Two antique square Küthaya ceramic tiles with wooden frames. Each painted in underglaze cobalt blue, turquoise, green and red, outlined in black. Showing a quranic calligraphy bordered by a band of scrolling saz and flowerheads. Condition: partial cracquelure to glaze, one tile with cracks in the right angle, partially restored, the other one with tiny glaze loss in the right corner, both slightly warped. Dimension: 23.3 x 23.3 cm.

Shabti for Amenhatpamecha Overseer Typ 1

Bab el-Gasus Shabtis - Cache II - Tomb of the Priests of Amun

Amenhatpamecha – imn-HAt-pA-mSa Type 1

Also known as Amenemhatpamecha, Amenhatpamesha, Amenemhet, Imenhatpamecha, Amumemhatpamescha

The name means ‘Amen is at the front of his army’, ‘Amen is the commander/chief of the army‘, see the remarks at type 4...

19th century decent size Chinese export silver spoon with engraved decoration of blooming flowers. Excellent crisp work, in great condition, stamped with a Chinese hallmark on the back of the stem. Length 7.25 inches, weight 33.4 grams.

Rare/Fine Korean Mellon-Shape Carved Black Inkstone(保寧藍浦産) -19th C.- early 20th C.: “Please note: With published and illustrated with its description in a scholars’ inkstone illustration book in Japan (see a copy of it). Korea, late Joseon / early 20th century, “保寧 藍浦産石” The Ink stone is very heavy, very well skilled carved Korean melon-shape with vines, leaves, its end-tip, outside rib and its inside seeds as a top bottom by an excellent stone carver. it m...

A Northern Song Dynasty Early Longquan-Type Yellow Celadon Bowl Found in the Philippines. Featuring rounded walls rising from a short straight foot to a slightly flanged rim and is decorated with carved stemmed flowers around a central medallion. Its exterior is decorated with slanted lines in relief, radiating from its foot and is covered overall in a yellow-green celadon glaze...

Antique men’s short coat, front button 1920/1930. Black embossed silk and cream silk inner lining. Excellent condition see enlargement for measurements in metric. Please contact me for more images- I recently acquired a lot antique Chinese men’s clothing at local Hong Kong auction let me know if you are interested in these.

Rare gilt bronze pendant, of oval form, with a finely embossed decoration representing a noble lady being taken care of by two servants, under a tree, the whole scene surrounded by geometric design. Small cylindrical loop for attachement to a necklace. Nice patina. Bactrian Civilisation, ca. 500 BC. Length: 10 cm, height 9 cm. Very good condition.

1920s good size chosen matsu (Korean pine wood) netsuke of himono (dried fish). Well captured essence of the object, carved in characteristic Hida school style with clever use of wood color and structure to add to the charm of the piece. Excellent sense of volume, beautiful patina. Length 4.9 inches.

Khmer dark-brown glazed pottery honey pot.

Age: Cambodia, Bayon Period, 12th - 13th Century
Size: Height 9 C.M. / Width 13.8 C.M.
Condition: Nice glaze and condition overall (some glaze chips and natural wearings). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Sankampaeng pottery brown glazed jar.

Sankampaeng is a Northern Thai ceramic which kilns were found in Chiangmai province.

Age: Thailand, Sankampaeng Period, 15th Century
Size: Height 34.8 C.M. / Width 22.7 C.M.
Condition: Nice condition overall (minor restorations on mouthrim and some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost...

Hand painted brush and ink Chinese painting, classically mounted on a scroll, depicting Bamboo and Rocks with apocryphal attribution to Zheng Xie鄭燮 This is a homage, painted in the 20th century, and is of an impressive size H: 165cm/64in and W: 68cm/24in. Mounted dimensions L: 2.4m/94in and W: 83cm/32.5in.

Ma Quan was a female artist active in 17th and 18th centuries famous for her birds and flower paintings. This is a homage to her made in the 20th century, hand painted ink on paper traditionally mounted on a silk paper scroll. H: 126cm/50in and W: 63cm/24in- mounted dimensions H: 200cm/78in and W: 78cm/30in.

This is a 20th century hand painted on silk and traditionally scroll mounted homage the artist, Miao Jiahui a female painter who was the official personal artist to the Qing Dynasty Empress Dowager Cixi, Depicting chrysanthemums in vases and flower pots, there is a poem in the upper left hand corner translates roughly as “The late king likes to sleep in the garden of the chrysanthemums/ The tall vase is shaped by its surroundings/ Common eyes fear not because the autumn wind and sickness/...

Authentic 19th century Edo period Japanese woodblock print by Utagawa Hiroshige (1797-1858) titled “View of the Precincts of Zojo-ji in Shiba” from the series of “Famous Places in the Eastern Capital” (Toto Meisho) published by Sanoki in the mid-1830s. Signed and with the artist's red seal at the upper right. The series and image titles are within the red cartouche at the upper right...

Slender bronze axe head with rounded cutting edge and eyelet on the narrow side.
The upper lobes bent inwards to better fit the forked shaft, which was fixed with twine or rawhide. Hook-like projections on the neck.
Palstave is the typical axe form of the Middle Bronze Age, 1500-1275 BC. Late palstave types tend to have narrower blades, as in our case.
For the type, cf. fig. 4.4.3, p. 83 in: Ulrike Weller. Äxte und Beile. Berlin 2018...

Large lanceolate hand axe made of a flake of tan quartzite. Bifacial tool with carefully worked front side. The rougher back side with fewer removals. Cutting edges and surface weathered by sand and wind action.
This type of tool making stands for the presence of Palaeolithic populations in North Africa.
For the hominid evolution in the Sahara and North Africa, cf. Brown University Course ARCH 1616: Brett Kaufman. Between Sahara and Sea: North Africa from Human Origins to Islam...

Large ovate hand axe made of a flake of tan quartzite. Bifacial tool with neat front side, the coarser back side with some removal of flakes. The continuous cutting edge weathered by sand and wind action.
This type of tool making is characteristic of the presence of Palaeolithic populations in North Africa.
For the hominid evolution in the Sahara and North Africa, cf. Brown University Course ARCH 1616 (pdf): Brett Kaufman...

Large ovate hand axe made of a flake of tan quartzite. Bifacial tool with carefully worked front side. The rougher back side with fewer removals. The continuous cutting edge weathered by sand and wind action.
This type of tool stands for the presence of Palaeolithic populations in North Africa.
For the hominid evolution in the Sahara and in North Africa, cf. Brown University Course ARCH 1616: Brett Kaufman. Between Sahara and Sea: North Africa from Human Origins to Islam...