Cabinet in black lacquered wood. Decor of plants in gilding and mother-of-pearl inlay. The mounts are incised and gilded copper. Two doors conceal a series of drawers and a small door. The small handles of the drawers are in cast bronze as well as the handles. On the top is represented in mother-of-pearl Mount Fuji partly concealed by clouds...

Antique Japanese carved wooden figure of a fu-dog (fu-lion) guardian. Traces of paint and gold guilt remain. The underside has writing in ink and a translation which reads: "This pair of Foo-lions was donated to the gate of Myoken Nichiren Shrine in Noma village of the province of Sesshu (near Osaka) on the date of 9th May, 7th year of Genroku ra...

Hanging scroll. Benzaiten mandala. The eight-armed deity, bearing arms and a coiled snake (the deity Ugajin) on her head, sits on a lotus-leaf-seat, flanked by Daikoku and Bishamonten. Before her are the 15 disciples, or jugo doji, above her the sun and the moon.
Ink, mineral colors and gold on silk. Japan, Muromachi period, around 1500.
Painted area: H 38 3/8 in...

Namban style chest with a semi-cylindrical lid made of black lacquered wood (urushi) with gold lacquer (maki-e) and inlaid with mother-of-pearl (raden).
Decorated with three main bands of floral motifs, middle surrounded by vertical bands of mother-of-pearl inlaid lozenges and framed by the hanashippô pattern (overlapping circles forming petals).
On the lied, acer (momiji) and plum tree flowers (ume)...

Two very rare Ko-imari rice bowls from the Genroku period. C. 1690-1710. These are just gorgeous, the bottoms are painted in the chevron pattern, and various geometrical patterns of roundels with honey comb patterns throughout. Two dragons adorn either side of each cup and each surrounded with colors of iron red and green enamels with gold gilt accents. Each bowl and cover are in perfect condition with very little wear to the enamels, almost non-existant...

Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl is one of just two I have seen appear on the Japanese art market over the years. The previous bowl also listed on our site had a large portion reconstructed with a gold repair. This piece meanwhile is entirely intact and even has its original box...

Unusual Japanese Buddhist Zushi with dark, lacquered wood exterior and gilt interior. Enshrined in this portable altar is the statue of Buddha seated on a lotus. His two attendants are sitting on a dragon and fox. The double doors and roof top are decorated with scrolling gilt metal work.

Buddhist traveling altars and shrines create a sacred space of spiritual magnetism and are the product of dedicated craftsmanship...

Of Hon-kozane Ni-mai-do type composed of thin bands with multicolored silk lacing. A 62-plates Akoda-nari suji-kabuto in brown iron, signed Myochin Yoshihiza. A finely chiseled bronze and gilt brass tehen with 5 levels. The golden brass kuwagata dai is carved with a floral decoration. The fukigaeshi are covered with leather and 6 rivets. The mabizashi is also covered with leather and silk strap, riveted and fukurin. The shikoro is imposing with 4 blades...

Antique Japanese hand painted illustrates Nara-ehon style book. Circa 17th Century or older...

An Arita porcelain whistle in the form of a reclining Chinese boy. Decorated in Kakiemon-type underglaze blue, green and iron-red enamels. Circa 1680 ~ 1700.

A similar whistle is illustrated in Christiaan J. A. Jorg’s ‘Fine & Curious, Japanese Export Porcelain in Dutch Collections.’

Approximately 7.4 cm long. Perfect condition.

Please study the photographs.

Within the UK payment by bank to bank transfer is preferred.

Customers resident in China...

A Japanese Edo period 17 - 18th century Arita Imari Kakiemon blue and white and over glaze enamel large ewer / kendi. Good condition with crack lines at the body, please see picture for detail, size: 20.5 cm height.

An armorer's iron tsuba, possibly for a wakizashi as it is somewhat diminuitive in size. Or perhaps more in keeping with its apparent age, an early example of a proportionately small tsuba used with an uchigatana as was first the fashion. Sukashi decoration of a conch (horagai) traditionally used for ritual practices and for signaling on the battlefield. The rare uchikaeshi-hineri rim (mimi) is significantly raised and defined almost as if to suggest a separate piece of iron around the rim (thou...

This is a highly unique and rare antique Japanese dirk that dates back to the late Edo Period. It features an old Koto samurai tanto dagger blade with a signature inscribed on the tang. The signature is attributed to the swordsmith "Kaneyoshi" from Mino Province. The blade is from the early Muromachi period (Ouei era), which was approximately 600 years ago.

This dirk never has a crossguard and washers (seppa), and the mekugi-ana perfectly matches the mekugi. There is no gap between habak...

Set of Five Arita Blue and White Lobed Dishes. Each decorated with a seated Kirin among rocks and grasses within a scrolling karakusa border. The reverse with a six character Chenghua mark. Japanese 18thC. Diameter 22.3cm. Condition: excellent.

A male dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated fr...

A rare and beautiful Japanese KOZUKA KNIFE HANDLE of a by-knife that is part of a sword mounting. It is kept in a slot on the reverse side of a Kattana Scabbard, often with a matching Kogai. It depicts the Gatekeepers arm-wrestling, EDO PERIOD (1603-1868). Shakudo alloy with GOLD decorated appliqué of the Guardian Kings AGYO and UNGYO. Size: 9.5 cm x 1.4 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 13.5 x 9 inches, 34 x 23 cm, Mounting: 17.75 x 13.25 inches, 45 x 33.5 cm.

Mid-size stoneware jar for storing tea leaves or other.
Brown stoneware with white inclusions and a green splash of natural ash glaze. Slightly widening from bottom to shoulder, with a short more or less straight neck with everting lip.

Japan, Momoyama – Edo period, 16/17th century.

Height 12 ½ inches.

Excellent condition.