Two strands of colorful and quirky glass bangle fragments drilled and reworked into beads. These are Persia, circa 6th CE - 7th CE which would make them late Sassanian Empire or early Islamic Era. L: 54cm/21.2in and 59cm/23.2in. See last enlargement for scale. Please note the tiny beads at the end are a combination of ancient Indo Pacific and Pyu glass beads. Free shipping via Hong Kong Registered Airmail.

Hand carved Chinese Boxwood (Buxus L.), dorje/vajra “thunderbolt”. Nice patina with a wonderfully smooth surface. In tandem with a bell, these are used in Tantric rituals. L: 15cm/5.9in. free shipping.

A fine large brown stone stamp seal with high relief, Ancient Near East, probably Mesopotamia, Uruk period, 4th. millenium BC.

High relief carving of stylized animal and other symbols.

Size: 30 mm. in diameter and 14 mm...

19th century Japanese bronze mae-kanagu (tobacco pouch clasp fitting) in a form of a running boar. Wonderful dynamic design, great crisp detailing, gilded eye. Comes with original backing with design of a stone on it. Length with backing 1 9/16 inches.

Illustration of a scene from the Noh theater titled “Ohara Goko” by Kogyo Tsukioka (1869-1927) from the series "One Hundred Noh Dramas" published by Daikoku-ya in 1923. Very good impression quality with silver and gold metallic highlights and extensive embossing on the blue robe. Standard vertical oban print measuring about 14 7/8"V x 10"H. Very good overall condition. There is a slight wrinkle in the paper at the upper right corner.

Japanese woodblock print mounted as a scroll. Showing Amida in the Pure Land Ink on paper with printed surroundings, wooden rod at top and bottom. Title at top and bottom. Overall size 122x61 cm. undated,estimated to be early 20th century. Can be viewed in central London and shipped worldwide.

Late 19th century boxwood netsuke of Daikoku standing on 3 rice bales, a mallet in one hand, a bag slung over his shoulder. Daikoku is one of the Seven Gods of Good Fortune, that of Wealth, rice bales being the representation of it. Nice piece, wonderful smiling face, good detailing, pleasant patina. The part of the bag protruding from his left hand is reattached. Height 1 9/16 inches.

A rare large Chinese carved wooden figure of a Goldfish. The fish is covered with gold lacquer over a brown lacquer base. It has bulging black and white glass eyes, fins, scales, and a large fan shaped tail. The underside shows the brown lacquer base coat. The fish measures about 15" long x 6" wide at the broadest point of the tail, and it dates to the early 20th Century...

An album page in woodblock print technique probably from the "Ehon Matsu no Shirabe", showing a young beautiful lady standing near a small river. Condition: faded, creased, thin area, one worm hole, reverse with tapes. Dimension: 23.6 cm x 17.1 cm.

Late Meiji wooden netsuke representing a theatrical mask of horned demon Namanari. The mask is mostly used in the play The Cursed Metal Head-Ring for the role of the wife who is crazed with jealosy beyond any possibility of redemption. Uncommon image, excellent mad facial expression. Cleverly carved out os soft evergreen wood in ittobori (one-cut) style characteristic of Hida school, colors and gold lacquer highlights, beautiful patina. Signed KYUNADA in ink on the back. Height 1 7/8 inches.

An unusual set of Ching "burlwood" type of handmade wood buttons. The wood is very unusual and of high quality.Qing Dynasty 19th Century

From the series: “Twelve New Tales from the Miserable Storehouse” issued 1859

Two uncut horizontal chuban prints – numbers eleven and twelve on one oban leaf. The upper print depicts a warrior battling demon ghosts and the lower is a shrine scene.

Upper and lower prints are both signed Yoshitsuya in red cartouches with aratame and date seal to 1859, good impression, color and condition, remnants of recent hinge paper on upper corners, a new narrow line of old backing paper on ...

Japanese Meiji period woodblock print by Kobayashi Kiyochika (1847-1915) depicting Kusunoki Masashige (1294-1336) parting from his eldest son Masatsura (1326-1348) at Sakurai Station as he entrusts Masatsura to lead his clan in battle against Ashikaga no Takauji. The title cartouche is at the upper right and the date of 1883 is at the lower left. Kiyochika’s name is at the lower right. Paper size: 14 1/4" x 9 5/8." The print is not backed and is in good overall condition...

This is a very rare projectile point made from a stingray barb about 1000AD. It is 6 1/4 long. It was found in the Pacific Islands. It is translucent and very sharp. There is no damage or restoration. It has obvious rework. It is from the Dr. Raymond Thomas collection. I have only seen two of these in all my years of collecting. The other one was one of my most viewed artifacts on this site.

Japanese woodblock print of a beautifully poised geisha, holding a paintbrush in her hand. Signed and titled in right margin.

Size: 8.25" W x 12.5" H

A lovely high relief Cylinder seal in a greyish brown hard and glossy stone, Mesopotamia, Uruk period, 4th. millenium BC.

OBS! Comes with the original ID card from below collection.

Interesting leafy design that we've seen on much earlier stamps from Halaf-Ubaid.

Size: 22 mm. x 12 mm...

Qing Dynasty Jadeite fastener, stung on a macramé cord. L:4.6c7/1.8in, W: 2.8cm/1.2in, and thickness .5cm/.2in. Nice simple old piece, probably dyed (of the period) to emulate an earlier Nephrite piece. Some “flea bites”. Free registered airmail shipping.

A highly interesting and beautiful Redstone (Jasper?) Scaraboid, Levantine / Holyland, 1st. millenium BC.

This seal predates the Greco-Persian period of Scaraboids and was made during the Neo-Assyrian period, ca. 10th.-8th. century BC.

The seal is engraved with a complicated pattern, like multible Swaztikas or perhaps a scetched bird (?). Very sharp and attractive engraving

Size: 16 mm.

Ex R.T. Private collection, since 1958 in Münich, Germany.