A Japanese Arita dish, in Kakiemon style, of rhomboid shape with rounded, spreading sides rising from a circular foot. The inside is decorated round the sides with a continuous 'classic scroll' boldly moulded in relief, and below with a design painted in pale blue, red, green, black and pale yellow enamels. The rim is glazed brown. The exterior is painted in enamels with sprays of camellia and pairs of flying birds...

A large Arita celadon and Blue & White porcelain dish, 18th century.

The attractive dish with a misty village and waterfall scene within a moulded celadon border. The back celadon glazed to the foot-rim which contains a six-character Chenghua mark and five neat spur marks.

Approximately 29.3 cm diameter. Perfect condition...

An 18th century Japanese Arita porcelain moulded dish, circa 1750 ~ 1780. The dish with a cavetto moulded with foliage and lotus flowers within a barbed rim. The centre sporting a fine underglaze blue ferocious dragon and pearl amongst coloured clouds. Within the foot-rim is an unusual six-character Yongzheng mark. A dish of this design is illustrated in Shibata, “Complete Catalogue of the Shibata Collection” The Kyushu Ceramic Museum, # 3359.

Approximately 21.2cm diameter...

During the Meiji period there were only five potters ever to be awarded the prestigious designation of Imperial Court Artist: Ito Tozan, Seifu Yohei III, Miyagawa Kozan, Itaya Hazan, and the artist whose work is featured here, Suwa Sozan. Several years prior to receiving this designation, Sozan spent a period of time in Korea where he undertook the formidable task of excavating and restoring ancient Korean kilns in an attempt to replicate traditional techniques used in centuries past...

A high quality crisply cast Japanese mirror. The reverse of the mirror decorated in high relief with a conventionalised representation of the utopian Isle of the Immortals typical of the Edo period integrating into the design the auspicious Takasago twin branched pine tree with a pair of flying cranes and a Minogame in the left hand corner. All set against a crisp granular ground. Probably late Edo period, or possibly slightly earlier...

A finely embroidered silk River or Lakeside Landscape made in Japan for export during the late 19th or early 20th Century. This item was framed in the UK by Boots the Chemist's, circa 1910 - 1925 Condition: excellent. Frame: 37cm (14.5 inches) wide;29.3cm (11.5 inches) high.

A bronze mirror, wakyo, decorated with a classic Autumn pattern that evolved in the Heian period which features a pair of birds, sparrows, water weeds, ashi, water, and a wave washed sandy beach, suhama. The design is cut by a single ring. The design of the inverted pistil boss and the density of the design, horror vacui, dates the mirror to the late Kamakura period 1275-1325. A great deal of the detail has been lost as a result of wear and over polishing...

A good quality mirror of comparatively small proportions decorated with a fine line drawn pattern of a double and single Chrysanthemum supported by a fence and a banded hedge set against a fine sand textured ground to the reverse of the mirror. Fine line drawing in this style first appears in the eighteenth century. The mirror is signed on the left hand side Fujiwara Mitsumasa...

A Japanese handled mirror, e-kagami, decorated with a Hoo Bird in flight, a harbinger of Peace, combined with Waka Matsu, Young Pine, a common motif associated with the celebration with the New Year. The design can therefore be seen as symbolising a wish for a Peaceful New Year. In the right hand portion of the mirror reverse is a set of four characters reading Fujiwara Mitsunaga...

A Japanese handled mirror, e-kagami, cast with a Hoo bird in flight, a symbol or harbinger of peace, and a Kiri tree to its right, auspicious symbols associated with the Empress of Japan, Kiri ni Hoo. Beneath which is pine tree set upon a rocky shoreline washed by seigaiha; a wave pattern symbolizing eternal peace and happiness. The design overall connoting a wish for Peace and Harmony. To the left of the pattern is a set of four characters reading Fujiwara Mitsunaga...

This peach-shaped suiteki (water dropper for calligraphy) is made of fine kinuta celadon from one of the great masters of the Meiji era—Suwa Sozan. A classic design, the peach is said to represent long-life for mortals and immortality for the gods in asian folklore. According to legend, the moon goddess—a powerful alchemist—can make an elixir from peaches that grow in the garden of the western paradise with miraculous revitalizing properties...

Antique Japanese Buddhist abbot's oxbow arm folding chair. Made of red and gilt lacquer hardwood, with seat made of leather. The backrest has gilt lacquered panels with geometric motif carvings and pierced lingzhi carving, the reverse of the backrest marked with a triple mokko-mon (family crest). The edges of the chair are decorated in metal plating incised with motifs of chrysanthemums.

Edo Age 19th century Dimensions: 32" L x 20" D x 37" H

Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged...

A bronze vase finely cast in archaic Chinese style with twin elephant head handles and very unusually decorated with 16th Century Turkish Iznik/ Kutahya style 'Saza' leaves in red, blue, green and black enamels. The Made in Japan mark to the base indicates that this item was made in Japan (for export) post 1890. Condition: excellent - there are minor losses to the enamels but no damages and no repairs or restoration. 24cm (9.5 inches) high. For additional pictures, please view 1tem #163...

Thick shima-cho, a sample book of cortton shima (stripes) with about 870 fragments. The age is written on the cover "Meiji 3 (1870), however the age of the fragments range from very late Edo (mid 19th century) to Taisho (1920s). The first 770 fragments are late Edo and Meiji (the second half of the 19th century) and the second 101 fragments are woven in Taisho period (1912~1925). In excellent condition. 16cm x 21cm x 5cm

A small bag made of deer skin with shibori (tie-dye) pattern. The brown color is dyed with the technique called "fusube-gawa". The deer skin is smoked with burning rice straws and gets brown color. Fusube-gawa is used for armors or wallets in Edo period. It has silk cords and lining. In excellent condition. Late 19th to early 20th century. 15cm x 18cm

An Imari miniature condiment set of hexagonal baluster form decorated with trailing foliage in underglaze blue, iron red and gilding. Consisting of four small ewers, three marked with A for azin, vinegar, one marked with “S” for syrup; three with plain covers, one with a perforated cover. A complete pepper pot with perforated cover, 7cm high, and a pillar form salt, 6.2cm high. The cruet or condiment stand is also of hexagonal form with a central candle stick, 16.5cm by 16.5cm and standin...

Antique Japanese unusually small kannon biraki (hinged doors) tansu chest made of kiri (paulownia) wood. The top portion of the chest opens to reveal a compartment with a single shelf. The bottom portion has two exterior drawers. Elaborate iron hardware is like that of a larger kannon biraki chest and includes heavy hinges and cross bracing on the doors with an ivy leaf mon (crest).

Edo Period (early 1800's)

Dimensions: 16 1/4" high x 19 1/4" wide x 10" deep.