A set of five lacquer lined covered bowls made from natural gourds enclosed in an age darkened wooden box titled Hyo Suimono Wan indicating they are for serving thin soup to cleanse the palate between courses. In Japanese cuisine, presentation is everything. Texture and color may in fact be more important than flavor. The dishes used as well, should be a feast for the eyes, and you will find every aspect of the traditional meal is presented in its own unique setting...

A late 19th to early 20th century bottle, properly titled, I would say, Inbe Ito-me Heso Tokkuri or Bizen Thread textured Dimpled Bottle. A seal impressed into the base is partly illegible, but the characters Bizen-Inbe are clearly visible on the right, with the character tokoro (Place) bottom center and a name ending in Ro on the left. The vessel is 27 cm tall and in excellent condition. That size would make an excellent vase...

Meiji (1868-1912) Japanese Satsuma Bowl by Hiramatsu Genzan 平松元山 with Temple Heaven Scene of Gods & Figures

It is 2.4 inches (6.2 cm) tall by 6 inches (15.2 cm) wide. It is 0.7 lb.

It has rubbing of gold, stains at the bottom, and surface wears and scratches (as seen in the photos).

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An Arita plate decorated in underglaze blue with yellow blue and green enamels gilding and iron red and black "dry" enamels. The centre painted with a large tripod censer containing Spring flowering Peonies on a low table flanked by a pair of flower vases, containing Autumn flowering Pinkes and Chrysanthemums with a pair of birds. The rim painted with a pair of Hoo birds with Chrysanthemums and Peonies...

An unusual and rare Arita Chawan and cover in late 18th century Qianlong Canton high footed style decorated with an "over the wall" "guogianzhi" pattern of a four toed Chinese dragon. Its full body obscured by the rim and continued in the interior of bowl and under the dish cover. Similar patterns appear on Chinese porcelain dating from the Yongzheng period...

A pair of sometsuke underglaze blue san kaku-gata choku, three sided cups, decorated with contrasting patterns of a pair of "Dutch" figures set against a diaper brocade ground, a scene of Chinese boys, karako, one playing with a standard, the other holding a double gourd form tokkuri, and an auspicious kara hana (literally Tang flower) inset within an arabesque of kara-kusa (Tang grasses) painted in kakiwake style. This form of cup is rare and apparently only occurs with this pattern...

BEWARE OF FIRE

Old Japanese paper hanging scroll with hand-drawn traditional slogan word for the protection against fire as ‘Hi-no-yo-jin’ (Beware of fire) in such unique unusual style, 19th - early 20th century, 25 x 92 cm (9.84 x 36.22in). Aged deterioration (stain, peeling, rip, etc.) as is as seen. Repaired at the backside in the later years...

Antique Japanese hand-colored photograph of two beautiful young ladies in a garden. One uses a bamboo ladle to scoop water from a fountain. The other stands on the path behind her. Tall bamboo fences and manicured pants enclose the scene.

Meiji period (c. 1870)

Dimensions: Frame: 25 3/4" high x 19 1/2" wide. Image: approx. 10" high x 8" wide

Antique Japanese woodblock print of a Kabuki actor with an ornately lacquered cart, scene from play. Signed Gototei Kunisada ga. From 1811-1844 Utagawa Kunisada I (Toyokuni III) used the name Gototei Kunisada.

Kunisada was born to a family that owned a ferry boat service allowing him the time and money to devote to art. At an early age, he impressed the great master, Toyokuni I of the Utagawa school. He became his apprentice, officially adopting the name Kunisada around 1807...

Japanese antique woodblock print by Utagawa Kunisada I (Toyokuni III) (1786–1864) titled: Night Rain at Hirefuri Peak (Hirefuri-mine yoru no ame): Actors Iwai Kumesaburô III (?) as Ôtomo's Daughter (Sokujo) Wakana-hime (R) and Nakamura Shikan IV as Toriyama Shûsaku Terutada (L), from the series Eight Views of Shiranui (Shiranui hakkei no uchi).

Kunisada was born to a family that owned a ferry boat service allowing him the time and money to devote to art...

Antique Japanese diptych woodblock print by the artist Utagawa Kunisada (1786-1865) also known as Toyokuni III. The scene is of two beautiful ladies entertaining two men, most likely either samurai or actors in an elegant urban setting overlooking the harbor.

Kunisada was born to a family that owned a ferry boat service allowing him the time and money to devote to art. At an early age, he impressed the great master, Toyokuni I of the Utagawa school...

19th Century Japanese Wood Carved Netsuke See, Hear, No Evil Wise Monkey Signed

The monkey 1.4 inches (3.5 cm) tall by 1.2 inches (3 cm) wide.

It has surface wears and scratches (as seen in the photos).

Please contact us for more photos...

KYOHO-BINA

Empress of old Japanese hina doll made during the Kyoho era (1716-35) in Edo period so-called 'Kyoho bina', in such damaged condition due to age but with beautiful face. H 21 x 25 x 12 cm (8.26 x 9.84 x 4.72in)


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A fabulous large porcelain vase by Daimaru Hokuho (Hoppoo) complete with a rosewood base enclosed in the original signed and compartmentalized wooden box titled Konko-yu Semi Monkizami Kabin (Golden Yellow Glazed Vase inscribed with Cicada Patterns). The vase is a perfect example of the Sinophile aesthetic that permeated Japanese art in the early 20th century. The baluster form rises to frets in the shape of stylized cicada under a belt of archaic figures and yotsu-domoe (yin-yang) symbols. ...

A large porcelain vase by) Daimaru Hokuho (Hoppo) enclosed in the original signed wooden box titled Yellow Porcelain Lightning Pattern Vase. The vase is a perfect example of the Sinophile aesthetic that permeated Japanese art in the early 20th century. The simplified form rises to a row of alternating concentric lines known as Lightning pattern. It is 21 cm (8-1/2 inches) diameter 25 cm (10 inches) tall and is in excellent condition.
Daimaru Hokuho (also called Hoppo, 1879-1959 ) would ...

1930's Japanese Plique a Jour Cloisonne Silver Vase with Butterfly, Bird, and Chrysanthemum Marked

It is 7.16 inches (18.2 cm) tall by 5.6 inches (14.2 cm) wide. It is 1.6 lb.

It is tarnished and has hairline cracks, enamel chips, enamel bruising, a hole drilled at the base, old stickers at the side, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us a...

Japanese bamboo lacquered hat.

Age: Japan, Showa Period, Early 20th Century
Size: Diameter 46.8 C.M. / Height including stand 89.7 C.M.
Condition: Nice condition overall (some expected degradation due to its age including a minor tear on the rim). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Ivory netsuke depicting a sitting monkey holding a peach, with the little one next to him stretching out his hand to ask for the fruit. Himotoshi is natural. Period: Meiji end of 19th century. Dimensions: 3.3 x 3.3 x 2.3 cm. Conservation status: Excellent condition

Ivory manju netsuke with inlays in the Shibayama technique depicting one of the seven Deities of good luck: Fukurokuju 福禄寿, god of knowledge and long life. The netsuke is signed Kōgyokusai 光玉齋 with ivory engraving on the back. Period: Meiji end of 19th century. Dimensions: 1.6 x 4.3 cm. Conservation status: Excellent condition

Ivory okimono depicting the goddess Kannon standing on a lotus flower. With her right hand she holds a koro while with her other hand she holds a jewel that grants her wishes. She signs Gyokushin 玉心 engraved on red lacquer under the base. Period: Meiji end of 19th century. Dimensions: 25 x 7 x 6 cm. Conservation status: Excellent condition

Ivory okimono, depicting a farmer with an Onagadori rooster and a child on his shoulder offering food to the rooster. The sculpture, carved from a single block, is finely engraved with details of the rooster's feathers and kimono. The Hōzan signature is engraved on red lacquer under the base. Period: Meiji end of 19th century. Dimensions: 27 x 8 x 6 cm. Conservation status: Excellent condition

This is a japanese antique indigo dye cotto tsutsugaki futon cover.It is a design of plovers, waves and family crests.Hand-spun, natural indigo-dyed cotton that is thick and has a very nice texture.There is a very light stain, but it is not noticeable. It is in very good condition with no damage. Size::length:162㎝　/ Width129cm

19th Century Japanese Cast Iron with Gold & Silver Inlay Tea Kettle Tetsubin Signed Ryubundou (Kinryu-Do) at the lid

It is 9.45 inches (24 cm) tall measured with handle up and 5.11 inches (13 cm) tall measured with handle down by 7.09 inches (18 cm) wide. It is 1950 gram. It will hold 1400 (ml) CC of water.

It is tarnished and has oxidation, rust, rubbing of gold, cut marks at the rim at the underside of the lid, and surface wears and scratches (as seen in the photos).

An image of the white robed Kannon (Quanyin), Goddess of Mercy, by Mashimizu Zoroku dating from the early 20th century. Exquisitely crafted, The figure is 14.5 x 12 x 21.5 cm (5-3/4 x 4-3/4 x 8-1/2 inches) and is in excellent condition.
Kannon, also known as Guan-yin in Chinese or Avalokitasvara is a Bodhisattva, (one who has prolonged their own eternal enlightenment to stay behind to alleviate the suffering of others in this ephemeral world. Generally shown as feminine or androgynou...

1938's Japanese Woodblock Print Paul Jacoulet Sunset Menado Celebres "Coucher De Soleil A Menado"

It is 17 inches (43.3 cm) long by 13.38 inches (34 cm) wide.

It has creases, dog ears corners, stains, browning, yellowing, fading, toning, foxing, discoloration, and tapes at the back (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it ...

A small Shigaraki pottery urn of very rough clay dating from the 16th century covered in thin natural ash glaze. The squat form known as Uzukumaru is very popular for its simplicity in Japanese Tea Aesthetics. About the shoulder is a lattice fence design engraved into the earth, otherwise it is unadorned and very humble. It is 14 cm (5-1/2 inches) diameter, roughly the same height enclosed in an ancient wooden storage box. There is an old age-darkened chip to the rim, otherwise is in surprisin...

A pair of masks representing the two variations of Tengu, the long nosed Tengu and the Karasu (Crow) Tengu mounted on a wooden placard dating from the Meiji period. Each mask is of carved and lacquered wood with inset glass eyes. The placard is 38cm (15 inches) wide 22.5 cm (9 inches) tall and the masks are roughly 11 cm (4 inches plus) in depth. It looks as if the Karasu Tengu mask has had the eyes repaired, and they appear cloudy by comparison to those of the the long nosed partner.
T...

An anonymous hyper realistic ceramic version of a skull about which crawls snake, circling down the cheek and exiting through the eye socket, late Meiji to Taisho period. It is 11 x 16.5 x 10 cm. This type of object was popular in the later 19th to early 20th centuries as a talisman. The dilapidated wooden box bears a label reading Mayoke Ko-To-Sei Dokuro (Protective Old Ceramic Skull).

Cotton furoshiki, indigo dye wrapping cloth with shop's name , which is chain stitched with cotton yarn. It also has sashiko in two corners. Some small rips and mending patches. The first half of the 20th century. W:136cm, L:134cm

The bird-faced Kami (god) Doryo Daigongen strikes a powerful pose astride the back of a mischievous white fox. Doryo is purported to have been an ascetic monk who turned himself into a Tengu when he vowed on his deathbed to protect the Mountain Temple Complex of Daiyuzen in modern day Kanagawa prefecture. This legend inspired a cult which rose to great prominence in the Edo period. To this cult the figure was the ward of Budo (martial arts). Originally this figure would have had feathered wi...

Antique Japanese bronze usubata in the shape of a boat. Held up by little waves, it seems to float along on the water. Made for ikebana flower arranging. Signature on the bottom in a raised cartouche.

Age: Meiji Period (1868-1912)

Dimensions: 5 1/4" high x 9" long x 5 1/4" wide

Japanese antique woodblock print by Utamaro (1753-1806) of a young nobleman on horseback holding a hunting falcon. Surrounding his horse are three beautiful female attendants and a young boy holding another falcon. In the background, Mt Fuji rises from the mist.

Utamaro is most famous for his bijin-ga (pictures of beauties). He was taught by Sekien and heavily influence by Kiyonaga. Utamaro is considered one of the great masters of Japanese woodblock printing.

Signed: Utama...

Japanese antique woodblock print by Utagawa Toyokuni I (1769-1825) of a woman and boy. The lady holds a bamboo branch festooned with decorations possibly for the Tanabata Festival. In the upper left is a blossoming branch hung with paper strips of writing (tanzaku). During Tanabata this writing would be wishes.
Toyokuni I started work in the studio of Toyoharu at the age of 14. He was heavily influenced by the print artist, Utamaro. Toyokuni I later became one of the most influential p...

Bag made of one kind of hemp, probably imported one, such as jute or sisal, which is used for coins. It has many mending patches. Late 19th to early 20th century. W:38.5cm, L:70cm

Inro with 4 squares decorated with Toba riding his mule, on the reverse a rooster under a bamboo. Toba, the rooster and the bamboo are inlaid with mother-of-pearl and lacquered with gold powder on a background of red lacquer in slight relief. The mule is inlaid with pewter. This style of inlay is from Ogawa Haritsu (Ritsuo) who was active in Japan at the end of the 17th century and the beginning of the 18th. Interesting detail, the kirikane inlays are in pewter which is unusual, usually they a...

A skeleton sits among the dried grasses, alone and forgotten, perhaps reflecting on his life in this earie painting by Buddhist priest Higuchi Ryuon dated Meiji 6 (1873). Ink on paper, it is 41.5 x 179.5 cm (16-1/4 x 70-1/2 inches) and is in fine condition; completely remounted in a border of two subtle shades of black with colorful piping and features black lacquered rollers with mother of pearl flakes. It comes in a kiri-wood box.
Higuchi Ryuon (1800－1885) was a priest of the Jodo s...