Mask of the "Nuo" esoteric theater representing the character of Master Jiang, a respected professor. Polychrome wood, with animal hair under the nose and around the chin to represent mustache and beard. China, early 19th century. Height: 9 3/8" (24 cm). The mask is nicely mounted on a custom metal stand. Very good condition. Publications: "Le Masque de Chine" by Yves Crehalet Actes Sud Publisher, France, 2007 (p. 148).

Jûbako picnic box made of paulownia wood and shaped like a paulownia flower. It is composed of three compartments with the interior in red lacquer.

With its original box with several inscriptions, included the datation "- 2nd year of Kaei era", namely 1848

Paulownia (kiri) is considered as a symbol of nobility, honor and longevity...

A Kutani “Yoshidaya Revival” dish, early 19th century.

The Yoshidaya kiln was a short-lived venture, situated in Yamashiro, intended to revive earlier Kutani-style wares. The founding investor was Toyota Denuemon IV (aka Sekio, lived 1751-1827), a businessman who used the professional name Yoshidaya. He chose not to situate his kiln in Kutani because of the site's remote location, but his wares emulate the earlier Kutani wares in a variety of ways...

This is nice and large Shou bowl dated to Kangxi (1662-1772) period. The Shou bowl stand on a short footrim, with recess based and then everted upwards. The base has a hand painted private kiln seal mark that can be dated to the Kangxi period. Both on the outside and cavetto of the shou bowl, it is surrounded with tibetan scripts. In the center of bowl, it has a large charatecr of Shou surrounded by a circle of ruyi and within a star...

A Rare Pair of Large Chinese Blue and White Thai Market Covered Bowls. Each with rice grain decoration and various blue and white borders. Chinese probably E19thC. Height 7" (17.7 cm). Condition, one bowl has two cracks sealed, the other has one crack sealed. One cover has a crack sealed and a small chip filled

Rare and Fine Japanese Edo Period Musha Ningyo for the Boy's Day display, depicting the celebrated tea master and political adviser Sen no Rikyu (1522-1591), in a kneeling position wearing rich silk brocades. He is displayed in front of a beautiful and elegant wood and silk screen with four continuing panels of a dragon flying in the clouds and chasing the magic pearl of immortality...

This is one of the best Shounai-Noren used in Shonai, Yamagata area for Edo period. As for the hemp of this item, a delicate thread spun by hand is used. The pattern is full of Chadougu which was popular in Shikoku. Chadougu is an instrument used at tea ceremony. The Chadougu design reached shounai by a goods-carrying merchant ship. The artist Fujita displayed cloth full of Chadougu in the atelier of Japan. There was the picture near a great painter without sense of incongruity...

A large sometsuke style bowl of auspicious Yuanbao form imitating the form of a boat shaped gold ingot decorated in underglaze blue with an elaborate lappet border to the base incorporating Pomegranate and Lotus motifs and a variety of geometric and contrasting karakusa patterns to the narrow border to the rim, repeated both to the interior and the exterior...

A fine quality Kameyama-yaki auspicious Peach form, momogata, bowl delicately and painstakingly painted in the Chinese Literati style with Sansui scene for which the Kameyama kiln was renowned. The reverse decorated with auspicious Lotus motifs to the reverse and a small seal mark for the Kameyama kiln. A similar moulded dish with sprig decoration to the rim is in the Metropolitan Museum of Art New York (Accession number 93.3.453 and there dated 1820)...

Statue of a taoist dignitary, in formal attire, standing with a martial posture on an elevated base. Votive box still closed at the back. Wood, with remnants of superimposed layers of polychrome and gold painting. China, 19th century. Height: 13 " (32,5 cm). Left hand partly chipped, old insect infestation (no more danger), otherwise good condition.

An eight-sided vase very finely decorated with famille rose / fencai enamels. This item was made in China, during the reign of the Jiaqing emperor (1795-1820). Condition - excellent - no damages and no restoration. 31.4cm (12.3inches) high...

Porcelain vase of bulbous body and elongated neck, with a hand painted decor in blue over a white background representing a phoenix in clouds. China, Qing Dynasty, early 19th century or earlier. Height: 18,4 cm. Tiny chips around the rim and base, otherwise very good condition.

Qing 18th century blue and white buffalo doll water droper. this item is similar item found from Tek Sing cargo. very good conditions. 8,5cm wide. 3cm high.

A Rare Pale Green Fitzhugh Large Plate. Decorated with the typical pattern using a more unusual paler green enamel. Highlighted with gilding. Chinese C1825. Diameter; 25.0 cm. Condition; excellent, there is a shallow chip/frit 1.0 cm to the rim.

A beautiful Chinese Qing dynasty underglaze blue and white figure of a mother holding her baby. Ht. 20cm. Condition: no chip, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platform, please ask before ordering.

Small statue of a Zen master, in monk's robes, in praying posture, sitting cross-legged on an elevated rectangular platform. Lacquered and gilt wood. Japan, 19th century. Height: 4 6/8" (12 cm). Lacquering and gilding flaked in some areas, otherwise very good condition. NOTE: the statue may represent Nichiren-shonin (most probably), or Kobo-daishi, but we have not been able to identify it precisely.

This is Asamai-sibori of the Akita area of the Edo era. It is dyed with an indigo plant of nature. This is good-quality thick cotton spun by hand. This is woven with a good-quality cotton thread spun in the country. The feel is good, and it is comfortable to eyes. A technique of good Shibori was introduced into the Asamai district from the Narumi district late in the Edo era. This is an expression method of early Asamai-Shibori. It is the simplest expression method of good-quality Shibori...

Edo Period Early 19th Century Japanese Gold Lacquered Box. An extraordinary master work inspired by the Rimpa style of Ogata Korin. This stunning box features a pair of Peacocks by a stream with auspicious Flowers and Butterflies rendered in high relief of gold lacquer and accents of mother of pearl. The beautifully rendered auspicious motif continues in the interior of this magnificent work of art. 16 x 12 x 5 inches, 40.5 x 30.5 x 12.5 cm. Excellent Condition.