English Egyptian-Revival 18K gold brooch with scarab, ca 1870. Winged sun with fluted and stepped form. Entwined and scaly serpent forms round and open center, inset with rotating double-sided carnelian scarab: On front is a carved beetle; on back the Roman God Mercury. Fine condition with beautifully toned patina.

Overall dimensions: H 7/8 x W 2 5/8 x D 3/8 in. Gross weight: 9.5 dwt. #1180

Gorgeous American Retro 18k yellow gold link bracelet, ca 1940s. A dense and interlocking design comprising 3 rows of rectangular links bordered by narrow ones. Satin finish. Fluid and slinky with a nice hang. Marked “750” and maker’s stamp. Fine condition.

Dimensions: H 3/16 x L 6 5/8 x W 1 1/8 in. Heavy weight: 63.1 dwt. #1176  

Turn-of-the-century French Rococo gilt bronze and pink guilloche enamel picture frame. Rectangular window in same surround with beading and leaf-and-dart ornament. Window bordered by diaper with applied flowers and leaves, and open block corners over wraparound pink guilloche enamel. Floral wreath and ribbon crown with torch and quiver. With glass, silk lining, and hinged wire support. Very good condition apart from a few lines in enamel.

Dimensions: Overall frame: H 19 1/8 x W 13 3/4 in. Wind...

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...

Seated in meditation with open and compassionate heart, this bodhisattva is on a spiritual journey, postponing his own salvation in order to remain on earth to help others achieve enlightenment. In contrast to some images of the Japanese Bodhisattva (Bosatsu), often depicted as austere and inward looking, here, Kimura depicts the Bodhisattva as playful, carefree, and decidedly ornate. The inverted image of white contrast dye on black silk also makes for a striking composition.

A mas...

Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blue and white porcelain), he did not settle on this style until well into his potting career that lasted over seven decades. The piece shown here then would be from an earlier period and is evidence of his competency with varied styles and glazes—not just the one he is most well-known for. As any experienced potter will tell you, tenmoku ...

An exceptional, pierced yellow gold slip-on bangle with floral design. For a smaller wrist, the inner diameter is 2-3/8" and it weighs 8 grams. It appears to be hollow and shows light wear on the inside band with a few very faint scratches and a very, very tiny indentation. Marked 14kt along with the Sloan hallmark.

Over 400 years ago the first Takatori potter known as “Hachizan” was brought to Japan by the powerful Kuroda clan and was tasked with establishing a kiln in the town of Fukuoka. Since that time, the Takatori lineage has produced many fine works and gained a reputation across Japan for their skill at producing porcelains of thin construction, using many layers of glaze, and with a variety of unique colorations.

Born in 1907, the 11th generation Takatori potter (Seizan), along wit...

The artist who produced this piece, Wataru Motomura, prides himself in living a traditional life in the eastern hills of Kyoto—long known for its rich clay and idyllic pastoral lands. Though the form of this vessel appears innovative and modern, the techniques and materials used to produce it have been around for many hundreds of years. Taking inspiration from the varied pottery traditions of his native Hyogo, Motomura is also known to use clay and methods from the Shigaraki region and many of...

A truly unique work of Shino pottery developed among the company of some of Japan’s most respected and influential potters of the last century. Defying conventions of form and genre, this exceptional mizusashi looks like it could have emerged from the ground fully formed, the result of geological processes lasting millennia. The creator of this fine work is none other than Tsuboshima Dohei, a true master of the ceramic arts.

Born in 1929, at the age of 17 Tsuboshima took an appre...

When the founder of the Urasenke style of tea ceremony, Senso Soshitsu (1622 -1697) was invited to Kanazawa as the lord of the tea ceremony for the powerful Kaga lords in 1666, the first Chozaemon came with him and established Ohi-yaki ware in Kanazawa. Chozaemon had been the chief apprentice for the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ohi-ware has held a high place in the world of tea ceremony desp...

The distinctive and easily recognizable style of Bizen pieces, such as the one featured here, originated in Okayama (south-western Japan) and has a long history that is closely intertwined with that of tea culture. Bizen-ware is known for employing a natural-ash glazing technique that is unique to this type of pottery and which requires extremely long firing times (7-14 days) at very high temperatures. This means that constant attention is required to ensure good results. The tea bowl shown here...

Decidedly masculine in character with straight sculpted edges, a rich palette of color, and a calm steadiness in the hand; this tea bowl was crafted by one of Japan’s great masters, a Mashiko potter by the name of Takauchi Shugo.

A native of Tokyo, Takauchi (b. 1937) took the well-established path of working for a company after graduating from university and it was not until a number of years later—upon visiting the town of Mashiko and being inspired by the works of artists such...

Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s master Hagi potters.

Born in the famed pottery town of Karatsu in 1942, Zenzo Hatano spent a number of years learning the various styles particular to his region before taking up an apprenticeship under well-known Hagi potter Yoshiga Taibi. Winner of a number of awards including the Japan Crafts Exhibition Award in 1977, Hatano’s greatest d...

Ramp up your allure with a turn-of-the-century parasol handle. Silver and amber cylinder mounted to cone with enameled stylized vertical leafing branches on green guilloche basket-weave ground. Silver rim with seed-pearl border and cabochon-cut pink hardstone top. For a flirty, twirling come-hither. In a leather-bound case with fitted velvet and silk lining with Parisian retailer’s gilt stamp (Dupuy). Worn marks appear to be those of Georg Adam Scheid; also, French import marks. Very good cond...

Exquisitely painted cherry blossoms (sakura) and willow branches (yanagi) on a background of jet-black traditional lacquer.

The craftsman, Wakashima Takao (b. 1935) was born in the north of Japan in the picturesque town of Wajima. The lacquer technique particular to this region (Wajima-nuri) is rather unique in its use of an undercoating incorporating special compounds that make it exceptionally durable over time. Wakashima perfected this demanding technique and, over the course of...

Tsutsu-shaped chawan have a unique and especially attractive shape. They are used mainly in the depths of winter to keep in the heat, and prevent the tea from cooling too quickly. Tea disciples of all stripes appreciate this type of bowl for its elegant lines and functional properties.

This tea bowl was fired in the kilns of one of Kyoto’s best known Raku-yaki potters, Sasaki Shoraku III (1944-). The Shoraku line began when the grandfather of the current potter established a kiln...

Delightful 18k gold figural pin. Stylized owl with ribbed crown, rose-diamond eyes set in concave disc sockets, sweet wing flaps, and branch-gripped talons. Breast inset with turquoise stone. A symbol of wisdom in the advanced taste. United states, ca 1930. Stamped “750”. Very good condition with great color.

Dimensions: H 1 5/8 x W 7/8 x D 1/2 in. #873

Beautiful 14k gold flower brooch comprising petals inset with 33 rubies (approx. 3 carats) on white-gold stem encrusted with pave diamonds. The flower is framed by 3 scrolled yellow gold leaves. United States, ca 1940s. Very good condition.

Dimensions: H 2 x W 1 3/8 in. #675

American crossover cocktail ring in 14K white and yellow gold, ca. 1970. Double-headed with juxtaposing turquoise beads and pave diamonds (3.4 cts). Excellent condition.

Approx. size: 6 1/2. #5040

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink from; but tha...

Unlike many of the pieces in the genre of Kyo-ware, this tea bowl is decidedly demure in appearance. Milky, flowing glaze pools in places along a backdrop of ivory and coral pink sides, contrasting nicely with the rough, unrefined clay of the base. In the center of the kodai is a decorative swirl pattern reminiscent of the yin and yang.

The potter, Kanpu Kawanabe (1873 - 1947) was born into a family of weavers but went on to be trained in many of the arts related to tea ceremony. A...

This piece is described on the box as a Hikidashi Kuro Chawan. In Japanese hikidashi means “a pull-out drawer” and the term first came into use at Mino kilns in the 16th century to describe individual pieces that were pulled out of the wood kiln at the peak of firing to gauge if the batch was ready. The rapid cooling of such pieces often creates dramatic effects, with the most noted being rich varieties of deep black. Today this practice has fallen out of use and and only a handful of master...

Crafted by one of the most well-known potting families from the Meiji period (Ito Tozan), this black Raku tea bowl displays a glossy sheen and gentle swells rippling through the clay body. The shape of the this tea bowl is known as “tsutsu” in Japanese and is regarded as being especially attractive. Tsutsu bowls are used mainly in the depths of winter to keep in the heat and prevent the tea from cooling too quickly. Tea disciples of all stripes appreciate this type of bowl for its elegant li...

Art Deco 950 silver ice bucket. Made by Tetard Freres in Paris, ca 1930. Trapezoidal with applied rim and two rectangular supports mounted to stained-wood. Sides gently convex with fashionable skyscraper motif. Fully marked with Minerva head and maker’s mark. Very good condition.

Dimensions: H 5 1/4 x W 6 5/8 x D 5 3/4 in. Gross weight: 24 troy ounces. #BN222

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time bl...

Using local materials and traditional methods, the creator of this work Masahiko Imanishi, has brought a distinctively modern interpretation to the classical form of the tsutsu chawan. At the same time, he somehow manages to maintain the simple rusticity that Tanba-ware is renowned for. Stretching back over 800 years, Tanba is counted as one of Japan’s 6 ancient kiln sites and is known for making large pots with red ferrous clay and natural ash glazes with a distinctive greenish tinge. More re...

Dating from the 17th century, Kutani-ware is a type of fine porcelain that takes its name from the region from which it originates—the name literally means “nine valleys.” In sharp contrast to many other styles of Japanese ceramics which tend towards more modest color palettes, Kutani-ware are known for their vibrant red enameles, gold trimming, and complementary greens, yellows, and blues. This set of tokkuri is painted with a common hanging-lantern ornamental pattern known as youraku. Th...

Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged. In this case, the gold repairs undoubtedly enhance the bea...

Antique Chinese porcelain cricket cage of a gourd form. Its lid has reticulated air vents, enamel peonies and Chinese characters and gilt edge details. The cage front has enamel scene of a young boy and girl having tea in a field of flowers, with an inscription on the backside. Red four character mark on base.

Size: 4.75" L x 2.75" W x 1.75" H

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm crackled glazing with a white translucent overcoat that beads in areas.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery. Hagi-ware is prized for its subdued colors and classical features, especially the glazing, which is often clea...

Antique Kurdish chanteh bag (camel bag). Made of wool and woven in two connected panels. The front panel (facing out on the camel) is woven with star protection motifs and surrounded with a running hooked motif along the border. The back of the bag is woven in a stripe pattern. Circa 1900. Size: 40" high x 29" wide

Beautiful Chinese scroll painting of three koi fish swimming underneath a patch of lotuses. Very bright coloration used with bold contrast. Vibrant natural colors. Great movement and fine attention to detail. Signature and chop of Zhao Dao Ang (1905-1998). Size: (entire scroll) 41.5" L x 24" H (artwork only) 32.25" L x 19.5" H

Charming Original photograph of smiling village children by the famous photographer, Si Cho Ko. From Taiwan, Si Cho Ko has traveled and exhibited extensively including the National Art Museum of China in 2007. Si Chi Ko is the first Taiwan photographer to hold a photograph exhibition in the Chinese mainland. He brought over 80 pieces of art works, reflecting his passion towards life, love of nature and also the loneliness from the bottom of his heart. This photograph is signed in pen by...

Here is a rare complete set of nine lithograph/prints including one of Senator McGovern during his presidential run that year as well as eight others signifying campaign issues.The content page lists the artists with a small box picture of their work/issues. It is noted that the prints are issued in offset lithography in a numbered edition of 375, and signed in print by each artist with the EXCEPTION of the McGovern print.Each Measures 16" x 19.5" They include: 1)McGovern by Paul Giovanopolis, ...

"...A simple and attractive account of the Great events of the Old and New Testaments.." published in 1879 by the Henry Bill Publishing Co., Norwich CT.Introduction by Rev. Alvin Bond,D.D. Illustrated with engravings and maps.There are 584 pages along with 10 plus pages of recommendations. The engravings are in wonderful condition with the exception of the first one which has foxing...and there is some foxing especially in the front.The leather cover is worn and the spine section is missing(see...

Antique Korean chest made with beautiful burl hardwood front panels. Four drawers run along the top section, while both have central doors with decorative brass plating. The interior is lined with old paper. 19th Century original condition and finish. Size: 52" total height (23" H per section) (stand 6" H), 35.5" L, 16.5" D

Antique Chinese three section desk with attractive brass tone handles, nicely complimenting the warm finish of the wood. Simplistic in design, with eight medium drawers and one long drawer along the topmost section. Great full size for modern day use. Size: 31.5" height, 53.75" width, 30" depth

Charming rectangular Shakudo brooch with gold and silver detail featuring a laughing man. The brooch is braced by a 12K gold mount. Made in Japan. Meiji era, ca. 1880. Excellent condition with fine patina.

Dimensions: H 7/8 x L 1 7/8 in. #1119

A delightful Shakudo brooch featuring a laughing face with exaggerated features including large copper lips as well as copper rope detail. Made in Japan. Meiji era, ca. 1880. Excellent condition with lovely patina.

Dimensions: H 3/4 x L 1 3/4 in. #1118

Ca 1940 A heavy, solid sterling choker and bracelet by Jensen USA designer, Laurence Foss( 1920-2014). It features hand applied, raised sterling leaves with beading. The choker weighs 63 grams, is approximately 16" in length and just shy of 1/2" in width. Both the bracelet and choker are marked with the LF logo, sterling, 450. The bracelet weighs 29 grams and is 7"x 1/2".

Italian Renaissance-Revival 3-piece gilt brass and enamel serving set, ca. 1860. This set comprises spoon, fork, and knife.

The handles are straight and tapering with knops and enameled Grotesque ornament on white ground. The spoon has shaped bowl. The fork has shaped shank and four tines. The knife has curvilinear blade. The spoon and knife have figural mounts. A beautiful set that reflects the Victorian interest in Renaissance Italy. In fitted case. Unmarked. Excellent condition with ...

Antique ukiyo-e woodblock print of an anxious person in a brown checkered kimono, with light blue trim and obi with black flowers, assisting a rather bored looking woman in a gorgeous, long black kimono with pink and blue blows, blue trim, and a pink under kimono and obi. By artist Ichiyosai Toyokuni Okada. Size: (entire frame) 21.5" height, 17" width (artwork only) 14.75" height, 9.5" width

Beautifully carved soap stone figure of sage Fulushuo, he leans on an elaborately carved staff and hold the peach of longevity, on an intricately carved dark stone stand on which are carved a bat and a deer, also symbols of happiness and longevity, wonderful expression, stone of a lovely orange and green, Republic Period (circa 1910-1930). Total size: 20 3/4" high x 8" wide x 5 1/2" deep.

French frame with gilt-bronze mounts, ca. 1900. Rectangular and white-painted wood frame with carved reeding and applied gilt bronze mounts. Gilt-bronze laurel wreath and ribbon mounted to top. With glass, lining, and brocade-lined back and hinged support for vertical display. Tiny corner losses. Otherwise good condition.

Dimensions: Frame: H 8 ¾ x W 5 ¾ in. Window: H 5 ¼ x W 3 ¾ in. BJ261

Gilt and polychrome bronze frame with exotic fronds, ca. 1910. Rectangular with colored and etched fronds, flowers, bamboo, and grape bunches. Exciting Japanese-inspired design. With glass, silk lining, brass back and hinged support for vertical display. Support is marked ‘MV’ with hammer. Excellent condition.

Dimensions: Frame: H 12 x W 7 in. Window: H 7 ½ x W 3 ¾ in. AR427

A small oil on canvas with period frame. The frame measures 11" x 13". Signed in the lower right corner.

English Victorian diamond, 18k gold, and enamel eye brooch, ca 1880. Oval enamel plaque with flowers on peach ground. Bordered with rose-cut diamonds. Gold edge has engraved zigzag pattern.

Dimensions: H 1 x W 1 3/4 in. #878

French gilt-bronze triptych picture frame. Beaded and guilloché borders. Central panel has scalloped top. Curvilinear side wings. Floral silk ground. Seven windows total: 2 circular windows (diameter 3 1/2 in.), 2 circular windows (diameter 2 1/2 in.), 2 oval windows (H 3 x W 2 1/2 in), and 1 oval window (H 5 x 4 in.). Enough room for the whole family.

Frame dimensions: Height: 10 3/4 in. Width: 17 3/4 in. AX125

A striking 14K Gold Three Tiered Chain Necklace featuring Oval shaped Semi Precious Stones of varying sizes. These stones include Chrysophase, Citrine, Moonstone & Amethyst. The graduating gold chains measure 18 inches, 19 inches, and 20 ½ inches respectively and all connect to a rectangular bar clasp at the nape of the neck. American. Circa 1930’s. Excellent Condition.

Swiss brooch, ca 1880. Oval enameled plaque in gold frame; rim comprises applied scrolls heightened with enamel and inset with pearls.

The plaque depicts the Château de Chillon, a medieval castle set on an island in Lake Geneva, with Mont Blanc in the background. Chillon was a source of inspiration to the English Romantics, especially Lord Byron whose Prisoner of Chillon was inspired by its use as a prison during the 16th-century Wars of Religion. Byron’s evocation of tormented solitude is ...

Ca 1940 An exquisite bracelet created by Foss during the time he worked for Georg Jensen USA. This is truly a "must have" for any Foss collector. Marked 416A. 7-1/4" x 5/8" ~ 24.3 grams

Okame, the Goddess of Mirth, is commonly paired with Usobuki in Kyogen theater. This is a rare and old pair of Okame and Usobuki ceramic figures. We have the original receipt from Things Japanese 20 years ago. We are asking the same price as the price on the receipt from 20 years ago. 6 inches (15 cm) tall.

European 15k gold stickpin, ca 1880. Mounted with carved intaglio cameo, depicting a left-facing Classical female head. The color is reddish brown. It is in a gold frame mounted to a twisted shaft. Very good condition.

Dimensions: H 2 5/8 x D 5/8 in. #112  

Ca 1892 An ornately stamped gilt metal blue chalcedony (dyed agate) bracelet in original condition with detailed crimped frames and expandable panels all accented by flowerheads and small opals. The stones' facets and tables show light wear; one stone has a small chip on a table facet, another has a small section missing adjacent the setting (please refer to pictures). Hidden box clasp and safety chain. There is some darkening to the metal. A lovely piece sold as is. 7 -1/4".