This lamp was made by the P & A Manufacturing Company of Waterbury, Connecticut.

Elegant crystal trivet with a sterling silver overlay in an orchid pattern. The piercing of the silver is highlighted with engraved details. The center has a silver reserve that was never monogrammed. The side is hallmarked by Webster Silver Co. This trivet is in the harder to find large size.

Origin: America, ca. 1920. Condition: excellent, no chips or cracks. Size: 8” diameter.

Elegant crystal trivet with a sterling silver overlay in an orchid pattern. The piercing of the silver is highlighted with engraved details. The center has a silver reserve that was never monogrammed. The side is hallmarked by Webster Silver Co.

Origin: America, ca. 1920. Condition: excellent, no chips or cracks. Size: 6” diameter.

NOTE: We have four matching trivets in this size. One of the four has an elegant monogram "K"...

A nice tin tray with tole floral decoration. The center is painted with a colorful bouquet including roses, tulips, peonies, lilies and ferns. The bouquet is surrounded by a foliate border, and the edges of the tray are highlighted with an orange-gold sand paint. The tray is handmade with soldered seams and rolled edges.

Origin: America, ca. 1900. Condition: excellent original paint. Size: 18-5/8” x 12-5/8” x 1-3/16”.

A phenomenal Victorian sterling silver cheese scoop in Whiting’s “No. 26” pattern. The tip of the handle features a gorgeous full-blown peony blossom and bud. The twist stem leads to the deeply curled bowl. “No. 26” is an extremely rare pattern. It is always very finely made and exceptionally heavy, even by Whiting’s standards. The pattern is a multi-motif design, so each piece has a slightly different, but related, decoration on the handle...

A phenomenal Victorian sterling silver soup ladle in Whiting’s “No. 26” pattern. The top of the handle features incredibly detailed peony foliage. The twist stem leads to the fluted and scalloped bowl. At the junction of the bowl and stem, a full-blown peony blossom is delicately engraved into the silver. The bowl is parcel gilt. “No. 26” is an extremely rare pattern. It is always very finely made and exceptionally heavy, even by Whiting’s standards...

A marvelous and very rare Victorian patchbox, the body carved from a single piece of ivory and the cut crystal lid enclosing a cameo incrustation (“sulphide”) depicting a pansy. A ribbon tied around the flower’s stem reads “a moi”. This is a clever play on words. The French word for pansy is “pensé”, which is very nearly the same word used to mean “thought”. So, when combined with the words on the ribbon, the sulphide expresses the sentiment “Thoughts of me”...

I have seen weapons such as this one described as everything from ancient Roman, Celtic and Chinese to medieval and on and on. Though I have been unable to find much in the way of references, I am fairly certain that this spear and others like it are ceremonial polearms from the Qing Dynasty. They are most likely 18th or 19th century. They have crudely decorated brass collars between the socket and blade. This one and the three others I have listed are in good condition with no signs of repair...

I have seen weapons such as this one described as everything from ancient Roman, Celtic and Chinese to medieval and on and on. Though I have been unable to find much in the way of references, I am fairly certain that this spear and others like it are ceremonial polearms from the Qing Dynasty. They are most likely 18th or 19th century. They have crudely decorated brass collars between the socket and blade. This one and the three others I have listed are in good condition with no signs of repair...

I have seen weapons such as this one described as everything from ancient Roman, Celtic and Chinese to medieval and on and on. Though I have been unable to find much in the way of references, I am fairly certain that this spear and others like it are ceremonial polearms from the Qing Dynasty. They are most likely 18th or 19th century...

I have seen weapons such as this one described as everything from ancient Roman, Celtic and Chinese to medieval and on and on. Though I have been unable to find much in the way of references, I am fairly certain that this spear and others like it are ceremonial polearms from the Qing Dynasty. They are most likely 18th or 19th century. They have crudely decorated brass collars between the socket and blade. This one and the three others I have listed are in good condition with no signs of repair. ...

A delightful Bennington-type yellowware cow creamer with mottled brown glaze. The cow stands on a concave oval base. This example is more nicely potted than some, with good detailing in the ribcage area and a quirky facial expression. These creamers were made in both America and England, but the style of modelling suggests this is an American example. The tail has been reglued nicely, and a professional restorer could make the repair completely invisible.

Origin: America or England, ca. 18...

A wonderful Staffordshire pottery cow creamer standing on a oval base. The cow is decorated with rust spots on the white background and the horns are gilt. The oval base is decorated as a grassy outcropping. Cow creamers were very popular in the early 19th century and were produced by a number of potters in Staffodshire, Wales and southern Scotland. This example is from the Staffordshire region.

Origin: England, ca. 1850. Condition: excellent, no damage. Size: 6-3/8" x 3" x 4-3/4".

A nice early Staffordshire pottery child's cup decorated with a transfer scenes of children playing leap frog on one side and "peg top" on the other. The black transfer is highlighted with red overglaze enamel. The cup is accented with a molded foot and a strap handle. Teh glaze has the slight bluish tint found in Staffordshire pottery of this period.

Origin: England, ca. 1850. Condition: normal crackling to glaze, a few small flakes at the rim and two tight hairlines. Size: 2-3/4" tall.

A nice Staffordshire inkwell or quill holder in the form of a recumbent deer. The naive painted decoration almost makes it look as if she's wearing a little black hat. The doe is posed on a white base molded as a rocky outcropping. The base is highlighted with a burnished gilt line.

Origin: England, ca. 1850. Condition: excellent, no damage. Size: 4-3/4" x 2" x 4".

A lovely Staffordshire pottery inkwell and quill holder in the form of a swan. The wings are painted vivid shades of pink with black and gilt accents. The bird rests on a colorful "confetti" nest. The hole in the swan's back served as the inkwell, while the two holes in the front were to hold quills. This swan is a particularly colorful example.

Origin: England, ca. 1840. Condition: excellent, no damage. Size: 3" x 2" x 3-1/4".

A very nice pair of Staffordshire spaniels highlighted with gilt decoration. Each dog wears a collar with a padlock and a chain. The muzzles are decorated with pink and black overglaze enamel, and the eyes are set with glass eyes. Both have the whimsical "Joan Crawford" eyebrows. Spaniels with glass eyes, although a bit later than some of the other Staffordshire figures, are difficult to find.

Origin: England, ca. 1890. Condition: excellent, no damage, one dog has a slightly open seam on ...

A small eggshell-thin dish with a decoration of two birds and two fan-shaped panels - one with a landscape, the other with a poem (?), all in a variety of colours, 19th c. Wing of one bird has been painted as to conceal a glaze bubble, an indication of age. Overglaze red marks: Hirado san, Mikawachi. Diameter "5 ½/ 13 cm. Condition: fine.