Japanese carved wood Natsume tea caddy, with high relief lacquer imagery of ripened peaches growing on a branch, and a flying hornet on the top of the lid in lacquer. The side of the box is signed with red lacquer cartouche.

Meiji period (1868-1912) c. 1900

Dimensions: 2 1/2" W x 2 3/4" H

Beautiful hand carved Japanese wood panel with stylized openwork carvings of various scrolling chrysanthemums and peonies. Each flowing one to the next layer out longitudinally on a single slab of wood. Hand chisel marks visible on the reverse of the panel. Ready to be wall mounted. Very good original condition. Natural finish consistent with age.

Early Meiji Period (1868 - 1912)

Dimensions: 39" L x 4" x 6" H

Antique Japanese tansu with 7 exterior drawers of various sizes. The lower right hand side has a safe box door with 2 small interior drawers. Made all of kiri (paulownia) wood. Hardware includes warabite shaped drawer pulls, heavy lock plates and hinges.

Meiji Period (1868-1912)

Dimensions: 23 1/2" high x 28 1/2" wide x 14 1/4" deep.

Shima-cho, a sample book of cotton stripes and checks (check pattern was also called "shima" before. Some has both stripes and kasuri. Mostly vegetable indigo dyed but some of colored warps are chemical and some fragments are machine woven. 40 pages with 613 fragments. In excellent condition. Meiji (1868~1912) 24.5cm x 18.5cm x 2.5cm

A beautiful stand mounted Japanese architectural (corbal) carving of ocean waves. One of this detail and design would have been built into the architecture of a temple. The carving is highly stylized with large openwork areas. The Keyaki (zelkova) woodgrain is visible on the reverse of the carving. Mounted on black iron plates.

Mid Edo Period (1603 - 1868)

Dimensions: 32" L x 3 1/2" D x 17 1/4" H, 13" H carving only

Shima-cho, a sample book of cotton stripes. It has more than 600 fragments, mostly hand-spun and vegetable dye but some warps are chemical dye and also some fragments have silk threads. The second half of the 19th century. In good condition but some fragments are mildewy. 38 pages. 18.5cm x 13cm x 2cm

Japanese 3 section kimono tansu, made with Kiri (paulownia) wood in its original, natural finish. The top unit has three medium size drawers underneath two sliding panels. The left upper compartment with single shelf and the right upper compartment with the two smallest drawers below a shelf space. The two lower sections are comprised of 3 drawers each.

Taisho period (1912-1925)

Dimensions: 45 3/4" L x 16" D x 61" H

Free of any loss or repair, this beautifully enameled vase on a copper base stands some 7-1/2 inches in height. Wonderfully elegant and understated.

Antique Japanese single section mizuya (kichten chest). Made of hinoki (Japanese cypress) wood frame with Sugi (cedar) sides. The upper section have two pairs of sliding panels. The top panels are all wood while the lower panels have inset frosted glass. The bottom section of the chest has two large sliding panels with decorative cut outs . There are fourteen drawers of varying size surrounding the larger compartment of the bottom piece, opened by iron pulls...

An interesting Japanese Arita saucer form dish decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century and made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422...

An interesting Japanese Arita saucer form dish decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century and made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422...

The Hannya (般若) mask in Noh theater represents a jealous female demon. She possesses two sharp bull-like horns, metallic gold eyes, and a leering mouth with jagged teeth. The mask is all hand-carved with open eyes, nostrils, and mouth so the Noh performer can see, breathe, and speak. There are also two pierced holes at the temples to be secured against the head with cord...

A moulded rinka-gata form dish decorated in underglaze blue with additional enamels in the so-called Kakiemon palette. The outer register painted in underglaze blue with repeating pattern of a landscape with small weathered rocks from which grow auspicious Pomegranates and Peonies. The centre painted with a Chrysanthemum spray. The reverse painted with a simple Karakusa scroll and a six character mark for the Ming Emperor Chenghua...

A good quality large Japanese porcelain mug or tankard decorated in under-glaze blue with iron red, green and yellow enamels with Peonies and Chrysanthemums. It weighs 444 grams and has a capacity of over a Pint. It stands 15.5cm high and has a mouth diameter of 7.8cm, foot-ring diameter of 7cm and a body diameter of approximately 10cm...

A Japanese porcelain wine ewer or Chosi of cylindrical form decorated in underglaze blue with alternating horizontal bands of flowers (auspicious gobenka)and pinnate leaves (resembling Asters). The design perhaps influenced by the Chinese Aster pattern of the Kangxi period and the later, Mid Qing, provincial Chrysanthemum pattern (see the Desaru Wreck). The ewer dates to the first half of the 19th Century. The Chosi measures 10.5cm in diameter and stands 15cm high. The foot-ring measures 7cm...

Japanese solid Keyaki isho tansu from the Sendai region. With original deep red lacquer finish. The interior of the drawers done in black lacquer...

Rare Japanese Sado Island Funa Tansu, also known as a captains ship safe. Made of solid quarter sawn Keyaki (Zelkova wood) burl construction with heavy hand-forged iron plates and mounts. The front of the piece with a drawer above a pull-out panel, opened by Kakute handles. The bottom panels pulls away to reveal four interior drawers surrounding a second pull-out panel, all with Hirute handles. The middle panel opens to a safe keeping box with heavy iron lock and hardware...

This is a very fine unsigned Japanese cloisonne vase with a unique form. The enamel and wire work are exquisite. It is not signed but the quality is so good and so unique that the maker is Hayashi. Look at the last image of a signed 3 3/4 inch vase and compare them...