Late Meiji period (1890s to 1912) good size Japanese woven bamboo ikebana basket with round body cleverly tapering down to a square base. Beautiful piece for presenting flowers woven mostly in Karamono (Chinese) style, which is more formal than Japanese and is usually associated with Kansai region. The shape and execution of the body weave in regular rows is in Chinese style, while details such as knots around the rim are very Japanese...

Japanese antique large Buddhist shinto shrine, made of hinoki wood. Constructed like a life size shrine complete with slanting copper roof. A small stair case leads to a pair of doors. The railing has copper post tops. The underside of the roof is made of many beams and columns, some with corbels carved in the form of fudogs and baku. Beautiful age and patina...

Large Japanese porcelain dish, Arita kiln, compartmentalized decoration inspired by Chinese models from the end of the Ming dynasty. In the center a flowered basket and on the edge, cartouches containing flowers and emblems are boldly drawn in underglaze cobalt blue. The reverse left without decoration. The firing was perfect, the blue is bright, the glass is uniform. There is a big chip...

A charming, characteristic neko tora tiger in the moon night. Painted with ink and light pigments on paper. Signed Ganku and sealed. It is attributed to Gan ku.

Ganku (1749–1839), was a leading Japanese painter of Kyoto and founder of the Kishi school of painting. He is famous for his paintings of tigers...

An authentic 17/18th century Japanese Edo Period sake bottle in blue and white , in good condition

A very good and large scroll painting in ink and colours on paper, depicting the Immortal Gama Sennin (Chinese: Liuhai ) the “Toad Hermit”, with the three-legged toad. Gama Sennin is connected to good luck and wealth. Both Gama Sennin and his toad friend are depicted in a very sweet, humorous manner. It was probably part of a sliding door, later remounted as a scroll with a very beautiful, high quality brocade...

Finely carved mask of the Noh traditional theater, with a verystrong expression, representing the character of Otobide. The mask is made of wood, painted in gold (the whole face), black (for the eyebrows and moustache, also on top of the forehead) and red (for the mouth), and the eyes are made of brass. Japan, late 19th century. Height: 21.2 cm. Slight abrasion on some areas due to age, otherwise very good condition...

A scarce and nicely formed bronze netsuke. The sculptural group depicts festival musicians playing a Taiko drum and Shinobue flute - the drum player with mask pulled back. Nicely detailed, down to the fingers and expressions of the musicians. The himotoshi is formed by the extended arm of one figure supporting the figure atop the Taiko. Edo period, 19th century. Good condition with rich, natural patina. Height, 1 5/8 inches

Spring Landscape. Painted with ink on silk. Signed Chokugai and sealed. It is dated as painted in 1924 on the painting.

Tanomura Chokugai(1905-1997) was a Japanese painter born in Kyoto. Great-grandson of Tanomura Chokunyu(1814-1907). He studied under Tanaka Hakuin(1866-1934). He was a member of the Kyoto Japanese Painters Association and chairman of the Kyoto Shogain.

Some insignificant marks and foxing are present on the painting itself, and some marks, very light...

Antique Japanese fireman's hood. Made of layers of indigo cotton sashiko and decorated on the inside with a scene of a tiger and lightening storm.
Fires were common in Japanese urban areas due to the dense population as well as construction material (primarily wood and paper). Fire brigades were made up of samurai class (buke hikeshi) as well as common class (machi hikeshi)...

Late Meiji period (1890s to 1912) Japanese turtle shell kushi (hair comb) with silver lacquer decoration presenting a view of the upper part of a castle with distant hills in the background. I believe this type of hair implement is called side comb. Excellently made, superb quality lacquer work, beautiful translucent material, in great condition. Signed GYOKUHIRA on the back. Length 3.41 inches.

Unusual late Meiji period (1890s to 1912) Japanese kushi (hair comb) with buffalo horn teeth and silver frame with design of flying cranes on geometric background. Sharp metalwork with gold washes to the bodies of the birds, clever work in Japanese taste, nicely tarnished. Length 3.45 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold lacquer decoration of flowering plants by a meandering stream, design continuing on the back. Beautifully made, subtle design in Japanese taste, superb fine lacquering, in great condition. Length 4.69 inches.

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) with carved perforated brocade design and relief roundels with blooming flowers. Beautifully made out of gold color horn with darker horn inlays, fine carving, wonderful work in Japanese taste, overall in very good condition. Length 4.48 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with black and lacquer decoration of pendant branches with leaves and inlaid silver florets. Beautifully made, very nice lacquering, wonderful work in Japanese taste, in very good condition. Length 4.42 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with black and gold lacquer decoration of flowers among scrolling vines, design continuing onto the back. Beautifully made out of dark wood with dense texture allowing for very fine teeth, superb fine lacquering, wonderful work in Japanese taste, in excellent condition. Length 3.94 inches.

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) with lacquer decoration of blooming peonies. Very well made, good lacquering in subtle colors, wonderful work in Japanese taste, some old stable peeling to lacquer. Length 3.4 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold lacquer decoration of flowering chrysanthemum branches, design continuing on the ridge and onto the back. Beautifully made, very good lacquering, wonderful work in Japanese taste, some wear as can bee seen on photos. Length 5.25 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold and black lacquer decoration of flowers and buds on branches, design continuing onto the back. Beautifully made, very good lacquering, wonderful work in Japanese taste, some wear as can bee seen on photos. Length 4.5 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with multicolored marbled lacquer decoration. Beautifully made, great lacquering, wonderful work in Japanese taste, in excellent condition. Length 4.03 inches.

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) with lacquer decoration of feathered arrows, design continuing over the ridge onto the back. Very well made, pleasantly thick body, excellent lacquering with fine gold flakes scattered throughout the background, feathers with tiny mother of pearl inlays, wonderful work in Japanese taste, in great condition without any losses. Length 4 inches.

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) with carved and gold lacquered decoration of a phoenix in flight on one side and stylized crest of the Toyotomi samurai family in a shape of flowering paulownia. Superbly made, crisp carving, excellent lacquering, wonderful work in Japanese taste, in great condition. Length 3.2 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with black and gold lacquer decoration of a flower and scrolling vines, design continuing onto the back. Beautifully made out of dark wood with dense texture allowing for very fine teeth, superb fine lacquering, wonderful work in Japanese taste, in excellent condition. Length 3.82 inches.

Very pretty Satsuma earthenware bowl, round in shape, decorated with gold and polychrome enamels, representing inside the bowl, courtesans and children, in a garden, under maple trees, and near a lake. The kimonos are sumptuous by the thickness of gold used and the finesse of the details. The perimeter represents a meeting of samurai and on the other side courtesans under cherry blossoms. Signed: Kinkozan. Diameter: 12.5 cm, height: 5 cm. Period: Meiji around 1900. + Wooden box.

Maekake, apron made of Ohmi jofu, which is asa (hemp) with kasuri pattern. Weft kasuri yarns are board-clamp dye, so that both selvedges have bar-code like white lines. All hand-sewn and in excellent condition. It has red cotton belts. Late 19th to early 20th century. W:49cm, L:73cm

Round in shape and very decorative on a white porcelain base, the decoration, in polychromy of iron red, underglaze blue and gold enamels, represents a lake landscape with boats under sail and a mountainous background in the background. Period: Meiji (1868-1912). Diameter: 31 cm.

Antique Japanese carved wooden figure of a fu-dog (fu-lion) guardian. Traces of paint and gold guilt remain. The underside has writing in ink and a translation which reads: "This pair of Foo-lions was donated to the gate of Myoken Nichiren Shrine in Noma village of the province of Sesshu (near Osaka) on the date of 9th May, 7th year of Genroku ra. (1694 AD) by Gendo Ujihiro Inoue for his memory of accomplishment of repeating "Nichiren" prayer 300 times."

Dimensions: 10" high x 9" ...

Antique Japanese pair of Kutani ware porcelain fu-dogs. Each figure is glazed brown with green curling mane and tail. They stand on a yellow and brown glazed rectangular platforms. One has an open mouth while the other has a small horn. Fu-dogs or Foo-lions are fierce protectors but are also playful and energetic.

Age: Early 20th century

Dimensions: 6 1/2" high x 4" long x 2 3/4" wide each

Early 19th century boxwood netsuke of Benkei as yamabushi (a wandering warrior priest) emerging out of a huge horagai (a war trumpet made out of a shell) and blowing into a smaller one, and holding a shakujo (Buddhist priest rattle) in his hand. The tokin (skull cap) on his head is the sign of the yamabushi, and horagai - (a trumpet shell - Charonia Tritonis) were often fitted with a mouthpiece on the thin end, and used as war trumpets. Shakujo are used to scare off insects, and thus prevent the...

19th century boxwood netsuke of a dog licking its puppy. Wonderfully captured mood of the scene, superb realistic carving, the breed looks like spaniel or Pekinese, extraordinary depiction of their fur and faces. Great netsuke. Length 1.7 inches.

19th century ebony netsuke of a crouching rat with its young climbing on mother’s back. Wonderfully captured interaction, superb detailed carving, very beautiful patina, in excellent condition. Length 2.51 inches.

19th century lacquered wood netsuke of a a grinning boy with a handled container, attributed to Sansho school. Great face, double inlaid eyes, expert lacquering, beautiful patina. Height 1.8 inches.

Early 19th century boxwood netsuke of seated Thunder God Raiden, his drums that he uses to create thunder behind his back. Wonderful face with a touch of madness, excellent detailing, beautiful patina. There is an old restoration to a section of his scarf under the left arm - see left photo on Enlargement 5. Height 1.5 inches.

Sansui Landscape. Painted with ink on silk. Signed Tsunenobu and sealed. It is attributed to Kano Tsunenobu.

Kano Tsunenobu (1636-1713) was the eldest son of Kanō Naonobu (1607-50), younger brother of the renowned artist Kanō Tan'yū (1602-74). When his father died, Tsunenobu became a pupil of his uncle, and derived elements from the style of both men. In Hoei era (1704 - 1711) in the Edo period (1603-1868), he worked on a Kenjo no shoji (sliding screens of the 32 Chinese sages), which a...

The epitomy of wabi-sabi is on display with this Edo Period Ca.1860 wood Kannon Bodhisattva carved out of cypress. In its original box, the lovely patina and equanimous, buddhist compassionate expression is a treasure. 38cm tall x 13cm wide x 8cm deep. Ask for shipping quote. great condition.

19th century tall netsuke carved as a dancing fox standing on its hind legs with its front paws raised to one side and its tail erect. This particular model seems to represent the Inari fox - the benevolent and well disposed creature, being the messenger of the God of rice and harvest, as opposed to the other foxes, which are generally believed to be evil creatures. Strong carving, very clever design, black ink highlights, great expression with a hint of a smile on its face, does not stand on it...

19th century netsuke of a head of a nio - (also called Kongōrikishi) - a wrathful and muscular guardians of the Buddha standing at the entrance of a Buddhist temple. Nio are dharmapala manifestations of the bodhisattva Vajrapani, the oldest and most powerful of the Mahayana Buddhist pantheon. This particular image represents Naraen Kongo, his mouth is closed representing the vocalization of the sound “N” - the last letter of the Sanskrit alphabet. Excellent carving of his ferocious face, be...

Meiji (1868-1912) Pair Japanese Makuzu Kozan Studio Vase Chrysanthemum & Flowers Bamboo Weaving Basket Marked

They are 12 inches (30.4 cm) tall by 10 inches (25.4 cm) wide. The total weight is 17.6 Lb.

One vase has repaired (glued back) at the foot. One vase has chips at the underside of the lip. One vase has yellowing at the vase's opening. They have black spots, firing cracks, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behin...

19th century marine ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape carved in the round with Thunder God Raiden running through the clouds beating his drums, thus creating thunder. Beautifully carved, excellent patina, metal liner to the central hole. Diameter 0.61 inches.

19th century marine ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape carved in the round with shishi (Buddhist lion) frolicking among rocks and flowers. Beautifully carved, excellent patina, metal liner to the central hole. Diameter 0.68 inches.

Eight-sided, flared shaped lacquer kobako box, following the decoration on the lid depicting a basket of flowers, composed of peonies and chrysanthemums in gold takamaki-e and hiramaki-e lacquer on a nashi-ji background. The edge is decorated with cherry blossoms in gold and silver takamaki-e. Interior and base in nashi-ji.

Japan – Edo period, 18th century
Height: 1.9 in / 4.8 cm – width: 6.1 in / 15.5 cm – depth: 3.5 in / 9 cm

A beautiful 2 Stage lacquered container covered in black lacquer decorated with flowering vines. The domed lid opens to reveal a circular tray removable to open a deep container. It is 8.5 cm (3-1/4 inches) diameter, 11 cm (4-1/4 inches) tall and in excellent condition.

Jumping Koi/Carp. Paited with ink on silk. Signed Eishuku Ujinobu and sealed. It is attributed to Kano Eishuku(Ujinobu).

There is a waterfall legend about “The Dragon Gate": thousands of koi fishes tried to jump to the waterfall for hundreds of years but failed, and after sometime passed one koi determined to reach the top of the waterfall and finally made it to the top. The Gods rewarded the koi by turning him into a beautiful, shiny, Golden Dragon. He now spends his time chasing among ...

Japanese bronze vase with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Size: Height 24.4 C.M. / Width 9.8 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Early 19th century boxwood netsuke of a seated inebriated oni with a sake cup in one hand, and the other raised to his head indicating a hangover. Strong early carving, great face, inlaid pupils and horns, powerful muscular limbs. Himotoshi is formed by his legs, very good patina. Height 2 inches.

Late 19th century netsuke of a peasant seated on a bundle of firewood smoking a pipe and helping to light the pipe of the other man with a rain hat. Old loss to the smoking parts of both pipes, Very good carving, great faces, multiple inlays to their clothes. Signed CHIKUZAN on inlaid lacquer plaque on the bottom - there is an artist who signed with these characters listed in NETSUKE by Neil Davey (p. 453, number 147), but I am not sure it is the one who carved this netsuke. Alternative reading ...

19th century netsuke in a shape of a sake cup made out of half of kurumi (walnut shell) with lacquered inside and silver floret shaped fitting with a loop for hanging. Very clever piece, beautiful warm patina, old stable crack lines, well done old kintsugi (gold lacquer) repair. Length 1.4 inches.

Noren, a shop curtain made of hemp (taima) whose wefts and warps are hand plied and dyed with kakishibu (persimmon tannin). It has the shop logo "Tawara (俵）”with sumi. All hand sewn. In good condition but has some stains and a hole (1cm x 0.5cm) and mending stitches. The second half of the 19th to early 20th century. W:125cm, L:147cm

This is han-jyuban in Edo period(1800-1867). Silk tsumugi itajime of the safflower dye is an arabesque motif in the lion. The shoulder surrounding is scenery of the travel (Tokaido) in Edo period. The katazome is very exact and beautiful. The material of katazome is wool. There are a little color variation and a small hole. The state is very good. It is very rare han-jyuban. size:90cm x 85cm (35.4" x 33.5") Size:Length:86cm( 33.8") / Cuff to cuff, across the back: 91cm (35.8")

Late 19th century netsuke of four blind men fighting, characteristic bumps on their heads. Excellent carving with a lot of detailing, superb faces, subtly incised textile patterns, very pleasant patina. Height 1.46 inches.

19th century netsuke of an octopus wearing a jacket and towering over a monkey seated on an abalone shell. Unusual subject - normally they are wrestling, but here it does not seem to be the case - the monkey is smiling. Superbly carved, excellent faces, wonderful detailing - see the coat of the monkey and abalone texture. Eyes of the octopus are inlaid with black horn. Beautiful wear and patina consistent with age, turning yellow on the back. Comes from the collection of His Royal Highness Princ...

19th century netsuke carved as a Chinese sage holding an oni mask in his hands, and a little boy seated by his feet. Wonderful carving, excellent faces, superb staining, graceful flow of their robes and delicately incised textile patterns. Wonderful warm yellow patina, very pleasant finish to the surface, old age lines. Signed NAOMITSU in irregular reserve on the back - the artist is listed on p. 822 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. Height 1 3/8 inc...

18th century netsuke of a standing Dutchman with his mouth open, clutching a long-tailed rooster to his chest with one hand, wearing a hat, long coat, gaiters and shoes. Rare subject - Englebert Kaempfer (doctor with the Dutch East India Company who traveled to Edo in 1691-92) singing for Shogun Tsunayoshi at the annual reception of the foreigners in Edo. Superbly carved to the last detail (see his fingers, claws and feathers of the bird), fantastic face with well captured crazy look, beautifull...

18th century decent size wooden netsuke of standing sennin (Chinese sage) wearing a robe and a leaf cape robe and stroking his long beard. Very strong early carving, wonderfully captured facial expression, beautiful flowing lines of the robe, superb sense of volume. Does not stand of flat surface, large differently sized himotoshi in accordance with the habit of the time, superb patina. Excellent netsuke. Height 3.55 inches (90 mm).

Early 19th century boxwood netsuke of a frog on a folded decaying lotus leaf. Very strong early carving, perfectly captured posture, wonderful representation of shapes and textures. Excellent finish, beautiful wear and patina. Signed KYOGETSU in rectangular reserve on the bottom. Length 2.2 inches.

Antique Japanese Raku ware chawan (tea bowl) with crackle glaze and finely applied kintsugi. Red glaze with dark greenish-black spots. Seal impression on the bottom. Kyoto. Evaluation done in the 1930's by TZ Shiota when the family was inheriting the collection from their great grandfather, Federic Torrey. The collection was stored in a trunk since his death in 1935.

Age: 17th century

Dimensions: 3 3/4" high x 4 3/4" wide

Provenance: From the personal collection ...

B.1869 - d. 1945, Tsukitani was a flamboyant woman potter breaking through the often stiff men's world of pottery. Her peak period was ca.1915 -ca.1932. Her work is known as "Tsukitani ware". Known as a pioneer woman's potterer and sculpter. 15cm tall x 20cm wide. Ask for shipping quote. Great condition with unsigned wood box.

19th century lacquered netsuke of an actor in a role of a shojo with fan and a ladle. Shojo are mythical creatures living near the sea, and are particularly fond of sake. Great face, superb rendition of Noh theater robe with gold lacquer and iridescent mother of pearl, characteristic red lacquer hair, in excellent condition. Signed SHUGYOKU (can also be read as Hidetama) on the bottom - the artist is discussed on p. 990 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarni...

19th century lacquered boxwood netsuke of a recumbent goat, its head turned back and resting on its haunch. Excellent carving capturing the essence of the creature, wonderful depiction of its coat, eyes are inlaid with amber, excellent wear and patina.. Length 2.07 inches.

19th century wooden netsuke of two frogs frolicking on differently sized peony buds with stems. Wonderfull quality carving (see finely incised petals texture) carved, very beautiful warm patina. Signed GYOKUSEKI on the bottom - there is Gyokuseki listed on p. 428 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick, but this is much better quality carving than his usual work, probably a different carver with the same name. Length 2 inches.