18K Late Victorian five stone diamond ring, also known as half hoops, set a jour, with no foiling and open in the back to reflect light and air. The five stone was a classic late 19th century pattern, for good reason; it was great design then and still is today. The generous amount of gold means it can be worn next to other rings without fear of damage to the stones...

A small fob seal featuring an amethyst tablet set in a fluted closed-back setting surmounted with ornate scrollwork. The amethyst tablet bears the monogram “RB” and a heart-shaped lock and a key. The lock and key are rebus images carrying the message “Key to my heart.” This fob is perfectly sized to wear alone as a pendant or on a heavy chain or bracelet as one of multiple charms...

15K Rare Georgian diamond cluster ring consisting of 6 large stones cut en cabochon (no facets and polished smooth) and set in a radial pattern around a large center diamond. 6 smaller stones are set along the border. The border is crimped, a feature of hand wrought gold-work of this period. The diamonds are set in silver. There is nary a claw in sight as the Georgians believed claws detracted from the beauty of the diamonds...

This ring has many Georgian era characteristics, including the symmetry of the 10 Georgian diamonds surrounding a central larger diamond, the silver surround of the gemstones and the impressive gold craftsmanship of the fully closed back. The band is 3 horizontal bands linked with 3 vertical elements and is comprised of 4 sections with a carved gold leaf set into each...

Here is a lovely antique ring in unmarked but tested 18kt rose gold. The center stone is a ruby cut in an old style, but in really excellent condition. (It’s possible that it’s a replacement stone.) It is surrounded by 8 rose cut and more randomly-cut diamonds which are definitely original, and which might be foiled, but in any case are in a closed-back setting. Typically for the period, a couple of them are chipped or have feathers (inclusions). The ring is a size 8-1/4, and could be sized...

A later Georgian period 15k yellow gold remembrance or mourning ring with genuine pearls circa 1820 - 1830. This beautiful antique size 6 ring is typically unmarked and it tests as 15k, and it most likely of United Kingdom origin. It has a bevelled glass window for hair (no hair present) and the shoulders are thickly sculpted with a multi-floral pattern sometimes seen on jewellery or decor of this period...

A rare gilt bronze watch fob with a carnelian seal with an allegorical figure depicting "Temptation" in the form a hooded monk with hands piously folded across his own chest while standing next to a nude woman. The woman is pressing against him and appears to be whispering into his ear. Virtuous themes presented gentlemen of the era with an opportunity to indulge in a little erotic naughtiness...

A very good Georgian watch fob seal worked in 15K yellow gold with ornate floral repousse floral decoration. The section connecting the fob frame to the bail is chased in a foliate pattern that matches the floral theme. One side of the flip part is set with a banded agate while the other side features an exquisitely chased and engraved gold plaque depicting a flower basket beneath a clear rock crystal cover...

A charming miniature portrait, done in watercolor on natural wafer, and mounted in a later 14K gold ring with an impressed maker's mark of "MP". The sitter is a young red-haired child, facing left, and wearing a black dress with a dotted lace ruffled collar.

The ring size is 6 1/2, and the portrait measures 1 1/16" by 7/8". The condition of the portrait, as well as the ring, is excellent...

Exquisitely designed pair of 14k yellow and white gold, blue enamel and diamond flower-form drop earrings, French, circa late 18th century. Each earring composed of twenty rose cut and single cut diamonds. The flowerhead drop and stem are articulated together with jump rings. Attached to the back of each earring is a pierced post and locking clip back. Measurement: 1 1/2" long. Weight: 9 grams. Combined approximate diamond weight of the earrings is 0.50 cts. Condition is excellent...

Wedgwood blue jasper ware bead pendant. Jasper ware, invented and introduced by Josiah W in the late 18th century, was a success in the neoclassical period around 1800.The extremely finely moulded white ornaments are fixed to unglazed blue stoneware to create a carved cameo effect...

Possibly the finest Georgian fob seal we’ve seen, this example is worked in multicolored 18K gold. The large swivel features a carnelian plaque on one side that reverses to an amazing crystal-enclosed compartment. Inside the compartment is a three-dimensional fruit basket worked in yellow, white, rose, green and blue gold. The rock crystal cover is slightly domed to magnify the fruit basket decoration. The edges of the swivel are engraved “S Kip” on one edge and “S Kip Poe” on the othe...

A Georgian 14k glass emerald and diamonds ring circa 1780-1800. This antique yellow gold (unmarked but tested and guaranteed) ring features a 3/8" across top which has claw set early silver coloured genuine rose cut diamonds surrounding an emerald coloured glass stone. Emeralds then were a scarce and difficult stone to acquire, so the use of a cut glass "gem" with diamonds was not unusual. This ring weighs 2.5 grams and it is in excellent original condition with no cracks, dents, bends, corros...

Queen Anne period (1740) large beautifully faceted octagon cut amethyst solitaire ring in a later 18K gold band. This style of jewelry has been historically misnamed for Queen Anne, who reigned from 1695 to 1714, as so called Queen Anne jewelry dates to the mid 18th century. Among other details, we love this ring for its eighteenth century octagonal shape, the quality of the amethyst and the crimped collet gold setting. Beautiful in its simplicity, this ring is sure to attract attention. ...

C1770 Silver gilt ring with Glass Tassie cameo portrait of an 18th century gentleman, thought to be young Prince William Henry Duke of Gloucester, younger brother of King George III. Rings set with portrait miniatures of sovereign figures were quite popular and widely distributed. A "Tassie" is a paste or glass copy of a cameo or intaglio. They were named for James Tassie, 1735-1799 who invented a technique for producing perfect copies of antique cameos and intaglios, which have the same deta...

A 1" diameter watch fob or pendant consisting of a dated 1791 English "Spade" Guinea in .917 gold (22 karat). This King George III coin has been soldered to a gold wire suspension, and it weighs 8.74 grams. It was worn for years as a gold charm and it has the expected wear with some loss of detail and edge reeding. This item is in as described condition with no dents, bends, corrosion, losses, damage or repairs other than the mounting for hanging and the wear. All items are thoroughly and co...

Our C1790 ring is an 18th century glass intaglio of an ancient signed gem depicting the head of a laughing satyr, or faun (a young satyr). Such carvings were called Tassies (explained further down). "Gems" in this case refers not to precious stones, but to ancient classical Greek carvings, highly valued miniature works of art. Our glass intaglio is signed in Greek for Ammonioy, meaning "by Ammonios". It is not clear that the signature stood for any particular gem engraver; however there are...

A stunning Georgian floral pendant worked in silver-topped 18K gold. The radiating petals are studded with diamonds in the newly fashionable “a jour” or open settings that came into vogue around 1800. The selection of diamonds is a virtual history of early diamond cutting and includes rose cuts, Mazarin cuts, table cuts, and Peruzzi cuts. The flower is centered with an unheated cornflower blue sapphire, likely of Ceylon origin. The back of the setting is ornately engraved in a sort of starbu...