Unlike many of the pieces in the genre of Kyo-ware, this tea bowl is decidedly demure in appearance. Milky, flowing glaze pools in places along a backdrop of ivory and coral pink sides, contrasting nicely with the rough, unrefined clay of the base. In the center of the kodai is a decorative swirl pattern reminiscent of the yin and yang.

The potter, Kanpu Kawanabe (1873 - 1947) was born into a family of weavers but went on to be trained in many of the arts related to tea ceremony...

A small delicately enamelled bottle vase painted in 18th Century Qianlong style. The base carries the four character mark of the Qianlong emperor (1736 - 1795) but this item was probably made during the 1930s in the Republic period. Condition - there is an old glued repair to the neck...

Kawase Hasui
Katada in Ohmi
Date: 1930s.
Size: Approximately 6.25 x 4.25 inches.
Hasui oval seal at lower right.
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Condition: Excellent.

18th-19thc Indian Miniature Painting of Lovers on Camel bone plaque , the couple in Royal attire. good condition some slight scuffing to paint as seen Size H 4" W 1.75"

Japanese haori coat, red and white designs on black, interior has beautiful tie dyed silk and ties. Showa Period Size: 29" high x 48 1/2" wide

This dress yoke from Bamiyan province measures 34.5 x 41 cm and is embroidered in fine cross stitch in pink, yellow, green and purple silk thread. Traditional Afghan dresses have a yoke under the neckline from which long panels of fabric flow. Sleeves are typically wide, and they wear matching cuffed pants underneath. The garments are decorated with embroidery at the yoke, the bottom of the sleeves, and the cuff of the pants...

A fine jade pendant carved with lions in the archaistic style, Ming or later periods.

Finely worked piece with high relief details in the type of brownish celadon jade, popular during Ming period, but possible made as a later revival piece, we're not certain.

Size: 57 mm. long.

Condition: Extremely fine, patinated.

Provenance: Estate of the Danish Artist Rolf Gjedsted.

Figure 1 is a dark and brooding big red just received so dark even out of frame and matte maki s first big red appeared in 1963 this is an abstract rendering of the kanji for woman she seems to be standing there swaying ever so slowly this print has a good green blue sun at the upper left Here no splashes yet to add color figure 3 figure 3 here figure 4 alsom here

An original piece by the second in the line of Choraku potters. This bowl is stamped twice on the side and once on the pedestal with the mark of Ogawa Choraku II (1912-1991).

The Choraku line began when a student of Kichizaemon XI (Keinyu) and Kichizaemon XII (Konyu) opened an independent kiln in Kyoto in 1904. The line was officially given the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association...

Ito Yuhan
Pagoda at Nikko
Date: 1930s. A pre-war or early postwar edition.
Size: Oban. Approximately 16.0 x 10.75 inches.
Publisher: Nishinomiya Yosaku.
Signed Y. Ito at lower left.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

This old panel is thickly Dazi embroidered in a banded pattern to reflect the terraced mountains sides of the Miao homeland. The panel uses lovely soft pinks and grays which are not adequately represented in the pictures. A beautiful piece in beautiful condition. 80 years old from Ge Yi. approx 21" x 23"

Here is an archetype of the archaic statuary of western Nepal depicting a protector in standing position with hands clasped together in the ritual gesture of the Namaste, covered with an important black crusty patch of soot and offering, collected in a shamanic shrine in Jumla sector, very hard wood, evident signs of great age estimated at least from the middle 20th, H 70 cm, presented on a base metal

Pair of (1930's) Japanese Cloisonne Enamel Vase with Dragon & Phoenix

Each is 6 inches (15.2 cm) tall by 2.2 inches (5.5 cm) wide. Total weight is 289 gram.

Both have been repaired (filled in enamel). Vase one has several repaired areas. Vase one also has loss of enamel, enamel cracks, enamel bruising, oxidation, and bent lip. Vase two has 2 small spots of repairs. It also has loss of enamel. Both are tarnished and have surface wears and scratches (as seen in the photos)...

Important sized Ghurra, long stick model with rope carving design. Great encrusted thick patina . Local repair with a 3 metal banding around the rotating hole. H 34 cm , Thickness 4.5 cm More information on request

An antique Chinese blue glazed brushpot. The glaze stopping short of both the top and bottom rim. The inside glazed white, as well as the recessed base with the base rim covered in a brown wash. Unmarked

Qing Dynasty - Circa 18th Century

Approximately size is 15 cm high by 12 cm diameter

In very good condition (Please refer to pictures)

Katsuyuki Nishijima
Title: Kudaya (The Kudaya Travellers Inn in Kyoto)
Size: 17.125 x 12.5 inches.
Edition: 405/500.
Date: post-1980.
Medium: Japanese woodblock print.
Condition: Excellent. Top back margin has former tape marks.

This is an Uzbek embroidered cloth from northern Afghanistan. The motifs and colors are typical of the embroideries of Tajikistan and southern Uzbekistan (Sukhandarya). Cross stitch and satin stitch in pink, green, yellow and blue yellow silk thread. This textile was probably made for a dowry. It measures 29.5 x 30 cm. Condition: Excellent, no fraying, no stains, no odors. Estimated age: mid or late 20th century.

This traditional saki (sake)container was probably brought over by a veteran from WWll. The sisal wrap covering protects the stoneware "keg". There is a filling port with cork plug on the top and a 2nd port for pouring low on one side. The sisal covering has painted kenji and graphics on one side...which is somewhat discolored from years of sitting on a shelf...approximately 8x8x8 inches...