Italian Plaster & Oil Fresco on Burlap Canvas, seal of City of Vicenza Italy. Authorized reproduction, Carlo Pezzonico. 32" x 20".

Joseph Meierhans modernist oil on board, circa 1940's.

Entitled "Country Abstraction".

Original handmade frame.

Image measures 22" x 26".

Meierhans, b. - 1890 in Switzerland, emigrated to the United States in 1917, eventually settling in Bucks County. He studied under A.N.Lindenmuth and J. Sloan and was a member of the S.Indp.Artists, ASL, Provincetown A.A. and the American Abstract Artists.

An oil on Masonite painting of a red roofed mill with the mill pond in the foreground and a barn against a hill in the distance. Painted in an unusual palette that includes lavender. I have been unable to find a listing for the artist. In a new frame. 10 by 12 inches, with frame 12.5 by 14.5 inches.

Condition: excellent.

Though it is difficult to date, I suspect it is from the middle of the 20th century and most likely to be American.

A fine autumn landscape painting on old Winsor & Newton art board, 10" by 13 3/4" (19 1/2" by 23 1/2" in the old frame), signed at lower right by the well known American impressionist painter DUBOIS FENELON HASBROUCK (1860-1934), titled on the reverse in pencil "November Woodland by D. F. Hasbrouck". This is an atmospheric little painting by a highly talented artist, the works of whom have brought to nearly $10,000 at auctions...

A **PAIR** of ink on paper drawings with some pencil guidance visible under magnification, both signed at lower left margin "C. Weitbrecht inv.", one measuring approximately 4 1/4" by 13" (11 cm. by 32 cm), the other 4 1/4" by 11" (11 cm. by 28 cm). These are fine works by the early 19th century German artist CONRAD WEITBRECHT (1796-1836), **GUARANTEED to be original drawings**, and not prints or engravings or etchings of any kind...

Paco Lane oil on canvas measuring 30 x 24“, frame size 32 x 25“

Arthur Heintzelman, American, 1891-1965, "La Femme à la Mêche Tombante," drypoint etching, 8½ x 11-3/8 inches on 16 1/2 x 13 3/4 inch laid type paper. C. 1929. Editioned in pencil in the lower left, signed in the lower right. Edition of 75. The subject is the artist's wife, Katherine Sloman Heintzelman. Catalog: Smith 142.

The Unframed Size: 24"L x 15 1/2" H
The title: "Going Home"
Artist: Edward Kawanabe
Medium: Oil Painting on Canvas
Signed by artist: Lower right, E. Kawanabe
The year Painted: 1982
The condition of Painting: Excellent.

This is very attractive oil painting with seawater waving and splashing.
There are group of mountains painted with fine color coordination...

A skilled pencil drawing of decorative towers of a church or mosque complex, next to a river, apparently in a milder climate location (see palm trees), signed at lower right "STOLZE". The towers, which somewhat resemble those fantasy towers of St. Basil's in Moscow, seem to be part of a mosque complex, as tiny crescent moons appear to be affixed at the tops of the towers...

A fine soft pencil drawing of a young Asian man with white head cloth, inscribed at lower left "JAIRONG Boy from drawing by Graham Peck", and signed at lower right by well listed California artist JADE FON (WOO) 1911-1983. Graham Peck (1914-) was a Yale-educated, Derby, Connecticut illustrator and writer; he illustrated and wrote "Through China's Wall" in 1940...

Original woodcut (white pine) by Wendell H. Black (USA, 1919-1972). Titled and numbered 7/25 l.l. Signed and dated "Wendell Black 58 by Elaine" l.r. From the first edition of 25, posthumously printed by Berkley Chappell and signed by Black's widow Elaine. No lifetime edition exists. 11 1/2" by 18". cf. The Lost Works of Wendell H. Black. This woodcut is illustrated plate 11 in this volume.

Oil on canvas impressionist painting of flowers in a vase on a tabletop with porcelain tea set, a window at left providing a view to a more distant landscape beyond, 24 1/2" by 20 1/2" in narrow wood frame. The painting is signed at lower right and dated 4/80 (April 1980) by Southern California artist JAMES DE LOYE (1949-). A website describes the artist and his background and provides images of a number of reproductions of his work...

A PAIR of color prints, from 1982, "Flower at Giverny #1" numbered 83/120,and "Flower at Giverny #2", numbered 89/120, both pencil signed at lower right margin, by the famous Native American contemporary artist FRITZ SCHOLDER (1937-2005). Scholder was arguably the best known and influential Native American artist of the second half of the twentieth century...

From our Fine Arts and Americana Collection, a lovely hand-embellished serigraph by Janet Treby. Hand-embellished serigraphs are different from standard serigraphs in that hand-embellished serigraphs have actually been over-painted by the artist, and so they have the texture of an original...

American born artist Donald Brackett born 1932, is a plein air artist that is sometimes called a California Impressionist, known for his plein air work and delightful colors. This work is typical of his sojourns into the American southwest. Oil on panel measuring 9”x12”, framed size measuring 13”x16”

This work graphite on paper is signed and dated 1933….Clyde Singer was born in the small town of Malvern in 1908 and grew up in the rural hills of Ohio. Educated in the local public schools, he had an early interest in art and, after high school, attended the school at the Columbus Gallery of Fine Arts. In 1933 he received a scholarship to the Arts Students’ League in New York City where his mentors were “American Scene” painters John Steuart Curry and Thomas Hart Benton...

Impressionist oil on wood panel painting of coastal islands and a religious shrine perched on a scenic rise, 13 3/4" by 16 3/4" as framed, signed in Greek at lower right. This work has some age, dating perhaps to mid-century. The surface is a bit soiled and the frame has some wear at top corners as seen. A Greek speaker has seen the signature and advises me it reads "Kaitatze" in English, or similar.

Eighteenth Century Scene,Woman knocking on the door of the Betsy Ross House, Philadelphia done as an illustration for an 1880s era novel. Oil on canvas 30x22” unsigned