Dark brown patina bronze sculpture of a praying mantis.
The praying mantis (in Japanese, kamakiri) is considered an auspicious symbol.
Japan – Meiji era (1868-1912)
Height: 0.79 in / 2.3 cm – width: 1.18 in / 3.5 cm – depth: 3.15 in / 8.8 cm
Ceramic sculpture of the white fox, messenger of Inari – the Shinto and Buddhist deity of harvest, rice and abundance.
The Inari fox (kitsune) is a benevolent animal, a sign of prosperity and wealth. This proximity to the kami Inari leads to the two figures being mixed and substituted in the imagination, with the animal becoming a fox-god. Inari’s fox is depicted holding a variety of objects in its mouth with different symbolic meaning: a wheat ear, a scroll, a ball or a key...
Ivory netsuke of a group of three compactly intertwined monkeys, the smallest holding a longevity peach against him. Their eyes are inlaid horn. Their coats are carefully incised and their fingers are finely sculpted. Natural himotoshi through one of the legs.
Signature on the right flank of the largest monkey, in an unidentified rectangular reserve.
Japan - Meiji Era (1868-1912)
Width: 0.8 in (2.5 cm) - Depth: 1.6 (4 cm) - Height: 1.6 in (4.5 cm)
Ivory sculpture okimono of a kingfisher on its base, with a fish in its beak. Its eyes are in hard stone.
Japan - Meiji Era (1868-1912)
Width: 1.6 in (4 cm) - depth: 2.8 in (7.2 cm) - height: 1.6 in (4.3 cm)
An incredible lacquered screen decorated with a Bugaku Dancer wearing an angry devil mask opposing a snake in incredibly thick relief opposite three gentlemen heating sake over a fire under the changing leaves of a maple, their oxcart off to the side. An inlaid cartouche near the snake reads Kan. The two-sided panel is set into a frame with matt black iron texture over a raw kiri-wood panel inset with three windows...
SHIBUGAMI
Huge tanned washi Japanese paper coated in kakishibu persimmon tannin repaired with paper patchwork like an unintentional collage work, used to be laid under tatami mat or pasted on the wall of kura warehouse for humidity control and sunburn prevention. Early 20th century, 296 x 174cm (116.53 x 68.50in)...
Cotton cloth with katazome (stencil-resist-dye) and dyed with pigments, which is called "wa-sarasa", Japanese chintz.
It was produced from late Edo to early Meiji period. This one is "Sakai-sarasa", made in Sakai in Osaka. The second half of the 19th century. In excellent condition. W:34cm, L:120cm
Cotton cloth with katazome pattern which is called "Narumi-Kongata", imitating Arimatsu-Narumi shibori pattern. It is called "Urumi-zome among craftspeople. It uses plural stencils and requires high dyeing technique. In good condition but has two mending patches for the cut which used to be the neck part and in one side of selvedges. The Meiji period (1868 to 1912). W:33cm, L:180cm
Cotton futonji with katazome (stencil-resist dye), which is remade from yogi (one kind of futon in the shape of kimono). It is made of hand spun cotton and dyed with vegetable indigo. The reddish-brown color is bengara (iron oxide red pigment). 19th century. In good condition except for three mending patches. one snag and some small holes. W:153cm, L:165cm
The size of Plate: 5 7/8" Dia x 1 1/8" High. This is beautiful Japanese Ko Imari Porcelain plate with polychrome colors with Fence Design and flowers. All flowers and fence design has gold works around. All designs are intricately hand painted. Backside plate with Karakusa design around the border. Inside foot rim has "Taimin Seika Nensei" (Great Ming Chenghua Nian Zhi) in Japanese; Kanji letters...
The surface of this black glazed bowl signed on the base Dohachi has been impressed all over with seals in a style known as In-chirashi. It comes in an ancient wooden box with ebony rim titled inside Dohachi Saku (Chirashi-in) Chawan, while outside a much-worn paper label reads In-chirashi Dohachi Saku Chawan. The original silk pouch, much deteriorated, is included, but no longer strong enough to hold the bowl...
The mouth of this vase opens like the thickly petaled chrysanthemum flower over a body decorated in thin blue with a roiling landscape of lakes and trees dotted with pavilions. It is an excellent example of the Hirado tradition in the 19th century. The vase is 14 cm (5-1/2 inches) diameter,28.8 cm (11-1/2 inches) tall and is in excellent condition.
The story of Hirado porcelain begins with the Matsura clan, who ruled over the Hirado domain during the Edo period (1603-1868)...
Very elegant porcelain vase from the Fukugawa kilns. The decoration of cranes in flight, a symbol of fidelity and courage, among clouds, adorns the entire perimeter of this vase in enamels of different colors above crashing waves. Signed under the Fukugawa base under a Mount Fuji. Very slight crack, barely visible.Height: 15 cm
Cotton cloth with "Kikai-suji shibori", Machine-pleated Stripes and vegetable indigo dye. Kikai-suji shibori was developed in 1910s and it was very popular then. Vegetable indigo dye. In excellent condition. 1910s to 1930 W:30cm, L:144cm
Fine Japanese 18th Century Moulded Arita Blue & White Porcelain Bowl
This attractive moulded porcelain bowl with an iron-brown edged foliate rim was made during the 18th century. The underglaze blue decoration of very good colour features three human figures in a garden. Around the outer wall is an elaborate scrolling design.
Diameter 13 cm...
Large Japanese 18th/19th Century Blue & White Porcelain Dish / Platter
This large porcelain dish is attractively decorated in underglaze blue, the design featuring pagodas and a blossoming tree in a rocky landscape. The flat surround of the dish is decorated with a moulded cross-hatch pattern and it has a foliate rim edged in iron-brown. To the base are the typical firing spur marks.
Maximum diameter 32.25 cm (12.75 inches)...
CUIRASS
Aged Japanese samurai iron armor covered with black lacquer and gold foil of practical light weight make for infantryman, dated back to the Edo period (or could be a little earlier). W 32 x H 40 x D 13 cm (12.59 x 15.74 x 5.11in). In such actually used condition as is, with lacquer-peelings, partial cut of string, etc...
A hand formed silver vase with lacquered insert attached to a wooden base dating from the Art-deco era. It is 23 cm (9 inches) diameter, 21.5 cm (8-1/2 inches) tall and in overall excellent condition. There is a small impression in the wood base, roughly 1 cm long, on one side...
An Edo period Kogo incense case of pale earth tones decorated with geometric shapes and green copper glaze in the oribe style with a scrawling streak of kintsugi gold extending down two sides. Kintsugi is the art of repairing using lacquer and powdered gold. Kintsugi is a traditional Japanese art form of repairing broken pottery or ceramics using lacquer and powdered precious metals...
Bronze sculpture with dark brown patina of a cicada.
The cicada (in Japanese, semi) is considered as a symbol of humanity. Together with a praying mantis and a spider, they represent the three virtues of a general: humanity, courage and skill.
Japan – Meiji era (1868-1912)
Height: 0.79 in / 2.5 cm – width: 0.79 in / 7.5 cm – depth : 1.96 in / 5 cm
Cedar wooden ryoshibako (or bunko) document box, decorated with deer and crane on the outer lid and bat on the inner lid in takamaki-e lacquer. As a wedding box, these animals are symbols of happiness, longevity and good luck.
Kawachi Hisaya seal lower right.
Includes its transport box with inscriptions: "(...) / made by Kawachi Hisaya" (高[閑 ?]市/河内瓢也造).
Japan, Kawachi Hisaya – Showa era (1926-1989)
Height: 3.9 in (10 cm) – width: 10.2 i...
Gold forms a billowing pine tree lavishly applied to the dark lacquered body of this wooden water jar enclosed in the original wooden box titled Ikkan Mage-Mizusashi, Oimatsu signed by both the wood craftsman and the lacquer artist. It is 15 cm (6 inches) diameter 16cm tall and in excellent condition, dating from the early 20th century.
The term Ikkan in the title is after Hirai Ikkan, who mastered the technique of creating lacquered receptacles of thin bent and glued wood which were incr...
Meiji (1868-1912) Japanese Patinated Bronze Bactrian Camel Okimono by Genryusai Seiya 源龍斎誠谷, Signed "Seiya Zo"
It is 10.15 inches (25.8 cm) tall by 10.3 inches (26.2 cm) wide. It is 8.1 Lb.
It has tarnished eyes and surface wears and scratches (as seen in the photos).
Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amou...
Two long bags made of hand spun cotton, probably bags for swords. The top one is katazome "tsuta", ivy motif. The purple belt is made of silk crepe. The bottom one is katazome and vegetable indigo dye. Both are in excellent condition. 19th century. Top:12cm x 75cm, Bottom:16cm x 78cm
A bag made of hand spun cotton and vegetable indigo dye. It has a family crest, "Maru-ni-Yotsumebishi". It has lining made of also hand spun cotton and vegetable indigo dye. The cord is hemp. In good condition but has some holes. The latter half of the 19th century. W:30.5cm, L:48cm
Antique Japanese large hanging suiban (container for water and flowers) made of bronze. Elongated oval form incised with dragons and swirling clouds. Outfitted with three hooks and chains for hanging. Inscribed signature: 藤原昌則 Fujiwara Masanori.
Age: Meiji Period (1868-1912)
Dimensions: 9" high (30" high with chains) x 24" long x 10 1/2" wide
This exceptional tanto is very original, unique in its kind, it represents a bundle of lotus flowers wrapped in a canvas. The mount is in silver, embossed for the leaves of the sheath and cast for the flower buds at both ends. The seppa are in shakudo and gold. Some elements in gilded bronze. The design of the sheath is unique, it is a perfect imitation of a fabric canvas. It is made of woven bamboo fibers covered with lacquer. The effect is striking, the impression of a real fabric is real, we ...
Antique Japanese pair of geese made of bronze. A mated pair, the gander stands with with beak open in conversation. The goose stands nearby. Soft details of feathers and feet. Dark patina.
Age: Meiji Period (1868-1912)
Dimensions: 15 1/2" high x 9" wide x 6" deep
Antique Japanese set of five lotus leaves and blossoms. Carved of wood and lacquered silver. Made for a Buddhist altar, these leaves and blossoms symbolize the stages of the path toward enlightenment. Every petal of the lotus flower is carved separately. Each blossom and leaf comes fitted with a custom metal stand so they can be rearranged at will.
Age: Taisho Period
Dimensions: approx 27 1/4"hight (tallest leaf)
Japanese keyaki wood toad.
Age: Japan, Showa Period, Mid-20th Century
Size: Height 11.2 C.M. / Width 16.7 C.M. / Length 21.7 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
Antique Japanese musha-ningyo samurai doll of the old warrior, Takenouchi no Sukune and the baby Ōjin. Takenouchi was the vassal of the Empress warrior, Jingū-kōgō.
The wife of the 14th sovereign, Chuai, Jingū ruled as empress-regent after her husband was killed in battle in 200 A.D. Considered the 15th Japanese imperial ruler, she lead an invasion of "the promise" land (believed to be the Korean Peninsula). After 3 years away, Empress Jingū returned to Japan, surviving a s...
Antique Japanese musha-ningo (samurai doll) of the Empress Jingū-kōgō (Okinagatarashi-hime no Mikoto 170 - 269). The wife of the 14th sovereign, Chuai, Jingū ruled as empress-regent after her husband was killed in battle in 200 A.D. Considered the 15th Japanese imperial ruler, she lead an invasion of "the promise" land (believed to be the Korean Peninsula). After 3 years away, Empress Jingū returned to Japan, surviving a ship wreck. Upon her return, she birthed a son, Ōjin (Honda...
Satsuma tea bowl, decorated with richness of detail, depicting the evocative Nikkō Shrine and numerous visiting pilgrims.
The external reserves are decorated with figures and characters, each of which is represented with great care and precision.
Signed Kyoto Satsuma with Shimazu clan mon under the base.
Origin: Japan
Period: Meiji end of 19th century.
Dimensions: 6 x 15 cm.
State of conservation: Very good
Refined Satsuma tea bowl, decorated with skill and richness of detail, lobed in the shape of a chrysanthemum with inflected edge.
Inside, four chrysanthemums painted in white and pink enamel stand out against a golden background of chrysanthemums, which also extend outside. On the outside, there are vaults that come together to form a single chrysanthemum, with reserves decorated with spirals that seem to support the bowl.
Signed Kozan under the base.
Origin: Japan
Period: Meiji end ...
Satsuma ceramic tea bowl, depicting a traditional village with theater masks along the inner and outer rim. The bowl features an elaborate decoration made with enamel and gold.
Signed Senzan under the base.
Origin: Japan
Period: Meiji end of 19th century.
Dimensions: 6.5 x 15 cm.
State of conservation: Very good
A bronze okimono depicting a young geisha walking barefoot with an elegant kimono and a smiling face, with her hands raised behind her head.
I have the perfect haircut to match the quality of the Tokyo school and the high quality of the foot to highlight the elegance and elegance of the movement.
Signed Harumitsu (Seikō) entered a square uppercut.
Origin: Japan
Period: Meiji end of 19th century.
Dimensions: 30 x 11.5 x 10 cm. – Weight: 2.3 kg.
State of conservation: Very goo...
Quality dark patina bronze sculpture depicting the study of a powerful tiger in an unusual position.
The animal's posture is engaging with the paw raised and the tail curled upwards along the end. The streaks of the fur are depicted in a masterly way and highlighted with a strong engraving.
Signed under the belly with the mark of the Maruki company (in the square) and the engraver Atsuyoshi.
Origin: Japan
Period: Meiji second half of the 19th century.
Dimensions: 26 x 49 x 14 cm. ...
Okimono of the Tokyo school made in bronze, depicting a farmer returning home after the harvest.
He carries two fruit baskets, which are filled with harvest products. To carry the baskets, the farmer has a long stick over his shoulder, with the ends of the baskets hooked to it.
Origin: Japan
Period: Meiji end of 19th century.
Dimensions: 31.5 x 23 x 13 cm.
State of conservation: Very good
Ivory okimono with blind travelers defending themselves from the aggression of four scoundrels who try to rob them of their bags and food.
The scene involves nine characters, three of whom receive sticks, umbrellas and punches.
One of the most curious moments is the character at the top, who loses a geta during the battle. In a gesture of instinct and necessity, he clings to the closest companion below him to maintain his balance, while firmly clutching a large umbrella as a defensive weap...
Ivory okimono depicting a fisherman returning on his journey, carrying on his back a basket on which his child is resting and holding a large fish.
The woven basket, the ropes, the engravings on the clothes and the hands were made with great precision and care.
Origin: Japan
Period: Meiji end of 19th century.
Dimensions: 24.5 x 10 x 6.5 cm.
State of conservation: Very good
BOY ON BABY
Quite a unique old traditional Japanese Fushimi ningyo clay doll, together with too small boy? or too big baby?, 19th century, 26 x 13.5 x H 20 cm (10.23 x 5.31 x 7.87in), with the engraved sign at the bottom seemed to be the one of 'Ikaruga Kouemon' as the Edo period's master Fushimi doll craftsman, but not sure. Aged deterioration as is.
selected by hotoke
* Please understand that EMS shipping fee is...
A masterpiece of Akahada Pottery ware in the shape of a wooden bucket with elaborate scrolling feet from the kiln of Okuda Mokuhaku. It is 18 x 18 x 19 cm (7 x 7 x 7-1/2 inches) and is in excellent condition, enclosed in a modern wooden collector’s box.
Okuda Mokuhaku (1800-1871) was born the son of a merchant in Sakai Machi Yamato Koriyama in Nara Prefecture that served the local lords with hair ornaments, make-up supplies and other fashionable items. His given name was Kamematsu, whi...
Meiji Period ca. 1880 zen temple meal gong from Tottori Prefecture, Japan. Rich patina from temple candle smoke and oil lanterns. Excellent condition. With striker. Heavy original iron chain for hanging. 22" long x 12" tall and 6" deep. Ask for shipping quote.
The cigarette holder is made of iron decorated with a damascened dragon in gold, silver and sentoku (copper alloy). On the reverse is represented Mount Fuji damascened in silver, at the bottom right the mint mark as well as the "24 carat gold" guarantee. Japanese cigarette holders from this period are very numerous and of different quality, often simple with landscape decoration, sometimes mediocre, some are even vulgar copies in simply gilded metal, but here we have an absolutely exceptional ex...
A marine ivory okimono, depicting a Ryu dragon fleeing upwards into the clouds passing under the arm of a character sitting on the tatami.
Signature 'Gekko (?) tō' 月古かたな engraved under the base.
Origin: Japan
Period: Meiji end of 19th century.
Dimensions: 20 x 8 x 6 cm.
State of conservation: Very good
Bronze okimono depicting a player of the biwa (琵琶), a short-necked Japanese stringed musical instrument, portrayed in a sitting position.
Signature engraved under the base.
Origin: Japan
Period: Meiji end of 19th century.
Dimensions: 15.5 x 14 x 12 cm. – Weight: 1.2 kg.
State of conservation: Very good
Ivory okimono depicting a Japanese farmer tying three daikon turnips with a rope.
The details of the farmer are finely engraved and sculpted, testifying to the artist's mastery.
Origin: Japan
Period: Meiji end of 19th century.
Dimensions: 10 x 12.5 x 9.5 cm.
Ivory dimensions: 7 x 8.5 x 5 cm.
State of conservation: Very good
Kogo box 香合, incense and perfume holder, in polychrome enamels in the cloisonné technique with a turquoise background depicting a mandarin duck.
On the sides there are floral motifs of bamboo and lotus flowers. The turquoise background evokes the image of crystal clear waters and clear skies.
The interior is covered with an original fabric.
Origin: Japan
Period: Meiji end of 19th century.
Dimensions: 3.3 x 6 x 4.5 cm.
State of conservation: Very good
Table screen composed of four cloisonné panels worked in the ginbari technique with translucent enamels on a red background decorated with polychrome irises.
The red background provides a contrast for the polychrome irises, which represent the rebirth and beauty of nature.
On the back of the screen the swallows are engraved on silver metal.
Origin: Japan
Period: Taisho-Showa 1920 ca.
Dimensions: 18 x 33 x 0.3 cm.
State of conservation: Very good
Bronze okimono from the Tokyo school, depicting a farmer with a basket, which contains seeds.
The farmer is represented in a working position, intent on sowing seeds.
Signed Seiya six within square reserve on the relief base.
Origin: Japan
Period: Meiji end of 19th century.
Dimensions: 26.5 x 13.5 x 13.5 cm.
State of conservation: Very good
Ivory okimono depicting Hotei, one of the seven Sages of Good Luck.
He is depicted smiling and sitting on his sack, while he holds the stick. Next to him there is a child who hugs the end of the sack.
Signed Tomihiro under the base.
Origin: Japan
Period: Meiji end of 19th century.
Dimensions: 5.5 x 17 x 4 cm.
State of conservation: Very good
A fabulous Rootwood stand of dark red hardwood with a web of interlacing root-legs beneath. It is 48 x 32 x 8 cm (19 x 12-1/2 x 3 inches) and is in overall fine condition, dating from the first half of the 20th century.
Pair of 1900's Japanese Bamboo Carved Vase with Figurine
Each is 14.9 inches (38 cm) tall by 6.4 inches (11.8 cm) wide. Total weight is 2.8 lb.
They have hairline cracks, surface wears and scratches (as seen in the photos).
Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return the item...
A sparse image of tiny boats, sails stretched with wind floating out off the coast by Shirakura Niho enclosed in the original signed wooden box titled Enko Hobari (Sails Stretched in the Distant Harbor). Pigment on silk bordered in patterned cloth extended in beige. The scroll is 65.5 x 132.5 cm (25-3/4 x 52 inches). There is some toning to the silk typical of age, but is in overall fine condition.
Shirakura Kinichiro (Kinro, Niho or Jiho, Kanyu, 1896-1974) was born the first son of la...
The box is made of iron embossed with a hammer, the forging work itself is admirable, it presents a particularity rarely encountered in works of this type, in fact the artist sculpted the trunk of the tree hollow in the iron and forged the branches in relief. The inlays are in shakudo (copper and gold alloy), sentoku (copper alloy) in silver and gilded copper. The details are solid gold. The tree, rocks and plants are admirably drawn and perfectly executed. There is no clumsiness or lack of ta...
Antique Japanese Musha-ningyo doll of a samurai warrior, the hero Minamoto Yoshitsune. He is seated and wears an elaborate kabuto with dragon meadate. His quiver and arrows are strapped to his back and his two swords are intact. His clothing is made of silk brocade and his armor is metal and lacquer. His face is made of gofun (polished oyster shell powder), his features are finely painted and his eyes are made of glass.
Age: Edo Period (early 19th century)
Dimensions: 22 1...
Antique Japanese ceramic figure of a rabbit. Glazed with a crackle glaze. Recumbent from with head slightly turned. Details of eyes and nose in black and gray.
Age: Taisho Period (early 20th century)
Dimensions: 4 1/4" high x 8" long x 5 1/2" wide
Old Japanese Green to Blue Nippon Coralene Handles Vase with Roses Marked
It is 9 inches (22.8 cm) tall by 5.75 inches (14.6 cm) wide. It is 1.6 lb.
It has rubbing of gold, stains, minor missing beads, and surface wears and scratches (as seen in the photos).
Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally ...
A peaceful cluster of homes blanketed in snow by Shirakura Niho enclosed in the original signed wooden box titled Kamo Sekkei (Kamo in Snow). This is likely an image from very close to the artists heart, he lived west of the Kamo River in Kyoto, and one can imagine this being one of the bridges spanning that river he has seen out on a winter day. Ink,Gofun & Light color on Silk bordered in light colored cloth. The scroll is 46.5 x 203.5 cm (18-1/4 x 80 inches) and is in overall excellent cond...
This scroll is an excellent example of the early Showa era style of Shirakura Niho centering around 1930 enclosed in the original signed wooden box titled Teishu Sotai. The painting features two persons in a boat contemplating a precipitous waterfall which extends up through the clouds. The phrase Teishu Sotai in old Japanese translates to "meeting of moored boats" in English. It is often used metaphorically to describe a chance encounter or a meeting between two people who happen to be in the...