Museum piece. Inscripted on the bell are two dates: Kiei 4 (ca. 1851) and Meiji 28 (Ca. 1895) along with donor names. We are not sure why there are two dates. Also written,it is from Gyoshin-ji Temple in Omi no Kuni which is the Edo Period Ca. (1614-1868) name for present day Shiga Prefecture next to Kyoto. Also written is "prayers for peace donor group founded by Kuzan Gyoin, a monk. Excellent condition and sound. 21" tall x 12" in diameter. Ask for shipping quote.

1900's Chinese Pewter Brass Incense Clock Censer Marked in Crescent Moon Shaped

It is 1.47 inches (3.75 cm) tall by 4.1 inches (10.5 cm) wide. It is 0.5 lb.

It is tarnished and has oxidation, stains, bent at the bottom, cut marks, and surface wear and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

Rare gilt bronze pendant, of circular form, with a finely embossed decoration representing a soldier beating a seated man with a whip, the whole scene surrounded by geometric design. Small cylindrical loop for attachement to a necklace. Nice patina. Bactrian Civilisation, ca. 500 BC. Diameter: 9.3 cm. Very good condition. NOTE: we offer for sale another Bactrian Civilisation gilt bronze pendant which bears number 1-1376.

A Japanese totai cloisonne (on ceramic body) bottle vase. Blue, white, rose, green, red and yellow enamel decoration of flowers. A silver rim encasement original to the vase. Good condition. Height: 5 inches

Burmese bronze Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Shan Period, 17th Century
Size: Height 26.3 C.M. / Width 12.7 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Rare seated figure with writing tablets folded open on the lap. The writing right hand rests on the tablet, which is held with the other. The small face with a prominent nose, the eyes and the mouth indistinct and originally painted. Curls frame the forehead and braids fall along the neck.
The figure wears a skin-tight tunic that might have been originally painted. The edge of a cloak covers the lower chest...

Elegant black-glazed pelike of globular body, incurving neck and flared rim. Band handles to the sides. Standing on an evert foot.
Covered with a dull glaze, area around the foot reserved.
For a smaller example with similar glaze, cf. inv. no. 66.072 in the RISD Museum database.
Ceramic
Apulian, late 4th Century BC
H. 14.4 cm (5.7 in)
Intact and fine...

Native Apulian jug of rounded body, trefoil shaped mouth and strap handle.
Top of the mouth and of the handle dipped into red-brown glaze. Four small bands around the belly. Standing on a flat base.
Ceramic
Apulian, Messapian, 450-400 BC
H. to rim 15.8 cm (6.2 in)
Intact and fine. Soil deposits.
Swiss private collection, acquired in September 2010.

The authenticity of the item is unconditionally guaranteed.

Native Apulian jug of globular body with everted rim and strap handle.
Red-brown glaze on the inside of the rim, several bands around the belly, short strokes on the outside of the handle. Standing on a flat disk base.
Ceramic
Apulian, Messapian, 450-400 BC
H. to rim 10.3 cm (4.1 in)
H. to handle 11.8 cm (4.6 in)
Intact and fine...

Native Apulian jug of globular body, everted rim and strap handles.
Plain ceramic, standing on a flat disk base.
Ceramic
Apulian, 3rd century BC
H. 12.3 cm (4.8 in)
Intact and fine. Soil deposits in places.
Swiss private collection, acquired in September 2010.

The authenticity of the item is unconditionally guaranteed.

Native Apulian single-handled jug of globular body, tapering neck and everted rim.
Remains of a brown glaze, standing on a flat base.
Ceramic
Apulian, 3rd century BC
12.5 cm (4.9 in)
Handle restored, glaze worn. Soil deposits in places.
Swiss private collection.

The authenticity of the item is unconditionally guaranteed.

Burmese bronze Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Shan Period, 16th Century
Size: Height 21.8 C.M. / Width 13.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese bronze Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Shan Period, 17th Century
Size: Height 20.3 C.M. / Width 9.2 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by a branch kiln known as Tamamizu—started by the illegitimate son of the potter Ichinyū, whose work we see here. Approximately 350 years old, this piece displays a beautiful red glaze and has a shape known as “tsutsu” with high walls and a slender form making it ideal for keeping in heat during the cold winter months...

Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl is one of just two I have seen appear on the Japanese art market over the years. The previous bowl also listed on our site had a large portion reconstructed with a gold repair. This piece meanwhile is entirely intact and even has its original box...

Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens...

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics...

Statue, made of glass, representing Buddha Amithaba_ sitting cross-legged on an elevated lotus throne, his head backed by a lotus aureola, both hands holding a vase containing the nectar of immortality in his lap. China, early 19th century. Height: 10.1 cm. Very good condition.