Catalog: Antiques (1917)

Attractive seal, carved in green-black stone with a knob handle, Western Asia, Neo-Hittite states, c. 1200-800 BC

Triangular seal plate, engraved with a 4-legged animal, struck by an arrow. The knob handle engraved wioth grit-pattern.

Diameter: 19 mm. Height: 16 mm.

Condition: Good Very fine, intact with fine dessert patina.

Reff...

A nice larger hemispheric stamp seal engraved in the base with a Cruciform design and pierced through, Mesopotamian, Ubaid, c. 5th. millenium BC.

Size: c. 23 mm...

A nice lot of two provenanced stamp seals, Mesopotamia, Halaf period, c. 6th.-5th...

A nice lot of two provenanced stamp seals, Mesopotamia, Ubaid period, 5th.-4th...

A large, Museum Quality pottery figure of a male attendant carrying an umbrella on his back. The figure dates to Ming Dynasty, 1368-1644 AD.

The figure is placed on throne made of Lotus flowers on the top of hexagonal plint, both in fine Sancai colours - a two-colour green and yellow glazed robe.

He wears a high hat. Finely painted facial details...

A pair of large, high quality pottery figures of a male and a female attendant, dating to Ming Dynasty, 1368-1644 AD.

The figures are matching in the Green and Yellow Sancai colors and they are placed on large plints.

The female figure carries a fan. She has been TL tested by Ralf Kotallas Laboratory and dates to ca. 1500 AD. The male figure is holding a Ying / Yang emblem in fron of his chest...

Interesting stone stamp seal found in Harran, easternmost Turkey, prior to 1991. Harran was founded as a real city at some point between the 25th and 20th centuries BC, possibly as a merchant colony by Sumerian traders from Ur. Over the course of its early history, Harran rapidly grew into a major Mesopotamian cultural, commercial and religious center.

This seal is engraved with distinctive spoked wheel in the base, so we can date as 3rd.-2nd. millenium BC...

A squat early cylinder seal in cream marble or calsite. The seal is carved with the 'eye' or circle/rhomboid form - a characteristic and significant design for the Period.

The Jemdet Nassr Period in seal manifacturing,3300-2900 BC, were spreading from Southern Mesopotamia, where a great number of administrative cuneiform tablets and seals came from. Such seals was used to impress pictures or descriptions into soft, prepared clay...

Very attractive thick early geomethric style cylinder seal, carved in marble or another calsite glossy stone, Mesopotamia, Jemdet Nasr period, c. 3300-2900 BC.

Impressive size in hand in a beautiful stone, scarce!

Size: 17 mm tall and 15 mm...

A fine and rare late Pre-Dynastic / Late Jemdet Nasr period, Mesopotamian Cylinder seal of translucent Alabaster, early 3rd. millenium BC.

The seal carved in high relief with a fine rendering of centipedes.

Size: 28 mm. tall and c. 15 mm. thick.

Condition: Very fine, old loss at one side, othervise extremely fine. Nice patina and attractive...

A finely patinated and uncleaned silver foliage figure of the seated Buddha on a tall draped Throne, Thailland, 18th.-19th. century AD.

Size: 14,8 cm. tall.

Intact but some wear and tear as usual with the type.

Ex. old Danish Estate Collection.

A very beautiful and large gilt bronze Buddha, dating c. 16th.-17th. century.

Very elegant and massive bronze figure of Buddha standing with both hands raised, with palms facing outwards, gesturing protection (abhaya–mudra).

Of exceptional artistic merits with finely incised facial details. The figure with some preserved gold everywhere in details and on the back and red laquer on the original square stepped base.

Size: c. 56 cm...

A lovely old silver and torquise mounted Conch shell, Tibet, 18th.-19th. century.

Attractive and substantial Buddhist antique. Thick silver folliage mount with animals and a demon masks. Mounted with torquise stones, one missing.

Size: Approx 22 cm. long and 10,5 cm. wide, weighing a good 680-700 grams.

Ex. Danish Private Collection.

Carved and polished square stone seal with winged lion or Griffin, Middle Assyrian, c. 15th.-12th. cent. BC.

The seal nicely detailed and carved in a black stone.

Size: 16 mm. in diameter.

Condition: Very fine, some uncleaned deposits.

This seal comes with hard impression and original ID-card from below collection, see pictures.

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 ...

A very large and impressive Neolithic period stamp seal, provenanced to Amüg-Ebene near Antioch in Western Mesopotamia / Eastern Anatolia, c. 6th. millenium BC of even earlier.

Rectangular seal of grey stone with a long ridged pierced handle and a grit pattern in the base.

Size: 40 mm. long and 23 mm. wide, c. 12 mm. tall.

Condition: Near VF, one corner chipped, lightly affecting the imprint. With earthern deposits.

Comes with the original 1995 ID ca...

An extralarge bronze seal with a loop on the back and elaborate floral design, Bactria, 3rd. millenium BC.

Very impressive round seal depicting a flower with petals in the openwork style.

The seal belongs to one of the varied mostly circular metal “stamp seals” relief cast in bronze or copper alloy, but more rarely in silver or gold, which is classified as so-called “compartmented seal” (a term first used in 1943 by the British archaeologist Stuart Pigott – 1943....

An extralarge bronze seal with a loop on the back and elaborate cross designs, Bactria, 3rd. millenium BC.

Very impressive round seal with large cross-arms in the openwork style.

The seal belongs to one of the varied mostly circular metal “stamp seals” relief cast in bronze or copper alloy, but more rarely in silver or gold, which is classified as so-called “compartmented seal” (a term first used in 1943 by the British archaeologist Stuart Pigott – 1943. P. 179�...

A lovely thick oval bronze plaque with a classic theatre depiction, Italy, c. 16th.-17th. century.

An artful and highly interesting bronze plaque, cast in high relief and would probably have adorned a casket or case, perhaps even furniture as an inlay. The scene depicts a younger man with classical greek dress seated at a table with three heads / theatre masks. He holds a of the three masks in his left hand and he is looking straight at it. behind the high table, theres an impressive...