Jizo is one of the most beloved Buddhist Boddhisatva in Japan as a guardian of children and travellers. Sado Island in Niigata Prefecture was once ringed with Jizo statues, and its granite quarries made it a center of religious statue production and sales. This Jizo holds his hands in front of his chest in prayer, or in the traditional Indian greeting of "namaste." His face is well worn from the elements and time, but a faint smile seems to grace his lips. H.25cm(10") x W.13cm(5").

Jizo is of one of the most beloved of Buddhist Boddhisatvas in Japan as a guardian of children and travellers. Sado Island in Niigata Prefecture was once ringed with Jizo statues, and the granite there made it a center of religious sculpture production and sales. This Jizo hails from Sado and holds a lotus leaf in his right hand and a "tama" or Buddhist ball of wisdom in his left. His face is well worn from the elements and time. H.24cm(10") x W.17cm(6.75").

Onigawara, Roof Tile End Caps, of fired clay with motifs of Daikoku's Hammer and Tama, the Buddhist Jewel of Wisdom. H. 37cm(14.5") x W.56cm(22"0 x D.11cm(4.5"). Excellent condition from Meiji Era. The region of Ogi in west-central Japan was a well-known center of roof tile prodcution, and continues this trade today.

Sakiori, or "rag weave", was a necessity of many common people in old Japan, especially those of the NE Japan (Tohoku region) which was known for its harsh climate and living conditions. This item is a late Meiji piece from the region showing wonderful color combination, and sporting a few repair patches from its long life. L.144cm(56.5") x W.34cm(13.5").

Indigo dyed (aizome) cotton "yutan", or covering cloth, stencil dyed with family crest of pine boughs flanking a "koto bashira", the bridge of a koto musical instrument. L.150cm (59") x W.129cm (50"). Such textiles were commissioned for use as bridal dowry pieces and covered the items taken to the new bride's home. The family crest may have been that of the bride's or groom's family, or possibly a combination of the two, depending on the rank or status of the families...

Meiji Era futon-ji; indigo dyed cotton with tsutsugaki (free-hand drawn resist) image of the Three Friends of Winter: Pine, Bamboo, and Plum. L.150cm(59") x W.128cm(50"). Such bedding covers were given as part of a bride's dowry, commissioned with auspicious images or a family crest by the bride's family...

Imari ware bowls for serving small amounts of food were known as "kurowanka." These bowls feature a "sansui" land & sea scape scene in underglaze cobalt blue on a porcelain body. Each piece is in god condition with individual measurements of H.4cm X Dia.15cm.

Imari ware soba choko from the mid-Edo Period (1600-1868). Porcelain with underglaze cobalt blue painting of "houzuki" (Chinese lantern plant), a very unusual and delightful pattern among soba choko.H.5.5cm, Dia.8cm.

Sake flask from Tamba kilns in Hyogo Prefecture, early-mid Meiji Era. Characteristic reddish-brown glaze with black ladle drips around the neck. H. 24cm, Dia. 13cm.

Seto ware kneading bowl, or "konebachi" used in most Japanese households of the period. Characteristic warm yellow seto glaze with seiji (green) ladle drips to add accent to the rim. Height 15cm x Dia. 26.5cm. Minor glaze cracking inside the bowl.

Porcelain with underglaze cobalt blue Soba Choko, featuring a lovely land/seascape scene of mountains, willow tree, a hut, and the sea with boat sails and birds flying overhead. Average height 6cm, average diameter 7cm. Although soba choko are generally attributed to Arita kilns, by the late Edo-Early Meiji Period, they were also being made in Seto, as well as at kilns further north in Tohoku. These 5 cups all feature the same pattern and are all in good condition.

Early Meiji Era Soba Choko with landscape design painted in underglaze cobalt blue on porcelain. Average height of 6cm and average diameter of 7 cm. Though widely attributed to Arita kilns; by the late Edo and Early Meiji Periods, porcelain soba choko were also being made in Seto, as well as at kilns further north in Tohoku. This set of 5 features a typical land/seascape scene of a hut and the sea with a boat and birds flying overhead. All cups are in good condition featuring the same pattern.

A hanging scroll (kakejiku) attributed to Kano Masunobu (1823-1880) entitled "take suzume" (Bamboo and Sparrow) with Kiri (paulownia wood) box. Kano Masunobu, also known as Toun, was a member of the Kano School of painters who excelled in ink paintings (occasionally with the addition of pale tints) of landscapes and birds. The school's founder, Kano Masunobu (1423-1530,) was attached to the court of Shogun Yoshimasa. Scroll dimensions: H.90cm(35.25") x W.43cm(17")...

A striking example of a Bohemian Rococo Revival baluster goblet, with a high domed foot. The entire glass is engraved, with foliage, German writing, a crown, and the date "1876" on the bowl, foliage and writing on the foot, and foliage even on the knop. A true tour de force of decorative skill; 8 1/4" tall, 3 1/8" diameter bowl, 3 3/8" diameter foot

Chi Un-Yong (Pack Ryon) (1852-1935): A Poet sage under the Willow tree with Poem: His pen name is Pack Ryon. Hanging scroll, ink and color on silk, fine Japanese style mounting with silk brocade, 51” by 14”, signed Pack Ryon with three seals. It’s in fine condition except for few stain. Reference; Korean Art and Calligraphy by Han Moon-young, published in 2000.

A beautiful covered Bohemian goblet, with blue enameling, cutting, and engraved with roses and foliage, a true exhibition of decorative exuberance; 7 1/2" tall with cover, 5 5/8" tall without cover, 2 5/8" diameter bowl, 2 5/8" diameter foot

A large and truly magnificent glass from the South Germany area; an elongated round funnel bowl sits atop a stem with a central inverted baluster knop surrounded by 2 5-tier sets of merises; 2 other baluster knops and merise sets; a wide central band of elaborate foliate engraving surmounted by a band of engraved drapery devices and a series of arches below; the border of the foot is also engraved; 8 3/4" tall, 3 1/4" diameter bowl, 3 7/8" foot diameter

Ridgeway Reticulated Compote or Center Bowl, with Scrolled Rim and Foliate Scrolled Handles. Circa 1830-1840, in the "Helical" pattern. It is 10" wide and 10" wide and in excellent condition

A Pair of Vieux (Old) Paris Hand Painted Porcelain Figural Candlesticks Portraying a Pair of Young Lovers. From the Mid-19th Century. Dimensions; 7.5" high. Excellent condition.

Choson dynasty, 19th century This is one of a very rare example of a fine Choson dynasty’s blue and white dish, the wide and shallow dish is set on a high foot painted in blue underglaze in the well with a large longevity character “FU” within a double blue line, inscribed in underglaze blue with potter’s signature “Ahn” on the deep, recessed base. It is in fine condition with no damages at all. Measures: 9 5/8” and 2 ¼” high

This charming tea bowl is decorated with a Chinoiserie scene with three figures, one of them holding a bird. It dates from around 1775, and exemplifies the motifs that were so popular in that period. The interior has an iron-red border and sprig at the bottom of the bowl.

The bowl is 3 1/8" in diameter and 1 3/4" high. Condition is excellent, with no chips, cracks, restorations, etc...

From the latter half of the 19th century, this beautifully proportioned iron vane graced the spire of the United Baptist Church in Ellsworth, Maine. In 1933, a major fire swept through the town, burning many of the buildings, including the church. When the church was finally rebuilt, the council wanted a more modern look, and stored the vane in the basement, where it remained for the next 70 years or so...

In referring to certain types of pottery, "Leeds" and "featheredge" are both common misnomers. People think of certain types of Staffordshire pottery as being Leeds while in actuality only a small portion was made by that factory.

Further, to be completely accurate, this platter is really what is known as "shell-edge", as opposed to featheredge. It is pearlware, made around 1810, and is an extremely large 17 3/4" by 13 1/4" in size...

This quilt is made out of an old Japanese nobori banner probably from the Meiji period (1868-1912). The upper part of the banner, where the family crest (Mon) is dyed, was used for the border and two figures were sewn together side by side. The brown fabrics on each side of the design are the reverse side of an old obi sash. All hand-sewn except for the straight line where the panels were put together...

Imari ware porcelain soba choko (soba noodle dipping cups) from the mid-Edo Period (1600-1868.) H.5.5cm(2.2") Dia.7cm(2.6".) This pair features underglaze cobalt blue pattern with two of the three friends of winter; pine and plum (the other being bamboo,) front and back of each cup. Abbreviated brushstrokes give these cups an aesthetic of simple beauty. Soba choko were initially used for small morsels of food, much like mukozuke or ko-zara are used in today's presentation of Japanese cuisine...

Toushin (wick) zara (plate) held a small amount of oil with a coiled wick, and was usually set in some sort of lamp arrangement. These were used until the advent of glass and other lamps. This example of fine folk pottery is from central Japan, likely Mino ware, produced during the Edo (1600-1868) Era. The top side has a warm yellow glaze, and the underside is unglazed. H. 1.5cm (0.6") Dia.10cm (4".)

Tea leaf storage jars used in Japan like this were produced in and out of Japan from about the 15th century onwards. I wish I could say that this is one of the famous Muromachi Era "nanban" wares from the Phillipines or Southern China that are so prized by Japanese tea ware collectors, but it is one of the replica items made up through the Meiji Era in Seto, Japan. Still, the Japanese kept the traditional shape and produced many fine chatsubo in their own right...

A rich black glaze covers this Kasama-yaki jar from the late 19th C. It is in the shape of a "natsume," a tea powder caddy used in the tea ceremony. H.21.5cm (8.5") Body Dia.16cm (6.25".) Kasama wares currently do not enjoy the fame of pots from nearby Mashiko. But Kasama, in neighboring Ibaraki Prefecture about 30 minutes away by car, preceeded Mashiko in being a ceramic production center by nearly a century, and had a hand in training the early Mashiko potters...

An antique flask much like a tokkuri used for transporting sake, the "abura" (oil) "dokkuri" (flask) was used to transport oil products. H.27cm (10.5"), Body Dia.16cm (6.25".) This one is from the old Echigo (present-day Niigata Prefecture) which had stores of oil used for heating and lighting that were shipped up the Japan Sea coast north to Hokkaido. This example is wonderfully pitted with oil over a white glaze, produced at one of the no longer existent folk kilns of the Echigo region...

A late Edo - early Meiji tokkuri (sake flask) from the Hokuriku (central west coast) of Japan...

Sake Flask, "tokkuri," Meiji Era (1868-1912) from Mashiko, Tochigi Prefecture. H.10", Body Dia.6". This early Mashiko ware shows the "tobi kanna" technique of chatter marking around the body. In Meiji-era Mashiko, this patterned flask was called a "matsu-kawa-tokkuri" (pine-skin-tokkuri.) A rich, dark brown glaze decorates the neck. Similar wares were also produced around the same time in Fukushima Prefecture. Today, chatter marked wares, such as plates from Onta (Oita Prefecture) are the proba...

This water jar, "mizugame," stands 60cm (23.5") high with a mouth diameter of 55cm (21.5".) The rich brown glaze is decorated front and back with freely poured ladle splashes of black slip. A band of 5 incised lines runs about 7cm below the rim of the jar. The decoration is similar to Tamba wares at first glance, but a look at the unglazed bottom reveals not the red clay of Tamba, but a yellowish-light brown clay from Seto or elsewhere. Water Jars like this one were a standard object outside of...

This is one of three Edwardian sterling souvenir spoons, each with London hallmarks and makers’ mark for Wakley and Wheeler; two are date stamped 1913, the third, 1915; each richly cast with rope-twist and foliate handles with heraldic shield terminals engraved "B&H" and "I.R.C." Condition: very good, bowls have some surface scratches, hallmarks crisp and clear. Measurement: 4 _ in long.

This is a small and charming child's gameboard, measuring 13 3/4" long by 10 3/4" wide by 3/4" thick. It was found in Vermont, and most likely originated there. It is made of maple, with bread-boarded ends, affixed with square nails. The dry paint surface, with its red and black checkerboard, outlined with green stripes, is in superb condition, with no overpainting or areas of loss. The wood itself is in excellent shape, with 2 minor age cracks, and a knothole in the back which fell out. The b...

An American Hand Wrought Iron Candle Stand on a Tripod Base. Brown paint. Circa 1890-1915. Dimensions; 50" high x 20" deep x 13" wide. Very good condition.

A striking quilt in a deep red and black. Most importantly the quilt has, stitched on its reverse, "Sarah amd Anne Hoit, Burlington, VT 1838". It also has, stitched at a later time, "A Present to O. Sherman 1881". It is very uncommon to find a quilt, especially such an early one, with such complete information as to the maker, place and date. The piece is approximately 82" square, with the cutouts being 16" square.

Overall condition is not bad, but there is some surface wear, and some scatte...

A stunning pair of elaborately metal-worked brass candlesticks in superb condition with removable bobeches. 9 3/4" tall

One of the largest and best tinsel paintings we have seen, depicting a large urn of various flowers, with other blooms scattered about; original frame; 28" by 24"

Most tinsel paintings have suffered a fair amount of paint lifting or loss, whereas this example only has a few spots of very minor age loss in a couple of small areas in the white background, making the overall condition excellent

A reverse painted tinsel painting, unusual for its combination of geometric and floral elements, and for its forceful colors; period gilded frame; sight size 9 1/2" by 7 1/2"; framed size 12 1/2" by 10 5/8"

An extremely fine set of 6 antique wine glasses, double series opaque twist (DSOT). Rare because of the triple knop and the fact that it is a true set of 6. Round funnel bowls. 6 3/8 inches tall, 2 7/8 inch diameter foot, 2 5/8 inch diameter bowl

A single series air twist (SSAT) stem, much less common than the normal multiple spiral air twist (MSAT); a pleasing glass with a trumpet bowl; 7" tall, 3.3" diameter foot, 3.1" diameter bowl

A multiple spiral air twist (MSAT) glass with an uncommon waisted bucket bowl and a shoulder knop; 6.3" tall, 2.6" foot diameter, 2.4" bowl diameter

A tall and beautifully proportioned Newcastle baluster, but not a Newcastle Light Baluster, as this glass dates about 15 years before the NLB were widely available; stem with well developed shoulder, central, and basal knops; pointed round funnel bowl with engraved foliate band with two birds; 8.3" height, 3.3" bowl diameter, 3.6" foot diameter

Pair of mustard yellow Peking glass vases. flared mouth with straight neck baluster-shaped. Early 20th century. Good condition. Size: 8-7/8" high, 3-1/2" wide.

A charming scene showing classical ruins; great detail and contrast in the sky; great period frame; sight size 20 1/4" by 14 7/8", framed size 26 1/2" by 21"

An exceptional American gameboard with a red wash and black painted decoration; compartments at each end for the game pieces; construction is pine with breadboarded ends and wrought nails; condition is excellent with all original surface; one small portion of a breadboarded end has been replaced at some point long ago; 30" by 17 3/4"

Boards of this type (non 8 x 8 squares) are often commonly and mistakenly called checkerboards. In reality, they are boards for the game of "draughts", which evol...

A large (15 1/4" by 12") blue and white Staffordshire platter in the "Lakes of Killarney" pattern, maker unknown; beautifully bright and crisp (what appears to be a darkness on the platter in the photo is due to a lighting problem)

A wine rinser, or washer, in a deep Bristol green color; unusual in that it is the single-lipped form as opposed to the normal type with two lips; 3 1/2" tall, 4 1/2" diameter

A pair of Imari ware soba choko (soba noodle dipping cups) from the mid-Edo Period (1600-1868,) porcelain with underglaze cobalt blue painted design of "tampopo" (dandelion) and "cho cho" (butterflies.) H.6cm, Dia. 8.5cm. Each cup has the dandelion pattern on front, and butterflies on back. The painting on these cups is wonderfully playful, and a fine example of the stylized brushstrokes of mingei (folk) wares. The pattern of dandelion (or thistle?) and butterflies is unique, and I have yet to s...

A pale vaseline glass miniature or crocus vase on a stemmed base; 4 1/2" tall

A wonderful PA or New England document box inlaid with various woods and elaborately painted with stars, squares, circles, etc. All original, including surface; truly minor nicks and wear; 12" by 7" by 4 1/4".

This actual box is illustrated in the book "19th Century Wooden Boxes", by Arene Burgess

A true set of beautiful Irish wine rinsers or washers with comb fluting in an extremely uncommon oval shape, comb-fluted; bearing the label of DM & P Manheim, an old time, well-known and respected New York City dealer. 3 1/2" tall, 4 1/2" diameter

Gilt Chinoserie decoration on a deep blue ground; 2 5/8" tall by 2 5/8" diameter; very, very minimal gilt rubbing in a few spots at the bottom, of much less import than the photos indicate

A walnut bracket and shelf intricately carved with a panoply of Masonic symbols. The shelf portion itself folds flat against the back bracket, and is supported by a swing-out brace.

Pencilled writing on the back of this item says that it was purchased in 1938 and was believed to be over 100 years old then, which is probably about 25 years on the optimistic side. The shelf has been shellaced or varnished; 19" high, 10 1/2" wide, 6" deep.

Exceptional in so many ways, including its age, its baluster form, its height of 8 1/4", and its beautiful deep cobalt blue color

A fine oil on board of Isaac Henderson, attributed to Giddings Hyde Ballou. Ballou was a highly regarded itinerant painter, born in CT, who did a good portion of his work in the Cape Cod area. Documentation relating to his work is provided with this painting.

Sight size 15" by 12"

A large, decorated, Navajo coil basket; 13 1/2" diameter, 4" tall Excellent condition with no flaws.

Two sided pine game board with strong graphics and vibrant colors, displaying an unusual variant of the common structure of parcheesi. A checkers board is on the reverse side.

All original paint, original metal corners, overall excellent condition with a minor scratch on one side, and a wood chip in the top right on the reverse side. 23" by 23"

An unusual balustroid short cordial (rarer than a standard wine) glass with a round funnel bowl; an annular knop under the bowl, a central annulated knop above a hollow stem section, and a basal knop; 5.2" tall

A beautiful cordial glass with an ogee bowl engraved with stylized flowers and foliage; rare helmet (high dome) foot; DSOT stem; 6.7" tall