Japanese limited edition copperplate etching titled “Kyoto #7: Kozan-ji” by Tanaka Ryohei (1933-2019). Pencil-signed, dated '96, and numbered 141/150 in the lower margin. The title in kanji is at the bottom left margin. Paper: 11 5/8" x 10 1/4" (image: 6 3/8" x 8"). Very good overall condition with a possible faintly visible smudge in the upper left margin corner. There are a few distressed fibers on the back, but the print does not appear to have been previously framed.
Ceramics decorated by Zen monks are seldom seen and this piece is no exception. Two red enamel characters are boldly brushed in red enamel conveying the strong bond between Zen and the tea ceremony. The bowl is inscribed and named Taste of Zen (Zenmi 禅味), and dates to the 1970s, when Seki Bokuō 関牧翁 (1903 – 1991) was well into his abbotship at Tenryū-ji, one of most important, and certainly most beautiful temples in Kyoto. The bowl itself is by the well-known hagi potter, Hara Kiyok...
A rare original printing with dust cover of the art book ANGELICA KAUFFMANN, R.A. HER LIFE AND HER WORKS by Lady Victoria Manners and Dr. G.C. Williamson, published by John Lane The Bodley Head Limited London. This 11-1/4 x 9-1/2" book has 272 pages and it was issued in 1924 in a limited edition of only 1000 copies. It has numerous print plates in colour and black and white and it retains the original Kraft style paper outer wrap/dust jacket with a printed spine. Condition: DUST JACKET - spl...
AMERICAN MASTER JOSEPH DAWLEY “Floral Abstracted” measuring 11” x 14” LAST SERIES.….. Biography: Joseph William Dawley (1936-2008) was born in Nashville, Arkansas and raised in Dallas, Texas. He received his B.A. from SMU where some of his art hangs today. He married and moved to NJ working for the Newark Evening News retouching photos and sidelining as a political cartoonist. He spent time studying at the Art Students League in NYC and in 1968 he decided to devote all his time to pai...
Oversized Japanese woodblock print by Shufu Miyamoto (b. 1950) titled "Water Weeds at Hiroshima." The lower margin is pencil-titled in kanji and English, pencil-signed, and dated '84. It is numbered in pencil 5/150 at the lower left below the artist's red seal. Paper: 17 5/8" x 22 3/4" (image: 15 1/4" x 21 5/8"). Very good overall condition. There are some minor wrinkles in the paper at the margin edges and there is a small mark in the margin at the upper left corner.
A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition etchings, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams.
This lithograph on Arches paper is from a 1994 portfolio titled “Constitutional Fantasy”, vol. 1 (憲法幻想その壱...
Tibetan Temple prayer carpet with two dragons, each chasing it's elusive pearl. Size: L. 150 cm. W. 87cm. Feet 4'9"X 2'7". Condition. No repairs.
This latest painting depicting a tree on the grounds of Phillips Academy in Andover Ma can be viewed at the Andover Historical Society "Places" juried art show from 09/09/17 through 12/22/97 and is signed by this self learned painter as Mimi Dee at lower left. It is housed in a hand painted frame by same.
Title: Tree - Phillips
ID# 0808171110
Image: 5 X 7" - a perfect fit for that small office space!
Medium: Acrylic on artist panel
Frame: Gesso textured and painted by...
A colorless Webb ewer or cruet decorated with an acid etched floral design and having an acorn stopper. The 7 ½ inch tall piece is 10 inches tall with the stopper in place. The stopper is not the original but is the correct style of stopper for this piece.
The size of Vase : 14" High x 8 7/8" Dia, 4 5/16" Top Dia
35.5 cm x 22.5 cm, 11 cm top dia.
This very fine Japanese Porcelain Vase done with
Yomon (relief works, raised works) with pale yellow green glaze,
in design of Ho-O bird intricately done in Yomon(relief) works.
It is made same era of Seifu Yohei 4th. The vase
is very similar to Seifu. The vase is made from Taisho to Showa.
It came with Kiriwood Tomobako as well as wooden stand.
Inside cover has Ja...
Eisho Narazaki (1862-1936)
Interior of Asakusa Kannon Temple
Size: Oban. Approximately 15.25 x 10.5 inches.
Date: 1932
Publisher: Watanabe Shozaburo. Watanabe C seal at left margin, indicating a first edition printed 1929-42.
Medium: Japanese woodblock print.
Condition: Toned paper.
There is so much to look at in this lively, superbly printed image.
A beautiful hand thrown stoneware vase of tapering shape with three very small ears; mottled blue glaze / rubbing eggs glaze creating a stunning effect made by Ito Tosan. Ito Tozan I (1846-1920) or Ito Tozan II (1871-1937).
Seal mark underneath reading Tozan, enclosed in the original stamped cotton bag. It comes with a collector box from the 50´s.
Late Meiji to Early Showa, 20th cent.
H. 26, 5 x Diam 7,5 cm.
Condition: Fine.
**** Ito Tozan I (1846-1920) started his artistic career as ...
The warrior’s armor and helmet, samurai sword, spears, banners and paper carps (later cloth) in the sky are all tools used to showcase boy’s day in Japan. This tradition
started early Edo period (1603-1868) by samurai families wishing their son’s good health and studies to be honorable samurai.
This set is made in Kyoto, Japan and is called “Kyo-armor”. Kyoto had been the capital of Japan for over 1000 years. The culture there was developed to serve the best for the emperor...
Published in 1913, by Valentine & Sons, Dundee, London, and Montreal, this extremely rare publication, "Ten Little Nigger Boys", is a highly creative and imaginative variation of the original 1869 minstrel song "Ten Little Niggers", composed by the British songwriter Frank Green.
(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final lin...
Beautiful Japanese Wajima lacquer stand with gold maki-e painting on a nashi-ji (pear skin) background. The designs are scrolling vines with stylized chrysanthemums and paulonias, which are the crests of the emperor and empress. The style of sparkling nashiji lacquer work and the theme were popular in the Taisho period (1912-1926) to the beginning of the Showa era, sometime after the return of the throne to the emperor.
The stand was made for a Tokonoma as a base for a flower arrangement...
A pair of 10 inch tall Pairpoint candlesticks in colorless glass with amethyst additions. The sticks are decorated in the classic “Waterford” pattern and are identified as shape F1622 Florentine candlesticks in the 1915 - 1920 company literature as illustrated in Padgett’s “Pairpoint Glass.” There is no damage to either candlestick.
Great example of a Durand champagne glass with ruby red cup and foot joined by an ambergris stem. The cup, stem and foot are nicely ribbed and measure 6 inches tall. The cup is 4 3/8 inches in diameter and the foot is 3 1/16 inches in diameter. The foot has a rolled rim and has a small polished pontil mark. This example is pristine.
Fine Japanese 18th Century Moulded Arita Blue & White Porcelain Bowl
This attractive moulded porcelain bowl with an iron-brown edged foliate rim was made during the 18th century. The underglaze blue decoration of very good colour features three human figures in a garden. Around the outer wall is an elaborate scrolling design.
Diameter 13 cm. It is in fine condition with no repair or restoration and a good ring when tapped.
For information: This bowl was sold to a local collector by o...
24034879 A nice small Pairpoint Rosaria compote, shape B-366. The compote has a Rosaria foot and bowl connected by a colorless stem with a bubble ball connector. Both the foot and the bowl are enhanced with a diamond quilted pattern. There is a polished pontil mark and there is no damage. The compote is 6 1/4 inches in diameter and 6 inches tall.
A pair of Steuben Cyprian twist stem candlesticks, aquamarine with celeste blue rims. The candlesticks are 10 inches tall and are shape 6331 as shown in the factory line drawings. The candlesticks are undamaged and unsigned.
24054902 A satin finish Wheeling peachblow number 13 stick vase in a lustreless finish by Hobbs, Brockunier & Co. of Wheeling, WV. The vase is 8 ½ inches tall and 3 1/4 inches in diameter. There are no imperfections.
Chinese Ming Dynasty Glazed Pottery Ridge Tile - Lion Dog
This sturdy ridge tile in the form of a seated lion-dog dates to the latter part of the Ming Dynasty (c. 1600 - 1644). It is coated in a thick and finely-crackled attractive turquoise glaze. The curved underneath of the tile remains unglazed and has the impressions of a finely-woven cloth on which it must have been placed during manufacture.
Height 22 cm. There is a chip to one ear and kiln scars on both sides of the animal's mout...
Large Chinese Neolithic Machang Painted Pottery Jar (Repaired)
This large and impressive pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is quite "heavily-potted" with a smooth surface and is fairly highly-fired. The surface colour of the pottery varies in places, a result of uneven conditions during firing. It has a short neck with flared m...
RED-PAINTING PAPER PLATE
Anonymous Japanese pottery okimono object, as a symbol of love and peace, H 12.2 x W 9 x D 6.8 cm (4.80 x 3.54 x 2.67in)
selected by titcoRet
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Thank you.
Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production. From th...
Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights. W...
Fine Large Chinese Han Dynasty Glazed Pottery Hu Jar (with Oxford TL Test)
This fine and impressive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a particularly attractive glossy thick streaky green and finely-crackled glaze, the colour of which varies according to its thickness. Interestingly, the drips of glaze to the mouth rim and the pooling of glaze to the flat base show that this jar was fired upsid...
Chinese Qing dynasty pewter-encased rectangular form “san ke zhu” (three pearl) lidded Yixing pottery teapot incised to one side in bamboo, the reverse with a calligraphic inscription signed Chun Quan. The inscription translates roughly as: “Sitting quietly [under] a bright moon [occupying] half of a window, with a book [in hand] and a fragrant incense [burning].” The top edge holds an applied coin and mixed metal strips. Flat, rectangular lid. Jade spout, handle, and square finial. The ...
Rare Chinese Tang Dynasty Painted Pottery Stupa Jar (AD 618 - 906)
This tall pottery set comprising stand, jar and cover was made during the Tang Dynasty (AD 618 - 906). Each part is made from a relatively high-fired grey pottery and "cold painted" in orange and white pigments, the decoration comprising geometric and floral (lotus) patterns. The stand has cut-out apertures and petals to represent a lotus flower. The cover has purpose-made holes in its upper part; it is painted with lotus lea...
Large Chinese Eastern Zhou / Warring States Cord-Impressed Pottery Jar
This rare and attractively-shaped pottery jar of semi-spherical form was made during the Warring States period (475 - 221 BC) or possible earlier (Eastern Zhou period 770 - 221 BC). It is made from a relatively highly-fired fine grey pottery. The lower body has been decorated with repeated cord impressions that are particularly crisp. Interestingly, there is a network of ancient root/plants growths to much of the inner s...
Rolex 16mm Yellow Gold Plate Buckle 20mm Forest Green color Genuine Crocodile Strap. The strap is a new genuine stitched and padded very high grade "Hand Made in Italy". The Rolex buckle is plated (not solid gold) but is very secure and looks very nice! THIS IS A FINE COLLECTIBLE. INVEST IN HARD ASSETS, DON'T INVEST IN THE STOCK MARKET. BUY SOMETHING PROVEN IN TIME.
We have been selling vintage watches on E-Bay since 1998 as watchco1973 with 14,500 feed backs, 100% positive. You ca...
Rolex 16mm Yellow Gold Plate Buckle 20mm Tobacco color Genuine Crocodile Strap. The strap is a new genuine stitched and padded very high grade "Hand Made in Italy". The Rolex buckle is plated (not solid gold) but is very secure and looks very nice! THIS IS A FINE COLLECTIBLE. INVEST IN HARD ASSETS, DON'T INVEST IN THE STOCK MARKET. BUY SOMETHING PROVEN IN TIME.
We have been selling vintage watches on E-Bay since 1998 as watchco1973 with 14,500 feed backs, 100% positive. You can buy...
Fine & Rare Chinese Warring States Pottery Bird with Oxford TL Test
This very rare pottery model of a bird, either a duck or a goose, was made during the Warring States period (475 - 221 BC). It is "heavily-potted" and made from quite a high-fired grey pottery. The duck stands with its neck and wings stretched, as if in the act of preparing to fly. Note the detail, especially to the wings, with the tiger heads. The style and decoration suggest this model was based on a bronze example. On the...
Fine & Rare Chinese Southern Song Dynasty Qingbai Glazed Porcelain Dish (with carved & moulded decoration)
This attractive porcelain dish, or shallow bowl, was made during the Southern Song Dynasty (AD 1127 - 1279). It is coated in a finely-crackled pale greenish translucent qingbai glaze, save for the rim and flat base that remain intentionally unglazed. To the small flat base is a Chinese character in fired-on black pigment that most likely represents a name.
The upper surface is decor...
Chinese late Qing to Republic period guanpixiang table-top chest with a mansard-style hinged top that lifts to expose a single shallow tray above a pair of doors opening to five drawers with metal pulls all upon an attached base. A circular lockplate with ruyi-form clasp is on the front. Two side carrying handles. These chests were typically utilized by men to hold seals and related accessories while women were known to use them for cosmetics storage. Early 20th century. 15” high x 14 1/2” ...
Chinese Qing dynasty circular form lidded cinnabar lacquer box, the lid well carved in relief with scholars and attendants under lush trees in a landscape setting with mountains in the background. The convex sides are decorated in floral reserves interspersed with scrolling foliage. The interior surfaces and base are covered in plain black lacquer over the wood substrate. 10” diameter by 5 1/2" high. Very heavy for its size. Weighs 4.4 lbs. (2 kg). There is an area of damage on the edge of ...
Chinese late Qing dynasty Guangxu period rectangular form porcelain plaque painted in famille rose enamels and gilt highlights with a crane on a pine branch above thick leafy flowers. A poem at the upper left is dated in Chinese cycle years to winter of 1902 and signed Jiang Yongyuan (active circa 1899-1919) at Zhushan, a district of Jingdezhen. A raised rim frames the composition. 15 1/4" long by 9 1/4" wide by 7/8” deep. There is a fine old brown hairline crack extending down from the top....
ANDROGYNY PERSONIFIED
Massive hermaphrodite sculpture that applies the original form of natural wood as is based on the essence of Japanese polytheism, 20th century, Height 73 cm.
selected by hotoke
* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstanc...
A reversible gold pendant featuring a green and amber colored jade koi fish. The pendant is marked 14k Gump's. The gold shows some discoloration and would benefit from a buffing. There is also light wear with a very tiny nick on the gold edge of the jade side ( see first picture upper right). It measures 1" x 3/4"" and weighs 6.23gr.
Ca 1940 A signed, solid gold piece by Preformed Parts, manufacturer of Tiffany and Cartier jewelry. George Schuler design. The piece weighs a substantial 13.2 grams and measures 1-1/4" x 2". Similar designs by both companies may be found on the web.
A fine, antique handmade pure silver tea kettle (ginbin) with knobbed surface covering the body. Each knobbed, Arare, is meticulously formed and added. Open-work knob on lid with finely worked details. Signed in the botton: Dai (great) including small pure silver mark (gin). Fitted kiri-box. H 17 cm (with handle), D 13 cm. Weight: 387 g. Condition: Excellent, used item , a slight dent on the left side of the sprout.
A Cobalt-Blue Painted White Porcelain Incense Burner Joseon Dynasty 19th Century. A true treasure. A similar example recently sold at auction in Seoul for 1.5 million dollars. The cracks are not damage. They are original to the piece and happened during firing. The polyhedral incense burner set on a square four-leg foot, overall covered with underglaze cobalt blue paint, decorated in white porcelain low-relief of the Ten Signs of Long Life (Shipjaengsaeng) with finely incised details, the flarin...
Fine and Rare Korean 19th Century Guardian Painting in Gold Leaf and Mineral Pigments on Silk in Excellent Condition with Vivid Colors. This would have hung on the door of a home to protect the household. This is the finest example of a door guardian painting we have ever seen. Frame: 22 x 10 inches, 56 x 25.5 cm; Painting: 19.5 x 7.5 inches, 50 x 19 cm.
A large rouleau vase of porcelain decorated with the Three Auspicious Gods (sanxing) of Daoism, in polychrome enamel glazes (famille verte style) on a deep, blue ground.
Excellent quality of work. China, late Qing to early Republican Period, ca. 1900–1925. Marked with a Kangxi-period nianhao. H 46 cm. Condition: Excellent.
The only authentic 19th Century Korean shaman paintings offered for sale. Sublimely rendered here is the spirit of divine response, Kameung Sillyeong. There are many 20th century reproductions of these types of paintings. Authentic Joseon Dynasty examples like this exist only in museums. And even in museums, a pair like this is very rare. You can discern them by the material and quality, such as fine hand-woven silk and mineral pigments that give warmth and depth and are vivid but not garish lik...
A pair very decorative Chinese shellwork and mother-of-pearl encrusted vases in the Grotto-style. The four sides with an engraved medaillon showing an elephant, dormice, rabbits or a deer. Wooden core and lacquered base. Condition: few missing shells, traces of age. Dimension: c. 18 cm height.
The last rare Joseon Dynasty Munjado-Chaekgeori combination screen offered for sale was a decade ago at auction. It will likely be at least that long until you see another, if you ever see one for sale again at all. Even most museums have been unable to find one to acquire. The Cleveland Museum has a fine example. This rare combination of Munjado and Chaekgeori was painted only in the Gangwon Province.
Munjado screens have eight pictorial ideographs depicting the Eight Confucian Virtues: Hyo ...
Chinese Song Dynasty Stoneware Jar with Rare Stand & Cover - Dragon Chasing Pearl
This rare and impressive stoneware jar was made during the Song Dynasty (AD 960 -1279). It is quite "heavily-potted" with the outer body and inner mouth coated in an attractive chocolate-brown glaze, that has an almost "silvery" sheen to it. The applied decoration around the shoulder features a dragon chasing a pearl. The pearl represents wisdom, prosperity, power, immortality and the moon, and is also used as ...
Rare Chinese Western Han Dynasty Bronze Cauldron / Jar
This domestic bronze cooking vessel was made during the Western Han Dynasty (206 BC - AD 8) or possibly earlier. It has two handles on opposing sides of the shoulder. It is quite "heavily-cast" and the casting lines are quite pronounced, especially across the flat base. There is some corrosion, mostly to the base where it comprises mostly malachite (green) and azurite (blue). There are also black carbon deposits on the surface in places,...
REMAINS OF HANIWA
Large remains of the ornament part of ancient Japanese hollow unglazed terracotta figure from the Kofun period (3rd-7th century) so-called ‘Haniwa'. 20 x 14 x 4.5 cm (7.87 x 5.51 x 1.77in).
Still left original paint as a rare piece. Bonded repair as seen. (Clearly from the back side but not from the front side.) Handmade removable wire hanging hook is attached.
selected by antiques.iwata
...
Large Chinese Neolithic Caiyuan Pottery Jar with Oxford TL Test
This large and impressive pottery jar was made by peoples of the Caiyuan Culture (c. 2600 - 2200 BC) and has been excavated from the Ningxia Autonomous Region in the north of China. It is quite "heavily-potted" and has been fired to a very pleasing pale yellowish-brown with the surface colour becoming more red in places. The upper surface has been burnished and is very smooth to the touch. The lower surface has been simply yet ...
Rare 19th Century Palanquin. There has never been one offered for sale before and it is unlikely you will ever see another one again. The exquisite wood carving on all sides features ancient symbolism of prosperity and longevity. 34h x 28w x 81d inches with poles, 86h x 71 x 206 cm with poles.
SUISEKI OF FERTILITY
Unique arrangement of supernatural stones of a penis and a vagina based on Japanese phallic worship, with completely no processing by human hands but attached with an wooden stand as an Art of Japanese ‘Suiseki’. Total: approx. 29 x 10 x H 18.5 cm (11.41 x 3.93 x 7.28in)
selected by hotoke
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CARP STREAMER 4
Collage work made from ‘koinobori’ (carp streamer / ref. https://en.wikipedia.org/wiki/Koinobori) made of old ‘washi’ (Japanese paper). 33 x 24 cm (12.99 x 9.44in).
selected and made by Jinta
* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy...
HOROLOGY 38mm Stainless Steel Complication Valjou English
This time piece is preforming Art. The most complicated 38mm wristwatch produced without a repeating mechanism added. Not only every layer of complication possible, but automatic as well. Even the plates on the high grade Valjou movement are engraved! Perfect running condition and fully functional.
*Automatic
*Minute & 12 Hour Indication
*Chronograph
*30 Minute Register
*12 Hour Register
*Day Register
*Dat...
Jeannette Glass Company made Adam from 1932-4. There are no chips or cracks in the glass. Thanks for looking.
ROLEX 18k GOLD Date Just Ref. 1601 SEA BLUE original Dial. 1968. This dial has an impressive Sea Deep integrity glow. The strap is a black genuine crocodile with the original Rolex 18k sold gold Logo Buckle. One full year warrantee after purchase. All surfaces in beautiful original condition. This time piece is preforming Art. THIS IS A FINE COLLECTIBLE. INVEST IN HARD ASSETS, DON'T INVEST IN THE STOCK MARKET. BUY SOMETHING PROVEN IN TIME.
We have been selling vintage watches on E...
Luxurious 19th Century Meiji Period Japanese Dragon Painting on Gold Silk Scroll. A grand six-feet-tall painting of ink and colors on paper. In Japan, the dragon is a benefactor and protector. The dragon in this painting is exploding with protective power and the energy of good fortune. Scroll: 70 x 26 inches (178 x 66 cm), Painting: 55 x 21 inches (140 x 53 cm).
Large Chinese Ming Dynasty Blue & White Porcelain Bowl - 16th C. Crane
This unusual blue & white porcelain bowl was made during the mid to late 16th century c.1560-1580. The outer surface remains undecorated whereas the inner surface is particularly elaborately decorated. In the centre is a standing bird, most likely a crane (a symbol of longevity), together with various plants and blossoms. The surrounding wall is decorated with a pattern featuring lotus leaf panels and tassels.
This is...
Offered is a lovely and serene oil painting of an older black gentleman fishing by the riverside. The painting is done in a flowing, Impressionist style, with a masterful use of quick, loose brushstrokes and much natural light, which contributes to this peaceful scene. The artist then focuses on careful attention to detail in her execution of the lone fisherman.
The primary colors utilized are a tonal range of yellows, blues and greens suggesting a spring or early summer day. The gentleman is ...