Album leaf illustrating “antique” textile designs for Tang Dynasty China and later, printed ca. 1900
The characters beside each design describe the motif and type of fabric.
Very good impression and color, vertical center crease, minor wear, remnants of old backing.
Overall Size: 9 ¾ x 14 in.
An old Nanban hanging flower vase, kakéhana, in its original inscribed box. The vase is in fine undamaged condition and has a good old patina. The inscription literally translates as “Nanban hanging flower vase”. The applied decoration is perhaps a depiction of a Buddhist rosary. 19th century.
Approximately 12.8 cm high...
Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with brown and gold (2 different gold colors) lacquer decoration of numerous fern leaves, design continuing onto the back. Beautifully made out of dense brown wood, superb fine lacquering, wonderful work in Japanese taste, in excellent condition. Length 3.54 inches.
Kozuka in sentoku inlaid with silver and gold butterflies. Length 95mm. Edo period.
UNSKILLFUL AND INCOMPLETE LOVELY SECRET SCROLL
Practitioner’s secret manuscript scroll of the various hand-signs called 'Kuji-in' (https://en.wikipedia.org/wiki/Kuji-in) and ‘Tein’ (also ‘Inso’, ‘Ketsuin’)
as the Mudra (https://en.wikipedia.org/wiki/Mudra) of ‘Mikkyo’
(Japanese Esoteric Buddhism), as the symbolic or ritual gesture or pose performed with the hands and fingers for marking each secret of various buddhas, bodhisattvas, deities, etc...
Original large antique Japanese jizai, used for suspending a kettle over a fire to boil water. Made of solid Keyaki (elm) wood, carved in a hooked style, and topped with an iron hook for hanging.
Edo Period
Dimensions: 17.5" x 5" x 20" H
This is a Japanese antique silk furoshiki textile. It is a rare furoshiki of the Edo period dyed with safflower, purple dyeing, indigo dyeing, hand-painting, and squeezing. It was made by hand in Kyoto and kept in a safe place. A connection pattern that is a metal fitting included in the horse's mouth. It has the meaning of a talisman that protects you from illness and accidents. It is a very auspicious design that has been used since the Heian period. All are dyed from natural plants...
A carpet made of recycled washi fragments which were daifukucho (merchant's record book) or letters, and kakishibu (persimmon tannin) painted for strength and waterproof. It was generally put over tatami mats protecting
them from sun beam or dust. It has letters "Kanei 6 (1853)", very late Edo period. It has rips, holes and moth bites. 204cm x 192cm
19th century Japanese copper and brass keman in a shape of a rounded fan (uchiwa) with pierced low relief decoration of two phoenixes confronting each other in flight above lotus flowers, buds and leaves rising from a pond, and an elaborate knot in the center. Hanging pendants representing the Wheel of the Buddhist Law and lotus flowers, old glass beads...
Antique Japanese rare and tall ikebana basket, intricately woven of fine split bamboo. The body of the basket has a beautiful, undulating quality. The woven pattern is wildly natural on the lower portion, then switches to ordered bands closer to a wide rim. The extraordinary handle is made of twisted root wood.
Age: Meiji Period (1868-1912)
Dimensions: 20" high x 10 1/2" wide
19th century netsuke of a bronze fly on a boxwood pumpkin. Elegant clever design in Japanese taste, wonderfully rendered texture of the pumpkin skin, himotoshi (cord opening) is formed by the stem, great patina. Diameter 1.31 inches.
Inrō with four gold lacquer boxes, decorated with a lake landscape. Accompanied by a bronze ryusa manju.
Small boxes formed of compartments that fit one on top of the other, inrō (印 籠) are traditional Japanese clothing items. Since the kimono had no pockets, everyday objects were carried in small boxes (sagemono) hung on the belt (obi)...
An antique Japanese bronze Buddhist temple bell called Bonsho with a carrying handle depicting diverging dragon heads called Ryuzu. The upper protrusions called Chi or Nyu improves the resonance of the sound when struck. Two opposing striking panels called Tsuki-za is the point on the bell where the best and longest sound is achieved. A bell of this size was hung in a neighborhood temple to summon the monks to prayer...
The top of this black lacquer Japanese box is heavily carved with leaves and foliage. The carved oval cinnabar panel in the center depicts a long and stable marriage scene. The standing wife has just served her sitting husband tea in the garden, outside the house surrounded by mountains. The four sides of the box are carved with continuous textile design.
The box is 5.5 inches x 4.75 inches and 2+ inches high.
An unusual Japanese multi layer lacquer brush pot inlaid with three metal coins. The oil spill pattern lacquer is in hues of red, black, and beige.
Meiji Period (1868 - 1912)
Dimensions: 6 1/4" W x 4 1/2" H
We like to offer you a rare Japanese Hagi Chawan called 'Gohon Chawan', made in the old Korean style from ancient times and dating from the mid Edo period.
Colour and glaze are equally rare and wonderful. We offer this fantastic chawan together with its Edo period wooden storage box and its cloth pouch called 'Shifuku'.
This Hagi Gohon Chawan has a split cross footring called 'warekodai'. Tea bowls of this style were favored by busho chajin (warrior tea men)...
Four(4) Japanese Imari Porcelain Soba Noodle Cups, Ca. mid 1800's, late Edo or early Meiji period, 3 1/8" diameter-cup top rim, 2 5/8" high, decorated Lotus, Peony and other floral design on the Rock garden, in underglaze Blue and White plus some red, green used, highlighted with Gold touch. Two(2) hairline on the glaze, one(1) bruise about 1/4" long, one(1) cup is in good condition. this lot is same decoration as lot #3A13.
19th century 2-toned ichii (yew wood) netsuke of a seated chubby puppy. Netsuke is skillfully carved in characteristic Hida school ittobori (one cut) style with clever use of wood color and structure to add to the charm of the piece. Wonderful face with surprised expression, eyes are inlaid with black horn, wonderful mellow patina. Signed SUKENORI on the bottom - for information on the artist see NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick, p. 1048...