A fine and very rare pair of monochrome rouleau shaped porcelain vases with apple green lustrous glaze; the base and interior are glazed white. There are old collector's labels to the base. These items were made in China, in the late 17th or early 18th Century, during the reign of the Kangxi emperor (1662-1722). Condition - excellent - no damages and no restoration. 13cm (5inches)high.

清康熙 苹果绿棒槌瓶一对

瓶底和瓶身内部施白釉。两个瓶...

A large and very impressive tomb pottery horseman, Chinese, 1368-1644 AD. The type has been thoroughly tested and was burnt approx 500 years ago, placing it in the mid Ming period, c. early-mid 16th. century.

The pottery horseman, a higher-ranking officer, was probably originally equipped with a standard of wood, that has now decayed. He is clad in body armor in blue and torquise and wears a cone- shaped helmet. He is riding a white horse with details in torquise.

A rare to...

A rare finely carved cylindrical bamboo incense box depicting Scholars amongst rocks and pine trees in a mountain landscape. This item was made in China in the late Qing period - the characters carved into the top read "Qing Guangxu Nian Zhi" which translates as "Made in the Guangxu reign Qing dynasty" (1875-1908). Condition - one 2cm age related crack at the top - otherwise excellent with no damages or losses and no repairs or restoration. 22.7cm (8.8inches) high.

清晚੏...

Description:

A wood water basin was nicely carved in shape of a lotus leaf with a lotus pond.
It was preserved in very good condition by nice brownish patina.
Some of the seeds in the lotus pond were still movable when some were sticked but nothing is missing.
It was a charming and very rare piece by this type.
Most of the old wood pieces were made as brush pots in relief carving.
This piece was carved in delicate workmanship to imitate the lotus leaf by thin wall a...

Late 1800s

These bottles are decorated in underglaze cobalt blue and colored enamels with a design of various painted fans floating on an iron red enamel ground that is covered with gilt spirals. The interiors and mouthrims are clear glazed. The bases are glazed clear and the footrings are unglazed, exposing the fine white porcelain paste. They are signed Kozan (Dai Nippon Kozan Sei) in underglaze blue. Both are in very good condition. Acquired from a collector in Fredericksburg, Virginia ...

Offered for your consideration is an appealing, circa late 1900s, deep aqua blue painted wood jewelers sign. The sign was acquired from a Columbia, South Carolina estate and measures approximately 63" long x 7" wide. It is in very nice overall condition except for areas of paint loss, some crackling and general wear of a vintage sign. An unobtrusive 4 inch split is noted near the left edge and some scattered paint flecks add to a wonderful patina. A modest scratch is apparent through the word "J...

A beautiful hand thrown stoneware vase of tapering shape with three very small ears; mottled blue glaze / rubbing eggs glaze creating a stunning effect made by Ito Tosan. Ito Tozan I (1846-1920) or Ito Tozan II (1871-1937). Seal mark underneath reading Tozan, enclosed in the original stamped cotton bag. It comes with a collector box from the 50´s. Late Meiji to Early Showa, 20th cent. H. 26, 5 x Diam 7,5 cm. Condition: Fine. **** Ito Tozan I (1846-1920) started his artistic career as ...

A Chinese silver vase with elaborate handles and decorated in repousse work with a phoenix on a hammered ground and the sides showing flowers and foliage, the back with a plain shield. Size: 23 cm high. weight ; 8 1/4 oz. two maker's stamps in Chinese characters on the base. It reads YUAN BEI which was an artisan workshop in Tianjin. The middle set of marks reads"wen yen" meaning "cash silver" and indicating a standard similar to Sterling. We pay credit and respect for this identification to Ad...

A Kangxi period very large baluster- shaped jar and cover, decorated in blue and white with the body showing 36 panels each enclosing a composition of butterflies amongst leafy peony sprays. The borders also reflect a floral image whilst the cover repeats the themes of the panels. This impressive example is of monumental size 57cm (22 and 1/2 inches) high and boasts a vibrant and even blue colour and meticulous painting . Important Note: There is an identical jar and cover in the Topkapi S...

An extremely finely and delicately painted eggshell porcelain bowl by Wang Yijun. The poem on the reverse side reads "Wen ji qi wu xiang feng nian, fu gui rong hua ren ping an. Wang Yijun zuo" which can translate as "Practice the sword while hearing roosters (meaning work hard) and enjoy the affluence of the year; wish people wealth, prosperity and safety. Made by Wang Yijun"The seal mark to the base reads "Jingdezhen Zuo" - Made in Jingdezhen. Wang Yijun (1904 - 1989)was born in Anhui, China. A...

Ceramics decorated by Zen monks are seldom seen and this piece is no exception. Two red enamel characters are boldly brushed in red enamel conveying the strong bond between Zen and the tea ceremony. The bowl is inscribed and named Taste of Zen (Zenmi 禅味), and dates to the 1970s, when Seki Bokuō 関牧翁 (1903 – 1991) was well into his abbotship at Tenryū-ji, one of most important, and certainly most beautiful temples in Kyoto. The bowl itself is by the well-known hagi potter, Hara Kiyok...

Antique 18th – early 19th Century Chinese Qing Dynasty Carved Dragon Belt Hook mounted as a magnifying glass handle in a gilt copper mount with engraved flowers and leaf decoration attached to a circular polished magnifying lens. A well carved belt hook with a large dragon head hook with bulging eyes, curled horns and pierced mouth. The body of the belt hook is carved with fine openwork with a writhing chilong holding lingzhi in its mouth. The reverse with a raised button. In the late 19th ...

Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights. W...

A very thinly potted small blue and white Ming dynasty saucer. It is so thinly potted that if held against the light, we can see through it. The centre of the saucer has a flower that looks like a lotus pod in a double circle. The porcelain is slightly grayish in colour. It has the Cheng Hua (1465-1487) six character mark and of the period.

There are minor firing faults with frittings and chips along the rim and base. No hair line crack. Generally in good condition.

The mea...

Published in 1913, by Valentine & Sons, Dundee, London, and Montreal, this extremely rare publication, "Ten Little Nigger Boys", is a highly creative and imaginative variation of the original 1869 minstrel song "Ten Little Niggers", composed by the British songwriter Frank Green.

(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final lin...

A pair of 10 inch tall Pairpoint candlesticks in colorless glass with amethyst additions. The sticks are decorated in the classic “Waterford” pattern and are identified as shape F1622 Florentine candlesticks in the 1915 - 1920 company literature as illustrated in Padgett’s “Pairpoint Glass.” There is no damage to either candlestick.

Great example of a Durand champagne glass with ruby red cup and foot joined by an ambergris stem. The cup, stem and foot are nicely ribbed and measure 6 inches tall. The cup is 4 3/8 inches in diameter and the foot is 3 1/16 inches in diameter. The foot has a rolled rim and has a small polished pontil mark. This example is pristine.

A colorless Webb ewer or cruet decorated with an acid etched floral design and having an acorn stopper. The 7 ½ inch tall piece is 10 inches tall with the stopper in place. The stopper is not the original but is the correct style of stopper for this piece.