Antique wooden monk with alms bowl, fine goldleaf patina, from Mandalay-Burma, 19th Century, hand carved single/solid piece of wood with special original Lotus Flower Base, good condition, size: H. 61cm x W. 20.5cm (tip/end of robe to tip/end of robe) x D. 15cm

Burmese wooden Buddha standing on a lotus pedestal, with lacquered, gilding and inlay of colorful glass pieces on the headband and borders of the robe.

Age: Burma, Mandalay Period, 19th Century
Size: Height 58.3 C.M. / Width 28 C.M.
Height including stand: 70.4 C.M.
Condition: Nice condition overall (some expected degradation due to its age including old wears). Please refer to the enlargement photos for more details...

A Leaf from the album “Keinen Kacho Gafu” issued 1892

Published by Unsodo Co., title and printer’s name on left margin, very good impression and color, margins somewhat trimmed, light soiling, slight creasing in margins and wear to two corners, dated in Arabic numerals for export

Overall size: 9 ½ x 14 ½ in.

Length:19.7 cm (8 in)
Width: 19.7 cm (8 in)
Height: 1.3 cm (0.6 in)

Chinese porcelain set of ‘lazy susan’ dishes; lotus scroll and flower decoration; minor frits; good condition

Antique Japanese woodblock triptych print of a large samurai battle scene by the artist, Yoshitora Utagawa. Active during the late 19th century, Yoshitora Utagawa was best known for his dynamic battle scenes as well as prints of samurai, firemen, kabuki actors, beautiful women and foreigners. He was born in Edo but the exact year of his birth and death are unknown. He studied with the great print artist, Kuniyoshi Utagawa but later left his school and changed his name to Mosai...

19th century Chinese scholar wooden brush rest in a shape of a mountain range with soaring peaks. Hardly any carving, perfectly captures the energy of the mountains. Three carved characters on the bottom that can be translated as WOOD & STONE RETREAT. Beautiful patina, traces of ink on sides and bottom, excellent austere object for a scholar’s desk. Length 3.04 inches, height 1.5 inches.

19th century Chinese Peking glass bangle bracelet for a small child of classical shape made out of transparent red glass. Nice color, beautiful bubbles inside the material typical for the period. Beautiful patina and slight wear to the surface, overall in excellent condition. Inner diameter 48 mm (1 7/8 inches), outer diameter 2 3/8 inches. Part of a small Massachusetts collection of Peking glass.

DESCRIPTION: In Japanese lore, there are countless tales about the mischievous Tanuki, a real animal native to Japan. Masked like a raccoon but big and stocky like a badger, they are said to have supernatural powers to transform into any living or inanimate shape. Often they assume the form of a monk, as our Tanuki does here. This Tanuki okimono is hand crafted from a single piece of wood in the best of Mingei traditions...

An antique Japanese large Jizai (hearth hook) used above an Irori (fire hearth) and hung beneath the house rafter to support a rope and hook or a Jizai Kagi (adjustable hook) to hold a kettle or large teapot above the burning charcoal. Carved from one solid piece of Keyaki (Zelkova) wood, this sculpture epitomizes the true feeling of the Japanese word Mingei (folk art)...

Antique betel nut box from the Philippines, composed of brass and nickel, with separate hinged compartments for the storage of various implements. The leftmost compartment is built up with slaked lime, which releases the alkaloids in the betel nut. The practice of betel nut chewing is common in many parts of South Asia. Slices of the areca nut would be wrapped in betel leaves and chewed, giving a mild stimulant effect.

19th century

Dimensions: 7: x 3" x 3 1/4"

Porcelain vase. Decor of dragons chasing the sacred pearl, painted in underglaze cobalt blue. The ground is covered with an ochre-greenish enamel. Vietnamese work from the 19th century or before? The vase is very broken as shown in the photos. The broken neck has been replaced by a silver neck on which a stopper has been placed. Height: 24cm.

A tiger sits tensed on a pine tree. The fearsome advance of the beast is suggested by the powerfully hunched shoulders, the placing of its feet, which all emphasize the animal's size and strength. Painted with ink on silk. The signature reads Ganryo and sealed. Kishi Ganryo (1798-1852) was a Kyoto based painter active during late Edo period, 19th century. He was trained under Kishi Ganku, who was a noted Japanese painter of the late Edo period and founder of the Kishi school of painting...

Antique Tibetan carved wooden phurba, a ritualistic Vajrayana Buddhist implement, depicting Nagas or snakes on the blade. Nagas are the entities in nature that associated with illnesses. The entwining serpents are a symbol of medicine and healing. The deity handle, mirroring the three-edges of the blade has three deity faces. Typically, one might be wrathful, one peaceful and one joyful representing Body, Speech and Mind.

Dimensions: 11 1/2" L x 2" W

Small, sturdy platter, called ishizara, used as kitchen ware. Gray stoneware decorated with underglaze iron black and cobalt blue tama (sacred jewels) and characters, covered by a creamy, yellowish translucent and finely crackled glaze. Five spurmarks. Mingei.

Seto region, Japan, Edo period, 1800-1850

H 2 x Diam 10.5 in.

Several knicks and chips esp. on the rim edges and a short, old crack commensurate with age and heavy usage...

Burmese buffalo horn musical instrument in Burma.

Age: Burma, Mandalay Period, 19th Century
Measurment: Height 42.5 C.M. / Width 13.3 C.M. (size excluding stand)
Condition: Nice condition overall (some expected degradation due to Its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Spectacular Toyokuni Tryptich c.1850 of 3 samurai guards of an imperial palanquin. Colors and facial expressions of these Kabuki actors superb. Excellent condition and framed. No urauchi. Publishers and all info. available. In our US warehouse. Ask for shipping quote.

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) featuring a beauty serving tea to another beauty who is resting in a palanquin smoking a pipe from Act 6 of "Chushingura e-kyodai" (Matching Pictures of Chushingura) dated 1859. "Chushingura" is also known as the "Tale of the Forty-seven Ronin." The censor's seal and the seal of the publisher, Moriya Jihei, are at the lower left portion of the print...

19th century Chinese bronze brush rest / scroll weight in a form of two reishi fungus (the Fungus of Immortality) heads with stems. Wonderful clever design and casting, pleasantly heavy, beautiful patina, old collection number on the underside. Excellent piece in scholar’a taste. Length 3.13 inches.