Matching pair of gilt hand carved wooden disciples. Good condition. Size: H. 5" (14 cm.) x W. 3.5" (9 cm.) x D. 3.5" (9 cm.). Origin: Burma

Japanese incense box in the form of a flattened drum with realistic wood grain pattern in gold flake togidashi maki-e lacquer and high relief lacquer to resemble iron studs along the sides. The top of the box is done in low-relief maki-e gold lacquer with the image of a mother hen and father rooster pecking for food with their three infant chicks. The crest and waddle of each rooster are done with touches of red lacquer. The interior box and bottom are done in dense nashiji lacquer gold flakes...

Height: 2.4 cm (1 in)
Width: 4.2 cm (1.6 in)

This antler horn nestuke, carved from the antler base, represents a clam shell resting on a decorated circular base. The underside has been carved to show a temple scene located near the sea. This piece is in excellent condition with no chips, cracks or restoration.

This 19th century ivory carving of a young woman wearing a straw hat and holding a fish is 11” high (13 1/2” high with hardwood base), 2 ¾” wide and 2” thick. This young woman is the central figure in a well-known Chinese opera called “The Fisherman’s Revenge” (Da Yu Sha Jia). The story concerns an old fisherman was threatened by a ruthless provincial governor. The governor insisted that the fisherman marry off his beautiful daughter to become the governor’s concubine...

The pair of mid 19th century carved ivory emperor and empress are 14”~15” high, 3”~3 ½” wide and 2 ½” thick. The emperor’s right hand holds a pagoda; his left hand carries a long sword. Two small long tailed birds and a flower plant are placed in front of him. The empress’s right hand holds a flower basket; her left hand carries a tassel. A large phoenix sitting on a garden rock is beside her...

A set of 6 graduated Mythical HINTHA BIRD OPIUM WEIGHTS, Burma, 18/19th Century. The tallest one measures 4.5" high (11 cm.).

Burmese alabaster Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base, with inlay of glass pieces on the headband.

Age: Burma, Mandalay Period, 19th Century
Size: Height 41.6 C.M. / Width 33.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

19th century marine material ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape carved in medium relief with a figure of seated Hotei leaning on his huge bag with gifts as he watches 2 boys at play. Hotei was a historical Chinese monk allegedly living in Wuyue kingdom in the 10th century and known for his jolly nature and love of children, he is considered to be an incarnation of Buddha Maitreya - the Buddha of the Future...

19th century staghorn ojime (slide bead for tightening the cord going from netsuke to inro) carved as a smooth clam shell. Good design, shunga connotation as almost inevitable with clam in Japanese art, nice patina on the surface, natural imperfections in staghorn, overall in very good condition. Length 13/16 inches.

Tibetan Wooden Buddhist Mahakala mask (Shaman Exorcism Mask Yama God of Death).

Age: Tibet, 19th Century
Size: Height 33.8 C.M. / Width 25.5 C.M. / Thickness 16 C.M.
Size including stand: Height 69.3 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

One precious olive stone carving was depicted as a topic of Martial King Guamgong and his Qitu horse.
It is in good patina and preserved in perfect condition without any defects.
The excellent manual craftsmanship convinced us that it was a piece of art originated from good date.

Height: 3.1cm.

Date: 18/19th centuries, Qing Dynasty.

A pair of Burmese wooden disciples seated on the base, with gilded gold.

Age: Burma, Mandalay Period, 19th Century
Measurement: Height 32 - 32.3 C.M. / Width 16.3 - 16.7 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Humorous blue and white porcelain netsuke depicting a recumbent Chinese boy with movable biscuit porcelain tongue. The base unglazed and with two himotoshi. Condition: fine, only two short firing cracks. Dimension: 7.7 cm x 3.5 cm wide.

19th century boxwood netsuke of a baby boy crawling on his hands and knees, wearing a bib tied on his back. Excellent rendition of body and limbs showing baby fat, great face, hair knots are inlaid with dark horn. Very beautiful warm brown staining, pleasant patina, overall in excellent condition. Length 1 13/16 inches.

Antique carved wood netsuke; of a bearded figure holding money, of Meiji period. Size; Height of carving is 1.5 inches, no condition issues noted.

19th century Japanese iron mae-kanagu (tobacco pouch clasp fitting) depicting a scene of a samurai procession performed by six rats in different attitudes. Iron is notoriously difficult to work with. Excellent design, funny topic, superb crisp detailing, gilding to the eyes. Length 2 1/8 inches.

Antique Japanese craftsman's block. Made of keyaki (elm) wood and carved with two fan-shaped handles. Thought the term dai usually refers to plane blocks, this block also functioned as an important tool or surface for a serious artisan. It is unusual in that it is carved with a rectangular opening on the underside, a customization possibly to help hold it in place while in use.

Age: Meiji Period (1868-1912)

Dimensions: 8" high x 7" wide x 10 3/4" long

19th century netsuke carved as a Chinese sage holding an oni mask in his hands, and a little boy seated by his feet. Wonderful carving, excellent faces, superb staining, graceful flow of their robes and delicately incised textile patterns. Wonderful warm yellow patina, very pleasant finish to the surface, old age lines. Signed NAOMITSU in irregular reserve on the back - the artist is listed on p. 822 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick...