Bronze incense burner in form of Foo Lion or Dog, with removable head. Measures 6 1/4" high, 4" wide, and 2 3/4" wide. An early bronze, dates to early Qing and possibly late Ming. Dark patina, with much oxidation and variation in color to surface...

Chinese Qing dynasty stem cup with everted rim decorated around the exterior of the cup with two faintly incised green five-clawed dragons chasing a flaming pearl set against an egg-yolk yellow background. A green phoenix is at the interior well. A six-character kaishu form underglaze blue Guangxu mark is at the bottom of the interior stem. Probably of the period and dating circa 1900. 3 3/8” high x just under 4 1/2" diameter; weighs 120 grams (4 1/4 ounces)...

Two Chinese late Qing dynasty Guangxu period porcelain lidded ginger jars densely decorated around the circumference in famille rose enamels with a continuous spring fishing festival scene. This pattern is often referred to as the "one hundred boys" motif. Children are on the street performing the dragon dance, participants are seated in a dragon boat, and onlookers watch from a bridge and a traditional building. A large pine tree set against a mountain decorates the back of the jar...

Wonderful charged figure with a good encrusted patina. H. 14,5 cm. Provenance: Dutch private collection.

Japanese Edo period woodblock print by Toyokuni I (1769-1825) depicting the kabuki actor Nakamura Utaemon III portraying a sake peddler encountering a dog from a set of eight prints published by Yamamoto Heikichi in 1815. Kiwame censor’s seal. Paper size: 14" x just under 10." Very good overall condition and color with some typical minor wear. There is wormage evident that is well disguised and stabilized by an album backing...

Japanese Edo period woodblock print titled “Azuma Shrine and the Entwined Camphor” (#31) depicting boats passing through the Jukkengawa Canal with cherry blossoms lining the embankment from the series “One Hundred Views of Famous Places in Edo” by Utagawa Hiroshige (1797-1858) published by Uoya Eikichi (Uoei) in 7/1856. Paper: nearly 14” x 9 3/8” (image: 13 3/8” x 8 5/8”). Very good color and overall condition...

Japanese Meiji period woodblock print by Tsukioka Yoshitoshi (1839-1892) depicting the torture of a politically dissident woman titled “Muraoka, Head Lady-in-waiting of the Konoe Clan Bound with Rope” from the series “Personalities of Recent Times” published by Yamato Shimbunsha in 1887. Known image size: 12 15/16" x 8 13/16." Purchased at and framed by Robyn Buntin Gallery, Honolulu in a very high end frame. Visibly in very good overall condition with embossed highlights evident...

Rare pre-earthquake "chirimen-e" (creped) Japanese “mitsugiri-ban” format shin hanga woodblock print by Takahashi Shotei, also known as Hiroaki (1871 - 1945) titled “Starlight Night” published by Watanabe circa 1918. Red Shotei seal at the lower right. Paper size: 5 3/8" x 12." (margins included). This image is cataloged as #M-17 on the informative website www.shotei.com...

In lobed melon shape, this silver box features fine repousse designs all over the surface, with an applied branch holding various flowers and leaves...

DPRK / North Korean Museum Book Neolithic, Koryo Dynasty etc..

The great leader Comrade Kim Il Sung said: "Our nation, celebrated for its long history and brilliant culture, has contributed a great deal of scientific creations and inventions to the treasure house of human culture since the ancient times."

Part of the introduction to this fine book...

Of reddish wood with fine grain, this Maori Wahaika Patu measures 15 1/4" long and roughly 5 1/8" wide. The top has a figural face or mask carved in reticulated form, with a hole for attachment to the wrist. The club has a hooked section, used to grab the opponent's weapon and remove it...

Chinese or Vietnamese wooden Christian cross with beautiful lotus and vines decoration inlaid in engraved mother of pearl. Condition: center with chipped area (please see photo no. 7) and few lost inlays, rearside with paper residue. Dimension: 46.7 cm x 24.2 cm x 1.8 cm.

Pair of Chinese late Qing dynasty Guangxu period hexagonal form hat stands with melon form vent holes decorated in underglaze blue on a white porcelain ground with various figures interspersed among auspicious objects. Scrolling vines are at the top of one. The interiors are glazed with only the footrims left unglazed. Circa 1900. 10 1/2" high each. Very good overall condition. One had a small professionally executed repair to an edge that is not visible to the eye or under black light...

Striking black and white Janiform crest from a dance mask. H. 32 cm. Good condition with expected age wear. Ca. mid 20th century. Provenance: private collection, The Netherlands. This item will be exhibited at the Tribal Art Fair Amsterdam, October 25th-27th www.tribalartfair.nl

Japanese limited edition sosaku hanga woodblock print depicting three chickens titled “Jealousy” by Kiyoshi Saito (1907-1997) dated 1952. Pencil-signed and numbered 91/300 in the bottom margin. Visible paper size: 14 3/4" x 10 1/4" (image: 13 3/4" x 9 1/4)...

Occupation era original Japanese shin hanga woodblock print titled "Carp Flag at Toyohama, Kagawa Prefecture" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 23 (1948). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. An additional Watanabe seal is on the back at the lower right corner. Paper size: 15 3/4" x 10 1/2" (image size: 14 3/8" x 9 1/2...

Occupation era original Japanese shin hanga woodblock print titled "Moonlit Night at Miyajima" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the lower right corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower left corner. Paper size: 15 1/4" x 10 1/2" (image size: 14 1/8" x 9 1/2"). Very good overall condition. There are tape stains to the back margins that show ...

A very unusual vase by Teishitsu Gigei-In (Imperial Art Academy Member) Ito Tozan I enclosed in the original signed wooden box showing decidedly Art Nouveau styling. It is 20 x 8 x 32 cm (8 x 3 x 12-1/2 inches) and is in excellent condition.
Ito Tozan I (1846-1920) began as a painter in the Maruyama school studying under Koizumi Togaku. In 1862 he became a pupil of Kameya Kyokutei, as well as studying under Takahashi Dohachi III and Kanzan Denshichi (who made the dishes for the imperial t...

Japanese shin hanga woodblock print titled "Kansai District: Seta Bridge" by Hiroshi Yoshida (1876-1950) dated Showa 8 (1933). 1st edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal are at the lower right. The print is pencil-signed in the lower right margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #182. Paper measures 10 3/4" x 15 3/4" (image size: 9 1/2" x 14...

A fabulous large porcelain vase by Daimaru Hoppo (Hokuho) enclosed in the original signed and compartmentalized wooden box complete with a rosewood base. The vase is a perfect example of the Sinophile aesthetic that permeated Japanese art in the early 20th century. The simplified form rises from to frets decorated with stylized cicada under a belt of archaic figures and yotsu-domoe (yin-yang) symbols. It is 14 inches (35 cm) tall plus the base and is in excellent condition.
Hoppo (also...

A superb example of the mastery of Bizen Saiku-mono sculptures by Nishimura Shunko dating to the pre-war era. The musculature and bone structure of the creature is clearly visible, and it wears a cloak of ash glaze like fur, the tail actually covered in dry “goma” textured ash, and the lower extremities showing a fine assortment of Hi-iro flame colors on the raw clay. Stylistically there appears to be some influence of the pottery technique of Okinawan Shisa (lions). This is very likely, ...

The golden orb shines out like the light of Buddhism from between the dark clouds on this exquisite 19th century image by Wada Gozan, priest of Jinko-in Temple. Ink and gold-pigment on silk in a patterned silk border with wood rollers in a period kiri-wood box titled Tsuki no ga Yokomono Ippuku (1 wide painting of moon) Wada Gozan koto (of Wada Gozan), annotated by Kuten. It is 25 x 48-1/2 inches (63.5 x 123.5 cm) and is in overall fine condition, with a minor wrinkle in the lower border. Wa...

Large Thai 14th - 15th Century Sawankhalok Jar

This stoneware jar, or bottle of globular form was made during the 14th - 15th centuries at one of the Sawankhalok kilns. It is particularly heavily-potted. Around the shoulder and lower body are repeated bands of lightly incised lines. There are two small loop handles at the neck. It is coated in a finely-crackled greenish-grey glaze that falls short of the foot revealing the dark reddish brown stoneware body. To the base is the circular mark ...

A rare bowl by Ninnami Dohachi from the Sangama kiln dating from the later Edo period wrapped in a silk pouch and enclosed in a fine custom made Kiri-wood collectors box. Deeply impressed into the base is the six sided Sangama kiln mark. It is 5-1/2 x 5 x 3 inches (13 x 12.5 x 9 cm) and is in excellent condition.
Ninnami Dohachi II and his son (the future Dohachi III) were invited by the local lord Matsudaira to produce pottery at the Sangama kiln in Sanuki Kuni on the island of Shikoku...

Fine Song Dynasty Brown glaze bowl. There is a small chip to the rim, but otherwise in very good condition. High resolution images may be emailed on request.

Rare Large Chinese Southern Dynasties Stoneware Jar

This rare stoneware jar was made during the Southern Dynasties period (AD 420 - 589). Such wares from this period are relatively rare and quite distinctive. This jar has a flat base, a wide mouth and a series of "square-cut" loop handles placed around the shoulder: a pair of single handles opposite each other as well as a pair of double handles opposite each other. In between the handles there are two finely-incised lines that surround the ...

Fine Chinese 9th - 10th Century Stoneware Ewer

This fine and rare stoneware ewer was made during the 9th to 10th century (from the end of the Tang Dynasty AD 608 - 916, the Five Dynasties period AD 907 - 960, to the Northern Song Dynasty (AD 960 - 1127), most likely a product of one of the Guangdong kilns. Both inner and outer surfaces are coated in a very finely-crackled olive-green glaze. The base and extreme lower body remain unglazed where the exposed stoneware body has fired from a pale...

A headdress with a rounded crown and a wide flat brim, the interior made of woven bamboo, covered with yellow silk damask showing roundels with five-clawed dragons. The top ending in a red silk knot above ruyi border. The underside of the brim covered with red silk, the sweatband made of leather. Edged with key fret brocade. Condition: traces of usage, some losses (please look at the photos carefully - they make part of the condition report), brim with paper label residue and few stains, a bit d...

Massive Chinese Qing dynasty baluster form lidded general’s helmet jar decorated in underglaze blue on a white porcelain ground with a Yuan inspired pond scene of ducks swimming among lotus. A ruyi-head border and four animal mask handles are high on the shoulder below the short neck. A lappet band extends around the tapering foot. The slightly recessed base is unglazed. A Buddhist lion dog finial is at the top of the wide domed lid. 24 1/2” high x about 15" diameter. Weight: 35 lbs. The s...

Very fine and rare Japanese Edo era Hasami Bako, or storage/traveling box, measuring roughly 12" wide (including brass hanging hooks on sides), 5 1/2" deep, and 6 1/8" high. It dates to the late Edo era, some time between 1780 and 1850. The top is slightly domed, as is visible in some photos, and all edges and corners are decorated with incised brass metal sections, and two U shaped handles are on both ends, and can stand upright, as would be the carrying position for a larger trunk. The box...

Large and heavy carved soapstone eagle, with original label, numbers, and initials. Is 8 1/2" high, 7 1/2" wide, and 4 1/4" deep and weighs just a bit under 10 pounds. Very stylized form, with hooked beak, incised eyes and long sharp talons, he sits on a rock or stump. Very slight details for wings. In black soapstone, with some slightly lighter areas and striations visible, the sculpture has a very lovely almost waxy patina. In good condition, a few scratches to surface, but no chips or ...

Beautifully carved, this soapstone figure really captures the essence of the stately Polar Bear. He stands 3 3/4" high, 8 1/4" wide, and is 4 3/4" deep, and weighs roughly 4 pounds and 4 ounces. The soapstone is a mottled brown/green, with spots of black, rust, and tan, and has black inlaid eyes. The simplified form is just elegant and lovely, and clearly demonstrates the talent of the carver. In good condition, a few scrapes to the surface, and some colored spots that may or may not be orig...

Chinese Republic period porcelain plaque decorated in famille rose enamels with the eight immortals standing outdoors under a pine tree with bats flying overhead. Produced by the Jiangxi Porcelain Company at Pearl Mountain and dated 1924. Nice quality wood frame. Porcelain measures 15 1/8" x 9 7/8" (with frame: 16 3/8" x 11 1/4"). Very good overall condition. There are tiny brown scattered spots in the glaze from the original production. From the estate of an old Scottsdale, Arizona antiqu...

A rare Buddhist temple banner composed of a central ruyi shaped panel and three suspending streamers with pointed ends and tassels. Made of Chinese Late-Ming and Qing gold brocaded and tapestry silks showing dragons and floral decoration. The top panel is cardboard reinforced and having a seal on the backside. Printed cotton lining and top with leather loop, one tassel with a small bell. The interior of Buddhist monasteries in the Himalayas are often intensely colorful, covered by layers of pain...

A large Chinese two handled vase decorated in famille verte enamels with birds amongst flowering peony & rocks. The decorated neck with iron red modelled elephants' head handles. The base with an apocryphal six character iron red mark of the Kangxi emperor.

Age: Mid 19th century

Size: 14-1/2" high by 14-1/2" diameter

Condition: Good condition, no breaks and or cracks

Porcelain panel with 7 women in landscape with pagoda and trees, measures 12" x 9" (panel size), frame is 13 1/4" x 10 1/4". Varnished wood frame in bamboo style, with hardboard or masonite backing. The scene depicts 7 young women next to a pagoda and fence, with grass and other foliage throughout. Nice detail in raised enamels, good color and overall design. The celadon green areas, as well as elements in the pagoda have a textured and matte like finish. All the figures are lovely, some ...

Chinese wedding lamp of articulated porcelain, in two sections, hexagonal in shape with flared and tiered top. Measures 9 3/4" high, and roughly 4 1/2" wide. Each pierced panel has a round section with a scene depicting people in various activities, some with two figures. The entire surface is painted with soft color enamels, in turquoise blue, yellow, rose, green, orange, brown and black. Floral and foliate designs cover the turquoise and yellow backgrounds, all done with good detail. The ...

Tibetan thangka depicting Amitayus, the Buddha of Longevity, seated cross-legged on a variegated lotus throne with hands in the lap in dhyana mudra holding the pot of amṛta, the nectar of immortality. A halo surrounded by flowers is behind the figure and green mountains and water are in the background. The figure wears only a lower garment and is adorned with bracelets, armlets, earrings extending from elongated ears, a beaded necklace, and a high five-pointed crown in front of hair that is st...

Large late Meiji to Taisho period Japanese Arita porcelain cylindrical form hibachi decorated in underglaze blue, white, and celadon with mirrors and auspicious symbols. Scattered bisque incised signature seals accent the decoration. 12 1/4" high x 17" diameter. Early 20th century. Very good overall condition with no chips, cracks, or repairs. From the collection of an elderly woman in Sun City West, Arizona.

Occupation era original Japanese shin hanga woodblock print titled "Snow at Hinuma Swamp, Mito" ("Snow at Hi Marsh, Mito") by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the upper right side of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. Paper size: 10 3/8" x 15 3/4" (image size: 9 1/2" x 14 1/4"). The print was never framed and is in excellent overall ...

The village headman aims his arrows at the moon to dispel the evil brought on by a solar eclipse, the village women in the background standing in prayer. This scene was painted by Higuchi Tomimaro for show at the Seikosha Exhibition held in Osaka in 1938. It is an excellent look into the world of the Ainu, a native culture to Northern Japan now lost to history. He has done a wonderful job conveying the texture of the clothing, and hidden behind the grayish background is textures of floral lif...

Korean Silla Kingdom (circa 6th century) unglazed reddish-gray stoneware funerary food vessel with domed cover on a high stem foot broadly flaring at the base and decorated with rectangular perforations. The lid is covered with incised designs and has a central finial. There are no cracks, chips, or repairs. The piece is in very good overall condition with minor imperfections consistent with its age. I cannot be certain if the lid was originally made for this specific bowl. Measures about 5 ...

A spectacular pair of vases by Ito Tozan I decorated with the imperial chrysanthemum in gold between soaring phoenix; symbols of the Japanese imperial family. Both come in the original (tired) silk pouch in a compartmentalized wooden box signed by the artist. Each is roughly 6 inches tall and in excellent condition, dating from the late 19th to early 20th century (later Meiji to Taisho period).
Ito Tozan I (1846-1920) began as a painter in the Maruyama school studying under Koizumi Tog...

The great Tang Poet Du Fu (712-770) affectionately coddles a goose chick in his left hand, his bamboo staff low and seemingly forgotten as he ponders the beloved creature in his palm. Exquisitely rendered, it is roughly 16 inches (40 cm) tall and signed on back with an engraved signature. Du Fu's poetry has made a profound impact on Japanese literature, especially on the literature from the Muromachi period and on scholars and poets in the Edo period, including Matsuo Basho, the very greatest ...

Japanese Meiji to Taisho period vase in the form of a gourd tied in a bow at the mid-section with a braided and tassled rope. The signature appears to translate as Tsunemo. 7" high. Weighing 2 lbs. 8 1/2 ounces, the vase is very heavy for its size. Early 20th century. Very good overall condition with a nice patina. From an old Tucson, Arizona estate.

Mask combining a rough appearance with a minimal shape, the orifices of the eyes and mouth are rather square in shape, there are small ears on the sides. Beautiful black soot patina with traces of glue, very hard wood H 25 cm x 20 cm.

This strand of antique spindle whorls are of the finest quality, most are bone, a few may actually be stone. The bone varies in color and some had been painted or dyed, blue, red, green grey, or black. There are varieties of shapes, including the tradition whorl with a flat side, as well as barrel shapes, round beads, and turned ridged beads. The majority of the beads have incised designs of some kind. Strung on an older heavy string that looks like silk, they are in very good condition, a few...

Nice large size, this bronze urn measures 12 1/4" across to looped handles, is 9 1/4" high, and the top lip is 10 1/4" in diameter. Nice heavy weight, it has the remnants of a signature on the base, only a square now visible. The body of the urn is ringed with a series of scenes on a diamond textured background, and there is also a decorative band in the narrow area, depicting phoenix birds or pheasants next to foliate and landscape elements. The swing handles are affixed to a large button s...

Well carved in cedar, this Northwest Coast box measures 4 3/4" high x 4 3/8" wide and deep. In the tradition of Haida, Salish, Tsimshian, and other First Nation tribes of the Northwest Coast, the box is kerfed and hand carved with deep traditional designs that are abstracted and stylized. The cedar has a lovely sheen, also typical of the wood as it ages. It is signed in pencil on the bottom, the name Wilson visible, with a name or initial above that is not clear. The Wilson family is well k...

Of heavy, dense exotic wood and inlaid with carved shell pieces, this ceremonial staff is from the Solomon Islands, pre 1950s. The form is better than most, having a figural image at the top, well carved with open legs and good detail. The carving depicts a figure with folded arms, slightly bent knees, and a stylized face seen in Solomon Islands iconography. The figural section measures 13 1/4" high. Very nice dark patina, with a lovely slightly glossy surface, some pieces of inlay missing. ...

Pair of .800 silver dishes with fierce dragons and other insect or sea creature, on a stipled background, the edge decorated with stamped arrow designs. Both are marked on the front and on the side with the .800 silver standard mark. No obvious maker's mark. Of heavy silver, with the dragons in high relief, most likely Chinese, though could also be Tibetan, Nepal. They both measure 3 7/8" in diameter and are a combined weight of roughly 4 troy ounces. Please see all photos for details. P...

Finely inlaid silver on iron box, with four round flattened feet. Box measures 3 5/8" x 2" x 2 1/4" high. Top decorated with yan-yang symbol, with gold overlay on silver, amidst scrolling, geometric designs and fretwork borders. Both front and back have deer in round cartouche, with similar inlay in background, gold plating on figures of deer. Sides have gold plated cranes, also in round cartouche, with geometric and scrolling elements. In excellent condition, only very minor wear to silve...

Scratches of ink form a precipitous landscape of jagged mountains on the paper surface of this scroll performed by Fujii Tatsukichi enclosed in a wooden box titled: Painted by the elder Tatsu, One Scroll, Mountain, Annotated by Eichi. It is framed in a silk border terminating in black lacquered rollers. It is 13-1/2 x 59 inches (34 x 149 cm) and is in excellent condition.
Kato Eichi (1899-1987) was a potter from Seto who trained under Tatsukichi. Several pieces by him formerly in the col...

A fabulous large Mingei Tokkuri from the Satsuma region in the shape of an eggplant, glazed in black with crystalline blue about the neck over iron rich glazed clay. Likely from the Hirasa kilns, one of the great Satsuma production centers on the southern Island of Kyushu, 18th to early 19th century. It is 24 cm (10 inches) tall and in overall excellent condition, enclosed in a kiri-wood collectors’ box.
The history of Satsuma ware goes back to the 16th century when Japan fought in the...

Golden bamboo spreads its leaf laden branches about the rim of this aka-e Kinsai bowl by Kyoto potter Takahashi Seizan and decorated by the famous painter Hashimoto Kansetsu enclosed in the original signed wooden box. It is 6-1/2 inches (17 cm) square and in excellent condition. This is from the personal collection of painter Konoshima Keika (1892-1974). We will be offering more from his household in the near future.
Born into the family of literatus and painter Hashimoto Kaikan in Hyo...

A pair of small gold doors depicting Asian Civets (Jakoneko) in a flower strewn garden dating from the early to mid Edo period (17th to 18th century) reminiscent of the famous pair of screens heralding the same image by Kano Yukinobu (Utanosuke, active Muromachi period). The handmade bronze handles are in the shape of hollyhock leaves, intimating connection to the Tokugawa clan, head of the Shogunate. The painted panels are 45 x 28 cm each (17-1/2 x 11 inches), the doors roughly 48.5 x 32 cm (...

Cranes soar before the red orb of the sun over festive young pines on these five ceramic bowls covered outside in red and black lacquer from the Nagoya studio of Toyoraku (also Horaku) dating from the mid to later 19th century, late Edo to Meiji eras. This set is exceptional! It is enclosed in a fine compartmentalized collectors kiri-wood box titled Owari Toyoraku Yaki Nuri Asahi-Tsuru-Matsu Suimono Chawan Go Kyaku (Five Owari Toyoraku Pottery Lacquered Soup Bowls Decorated with Pines, Cranes ...

Vintage Japanese Kutani porcelain vase with a pair of cranes and a pine tree made about 70-80 years ago. The wooden box with no signature is also provided. Height 5.9"(15.0cm) Dia. "(9.5cm) Condition Overall good. No chips, No cracks.

Antique Japanese Pair of Old Hand-painted Kutani Teabowls with Bird and Pine Tree Design Made Before 1940s Size Width / 4.29 inch ( 11cm ) Length / 4.29 inch ( 11cm ) Height / 3.12 inch ( 8cm ) Total Weight / 450 g Condition Good. No cracks, no chips

Water Cooling Bowl Yusamashi of Hagi Ware made by Living National Treasure 10th Miwa Kyusetsu (1895-1981) about 50 years ago. Hagi Yaki pottery became popular throughout Japan for tea ceremony during Edo period (1603-1867). Hagi ware has its distinctive nice cracks together with soft texture which is highly prized among tea lovers around the world. Size Width 4.6in ( 11.8cm) Length 3.2in ( 8.2cm) Height 2.0in ( 5cm ) Weight 4.23oz ( 120g ) Condition Used, relatively good There ...