Haiyu and temmoku glazed pitcher with stamped designs around the body. There are a few cosmetic flaws around the foot where the glaze ran and the pot stuck to the kiln shelf, it is priced accordingly. These "flaws" pose no problem to the function and presentation of the piece

Stoneware and glazes

10.25" X 7" max.

Functional, decorative and food safe

Won Ju Seo's exhibition is featured in the December 3, 2015 New York Times, and she is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Looking Through My Window by Won Ju Seo. 17 x 13 inches, 43 x 33 cm. Hand made with Korean silk, organza, and ramie. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collections...

Won Ju Seo's exhibition is featured in the December 3, 2015 New York Times, and she is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Fragmented Memories by Won Ju Seo. This beautiful work of art was is in the recently-published McGraw-Hill fine arts textbook, Art Talk. Plexiglass box frame: 25 x 23.75 inches, 63.5 x 60.5 cm; Textile: 23 x 22 inches, 58.5 x 56 cm...

Robust waisted form teabowl with kushime slip decoration under my Ao glaze

Porcelain, slip and glazes

5.5" X 4.4"

Functional, decorative and food safe

Elegant Hagi hanging vase with a variety of colors from grey-blue to creamy white and lavender by master potter; Ono Zuiho. This hanging vase is made of a rich iron clay from Kyushu with a creamy slip and ash glaze over the piece.

Ono Zuiho is considered to be one of the 20th centuries most important Hagi potters. His work was not only traditional and geared toward chadogu, tea ceremony implements, but much of his work has a modern flare to it...

Large open teabowl form with my Ao glaze over a bloesem design in rozome style slip

Porcelain, slip and glazes

6" X 3.2"

Functional, decorative and food safe

Robust, rounded wan-gata style teabowl with temmoku and haiyu glazes over a kushime combed slip decoration

Stoneware, slip and glazes

5.5" X 4.25"

Functional, decorative and food safe

Round vase with my ao glaze over black and white slip with a banded spirali pattern

Stoneware,slips and glazes

10.5" X 6"

Functional, decorative and food safe

Full wan-gata teabowl with slips and brushed and incised "grasses" pattern with my Ao glaze over

Stoneware, slips and glazes

5.5" X 4.2"

Functional, decorative and food safe

Stacked stone style Toruko-ao Persian blue vellum teabowl over a suminagashi style neriage pattern on a shallow foot

Porcelain and glaze

5.5" X 4.2"

Due to the vellum nature of this glaze, it is not recommended for daily use

Oscar Zanetti art glass bird

Beautiful lattimo, amber and silver leaf bodied bird with black extended beak application

7 1/2" x 7 1/2"

Excellent condition

Engraved signature and paper label

Great ovoid serving bowl, hachi with underglaze iron decoration of flying chidori plovers over reeds in the Nakazato style

In excellent condition in original signed box. This is a great ovoid bowl with thick rolled lip and as of yet, I have not deciphered the signature and the piece is priced accordingly.

9" X 8 x 3.25"

Fine boxed serving bowl, hachi in Kohiki white slip style over stoneware with combed slip decoration under an ash glaze

In excellent condition in original signed box. This is a very nice kohiki bowl and as of yet, I have not deciphered the signature and the piece is priced accordingly.

9.5" X 3"

Porcelain neriage chawan in a Jovian Storms style pattern with an "eye" design

Porcelain and glaze

4.75" X 4.5"

Functional, decorative and food safe

Chalice form teabowl glazed in temmoku and haiyu glazes and influenced by ash glazed Karatsu ware

Stoneware, slip and glazes

4.8" X 4.25"

Functional, decorative and food safe

Ed Tobin hand crafted bracelet

Pierced and scored sterling silver

7" interior circumference

1 1/2" rear opening

1" tall

From our Southeast Asia Collection, an inscribed lacquerware covered vessel from the famed U Aung Myint workshop in Myinkaba Village, Pagan Burma (Myanmar), from which the British Museum has commissioned pieces for display in London. See Isaacs and Burton, Visions from the Golden Land, Burma and the Art of Lacquer page 222-223...

Black and white terra cotta tray form with slip trailed design of tripled squiggly lines and dots

Terra cotta, slips and glaze

Approx. 11" x 11" and 15.5" on the diagonal

Functional, decorative and food safe

From our Southeast Asia Collection, a lacquerware masterpiece from the famed U Aung Myint workshop in Myinkaba Village, Pagan Burma (Myanmar), from which the British Museum has commissioned pieces for display in London. See Isaacs and Burton, Visions from the Golden Land, Burma and the Art of Lacquer page 222-223...

Open form teabowl with hand carved lotus blossom design

6" X 3.2"

Porcelain, slip and glaze

Functional, decorative and food safe

Very generous teabowl with incised black decoration influenced by katagami stencils.

Porcelain, slip and glaze

5.2" X 4.2"

Functional, decorative and food safe

Generous wan-gata rounded teabowl form with tataki decoration around the body

Porcelain and glaze

5.2" X 4.15"

Functional, decorative and food safe

Ao glazed teabowl with tataki paddled decoration around the bowl with a "mountain range" style lip

Stoneware and glazes

5.5" X 4"

Functional, decorative and food safe

Ao glazed albarello influenced cap jar with vertical kushime combing decoration

Stoneware, slip and glazes

10.25" X 6.5"

Functional, decorative and food safe

Medieval green glazed cap jar with impressed stamp designs around the lobed body

Stoneware and glazes

7.75" X 6.25"

Functional, decorative and food safe

Stacked stones style lobed chawan with hakeme decoration under an Ao glaze

Stoneware, slip and glazes

5.25" X 4.25"

Functional, decorative and food safe

Generous medieval green and clear glazed yunomi with an incised "intersection" design around the form

Stoneware and glazes

4" X 4.5"

Functional, decorative and food safe

Hi walled tataki, paddled teabowl with haiyu and temmoku glazes. This was in a hot spot in the kiln and the glaze ran just a bit. please see the picture of the foot at 9 o'clock

Stoneware and glazes

5" X 4"

Functional, decorative and food safe

Ramona Solberg - sterling silver, amber and shell "Fibula" brooch

5 1/2" x 2 1/2"

c. 1980

Excellent condition

High walled, irregular form teabowl with tataki paddled decoration around the form under amber haiyu and temmoku glazes

Stoneware and glazes

5.25" X 3.9"

Functional, decorative and food safe

Shallow kushime, combed teabowl with undulating way pattern in the slip beneath the medieval green Oribe-style glaze

Stoneware, slip and glazes

6.25" X 2.5"

Functional, decorative and food safe

Large, lobed form teabowl with temmoku and ash glazes

Stoneware and glazes

7" X 5.25" X 3.4"

Functional, decorative and food safe

High walled teabowl with spirali e tagli decoration under my Ao glaze

Stoneware, slips and glazes

4.65" x 4.25"

Functional, decorative and food safe

Temmoku glazed cap jar with haiyu accents in the stamped decorations. There are two small areas on the foot ring where the glaze ran just a bit, see pictures

Stoneware and glazes

11.5" x 6.75

Broad, rounded neriage chawan with Ao glaze over the suminagashi influenced pattern

Porcelain and glazes

5.6" X 4.35"

Functional, decorative and food safe

Broad teabowl with temmoku and haiyu glazes over a kushime, combed surface

Stoneware, slip and glazes

5.5" X 4.25"

Functional, decorative and food safe

Hand knotted 9mm real cultured freshwater pearls and sterling silver - never faux ever here! Cultured freshwater color enhanced lavender lilac hue pearl necklace, with both lush 6mm dark purple & 16mm light lilac amethyst, then silver grey Swarovski crystals were added.
Includes a removable handwrought sterling sculpture pendant with a 15 carat lilac semi precious gemstone within and earrings to complete the demi parure set...

Large, ovoid tsubo, jar with kushime combing under haiyu and temmoku glazes. It is larger than the dimensions imply.

Stoneware, slip and glazes

12.25" X 8.5"

Small pitcher (jug) with medieval green and temmoku glazes and an "imprint" pattern on either side

Stoneware and glazes

7.5" x 6.5" x 5"

Functional, decorative and food safe

Karatsu style yunomi with a fence and stamped design under haiyu and temmoku glazes

Stoneware and glazes

4.25" x 4.25"

Functional, decorative and food safe

His and hers, meoto yunomi set with stamped designs under a rich temmoku glaze

Stoneware and glaze

max. 4.5" x 3.75"

Functional, decorative and food safe

Lg. tsubo, jar with wide flared lip glazed in medieval green and temmoku glazes over a tataki, paddled grid design around the shoulder

Stoneware and glazes

10.25" X 8.25"

Karatsu style tataki paddled vase with haiyu and temmoku glazes

Stoneware and glazes

10.75" X 7"

Round ko-tsubo, small vase with temmoku glaze and clear panels with multi-color enamels in vertical stripes

Stoneware, slip, glazes and overglaze enamels

7" X 7"

Wide and generous "rice bowl" with a carved plum blossom design in the bowls interior

Porcelain, slip and glaze

6.5" x 3.25"

Functional, decorative and food safe

Round, full small vase, ko-tsubo with spirali e tagli design around the jar all glaze in medieval green and temmoku glazes

Stoneware, slip and glazes

6.85" x 6.85"

Robust Oribe style ovoid jar with hakeme slip decoration under my medieval green and temmoku glazes. The lip is glazed in a rich temmoku glaze

Stoneware, slip and glazes

10.25" X 7"

Japanese Mid - Late 20th century bronze vase with crane design by NEYA CHUROKU (1897-1987). The vase has a standing crane holding its head and neck up on the front and a crane bending down in the back. The bottom has the Churoku mark. Neya Churoku, a student of Tsuda Shinobu, exhibited at many exhibitions including the 1933 World Exhibition in Chicago and the 15th Teiten (1934) where he won the Tokusen (grand prize). Comes with TOMOBAKO, original artist signed wooden storage box...

Lg. porcelain teabowl with an etched "spirali costanti" design under layered glazes

Porcelain and glazes

5.5" X 4.5"

Functional, decorative and food safe

Full, rounded teabowl form with a rich temmoku glaze and a band of clear glaze decorated in gold of my grasses pattern

Porcelain, glazes and 24kt gold

5.25" X 4.24"

Functional, decorative and food safe

Bold large teabowl with carved shinogi grooves around the form glazed in my medieval green and temmoku glazes

Stoneware and glazes

6" X 3.75"

Functional, decorative and food safe

Small plate glazed in a rich temmoku and medieval green glazes with lush oilspots throughout the entire front of the plate

Stoneware and glazes

11.25" X 1.75"

Functional, decorative and food safe

Small plate glazed in a rich temmoku and medieval green glazes with lush oilspots throughout the entire front of the plate

Stoneware and glazes

11.25" X 1.75"

Functional, decorative and food safe

Elegant tall temmoku vase with stamped lugs at the neck. This glaze is very visually intriguing as it appears different when viewed in different light sources. The surface is covered in a frogskin texture that looks like small oilspotting.

Stoneware and glazes

13.75" X 7"

Small temple oni maquette glazed in medieval green and excellent as a paper weight, desk sculpture or can be hung on the wall. made from a century old roof tile mold.Great for the literati in all of us!

Stoneware and glaze

5" X 4" x .85"

Very nice book from ArT Random coving several important conceptual japanese sculptor/ artists/ potters. The book is full color, measures 12.25" X 9.25". Artists include; Fukami Sueharu, Akio Takamori,Akiyama Yoh,Inoue Masayuki, Nakamura Kouhei, Takiguchi Kazuo and Richard Notkin.

This multi-color paper cut-out of a spider web is 11 ½” wide and 13” long; with a mat it is 16 ¾” wide and 18 1/2” long. It is designed and made by Pi-Ping Savage. The signature on the bottom right uses her Chinese name. The red seal means “It does not matter” which is a traditional Chinese philosophical attitude toward life. The Chinese folk art of paper cutting, creating pictures by cutting out single sheets of paper, has been practiced for many centuries...

This paper cut-out of Queens Anne’s Lace is 6” wide and 12 ¼” long; with a mat it is 11 ½” wide and 18 ½” long. The image is negative (Yang or female). The signature on the bottom right uses her Chinese name. The Chinese folk art of paper cutting, creating pictures by cutting out single sheets of paper, has been practiced for many centuries...

This multi-color paper cut-out of lotus is 8 ½” wide and 11 ¾” long. It depicts lotus blossoms and leaves during summer time. It is designed and made by Pi-Ping Savage. The signature on the bottom right uses her Chinese name. The Chinese folk art of paper cutting, creating pictures by cutting out single sheets of paper, has been practiced for many centuries...

This multi-color paper cut-out of bamboo is 8 ½” wide and 15” long; with mat is 14” wide and 21” long. It is designed and made by Pi-Ping Savage...