Glas Alabastron

Alabastron on a blue background, combed in brown and white like a feather, two types of handle extensions on the side.

(see also Corning, Smith Coll., no. 19)

Origin: Egypt

Period: late 4th – early 3rd century

Material: Glass

Dimension: 12,0 cm...

FRENCH LOUIS XVI CARVED WALNUT SOFA 67 inches length ,36 inches at the back, 15 inches seat height

A very fine Dutch Delftware vase as a table lamp.

1930's Chinese Famille Rose Sweetmeat Dishes Butterfly Shaped Wood Carved Tray Marked

The wood tray is 16.1 inches (41 cm) long by 18.1 inches (46 cm) wide and 1.5 inches (3.8 cm) tall. The dishes are 1.2 inches (3.1 cm) tall by 5.3 (13.5 cm) to 6.1 inches (15.5 cm) long and 3.1 inches (8 cm) to 4.7 inches (12 cm) wide. The total weight is 5.8 lb.

The dishes have skip and excess glazes, dark spots, and rubbing of paint...

Pair of 19th Century Chinese Silk Embroidered Kesi Panel

The overall is 16.9 inches (43 cm) long by 15.98 inches (40.6 cm)wide. The panel is 10.03 inches (25.5 cm) long by 11 inches (28 cm) wide. The total weight is 7.3 Lb.

They have mild pulling and loss threads at the panel, chips at the wood frame, surface wears and scratches (as seen in the photos).

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Antique Chinese jade water coupe in the form of a duck. Carved of pale green jade with detailed feathers and scrolling archaic motifs. On a small wooden base.

Age: 19th century

Dimensions: 2 1/8" high x 3 1/4" long x 1 7/8" wide

High-quality Greek black-glazed skyphos with straight walls and two horizontal handles. The ring foot is skillfully modeled with carefully turned inside.
The quality of the pottery shows the treatment of standard Attic products. J. W. Hayes refers to these as Atticizing wares, cf. pp. 43 in: Greek and Italian Black-Gloss Wares and Related Wares in the Royal Ontario Museum, Toronto 1984.
Ceramic
Greek, South Italy, 4th century BC
H. 6.8 cm (2.7 in)
D...

Antique Chinese Jun Ware (Chun Yao) chawan (tea bowl) with grey-blue glaze. Outside with drips of dark and light blue glaze mingling to create greens and browns. Evaluation done in the 1930's by TZ Shiota when the family was inheriting the collection from their great grandfather, Federic Torrey...

Glazed Gnathia ware oinochoe with trefoil spout and arched handle. The body decorated with leaf-sprays suspended from a band with egg pattern and dots.
The intended black color of the vase changed to a warm red-brown due to excessive heat. Standing on a small ring foot.
For a related example, cf. inv. no. 1873,0820.317 in the British Museum database.
Ceramic
Apulian, Hellenistic period, late 4th century BC
H. 12.5 cm (in)
Intact and fine...

Campanian kylix with four palmettes linked by incised arcs to form a ‘palmette cross’. Thin-walled cup with shallow bowl and gently rounded floor.
Finely impressed palmettes. The linking arcs impressed with a twisted wire.
Former collector’s numeration (95) inside the carefully modeled ring foot. Dark points around the foot indicate that the cup was hold with four fingers when dipped into the black glaze.
Campanian, early 3rd century BC
D...

18th century netsuke of a standing Dutchman with his mouth open, clutching a long-tailed rooster to his chest with one hand, wearing a hat, long coat, gaiters and shoes. Rare subject - Englebert Kaempfer (doctor with the Dutch East India Company who traveled to Edo in 1691-92) singing for Shogun Tsunayoshi at the annual reception of the foreigners in Edo...

18th century decent size wooden netsuke of standing sennin (Chinese sage) wearing a robe and a leaf cape robe and stroking his long beard. Very strong early carving, wonderfully captured facial expression, beautiful flowing lines of the robe, superb sense of volume. Does not stand of flat surface, large differently sized himotoshi in accordance with the habit of the time, superb patina. Excellent netsuke. Height 3.55 inches (90 mm).

Early 19th century boxwood netsuke of a frog on a folded decaying lotus leaf. Very strong early carving, perfectly captured posture, wonderful representation of shapes and textures. Excellent finish, beautiful wear and patina. Signed KYOGETSU in rectangular reserve on the bottom. Length 2.2 inches.

Antique Japanese Raku ware chawan (tea bowl) with crackle glaze and finely applied kintsugi. Red glaze with dark greenish-black spots. Seal impression on the bottom. Kyoto. Evaluation done in the 1930's by TZ Shiota when the family was inheriting the collection from their great grandfather, Federic Torrey...

Chinese Neolithic Painted Pottery Jar - Machang (c. 2300 - 2000 BC)

This twin-handled pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is quite thin-walled and relatively highly-fired. The upper body has been coated in a reddish-brown wash on top of which have been painted geometric patterns in a dark fired-on mineral-based pigment. Interest...

Chinese Neolithic Painted Pottery Jar - Machang (c. 2300 - 2000 BC)

This twin-handled pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is relatively highly-fired and made from a buff-coloured pottery with a smooth burnished surface. It has a wide body and two loop handles joined at the waist and upper neck. The outer surface and inner mouth ...

Chinese Neolithic Painted Pottery Jar - Machang (c. 2300 - 2000 BC)

This twin-handled pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is relatively highly-fired and made from a buff-coloured pottery with a smooth burnished surface. It has a wide body and two loop handles joined at the waist and upper neck. The outer surface and inner mouth ...

Chinese Neolithic Painted Pottery Jar - Machang (c. 2300 - 2000 BC)

This twin-handled pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. This jar is relatively highly-fired and little more "heavily-potted" than some other similar examples. It has a smooth burnished surface. The outer surface and inner mouth have been elaborately decorated with a ...

Chinese Neolithic Painted Pottery Jar - Machang (c. 2300 - 2000 BC)

This twin-handled pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is relatively highly-fired and made from a buff-coloured pottery with a smooth burnished surface. It has a wide body and two loop handles joined at the waist and upper neck. The outer surface and inner mouth ...

Chinese Neolithic Painted Pottery Jar - Machang (c. 2300 - 2000 BC)

This twin-handled pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is relatively highly-fired and made from a buff-coloured pottery. It has a wide body and two loop handles joined at the waist and upper neck. The outer surface and inner mouth have been coated in a reddish-br...

Chinese Neolithic Painted Pottery Jar - Machang (c. 2300 - 2000 BC)

This twin-handled pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is relatively highly-fired and made from a buff-coloured pottery with a smooth burnished surface. It has a wide body and two loop handles joined at the waist and upper neck. The outer surface and inner mouth ...

Chinese Neolithic Painted Pottery Jar - Machang (c. 2300 - 2000 BC)

This twin-handled pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is relatively highly-fired and made from a buff-coloured pottery. It has a wide body and two loop handles joined at the waist and upper neck. The outer surface and inner mouth have been coated in a reddish-br...

Chinese Neolithic Painted Pottery Jar - Machang (c.2300 - 2000 BC)

This pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is made from a relatively high-fired yellowish-brown pottery. It is of quite a "squat" form, with the wide body being quite low. There are two sturdy loop handles joined at the waist and just below the rim. The outer surfac...

Rare Chinese Neolithic Pottery Jar - Siwa Culture (c. 1350 BC)

This pottery jar was made by peoples of the Siwa culture (c. 1350 BC), one of the later Chinese Neolithic cultures, overlapping the Bronze Age. It is of a slightly differing shape to most know similar examples in that it has a wider base and, therefore, wider lower body. It is fairly heavily-potted and has been fired to an attractive orange-red colour. There are two loop handles joining the shoulder to the mouth which is of the ...

Ancient Chinese Buddhist Pottery Amulet - Ming Dynasty

This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and many have a surprising amount of detail. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the temple. We find it quite difficult to date...

Ancient Chinese Buddhist Pottery Amulet - Ming Dynasty

This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and some have a surprising amount of detail.hey were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the temple. We find it quite difficult to date t...

Ancient Chinese Buddhist Pottery Amulet - Ming Dynasty

This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and have a surprising amount of detail, including the sun and the moon in this example. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the...

Ancient Chinese Buddhist Pottery Amulet - Ming Dynasty

This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and have a surprising amount of detail. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the temple. We find it quite difficult to date thes...

Ancient Chinese Buddhist Pottery Amulet - Ming Dynasty

This is one of a group of moulded pottery tablets that we bought about twenty years ago. They are made from a relatively high-fired pottery and have a surprising amount of detail. They were made as amulets and votive offerings and were reported to have been excavated from the foundations of an ancient Buddhist temple, where originally many would have been placed to ensure the success of the temple. We find it quite difficult to date thes...

B.1869 - d. 1945, Tsukitani was a flamboyant woman potter breaking through the often stiff men's world of pottery. Her peak period was ca.1915 -ca.1932. Her work is known as "Tsukitani ware". Known as a pioneer woman's potterer and sculpter. 15cm tall x 20cm wide. Ask for shipping quote. Great condition with unsigned wood box.

Magnificent large Northern Thailand red and black lacquer box with foliate and floral scroll pattern, circa late 19th to early 20th century, most likely produced at a Chiang Mai workshop. Very light weight original top and bottom, best example I’ve seen in over 20 years. There is craquelure as is typical from antique Southeast Lacquer and very small color and lacquer loss due to use, please examine close ups. D: 26cm/10.1in and H: 10cm/4in.

Good Ming blue and white porcelain bowl with abstract coiled dragon medallions. There is a small chip and fine hairline noted in last enlargements. D: 13.8cm/5.4in and H: 5cm/2in.

Good Ming blue and white porcelain bowl with images of boatmen on a lake. Some “flea bites” and frits on rims caused by bubbles under the glaze, but otherwise very good condition. D: 13.4cm/5.6in and H: 5.1cm/2in.

Good porcelain blue and white Ming Dynasty bowl with abstract pattern of boats on water. There is one tiny flea bite chip on the rim noted in last enlargement, otherwise very good condition. D: 10.7cm/4.2in and H: 5.4cm/2.1in.

Nice old carved hardwood box from the Shan State, Myanmar with traces of original lacquer. This was collected around 1988 in Northern Thailand, and originally dates to early the 20th century. Please note this is not a tourist piece artificially stressed to look old. The Shan have a strong shamanistic tradition which seems to blend well the local Buddhist religion, possibly this was used to house shaman paraphernalia. The box is carved from a single piece of wood and the sliding lid has...

Offered are two, very nice, circa 1915, smooth face, hickory shaft, golf clubs. Smooth face golf clubs fell out of fashion and perhaps function by the very early 1900s, but they were still offered in catalogues for a number of years beyond this date.

The 1st club is marked "FORGAN & SO.." and sports signs of honorable use and wear with faint pitting and has an original grip. The club has a straight shaft, an appealing patina and measures 38.5 inches from the top of the shaft to the heel. The...