An antique Japanese Kotansu (personal storage chest) made entirely of Kirinoki (Paulownia) wood. All original bronze hardware. A pair of sliding doors cover a spacious compartment with a split level shelf with 6 drawers of varying sizes that was used to organize storage. Constructed using straight dovetail joinery and hardened wood nails...

Antique Japanese Unusual Solid Keyaki storage Box. Original condition and finish. Shows natural wear for a piece of this age. Two small drawers for storage with iron hardware. Open face top for storage of papers. Meiji Period Dimensions: 8" High X 16 1/2" Long X9 1/2" Deep

Very small scroll painting for in the back of a house shrine. Sumie. Daruma standing on a reed stalk crossing the river Yangtse. In the upper part a commentary or a poem. Black ink on silk. Red seal to the left...

Japanese Carved Wood Seated Figure of an Ascetic (fasting Buddha). This early Edo Period 17th Century piece is a magnificent work of sculpture with dry lacquer surface and some color with gold lacquer on the stand. He presents a haunting spiritual aura and has the desired sheen for carvings of this age. We are proud to offer this important museum quality masterpiece. 9.5h x 7w x 5d inches, 24h x 18w x 13d cm.

This is a japanese antique indigo dye kasuri hemp kimono.It is in very good condition with no stains or damage.Size: Length: 143cm (56.2inch) Sleeve to Sleeve 122cm (48inch)

A heavy porcelain jardinere or plant holder very finely painted with flowering peony and other shrubs in shades of underglaze blue and standing on three Chinese Ming Dynasty style Lion head feet. This item was made in Japan during either the late 19th or early 20th Century. Condition: excellent - no damages and no restoration. 21cm (8.25 inches) high; 31cm (12.25 inches) diameter.

Superb Meiji Period c. 1900 zen buddhist temple ramma featuring chrysanthemum and leaves carved in fabulous relief. Carved out of cypress wood with gold gilt lacquer, the piece is large at 49" wide and 12" tall. Great condition. Ask for shipping quote.

Small octagonal hard porcelain vase. Decor enamelled with a landscape fenced with hedges of dry branches, there are a prunus, a pine and on the ground young bamboo shoots which would signify the symbolic presence of the "three friends", on the collar is represented a Ho-ho (phoenix) which in Japan symbolizes the Empress. Some details are gold. The style is kakiemon but this small vase is atypical. It is difficult to date and also to locate with precision...

Fukusa, Japanese Gift Cover, Pine, Bamboo and Plums on Fans: This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony such as "Yui-noh" which is held prior to a wedding. This is an elegant old satin silk Fukusa in excellent condition. It is not as shiny as it looks in photos. The lining is an old, red (light red color, not orange as it appears in some photos) crepe silk with padding on the rims...

Japanese Oribe pottery natural leaf tray. Beautiful colors and natural flowing design. Overall in good condition with one small loss (shown in picture). 20th Century Dimensions: 19" Long X 10" Wide X 2 1/2" High

A square dish with canted corners decorated in Sometsuke style with a Peony mon to the centre made up of three stylised Peony blooms bound together with karakusa and four panels containing vignettes of a Dragon chasing a pearl, and waka matsu, young pine, set against a bank of snow with flower like snowflakes falling in the background. The rim decorated with a band of alternating double crested waves and flowers...

This exceptional tea bowl was crafted by one of the great masters of Japanese pottery and given the poetic name “Nami” (wave) by a famous tea master of the Ura-senke school of tea. The Chinese character is not the standard writing for wave but rather one with more nuance, suggesting longevity—as in the image of a long enduring cresting wave...

This is a japanese antique 1920-1940 cotton Buddhist Shugensha hanten coat worn by Shugen practitioners who practiced Shugendo. Shugendo is a unique Japanese religion that combines Buddhism, Shinto and the worship of nature (mountains). It has some light stains , but is in very good condition. Size::Length :80 cm (31.4 inch) / Sleeve to sleeve :130cm (51.1 inch) / Back width :65cm (25.5inch)

Antique Japanese silver and gilt Kanzashi; a hairpin with a humorous design of an old lock placed on "kinchuku", a moneybag, with coral beads. With a clear message, it will be a great gift to someone special. Length 7". Meiji period (1868-1912).

Japanese pair of bronze chicken and rooster, finely cast with detailed bodies. The male rooster is posed with head bent down to peck at the ground while the female hen is posed with head faced forward.

Meiji period (1868-1912)

Dimensions: 6 1/4" x 2 1/4" x 4 1/2"

Antique Japanese wide lotus leaf. Made to be part of a Buddhist altar arrangement. The lotus represents enlightenment blooming from out of the mud. Carved of wood and lacquered gold. Fitted with a custom metal stand.

Age: Meiji Period (1868-1912)

Dimensions: 20 3/4" high (including stand)

Rather unusual zenibako where the fittings seen on the box are typically done in iron, the fittings of this zenibako are carved from the wooden pieces that are used for this box. The top section of the box contains the characters: Kin Senryo, or 1000 Ryo of Gold and underneath the lid is a lacquer decoration of a Tensho period gold coin. A traditional lock and key comes with the zenibako and a manju netsuke with an ojime decorated with images of mice. Age: late 19th to early 20th century...

A very unusual plate decorated with a central motif of a a late 17th century style “Kakiemon Dragon” framed by a segmented border with floral roundels each with fifteen petals set against a stylised wave and scroll ground, that seems to reference some of the wave patterns popular during the Transitional period...

18th century decent size wooden netsuke of standing sennin (Chinese sage) wearing a robe and a leaf cape robe and stroking his long beard. Very strong early carving, wonderfully captured facial expression, beautiful flowing lines of the robe, superb sense of volume. Does not stand of flat surface, large differently sized himotoshi in accordance with the habit of the time, superb patina. Excellent netsuke. Height 3.55 inches (90 mm).

19th century netsuke of a swan (cygnet), its shape compact, neck bent back and head resting on its body, looking forward and up. Elegant clever design capturing the essence of the creature. Superbly modeled, eyes inlaid with black horn. Excellent wear and patina, old stable age lines, compressed dust on the surface, extremely pleasant to handle. Formerly in the Raymond Bushell collection, illustrated in NETSUKE FAMILIAR AND UNFAMILIAR, p. 208, number 641. Length 1 1/2 inches.

Early 19th century boxwood netsuke of a crouching puppy about to pounce. Strong early piece with unusual posture, excellently captured facial expression and chunkiness of a young pup, wonderful hairwork. Eyes are inlaid with black horn, old stable age line along its back, superb wear and patina. Excellent strong netsuke. Length 1 1/4 inches.

Very unusual 19th century netsuke representing a bird in flight. It may be a swallow, but I am not sure. Wonderful spirited carving capturing the essence of the creature with its swiftness, beautiful face, eyes are double inlaid with horn, excellent depiction of different feathers. Great wear and patina, old age lines. Length 2 1/4 inches.

This is Japanese antique silk vest of the yosegire patchwork of the Edo era(1800-1867). It is dyer's Safflower dyeing itajime (katazome)and katazome and shibori. It is compose it of the silk of the silkworm of nature of three kinds of colors. It is very luxurious, and it is beautiful. It does not have a stain and damage. Both frames are open and partly connected. The crimson silk of the lining has the part that a color changed...

An antique Japanese Ko Tansu (personal storage chest) made of Kirinoki (Paulownia) and Suginoki (Cryptomeria) woods. All original hand made iron fittings including the Warabite handles and finish. The front has a natural Kirinoki wood finish while the case was finished in a wiped Urushi lacquer technique. Constructed using straight dovetail joinery and hardened wooden nails.

Age: Meiji Period (1868-1880)

Dimensions: 23 3/4" Wide x 20" High x 13" Deep

Antique Japanese craftsman's block. Made of keyaki (elm) wood and carved with two fan-shaped handles. Thought the term dai usually refers to plane blocks, this block also functioned as an important tool or surface for a serious artisan. It is unusual in that it is carved with a rectangular opening on the underside, a customization possibly to help hold it in place while in use.

Age: Meiji Period (1868-1912)

Dimensions: 8" high x 7" wide x 10 3/4" long

Japanese Totai Cloisonne Vase, enamel with silver wire work on Earthenware, signed in red "Kinkosan" under the high foot base, Ca. late 1800's, late Meiji period, 12" high, 4 3/4" wide-maximum width. The main body has colorful floral design enamel work divided by silver wire inside two(2) cartouches on each side on powder blue background, and more individual enamel floral design on the green Turquoise color background outside the cartouches...

Large octagonal bowl made of porcelain, decorated in underglaze cobalt blue. In the center of the bowl a prancing tiger before a roaring stream, looking up towards the sky...

An Arita Export porcelain dish decorated with a design based on a Ming Chinese Kraak plate. A pair of Ho-o birds amongst flowers and bursting pomegranates. Arita, circa 1690 - 1720. A similar dish is illustrated in the Shibata Collection, Kyushu Ceramic Museum, item 2495.

The border pattern shows a striking similarity to that used for V.O.C. orders produced at the Hikeoba and Sarugawa kilns. Circa 1680.

Approximately 21.3 cm diameter. Perfect condition.

Please s...

A Fukagawa eight and 3/8 inch salad plate. Iris dcoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration including random butterflys. Mt. Fuji mark in underglaze blue inside the foot ring. Late Meiji or early Taisho. Good condition. Priced for each salad plate, there were five available in good condition when listed. We are happy to quote a group price or entertain an offer for all available pieces we have in this pattern.

Large, impressive and rare describe this beautifully painted late 19th century Imari hexagonal lantern. 46" in height.

Condition: Excellent

Maeda Toshinaga was a Japanese daimyo, who was the second head of the Kasa Domain. He was the eldest son of Maeda Toshiie and married one of Oda Nobunaga's daughters, Ei-Hime. He supported Tokugawa Ieyasu and, after receiving his brother Toshimasa's lands (Noto, 215,000 Koku), controlled a total of 1,250,000 Koku, an amount exceeded only by the Shogunate. Toshinaga built and resided in the Kanazawa Castle. He had no children and adopted his brother Toshitsune as his heir.

2-panel s...

Japanese kogo, or incense container for tea ceremonies, in the form of a small bird with very fine maki-e or sprinkled gold lacquer exterior. Each feather of the bird is highly detailed in low relief maki-e lacquer. The pupils of the bird are done with very fine red lacquer for contrast. The interior of the box is finished in gold nashiji, sometimes called pear skin due to the resemblance to the Asian pear. The base is also finished in nashiji lacquer and has the artist's calligraphy signature i...

Late 19th century Nabeshina porcelain portrayal of Mt Fuji against a celadon ground. This signed 7" plate is in very good condition with only minor surface scratches from use.

Kesa was originally made from old scraps of material donated to the priests. The scraps became finer and quite luxious in time. People who gave to Buddhist institutions were often keen to give very expensive items, so some fabulous kesas were created from wonderful silk brocades. This also could mean that the wealthier temples end up collecting the better fabrics or are able to send out for the expensive custom made kesas. This kesa is hichi-jo (seven panel) kesa, silk brocade with silver ...

Beautiful and slightly distorted masterpiece Mizusashi (water jar for tea ceremony) of dark Seto yaki with black and brown glaze. Around 1900, Meiji Period. No chips, no cracks.

Size: 18 cm height x 13 cm diameter on top.

Shipping included

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold and brown lacquer decoration of blooming chrysanthemums, design continuing on the back. Beautifully made, excellent lacquering, wonderful work in Japanese taste, in great condition. Length 5.3 inches.