center area.

Original drypoint engraving on copper by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell. In original unframed condition. Titled and numbered 7/25 in pencil l.l. Also signed "Wendell Black '51 by Elaine" l.r. 12 1/2 by 23 1/2 image alone. Plate 2 in "The Lost Prints of Wendell H. Black" by Henry Sayre.

This is a beautifully executed work in charcoal, 18" by 15" (19" by 16" as framed), the subject a young girl, staring out at the viewer, likely wearing her school uniform, circa 1930's or 1940's, I am thinking. Unfortunately there is no signature. When I first saw this I thought it possible it might be by a Taos and Santa Fe master.......and I held on to it for many years, thinking I could run into another work that would unlock the mystery...

Unframed oil on canvas laid on Masonite painting of a desert scene in California, high rugged mountains in the background, measuring 12" by 16", signed at lower left by listed California artist WILLIAM P. KREHM (1901-1968). The tawny scene is very understated and pleasing, with shades of tan and brown interspersed with violet in the mountains. Krehm was born in Kansas City...

Rare original watercolor and ink painting on elephant paper by Wendell H. Black (American, 1919-1972) in excellent original unframed condition. This work measures 20" by 26 1/2". Signed by the artist (lower center) and dated (57). Provenance upon request. One of a number of works by this artist currently offered. Please inquire.

Vintage oil on canvas impressionist landscape with rounded low mountains, a country road passing red barns, 25" by 30" (29 1/2" by 34 1/2" framed), signed at lower right corner with what appears as "D Tutis" or "D Totis" or similar. Although the work resembles that of Vermont painter Earl A. Titus (1895-1962), the signature does not correspond with how he signed. So we have a mystery work here...

Oil on plywood painting 24" by 29" (" by " framed), signed at lower right "F. Sullivan '53", signed again on the reverse "F. Sullivan" and titled there "High Park Toronto". The painting of trees and a pool of water is created with palette knife especially in lower portion...

ONE OF TWO BY THE SAME ARTIST IN MY SHOP, IDENTICAL SIZE AND FRAMING, oil on board, 18" by 14" (22" by 18" framed), signed at upper right "LEE WILLKE". This work shows a Plains Indian with full roach and faintly mischievous smile. The complex surface is heavily worked. Both of these whimsical works likely date to about the 1950's, and were found at the same location in Maine. I have not been able to locate an artist of this name. I would prefer to sell them as a pair...

Rex Ashlock 1918-1999 oil on canvas board figurative abstract "Red Nude" c 1955 unsigned as many by him were . Well painted with studio paint splashes in scattered spots but no real damage a bump at the corner ...

From our African Collection: An African Mitsogo Doll from Gabon, circa 1950. The Mitsogo or Tsogo are an ethno-cultural group from the highlands of Gabon. They reside mainly in Ngounié Province to the north and east of Mouila. Numbering around 13,000, they speak the Tsogo language. In the late 19th and early 20th century they were known for their fierce resistance to the French.There are about 13,000 Mitsogo people who speak the Tsogo language...

This is an appealing little sketch, oil on board of a landscape with a line of trees, a tawny field, a few structures and an extensive view beyond, unsigned, circa 1940's or 1950's. It is obviously by a talented artist who failed to sign his or her name. Perhaps it is a study for a more finished painting to come. Measuring 12" by 16", it should be easy to find a (common, "standard size") suitable frame. Condition is good save for a stubbed, worn corner at upper extreme right, as shown.

A well-painted and colourful oil painting on board by Frank E. Cavell (Canada, 1909-80, AOCA (Associate of the Ontario College of Art)). The scene is titled (on the gallery label on the back) "Routley's Mill Bruce County", it has an image size of 19-1/2 x 15-1/2". It is signed on the bottom/lower left. It is in a vintage 1950s gilt wood and gesso 26" x 22" frame...

A beautifully painted oil on Masonite work featuring the peak autumn color in the mountains, likely the Laurentians north of Montreal. The artist is VIVIAN WALKER (1903-1994), who signed her name in the wet paint, at lower left. Walker was born in Hawkesbury, Ontario. She received art training in the Montreal area including at the Ecole des Beaux Arts. She was a student of Adam Sherriff Scott and E. Stanley Turnbull (the latter, in New York)...

Original etching, drypoint, and engraving on copper by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell (Wendell Black never issued an edition in his lifetime). In original unframed condition. Titled and inscribed a/p l.l. Also signed "Wendell Black '56 by Elaine" l.r. 16 1/2 by 23 1/2. Plate 17 in "The Lost Prints of Wendell H. Black" by Henry Sayre.

A painting of the California desert, painted in impressionist style, oil on canvasboard, 14" by 18", unframed, titled on reverse in old hand, "Palm Desert Cal...

Etching, 4 3/4" by 6 5/8" inside the mat, 10" by 12 1/2" in simple black strip frame, titled in pencil at left margin "A Bermuda Lane" and signed in margin in pencil at lower right by artist RAY ALLEN. I do not see a listing for an artist of this name. The work likely dates to about the 1950's I would think, and is probably still in its original frame. The impression is strong, with a distinct plate mark. Disregard false yellow colors in some of the photos, which are an effect of the camera....

A small watercolor and ink drawing of the famous old Brulatour courtyard, 520 Royal Street in the New Orleans Vieux Carre (French Quarter), signed at lower right and dated there '51 (and titled/signed/dated again on the reverse backing) by New Orleans artist E. ALVA EDWARDS. Internet research suggests but cannot confirm that this be a work by one EDWIN ALVA EDWARDS JR. (1914-1988) of the Baton Rouge area. The clean piece measures 9 1/2" by 7 1/2" as framed. There does not appear to be an arti...