Hardcover book “THE BAUR COLLECTION: NETSUKE” by Marie-Therese Coullery and Martin Newstead in perfect condition. This book is number 716 out of limited numbered edition of 1500. One of the world's most important collections of netsuke is richly illustrated in this definitive volume. Arranged by subject with general subject description followed by exact description and photo of each netsuke...

Depicting delicate motifs in somber, predominantly blue-black combined with discrete touches of rusty red, this textile from the Savu Islands of eastern Indonesia is called a selindang. The shawls are worn by women over their shoulders, to complete their sarong attire. This textile is estimated to date to the late 20th century and is constructed by warp ikat, warp-faced, with fringes. It measures 71 x 191 cm and is in perfect condition. The dye is a natural indigo.

Ifugao tribal wooden spoon from the Cordillera region of Luzon in the Philippines. Obtained in the 1980's. Eight (8) inches in length.

Tibetan Himalayan Wool Horse Rug with Dragon design, purchased in Lhasa Tibet early 1980's, 35" x 25" wide, curled up Dragon in the center on dark blue background bordered by Tibetan motif, the outer border is sewn with red Felt fabric and the bottom is dark blue fabric. The condition is new.

Japanese wooden round kogo (box for incense during tea ceremony) lacquered with red lacquer on the inside. Material appears to be mulberry wood. Simple classic design, in perfect condition, signed SEIJU on the bottom. Diameter 2 3/8 inches. Part of a small East Coast kogo collection.

Chinese necklace with round, pink coral beads in a gradation of smaller to larger beads towards the lowest point, fastening with a delicate silver clasp. Size: 9.25" length

Japanese 20th century large porcelain vase by FUJII SHUMEI. The large bulbous form is decorated in a beautifully detailed mountain landscape with many trees. Signed SHUMEI on bottom. FUJII SHUMEI is a famous porcelain artist who exhibits at the prestigious annual NITTEN show in Japan. No storage box. The vase measures 12 1/2" tall and has a 11" diameter.

This lovely Bizen ware is called Kogo / incense container used for Japanese tea ceremony. The shape is a seed of wisteria suitable for tea ceremony in autumn / winter. This is the work of a potter Yoshimoto Shuho. Shuho was born in 1938 in Okayama prefecture and studied pottery under Fujita Yoshiro. After Shuho became independent, he first produced Bizen ware for 10 years...

This Tibetan wool sash measures 12.7 cm x 340.4 cm in length including the silky fringes. The tigma (cross) motif is an ancient good luck charm among Tibetans and here it is depicted in a discontinuous weft pattern design. These sashes are traditionally worn to secure the traditional Tibetan attire called a chuba. The high lustre of the wool is attributed to the high lanolin content of the goat wool in the high altitude regions of the Tibetan plateau...

From Timor in Indonesia, the Belu province, Atoni (Antoni) tribe, the cow skull mask was used in rituals surrounding the planting and harvesting of crops, has human head upon base that is scrimshawed in geometric designs. Measures 11' high, 5" wide and is 2 3/4" deep. There are four holes in the side of the mask, two on the head section, and the other on the "shoulder" of the figure (visible in photos), used to attach as a mask. The Atoni native group are largely agricultural and hold ceremo...

Japanese Karatsu Tea Bowl, Chawan, 2 7/8" high, 5" diameter-top rim, with thick and rustic multiple layers of slip glaze. Purchased in Karatsu in Kyushu by Washington D C collector. The condition is good, no damages.

A beautiful example of Ohi inspired Raku-ware; the body of this stylish tea vessel is a mix of a dark black gradating to charcoal grey with undertones of reddish maroon. A hasami-no-ato mark can be seen where the tongs were used to remove this piece from the kiln, and the potters mark can be seen near the foot of the bowl. Simple and refined, perfect for collectors and practitioners of tea alike.

Born into a generational line of tea-ware potters from Kanazawa, Fumiaki Kaihatsu (b...

An interesting modern, abstract koro. The compressed sphere with elliptical, off centered opening. A warm, brown temmoku glaze with darker brown glaze dripping from the top and stopping in controlled fashion above a well - continuing to form the unglazed foot in ogee fashion. An artist seal (three or four stylized Kanji characters within an oval) is impressed into the concave base near the foot rim. Very good condition. Some burnt on kiln residue on the foot goes to 'wabi'...

Wall vase for ikebana flower arrangement, to be hung at one of the vertical beams of the tokonoma. Brown stoneware with white inclusions, splash of greenish glaze...

Small and cute box for keeping incense, called kogo, originally used in the tea ceremony. Hand modeled coarse red stoneware with small sediment and mineral inclusions...

Chinese Yixing GONG JI Bell Shaped Teapot

Description & Size: 8.89 x 12.06 x 8.89 cm (3.5" x 4.75" x 3.5") height & wide with & without spout & handle

Weight: 175 gram (6.1 oz); Age: c1980'; Material: Pottery; Production: Handcrafted; Original: Vintage

This is a nice Chinese yixing bell shape marked GONG JI teapot. The teapot has a nice patina of light brown earthen clay. The condition is excellent & it's signed on the bottom.

Japanese Brown Stoneware Tokkuri, Sake Bottle, 1980, heavily potted stoneware and Black splash design on one side, small flake chips around the top rim.

This 20th century Chinese YiXin teapot is 3 ¾” high, 4 ½” in diameter and 7” long from spout to the handle. The artist’s name, which is illegible, is stamped inside the lid. Another stamped square seal “China, YiXin” is on the bottom. The design on the pot depicts a peach tree and peach on the lid, spout, handle and part of the body. It is in excellent condition.

Two Japanese pottery yunomi. One cylindrical with a warm terra cotta colored glaze with white dripping on a coarse, light buff body burnt to an earthy orange where the bottom meets the glaze - the ring foot notched beside an impressed, three character artist's mark. Height 3 3/16 inches (8.1 cm), Diameter 2 3/8 inches (6.03 cm)...

Japanese glass ojime in a form of tombodama bead with two flowers on stems with prickly leaves - appear to be some species of a thistle. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see finely textured petals, in perfect condition. Height 0.76 inches.

Fairly large sake bottle of dark brown stoneware, with an angular hip, rounded shoulder and slightly everting neck. Its shoulder and neck covered in a yellow and greenish natural ash glaze.
Bizen ware. Impressed seal mark in bottom.

Japan, Showa era, ca. 1970s

H 8.1 in.; diam. 5.4 in.

Excellent condition

Wonderful chagama, cast-iron hot water pot for Japanese tea ceremony decorated with a heron on each side, late Show period, 1970-1980. Signed Seiko (Sato).

Kama: 8 3/4" high x 8 1/2" diameter (22cm x 21cm)
Box: 9 11/16" x 9 7/8" x 9 1/4" (25.3cm x 25cm x 23.5cm)
opening: 4 1/8" (10.5cm) diameter

Classic vase by Mashiko artist Murata Gen (Japan, born in Ishikawa Prefecture, 1904-1988). Murata Gen apprenticed with Shoji Hamada before becoming an independent potter in 1954. This work is 8 1/2" high and 6 1/2" wide. Signed with the "MU" character within a diamond. In excellent condition.

Japanese glass ojime in a form of tombodama bead of flattened ball shape with inlays of a butterfly and cherry flowers. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece, in perfect condition. Diameter 0.78 inches.

Measuring 22.6 cm x 23.3 (22.6 x 51.3 including the belt), this child's waistcoat panel was hand-embroidered by Pashtun Mangal women in silk thread on a green silk and red cotton background, in a delicate combination of satin stitch, herringbone stitch and long and short stitch. Its estimated age is mid to late 20th century. Condition is excellent...

Japanese glass ojime in a form of tombodama bead with milky white body and multicolor brocade pattern. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece, in perfect condition. Height 0.68 inches.

Phallic charm from Lamphun Northern Thailand- serendipitously enough, where they have an annual sausage festival...

Very unusual “janus” designed mushroom mask; one side shows the native wrinkled face of the mushroom whereas the opposite side shows a smooth face with more carving work. Eyes and mouth are common to both faces. The mask has ear pendants, which are made with 2 different seeds, one is rudraksha bead which is the seed of a very common tree in Nepal...

Japanese 20th century porcelain vase by Japan Living National Treasure, Tokuda Yasokichi III, born Tokuda Masahiko in Komatsu, Japan. The vase is done in a globular form on the bottom, cylindrical shape in the middle with a flared top. The overall glaze is a dark eggplant color with blue, yellow and green coloration on the top. Tokuda Yasokichi III became Living National Treasure in 1997 and is recognized for work with Saiyu, glaze color gradation technique. Comes with TOMOBAKO, original artist ...

Unusual good size glass ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape with hollow inside and design of multiple blue and red spirals. Rare technique of thick walled material with hollow inside, superb execution, beautiful colors. Diameter 0.87 inches.

Wood tray with traditional Ainu pattern made by Ainu people in Hokkaido. Generally in good condition but has some scratches and the reddish color came off. 20th century. 30.5cm x 20.2cm x 1cm

Tea caddy (chaire) of Shigaraki ware with characteristic, mottled, beige glaze over brownish, rough corpus. Lid of finely worked ivory. Signed with potter’s mark in the bottom. A heavy silk storage bag (shifuku) with stylized flower pattern comes with the piece. Showa, circa 1960. H 8 cm, D 6 cm. Condition: Perfect.

Japanese scroll painting in colors on paper depicting “delicacies from the land and the sea” - a cuttlefish on a bamboo branch, edible taro bulbs and a long stemmed fuki - Japanese butterbur. Beautiful work, elegant composition in Japanese taste, delicate subtle painting. Signed SHUJI GA (painted by Shuji) followed by the red seal of the artist. Beautiful bamboo pattern paper mounts, lacquered scroll ends, in perfect condition, excellent painting for display during tea ceremony. Painting siz...

From a local estate comes a pair of very, very detailed Tibetan thangka paintings, one measuring 24" by 19 3/4" in its gold frame and the other 21 1/2" by 16 1/4". I am not a specialist in art of the Indian subcontinent and the Himalayas or Tibetan Plateau region, but I understand these to be highly symbolic religious works of that geographic origin. The former owner was said to have collected these on one of her trips to India. Obviously antique thangka's can be centuries old, but these work...

STAMP ALBUMS OF A KOREAN BOY

Set of two albums of used and unused stamps in mainly 1970s including mostly Korean and some other countries as the collection of a Korean middle-school boy, late 20th century, Large: 16 pp, 25.5 x 19.5 x 2.2 cm (10.03 x 7.67 x 0.86in), Small: 8 pp, 18.5 x 12.7 x 1.2 cm (7.28 x 4.99 x 0.47in). Some stains and damage, but in generally good condition as is.


selected by kikue




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A nice pair of larger carvings in emerald of a cat head and an Owl Fetish, Native American, probably Zuni, Navaho tribe and 20th. century (2).

The carvings are cut and polished in one emerald stone and depicts an Owl in a dark green stone and a cat head in transperant light blue-green. The cat with micro chip to the top of left ear or perhaps just rough carving.

Zuni fetishes are small carvings made from primarily stone but also shell, fossils, and other materials by the Z...

Large root wood table made of gnarled hardwood. Beautiful piece made all of a single piece of root wood. Southeast Asian.

Dimensions: 23" high x 62" long x 39" wide.

Japanese scroll painting of a ghostly woman standing in a shoji doorway. Her robes are white, the color of death and her hair falls unkept around her shoulders. Tendrils of flame appear where rays of light shine down at an angle to catch on her sleeve. Painted in mineral colors and ink on silk.
Painted by Obata Chiura (1885-1975), painter and first professor of Japanese painting at University of California, Berkeley. Born in Ibara-cho and raised in Sendai, Japan. Chiura showed extraor...

Japanese hanging scroll of a low hills and a fishing village in the background, and shallow sea with a man pushing his boat with a pole. Ink and colors on paper, excellent impressionist rendition of a classic theme, superb free brushwork. Signed and sealed SHOSEN in lower right corner. Paper mounts, wooden scroll ends, overall in great condition. Scroll size 51x22.5 inches, painting size 13x18 inches.

A sepik river, Papua New Guinea mask consisting of the carapace of a tortoise decorated with cowrie shells, boars tusks and bird of paradise feathers. This item was probably made during the 1970s. Condition - very good - no losses. 9 inches (23cm) High x 7 inches (18cm) wide - excluding feathers.

This is a vintage child's front from Paktia province in eastern Afghanistan. It measures 25 x 28 cm and is densely embroidered in silk thread in a tightly worked ladder stitch. The sides, shoulder and waist straps are executed in Bukhara stitching where the metallic threads are carefully laid in parallel and then meticulously fastened down with a cotton thread. This textile is estimated to date to the mid 20th century and is in excellent condition.

Japanese glass ojime in a form of tombodama bead with bright red flowers floating in a stream, fine gols foil flakes background. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see finely textured petals, in perfect condition. Height 0.64 inches.

The Kuchi are the nomadic and semi-nomadic people of Afghanistan. This cushion was made from a traditional Kuchi textile and has burgundy velvet on the reverse with cording along the edges. The embroidery is intricate ladder stitch and button hole stitch, with cotton thread and metallic braiding throughout. Condition is great. It measures 44 x 64 cm. Estimated age mid to late 20th century.

Pair Himalayan Tibetan Stupa shape Brass Chops, Seals, Stupa Altar pieces, 2 1/4" high, 1" to 1 1/8" wide on the bottom, carved double fish and other Buddhist symbols inside hexagonal shape bottom, the condition is good.

A pair of hand-carved window frames from Bhaktapur, an ancient Newar city in the Kathmandu Valley. They measure 44 x 45.5 cm and are dated to the late 20th century. Woodwork has been part of Nepal’s traditional architecture and wood carvings have graced temples, monasteries, residential homes and palaces since the twelfth century, although the earliest surviving temple decorated with wood carvings, bears the date 1396. Another traditional architectural site, which is believed to have been bui...

This is a bed decoration from northern Afghanistan made by Uzbeks of the Lakai tribe. Traditionally these textiles were placed between layers of bedding quilts at the back of the yurt. This segusha measures 72 x 80 x 115 cm when folded into a triangle, and the embroidery is silk thread on faded red cotton edged with silk fringes, combining satin stitch with long and short stitch. The overall design is dense but not overcrowded, depicting stylized flowers, insects and birds, evoking the image of ...

A set of four fans (uchiwa) made of bamboo and washi (Japanese hand-made paper). Each has hand-painted pictures and signs such as three kabuki "kumadori" which is special makeup of the kabuki player and Otahuku. All have the same written seal marks, however the name of the artist is not clear. Two are painted with kakishibu (persimmon tannin) 20th century. In excellent condition. W:30.5cm H:35.5cm

Unusual vintage Japanese wooden obidome (sash ornament) carved as a peony flower with leaves resting on an open fan. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Excellent sharp carving, beautiful painted highlights, very pleasant to handle. Signed on the back with a kakihan (carved monogram) of the artist. Length 3.1 inches.

A large and very attractive, lobed Kutani vase with a high neck in porcelain. The piece is decorated w. a mottled, preussian-blue glaze over which are purplish splashes covering the upper part. Signed in the bottom with a seal Kutani Yasokichi (1907–1997), (second generation Tokuda, and father of Living National Treasure Tokuda Yasokichi. Accompanied by fully signed kiri-box. Japan, Showa, ca. 1970. H 29 cm. CONDITION: Flawless.

Winnowing basket called "箕（mi)"which is used by farmers to eliminate or blow out unnecessary stuffs. It is made of bamboo and covered with washi and painted with kakishibu (persimmon tannin). Bamboo mi is made in rather warmer region and bast of trees are made in colder region, however, it is not clear when these ones are made. Generally, in good condition but have some minor breaks or rips. 20th century. W:45cm to 43cm, L:36.5cm to 34cm. Possible to sell one piece for $40.

Embroidered purses ("bushkiri") are used by the Baluch for carrying and storing valuables and bridal dowry gifts. This purse from Baluchistan measures 20.3 x 32.5 cm when opened, 19.2 x 20 cm when closed, and is dated to the early to mid 20th century. This densely worked purse features intricate repeating geometric patterns and colors worked in a delicate satin stitch, combined with a meticulously worked interlacing stitch on a fine linen ground. The renowned vibrancy of Baluchi embroidery ca...

Kabuto maedate, or ornament that sits in the front of the Japanese helmet. Dragonfly. Gilded iron. Japan, 20th century.
L ca. 6 ¾ inches.
Good condition, one leg damaged.

Japanese scroll painted with ink and colors on silk depicting a court lady wearing superbly rich formal juni-hitoe (12 layers kimono) attended by a young girl, all among pine saplings and with a sun rising through the early morning haze. Superb quality sublime painting, perfectly captured delicate mood of the moment, beautiful use of color, wonderful brushwork (see depiction of pine needles, great composition in Japanese taste, the painting is in excellent condition, rich silk brocade mounts wit...

Lilac Fan Painting by Jeon Yeong Suk aka Yeo Cheong (1960 - ). The lilac is an ancient symbol of peace and harmony. 21 x 6.5 inches, 53.5 x 16.5 cm. This, along with our Stock Numbers 1319 and 1320, is part of a set of three fan flower paintings by Jeon Yeong Suk.

This is a pair of bamboo ornaments with carved Chinese-style poetry, however some Chinese characters are not readable, so its meaning is not clear either. In good condition. W:9.5cm, L:94cm

This woven textile is from Tibet. Measuring 21.8 x 376 cm, it is in excellent condition. The high lustre of the wool is attributed to the high lanolin content of the goat wool in the high altitude regions of the Tibetan plateau. Enlargement #12 shows the use of these sashes in traditional Tibetan nomadic culture (© 1995 East of Lo Manthang by Peter Matthiessen and Thomas Laird). These sashes are used to tie knives and bundles and more importantly, to secure the dress of the natives (chuba for w...

Title: Traveling. Painted with ink and pigments on silk. Signed and sealed.

Katsuda Tetsu(1896-1980) was a Japanese painter from the Taisho(1912-1926) and Showa era (1926-1989). He studied Western painting at Tokyo School of Fine Arts (now Tokyo University of the Arts). He turned to Japanese painting and became an apprentice to Yamamoto Shunkyo(1872-1933) in 1923. He graduated from Kyoto City Painting College (currently Kyoto City University of Arts) in 1930.His history paintings ``Amak...

This vintage Turkmen Tekke child's bib or collar is hand-embroidered in silk thread with cotton tassels. Shoulder to shoulder measures 19" and the front is 9 1/2" with a 3" fringe. The reverse is a printed cotton fabric and the embroidery technique features the traditional gul-i-badam ("almond flower") motif which is generally found only on Turkmen embroideries from Afghanistan. Condition is excellent and its estimated age is late 20th century.

An exquisite Japanese silk haori with a wintery skiing scene featuring tickets from Tokyo to Akaura and from Kyoto to Ibuki. Made of habutae silk a with woven lining, it can be worn or displayed with either side facing outward. The outside is solid black with 5 mons (family crests). The inside back panel’s weaving includes the use of varying shades of taupe, bronze, gold, black, and silvery gray silk metallic lacquered threads. It is in excellent condition and measures 51" across the shoulders...

Outer kimono of kasuri (ikat) woven dark indigo-dyed cotton in pattern known as botan-kasuri (peony ikat.) Inner lining is a printed fabric depicting heroic imagery related to Chushingura, the saga of the 47 Ronin; snowy pine trees, helmets, drums, and the retainers themselves. This would have made an excellent kimono to wear on Tango no Sekku (Boy’s Day, which in Japan has recently become the more politically correct “Kodomo no Hi,” or Children’s Day.) Excellent condition, mid-late 1900...