This is a decorative, hand colored print, possibly dating to 1784, issued as a plate in "New and Complete British Traveller", titled at bottom "View of Hackney in Middlesex". Presently the print itself measures 6" by 6 3/4" (10 3/4" by 12 3/4" in simple black wood frame). I see from online research that this example seems to have been cut down, with all decorative border areas, and the name of the publisher, Alex Hogg, at the Kings Arms, No. 6 Paternoster Row, trimmed away...

A scarce botanical mezzotint engraving of the plant species "Caryophyllus gramineus humilis" (carnation), plate No. 330, from Phytanthoza Iconographia, 1737-1745, considered the first important botanical work to use color engraving prints. The work is known for the accuracy and beauty of the prints, which can now bring impressive sums at Sotheby's and Christie's auctions in London...

A nicely worked oil on canvas, 21" by 29" plus almost 1" wide old frame, the subject an extensive continental European landscape with figures on shore and in a small boat, a dog, wading and resting cows, trees and classic buildings, signed at lower right by artist "O. Kirkman" and dated there 1858. The more one studies this the more detail one sees. This antique painting will need restoration and it is well worth the effort to bring it back to displayable condition...

An early pencil drawing of a charming country house (barn/hayloft?) with thatched roof, a group of figures conversing outside. A pair of mules, a split rail fence, and plane tree complete the scene. The work is unsigned. Measurements are 8 1/2" by 11 1/2" inside the mat. Someone decided to re-use a modern mat that had evidently been used on a print, as there are numbers on it as if from an edition...

A nicely painted watercolor of wild roses, signed at lower right by artist M. J. Gage, circa 1900. Found in Boston area, The work measures 6 1/4" by 12 1/4" inside the double mat and 14" by 18" as framed in oak. Colors are fresh considering that this is a century old. Clean and ready for the wall.

Offered in as-is condition, a true restorer special----a framed (18" by 15" oil on canvas, 22 3/4" by 19" as framed) lovely impressionist painting of Notre Dame and trees in Paris, a figure providing a spot of color, signed at lower right and dated there 1912 by listed English artist ROBERT ARTHUR WILSON (1884-1979). On the stretcher is written "Painted by R A Wilson" and "Notre Dame Church in Paris"...

A fine old wood engraving dating to the sixteenth century, the title apparently "Saint Paul Giving a Letter to a Messenger" according to handwritten notes on the backing, which also relate that this is from the Biblia series. The artist HANS BROSAMER (circa 1506-1554) was born at Fulda in central Germany. He became known for his fine oil portraits, but also for his wood engravings and copper engravings, many produced for various editions of Luther's German Bible...

A color print of the Montana landscape, specifically the mountain seen from the Many Glacier region of Glacier National Park, titled at bottom margin "Indian Paintbrush" (the red flowers, commonly seen in the mid-summer wildflower bloom at the park), hand signed in felt pen at lower right and numbered there 272/600, by noted contemporary Western American artist MARK OGLE (1952-)...

Original acrylic on canvas painting, 18" by 13 1/2", unframed, by the noted Central Australian aboriginal artist JUNE BIRD NGALE (born c. 1954). The painting is titled on an original 1992 label of Utopia Art, Sydney, "Bush Tucker" (tucker is the Australian word for food). The label is affixed to the canvas and "June Bird" is written in pencil on the stretcher. We seem to be looking at some kind of bush or plant which would presumably have provided that food...

An antique painting of a classical landscape, the scene including feathery trees, a number of tiny figures, and a distant church, likely French or Italian, less likely English (the red tile roof, clothing styles), unsigned, painted on a board and set within an oval frame. The piece measures 13 5/8" by 16 3/8" including the antique frame...

A large unframed oil, 34" by 46", unsigned, a vintage mid-century work ***AFTER*** a DEAN CORNWELL (1892-1960) painting which was executed in 1953 for a New York Life Insurance Co. calendar, in commemoration of the 300th anniversary of the incorporation of New York City. The painting is meticulously painted and I contacted auctions dealing with illustration art to see if it might be a study for the finished work...

A watercolor on paper of people conversing and socializing in a square or city street, the sheet 15" by 11", the drawing 12 1/2" by 8 1/2" (22 1/2" by 18" in newish gold framing), the work indecipherably signed in red below the linen mat. The signature looks like "Arnold Balg(xxxxx)" or any number of variations of that, but to date I have been unable to tie this to a listed artist...

An impressionist painting of the famous obelisk and fountain in the center of Paris at the iconic Place de la Concorde, 24" by 29" (and the very nice period frame 31" by 36"). Curiously, the work is unsigned but the artist was obviously talented. Paint is thickly applied in places, thinly in others (artist used bare canvas in places to show clouds)...

Antique drawing in charcoal on paper of four women who appear to be in surf or sand at water's edge, apparently unsigned, probably European and 19th century. The figures are somewhat heroic, as if survivors. Possibly a preparatory study for a painting, this work's authorship is unknown, but obviously the artist was talented and probably even listed and known. The sheet, 8 1/4" by 14", is seemingly glued to an illustration board backing. The paper is not rag paper so that would likely limit t...

An impressive watercolor landscape with Italian looking tree at left and extensive vista at right with small figures visible, unsigned on the front, but on the reverse is written in old pencil hand "Childe Harold's Pilgrimage" after JMW Turner by J Glen". This is therefore a 19th century work after a famous painting of Turner by that title, first exhibited in 1832. That painting, now in the Tate Gallery in London, was created subsequent to the publication of the very popular, lengthy narrative...

Etching on thin laid paper, 3 3/4" by 2 3/4" (14" by 11" in modern day frame), from the series "Beggars and other low life", by the noted early Dutch artist JAN GILLISZ VAN VLIET (1605-1668). The etching is one image out of a series of ten or eleven similar views by the artist, who, despite information to the contrary, was not strictly a pupil/student of Rembrandt. It is said that he was working as an independent etcher with Rembrandt, collaborating with the latter on translating paintings to ...

A rare and powerful painting directly on a rather crude wood panel, unframed, 16 3/4" by 23 3/4", by the important twentieth century Peruvian artist ALICIA BUSTAMANTE VERNAL (1907-1968), featuring a group of native people climbing in the bleak mountain landscape, the forward group carrying a shrouded body for burial. The work is titled on the reverse "El Entierro" (The Interment/Burial"), and is dated there 1954, with additional notation "Ayacucho" (the Peruvian city). Signed at lower right "A...

Aquatint on paper laid on board, 1924, "Le Village d'Herouville", 18 3/4 " by 24" inside the mat, and 26 1/4" by 31" framed, after an original by the famous and important French modern artist MAURICE de VLAMINCK (1876-1958), adopted for reproduction by equally noted artist Jacques Villon (11875-1963). Vlaminck is known as a Fauvist and later simply as an expressionist. At auctions, his works in oil bring from the low hundreds of thousands of dollars to the low millions. He was a formidable prese...