Chinese painted pottery court man wearing tunic, with red, black and white pigments remaining.
Age: China, Northern Qi Dynasty, A.D. 550-577
Measurement: Height 25 C.M. / Width 6.5 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details...
Chinese painted pottery warrior wearing tunic and holding shield, with red, black and white pigments remaining.
Age: China, Northern Qi Dynasty, A.D. 550-577
Measurement: Height 27 C.M. / Width 8 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details...
Chinese painted pottery warrior wearing hat and tunic, with red, black and white pigments remaining.
Age: China, Northern Qi Dynasty, A.D. 550-577
Measurement: Height 23.3-23.3 C.M. / Width 6.6-6.6 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details...
Burmese wooden textile tool with bird design.
Age: Burma, 19th Century
Measurement: Height 20.1 C.M. / Width 6.2 C.M. (size excluding stand)
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
Burmese wooden textile tool with bird design.
Age: Burma, 19th Century
Measurement: Height 11.6 C.M. / Width 16 C.M. (size excluding stand)
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
Antique Japanese 2-section futon tansu, made with chestnut wood frame, keyaki (elm) wood drawers and slider panels, sugi (cryptomeria) wood interior, iron hardware, top section has been converted into an entertainment center with shelves for components (can be removed if desired), small safe box compartment with key and two small drawers inside, Meiji Period (1868-1912). Size: 68" high x 68" wide x 30" deep.
This absolutely charming pair of baby booties is from the late Qing dynasty. They are made of silk satin ivory colored fabric and have a large satin stitched butterfly on each side. The front of the booties have an appliqued butterfly with tassles and pompoms. They are in pristine condition with the exception of the one missing pompom on one bootie.
This Japanese Meiji period 6 sided porcelain chocolate pot was made for export to the Western markets. The chocolate pot has a lovely traditional Japanese scene which was hand painted, with bits of moriage detail. Excellent condition, no chips, no cracks, pot is 9.5 inches tall. There are 3 matching cups and saucers will be listed separately.
Dated by McKinley Tariff Act requiring name of country of origin to be permanently engraved (stamped) or imprinted into a piece.
From our Shipwreck Ceramics Collection, a charming blanc de chine Guanyin from the Vung Tau Shipwreck circa 1690-1700 (Kangxi Period), one of only 30 ever recovered from this wreck and in this sense quite rare. The Vung Tau Shipwreck refers to a cargo ship of Chinese ceramics that sank in the waters of the Can Doa Islands, nearby to Vung Tao Vietnam between 1690 and 1700, where it had briefly stopped to re-supply on its way to Batavia (Jakarta Indonesia)...
There are two possibilities. Either this very nice Earthenware Jar with a molded - impressed decoration and glazed with an Sancai glaze is from the Tang Dynasty ( 618 - 906 ) and from Henan or Shaanxi ( Sancai). Or it is a piece from the Liao Dynasty ( 916 - 1125 ) Liaoning ( Sancai )...
19th century Korean plaque of a tiger hand carved and painted with red and gold gilt pigments. Dates Joseon dynasty. Condition is good except some old wood loss to the inner paw area. It measures about 8" x 7 inches.
Antique Korean Ideograph Panel painted in sumie ink and reddish mineral pigments. Depicting one of the four virtues of Confucian morality; Benevolence, Duty, Honor, and Humility. Charmingly rendered as folk drawing with bird and house with stylized character. Overall size: 18.75"W x 36.75"H, picture size: 12"W x 27.75"H. Chosun Dynasty, 19th century.
Antique Korean Ideograph Panel painted in sumie ink and reddish mineral pigment. Depicting one of the four virtues of Confucian morality; Benevolence, Duty, Honor and Humility. Charming folk drawing with birds and flowers and stylized character. Overall size: 18.75"W x 36.75"H, picture size: 11"W x 27.75"H. Chosun Dynasty, 19th century.
A very attractive octagonal famille rose "deer" plate. Showing two deers and a bird in a flower landscape. The center surrounded with four beautiful flower sprays. Condition: Normal condition. The plat has a hairline in the center of the plate. And the rim has one larger chip. Further no restorations. Measurement: diameter 21.5 cm = 8.5 in
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Nepalese Mask of a Humla Aesthete with a Thorja Topknot. 11 inches, 28 cm. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.
Nepalese Magar Tribe Mask with a Vagina and an Inscription in the forehead, and a Penis Nose. 9.5 inches, 24 cm. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.
Nepalese Terai Region Maiden Mask, 10.25 inches, 26 cm. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.
This is an old silk satin obi in maru obi style (design runs on both sides from one end to the other). This obi was probably made from a uchikake gown. It is very soft and feather light with soft padding inside. The padding is wrapped with floss silk inside to keep the soft material and padding intact - you need many years of experience...
