19th cen. Italian miniature easel watercolor painting of an European lady with hair ribbons and pearls, the image measuring 2" x 1.5" in a brass filigree easel frame signed "Julian" c.1860-1880. Great condition.

Black ink on paper drawing, 13 1/4" by 10 1/4" inside the mat, (21" by 17 1/2" as framed), signed at lower left in the typical manner, and dated there 1976, by the noted Mexican modern contemporary artist LEONARDO M. NIERMAN (1932-). This is an early self portrait of the then-40 something artist. There are a number of extant self portrait drawings from that period. Now well known and internationally collected, Nierman has been a prolific artist...

A Fine Watercolor by the Listed French Artist, Jean Claude Imbert (1919-1993). Measures about 13 1/2" by 30", overall frame about 16 1/4" by 32 1/2".

Oil on canvas painting of a Paris street view, signed lower right by listed French artist ROGER DEVERIN (1884-1973). The oil measures 18" by 21 3/4" (23 1/4" by 26 3/4" as framed). Written in pencil on the old backing is the name of the artist and the title: "La Rue du Moulin de Beune Paris". The circa 1950's work is in generally excellent condition. There is a very small less than 1/4" length disturbance in sky showing as a light spot...

Oil on board painting (24" by 18", frame 1 1/4" on a side), the subject a dirt road in a flaming autumn forest landscape, birch trees on either side, the sun dappled shadows violet, signed at lower right by the talented artist GEORGE FOREST PAYNE. Payne does not seem to have a biography but his paintings of autumn landscapes and coastal dunes, in the Northeast, have appeared at auction. This piece was found in Maine. Most certainly he was very familiar with Impressionist technique...

A PAIR of highly realistic, detailed watercolor paintings one of pears, one of peaches, the peaches 10" by 14", (18" by 21" as framed), the pears 9 1/2" by 15 1/2", (16 3/4" by 22 1/4" framed), both in blond wood frames, behind Plexiglas, both signed in gold paint by Los Angeles area contemporary artist GRACE SWANSON. An online biography reveals that the artist displayed talent while still a youngster; she went on to degrees in art from Loyola Marymount College in Los Angeles...

An old and antique American painting of a seated young man playing a flute in a vaguely defined interior, 24" by 20" (32 1/2" by 28" in mid 20th century frame), unsigned. The talented artist remains anonymous but was obviously talented and probably listed. Note the mantel clock at left and elegant European-style table and chair. Over the years the painting has darkened dramatically, taking on a yellow-brown cast due to decades of grime and smoke...

Tabletop Still Life with Fruit A lithograph by C.H. Crosby & Co., 1874, in a folk art carved frame.

Print size: 5.25” x 7.5”
Frame size (max): 10.5” x 12.5”

An Italian Old Master red chalk drawing of a putto, 8 3/4" by 6", 12 3/4" by 11 1/4" nicely framed with inner gold fillet and quality frame from Munn in Los Angeles. The work is unsigned and unattributed. Likely early 18th century. There is some soiling at top left, right center and near the lower portion, two vertical folds and more light folds at upper left, and a small abrasion of paper, seen as white area, near nose area, all as seen in photos.

A beautifully painted oil on Masonite work featuring the peak autumn color in the mountains, likely the Laurentians north of Montreal. The artist is VIVIAN WALKER (1903-1994), who signed her name in the wet paint, at lower left. Walker was born in Hawkesbury, Ontario. She received art training in the Montreal area including at the Ecole des Beaux Arts. She was a student of Adam Sherriff Scott and E. Stanley Turnbull (the latter, in New York)...

Antique bronze Paperweight in the form of a of a crushed fedora hat, Continental, late 19th century.

Length: 6.125”
Height: 2.25”

This is a finely executed watercolor of a seated woman, perhaps in a studio, her props including a metal or ceramic vessel and a draped table, apparently unsigned, and drawn in the later years of the 19th century. The work measures 11 1/2" by 8" inside the old faded red mat, and 20" by 16 1/2" in its modern frame. I opened this up in hopes of finding a signature or other information, but the paper is laid down securely to a board and there is nothing to be seen...

Original oil on paper titled "Western Hills Series #56" and signed lower right by Katherine Chang Liu, 1988. Liu an internationally renowned painter and teacher. Born in China, Liu received a full scholarship to UC Berkeley. Her work has been featured in 26 books and over 70 magazine articles. She is listed in "Who’s Who in American Art" and "Who’s Who in American Women." Her work can be found in many private and corporate art collections...

DESCRIPTION: Original acrylic painting, signed by the artist, of a bison in bold colors against a blue ground, 2016. Very good condition. DIMENSIONS: 20'' x 20”.

ABOUT THE ARTIST: Kathleen Kills Thunder (legal name), a Sioux Indian whose family was from the Fort Peck Indian Reservation in NE Montana, was born in 1947 in Seattle, WA. Her father, Ben Kills Thunder, was Sioux while her mother was Spanish/Irish...

Departing from 874 AD, the German text develops the context of the 5th Council of Constantinople, held 879/880 AD – an initiative of Pope Johannes VIII to appease the Byzantines and obtain their aid against the Saracen threat in Italy.
The hand-colored woodcut of the council shows the pope and a large group of clergy under the blessing of the Holy Spirit, who is depicted as a dove.
On the right, woodcuts of contemporary popes Johannes VIII, Martinus II, Hadrianus III and Stephanu...

MANNEQUIN HEAD MOLD

Quite a rare bronze head mold for making resinoid mannequin, Showa period, 20th century, Japan, approx. H 23.5 x W 13.5 x D 18.5cm (9.25 x 5.31 x 7.28in). Aged deterioration and recent cutting scar at neck. Slightly leans to right as is.


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Burmese soapstone seated Buddha and Disciples.

Age: Burma, Early 20th Century
Measurement: Height 25.5 C.M. / Width 22.7 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Fine miniature portrait painting, an aristocrat in a faux tortoise frame, signed, 19th century, most likely French. Painting height 3 inches. Condition Report: Very good condition.

From our African Collection: an African Ewe Figure from Eastern Ghana from the mid 20th century. The Ewe are one of Ghana's five main ethnic groups (United States Jan. 2002) and reside mainly in the southeast region of the country (Ethnologue July 2002) but also inhabit the southern half of Togo (Ewe Culture 2002). According to an article by professor D.E.K. Amenumey, the Ewe people originally came from Ketu, a Yoruba area in modern day Benin, but were eventually forced to migrate eastward as...

A finely painted work titled at lower right "Culebra Range, Colo.", signed at lower left by artist CARROLL COLBY CHILD (1868-1932). The Culebra Range is in extreme southern Colorado, very near the New Mexico border and not far from Taos. It is noted for Culebra Peak, the southernmost of the so-called "Fourteeners" (Rocky Mountain peaks of at least 14,000 feet summit elevation). Child was born in Weybridge, Vermont after the Civil War. He seems to have painted mostly in watercolor, with many ...

An impressive watercolor landscape with Italian looking tree at left and extensive vista at right with small figures visible, unsigned on the front, but on the reverse is written in old pencil hand "Childe Harold's Pilgrimage" after JMW Turner by J Glen". This is therefore a 19th century work after a famous painting of Turner by that title, first exhibited in 1832. That painting, now in the Tate Gallery in London, was created subsequent to the publication of the very popular, lengthy narrative...

Vaugham Trowbridge, American, 1869-?, Etching, "Arles", 1912, 11/12, image size: 7 7/8 x 11 3/4 inches, artists proof, pencil signed and titled

Oil on canvas, 24" by 30" (30" by 36" as framed), the subject a peaceful northeastern cove, which we learn from a penned notation on the reverse is, in fact, Canada, in the province of Nova Scotia. Viewers online have confirmed to me that this is definitely Peggy's Cove on the Atlantic coast. The oil bears a professional-looking signature at lower right: R. Miller. I don't see a listing that would likely correspond to this, so offer it on its own strong decorative qualities and excellent co...

Original lithograph print "The Great East River Suspension Bridge" (the Brooklyn Bridge), 1881, by the noted American printmakers Currier and Ives. The image shows the bridge, sailing and steam craft around it, including a steam paddlewheeler. The bridge was an engineering marvel of the world at the time and a point of great civic pride. This example of the print measures 10 1/2" by 13" inside the framing; much if not most of the margin area has evidently been trimmed, as was common with Curr...

Something of a mystery, this is a very interesting soft pencil drawing of a young woman, 13 1/4" by 9 1/4" (19" by 15" framed), signed indecipherably at lower right and dated there 1931. Try as I might, I have absolutely come to a dead end when it comes to figuring out this signature. Adjacent to that signature an inscription reads "Baroness Leonnie Perraja". The drawing clearly exhibits modernist influences, including a sort of cubist handling of the hair curls, and a flattening of elements ...

Pencil on watermarked paper drawing of a tall female nude, 16" by 11 1/4" inside the mat, 23 1/4" by 18 3/4" framed, signed at lower right by the artist and dated there 1933. DAME ETHEL WALKER (1861-1951) is a modern British artist of significance, known for an impressionistic and poetic style with subject matter ranging from portraits and studies of the female figure to seascapes, landscapes, still life florals, and decorative compositions featuring mythological and allegorical material. She ...

Oil on canvasboard, 16" by 20" and 3" of frame and liner, circa 1950's or 1960's I believe, signed at lower left by artist "G. Diehl". At one time I thought there was some possibility that this was a work by Finnish artist Gosta Diehl. The daughter of that artist, Franciska Sundholm, wrote me to say that this is definitely not a work by her father. So this is offered as simply a competently executed modernistic still life painting. The artist had an understanding of Cezanne's Cubist still li...

Very decorative truly antique, 1770's print of an elegant lady standing, in the sanguine color, crayon technique (also known as "chalk-manner") perfected by talented eighteenth century artist GILLES DEMARTEAU (1722-1776). The print, executed after a painting by the great French Rococo master Jean-Honore Fragonard, measures 15" by 10 5/8" inside the fine French matting, with gilt border and numerous outlines, that in turn housed in a gold leaf antique frame measuring 22" by 18". Fragonard's nam...

Tender image of a young mother discretely nursing her baby, 25 1/4" by 22", (31 1/2" by 29" in attractive frame), signed at lower right by the Hungarian-born impressionist artist HUGO MATZENAUER (1923-2013). The painting appears to the casual eye to be in perfect condition, though a broad support band, essentially a patch, applied on reverse, shows that at one time there was evidently a tear in the middle through the baby's head and extending in a straight line or intermittently to the right edg...

Watercolor and ink drawing of the Seine in Paris by Notre Dame, 7" by 8 3/4" (13" by 15" framed), signed at lower left in pencil "Leprin". This COULD be a work by well listed artist MARCEL LEPRIN (1891-1933). I hesitate to state unequivocally that it is, as the long hand signature differs from the commonly seen all-capital letters version. The artist was known to do very similar works of Paris, and many other parts of France, from Normandy to Marseilles. The work is on paper laid on an old ca...

Everyone seems to love Paris, a city which has inspired and continues to inspire much art. This pair of watercolors, one of the elegant and timeless Place Vendome, the other the famed "Le Dome" cafe of Montparnasse, are signed by artist "Hrobel". Each measures 16" by 24" (26" by 33 1/4" as framed). The pair is ready for the wall, with clean blue mats and tasteful cream frames. The colors are not faded and there is no foxing nor water staining. Surprisingly I do not see an obvious listing fo...

Original Currier and Ives lithograph print "The Straw-Yard, Winter", 12 3/4" by 15 1/2" inside the overmat, 20" by 22 1/2" as framed, the subject quite desirable: a white horse, a dark brown horse in the center, surrounded by a veritable menagerie of a winter barnyard in the country, including contented pigs eating their turnips at left, ducks and pigeons pecking away underneath and around the horses, and a pigeon even perched on a snowy fence post, face to face with the white horse, as other h...

A set of FOUR framed circa 1836 engravings of exotic Australian birds, with hand coloring, by EDWARD LEAR (1812-1888). Lear was an English artist, illustrator, author, and poet, renowned today primarily for his literary nonsense, in poetry and prose, and especially his limericks, a form that he popularized. As a highly talented watercolorist, and a widely traveled figure, for his day, he created now-prized works featuring the Mediterranean region and the Holy Land. The birds depicted here are...

Pencil on paper drawing of a southern-style house with large tree and foreground dog, dated 1967 lower right, 5" by 6 3/4", 13" by 15" framed, by the well listed Louisiana artist ROLLAND HARVE GOLDEN (1931-2019). The dog resembles an ancient breed of dog, such as would be seen in a museum of Egyptian sculptural antiquities--perhaps, the pet of a pharaoh. The juxtaposition of the dog in front of the typical and familiar southern architecture is in keeping with Golden's self-described "borderlin...

Sold together as a group, three early copper engravings on heavy paper, one titled "Deuil D'une Personne Qui Vient de Mourir" (20" by 24" framed), another "Mort. Le Passage de Caron, Le Fleuve du Styx, et les tourmens de L'enfer" (20" by 24" framed) and finally a smaller print, "Sepulcre ou Mausolee" (18" by 12 1/2" framed). The engraver was PIETRO SANTI BARTOLI (1635-1700), a noted Italian engraver, draftsman and painter. Born in Perugia, he studied briefly with the great Poussin. Today he ...

Pieter Stevens van Gunst, 1659-1724, Dutch, engraving after van Dyck, "Charles the First, King of Great Britain", image size 18 x 11 5/8, plate size 20 1/4 x 13 inches, sheet size 22 3/4 x 16 inches