A female dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated ...

A male dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated fr...

Patrice gathers semi precious stones, antique glass and metals to design heirloom pieces such as this set. It has a striking combination of yellow jade with amathyst on brass and also Chinese turquoise and carnelian. The necklace is 17" end to end, the pendant is 2" by 1 1/2", clip earrings are 1" by 5/8".

Chinese late Qing to Republic period guanpixiang table-top chest with a mansard-style hinged top that lifts to expose a single shallow tray above a pair of doors opening to five drawers with metal pulls all upon an attached base. A circular lockplate with ruyi-form clasp is on the front. Two side carrying handles. These chests were typically utilized by men to hold seals and related accessories while women were known to use them for cosmetics storage. Early 20th century. 15” high x 14 1/2” ...

Pretty vintage Halloween postcard showing a young couple, he dressed as a Pilgrim and she dressed as a Victorian lady, walking along a scary path through the woods. They have just startled a black cat while a pair of witches look on from the background. The card has nice colors. The two lower corners have some creasing, sharp edges. The back is postmarked 1910.

A Chinese blue and white incense burner, bombe shaped and decorated with a vibrant underglaze blue and a continuous scene of three figures in a mountainous background , buildings and trees. Buddhist precious Objects decorate a band under the rim and the censer stands on three feet. It is a highly desirable item and a fine example of Kangxi blue and white porcelain. Age: 1662-1722. size 24.8 cm . in diameter. condition: the body is free from damage and restoration, there are glaze losses and a co...

A Chinese three piece tea and coffee set decorated with a raised dragon stretching right around the bulbous body of each item. This decoration is laid on the flat surface and forms a three dimensional sculptural effect. The handles are formed as sea dragons and the finials as heads of the creature. The craftsmanship is breathtakingly detailed and fine , the weight is a good gauage of 1800 grms (58oz.). It is stamped MH 90 and Chinese characters. Age: 19C. Please note that the heat separators of ...

This early 20th century carved jade brush rest is 8 ¾” long, 3” high and 1 ¼” thick. It depicts three playful PiXiu facing each other. PiXiu are Chinese mythical creatures who are considered to be very powerful protectors in the practice of Feng Shui. Not only can they protect an individual or a family, they will also draw wealth from all directions. The PiXiu resembles a winged lion and is the ninth offspring of the dragon. It has a pair of bulging eyes, a long, bushy tail and one ...

Chinese Qing dynasty Kangxi marked monochrome beehive form water coupe (taibo zun) covered overall in a copper red glaze. The slightly recessed flat base and interior are white. The base holds an apocryphal underglaze blue six-character Kangxi reign mark written in three columns. This type of water pot was used to refill a low flat brush washer. 5 1/8” diameter by 3 1/2” high. Guangxu period (late 19th century). The neck and mouth have been carefully ground down. The pot is otherwise ...

Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights. W...

The only authentic 19th Century Korean shaman paintings offered for sale. Sublimely rendered here is the spirit of divine response, Kameung Sillyeong. There are many 20th century reproductions of these types of paintings. Authentic Joseon Dynasty examples like this exist only in museums. And even in museums, a pair like this is very rare. You can discern them by the material and quality, such as fine hand-woven silk and mineral pigments that give warmth and depth and are vivid but not garish lik...

Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production. From th...

A set of four vary rare blackwood Hungmu lady's side chairs. The chairs match as a pair except for the back panels. Two have a square and two have a circle. This most likely had some meaning for the owner. Age: Mid Qing. Size: H:94cm. W:48cm. Condition: No repairs. Some looseness from age. can be fixed very easily.

Chinese Qing dynasty pewter-encased rectangular form “san ke zhu” (three pearl) lidded Yixing pottery teapot incised to one side in bamboo, the reverse with a calligraphic inscription signed Chun Quan. The inscription translates roughly as: “Sitting quietly [under] a bright moon [occupying] half of a window, with a book [in hand] and a fragrant incense [burning].” The top edge holds an applied coin and mixed metal strips. Flat, rectangular lid. Jade spout, handle, and square finial. The ...

Chinese export porcelain stem plate, made for the Thai market. With polychrome decoration of Thepanom between two Norasingh, among foliage on a black ground, details of the deities in gold. Condition: good, rim with few color flakes, wear to the gilt (rim). Dimension: diameter: c. 13 cm, height: 6.9 cm.

Antique Polish Baroque (17th-18th century Poland) bronze church hanging incense burner censer-thurible. The censer thurible is of baluster form with a pierced domed top and surmounted by a patriarchal cross with a double cross-bar. It is made of several elements: a domed top, bowl, a round conical base, and are cast separately and turned from a solid piece of bronze. The round conical base is fastened to the bowl by the handmade bronze screw from the antique's period time. The domed top is hand ...

A pierced fragment of an antique Tibetan or Nepalese torana, worked in copper repousse with remains of gilding and colors. Showing a caparisoned elephant with a snow lion on his back, lifting a deity riding on the mythical beast "sharabha". Condition: wear to gilding, slightly warped. Dimension: 36.5 cm high x 15 cm widw x 2.5 cm deep.

LARGE Chinese Han Dynasty Burnished Pottery Hu Jar with Oxford TL Test (206 BC - AD 220)

This unusually large and imposing pottery jar, or "hu" was made during the Han Dynasty (206 BC - AD 220). It is made from a fine-grained grey pottery that is relatively highly-fired. This is an exceptional example of its type of fine form with its wide body and tall neck that flares inwards and then out again to the wide mouth. It has a pleasingly smooth burnished surface that in many places has a silver...

Antique 17th century (circa 1650-1680) Japanese Arita porcelain ewer of oval form with a waisted neck and loop handles, painted in underglaze-blue with panels of peonies reserved on karakusa, the neck is with stylized peonies. The top of the handle has two holes whilst one is pierced and the other is not; the holes were made prior to the firing process of the porcelain at the request of European merchants importing Japanese porcelain for European markets because many of these types of ewer w...

A large and rare, early 19th C Gathering Basket from North Carolina of rectangle shape with 2 steamed and bent handles. In great condition, it is very tightly woven with a double wrapped rim. Basket is coated with cream colored paint, probably milk paint. Wood is unknown, possibly split oak. From the private collection of an appraiser of Early Americana. Measures 28" long, 16" wide, 12" high. Note: Basket depth measures 10", with handles 12".

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...

Wonderful figural statue clock depicting a boy relaxing on his horse by a tree. Made of mixed metals (spelter, tin) and polychromed porcelain giving this a bronze-like finish. Reins intact. Piece dates to the turn of the century and is in very good condition. Measures over 16 inches tall. Marked Czechoslovakia. Working condition. Gorgeous piece with such expression. **** Orders can be taken over the phone at 704-564-1952 or email address wellingtonandco@bellsouth.net. If you prefer to pay throu...

These authentic and extraordinarily RARE, hand-forged, wrought iron, Slave Ship Ankle Shackles were de-accessioned from a private collection. Ankle shackles such as these were used to restrain and imprison kidnapped Africans below decks in the slaver ships' holds during what is known as the ‘Middle Passage’, the brutal voyage endured by captured Africans from the West Coast of Africa to enslavement in the Americas- the second portion of what was known as the transatlantic slave trade.

Wh...

Rare Chinese Neolithic Pottery Tripod with Oxford TL Test

This fine and interesting pottery vessel was made over 3,000 years ago during the Chinese Neolithic or early Bronze Age. The form is of a cooking vessel and the three wide udder-shaped legs allow it to be stood in a fire with as much heat as possible being transmitted to its contents. It is not always easy to determine exactly which culture such vessels come from as similar vessels were made by various Chinese cultures. However, we un...

14k amethyst circle and plume earrings from the 1920s. This Art Deco pair of clip-on earrings is from the 1920s. These vintage 1-1/8" x 9/16" circle and plume design earrings have genuine bezel-set facetted amethyst stones in a circular mount with three Prince of Wales style feathers at the top; they are marked with a B in a diamond maker's mark with a 14K stamp. They weigh 4.5 grams, and they are in excellent original condition with no chips, cracks, dents, bends, corrosion, losses, damage ...

There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits. ...

The size of Screen: 277cm Wide x 138 cm High (109 " x 54 3/8")
The both side Left/Right Panel size: 47.2 cm x 138 cm (18 1/2" x 54 3/8")
4 panels in between size: 45.5 cm x 138 cm (17 7/8" x 54 3/8")
Each Fan design size: 55 cm (21 5/8") wide.

This is wonderful 6 panels Japanese Byobu screen from 1750's middle 18th Century with 21 Ougi (fans) design with gold leaf background. This type of painting properly called, "Senmenga" with fan design Byobu called "Senmen Byobu". Th...

Folk Art Portrait by American Artist, attributed to Sheldon Peck (1797-1868). This Portrait was purchased at a North Carolina auction from the Larew Collection. The 19th century oil on canvas portrait of a gentleman was said to be Thomas Johnston from Concord, NC (Sept. 1850). It was marked on the original canvas (relined) bought in Davie County. It is mounted in a mahogany veneer frame with yellow pine backing. Canvas 29" 24" and the Frame is 38" x 33". The portrait was restored in 1973 by Hen...

A pair "loro blonyo", statues for a Indonesian wedding ceremony, possibly from the area of Yogyakarta. Carved from wood, with finely painted attire and embellished with filigree jewellry and glass cabochons. The female statue is a symbol of the goddess of fertility "Dewi Sri", the male statue is representing "Prince Sadana" (Lord Vishnu). Dating to the first half of 20th century. Condition: traces of age, fingerrings lost, missing glass cabochons. Dimension: female: c. 38.5 cm high x 15 cm wi...

This set of 12 plates was produced in France in the mid 19th century. They are marked with the underglaze Sevres markings but were probably made by a Paris decorator. Each plate is artist signed. They are 9 3/8 inches in diameter. They are made of soft paste porcelain. The set is elaborately hand painted. The center of each place has a different Watteau scene. The style of painting is romantic, soft and dreamy. The borders have etched cartouches and gilding. Delicate and colorful flower...

A pair of 14k yellow gold graduated diamond drop earrings with genuine diamonds circa 1970s. These vintage pierced 1-1/8" long and 1/8" wide post or stud pierced dangly earrings feature a row of free-swinging diamond fringe or sweeps and the brilliant cut diamonds are graduated and range from 2 points to 4 points by gauge (12 diamonds in all). They are stamped 14 K on the butterflies and on the posts and they weigh 2.0 grams. A great gift idea for your favourite April birthday honoree. They a...

The painting depicted court musicians playing divine music called Bugaku. Bugaku is a Japanese court music accompanied by dancing. Here one of the players plays shen (a bamboo instrument first produced in China in 7th century) and the other one sounds a massive drum with mitsudomoe crest (three comma-shaped figures in a circle). Bugaku carries a ritualistic implication and is usually played at the start before dance performance begins. Bugaku purifies the stage. Painted with ink and pigments. Si...

A wonderful American folk art portrait of a Methodist minister painted by Ammi Phillips (1788–1865). The distinguished gentleman is sitting at a table, with his hand holding a pair of spectacles and resting on a Methodist hymnal. The finely rendered depiction of the large dominating figure with dark clothing emphasizes the gravitas of the sitter.

The painting is 32 5/8 inches by 27 1/4 inches sight size, and 37 7/8 inches by 32 3/4 inches framed size. The painting is in overall excellent co...

OMEGA MARK II Ref. 145.014 Stainless Steel Caliber 861 Circa: 1970. Full Length Band #29,603,688. The overall condition is excellent and is worthy of collecting and preserving. THIS IS A FINE COLLECTIBLE. DON'T INVEST IN THE STOCK MARKET, BITCOIN, BONDS. BUY HARD ASSETS, SOMETHING PROVEN IN TIME.

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A lightweight pair of sterling arrowhead earrings with feather dangles highlighted by coral cabs. For pierced ears, they are marked Sterling, hang 2-1/4" and weigh 7.8gr.

An ancient Egyptian alabaster torso of a striding man. Wearing a kilt and with arms depicted on each side. 5.5 inches high. Late Period, 600-30 B.C. Purchased on the Paris art market. Said to be originally purchased a long time ago at the Paris flea market.

Very Rare LARGE Chinese Qin Dynasty Pottery Cocoon / Listening Jar with Oxford TL Test

This oversized vessel, in the form of a "cocoon jar", was made during the Qin Dynasty (221 - 206 BC) or possibly a little earlier during the Warring States period (475 - 221 BC), but even then by the Qin state. It is made from a fairly high-fired fine-grained grey pottery. The whole of the outer surface of the body is decorated with repeated cord or woven impressions with vertical bands then being made aro...

A pair of 10 inch tall Pairpoint candlesticks in colorless glass with amethyst additions. The sticks are decorated in the classic “Waterford” pattern and are identified as shape F1622 Florentine candlesticks in the 1915 - 1920 company literature as illustrated in Padgett’s “Pairpoint Glass.” There is no damage to either candlestick.

A large Persian book cover made of papier-mâché with leather-binding. Both sides hand-painted in polychrome gouache and gold under lacquered varnish. The outsides showing a dignitary with consort on a throne surrounded by musicians and a festival with horsemen, musicians and veiled women, both depictions framed by inscriptions. The interior with scrolls of tendrils in gold on red ground. Condition: some craquelure, flaking and wear, traces of age, some retouchings. Dimension: closed: 30 x 43 c...

Great example of a Durand champagne glass with ruby red cup and foot joined by an ambergris stem. The cup, stem and foot are nicely ribbed and measure 6 inches tall. The cup is 4 3/8 inches in diameter and the foot is 3 1/16 inches in diameter. The foot has a rolled rim and has a small polished pontil mark. This example is pristine.

Sabra Field (American, born 1935)
Going Home
Date: ca 1980 (as noted on separate board)
Paper size: 13 x 8.5 inches.
Image size: 9.5 x 5 inches.
Medium: Woodcut print.
Condition: Light scuff on mountain.

A colorless Webb ewer or cruet decorated with an acid etched floral design and having an acorn stopper. The 7 ½ inch tall piece is 10 inches tall with the stopper in place. The stopper is not the original but is the correct style of stopper for this piece.

24034879 A nice small Pairpoint Rosaria compote, shape B-366. The compote has a Rosaria foot and bowl connected by a colorless stem with a bubble ball connector. Both the foot and the bowl are enhanced with a diamond quilted pattern. There is a polished pontil mark and there is no damage. The compote is 6 1/4 inches in diameter and 6 inches tall.

A pair of Steuben Cyprian twist stem candlesticks, aquamarine with celeste blue rims. The candlesticks are 10 inches tall and are shape 6331 as shown in the factory line drawings. The candlesticks are undamaged and unsigned.

24054902 A satin finish Wheeling peachblow number 13 stick vase in a lustreless finish by Hobbs, Brockunier & Co. of Wheeling, WV. The vase is 8 ½ inches tall and 3 1/4 inches in diameter. There are no imperfections.

Shoda Koho
Ueno Park
From the Hasegawa Night Scenes shin-hanga series.
Size: Chuban. Approximately 10.25 x 7.75 inches.
Date: 1910-38. A rare, early edition on card-like paper.
Publisher: Hasegawa. #1248 in Hasegawa catalog.
"Made in Japan" stamp and #427 tag on verso.
Not sealed by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.

RED-PAINTING PAPER PLATE

Anonymous Japanese pottery okimono object, as a symbol of love and peace, H 12.2 x W 9 x D 6.8 cm (4.80 x 3.54 x 2.67in)


selected by titcoRet




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A slinky bi-color rose and yellow gold bracelet that measures 7.5" x 1" and is marked 18kt. Hidden box clasp. 60.5gr. Highly polished.

Fine Large Chinese Han Dynasty Glazed Pottery Hu Jar (with Oxford TL Test)

This fine and impressive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a particularly attractive glossy thick streaky green and finely-crackled glaze, the colour of which varies according to its thickness. Interestingly, the drips of glaze to the mouth rim and the pooling of glaze to the flat base show that this jar was fired upsid...

Rolex 16mm Yellow Gold Plate Buckle 20mm Forest Green color Genuine Crocodile Strap. The strap is a new genuine stitched and padded very high grade "Hand Made in Italy". The Rolex buckle is plated (not solid gold) but is very secure and looks very nice! THIS IS A FINE COLLECTIBLE. INVEST IN HARD ASSETS, DON'T INVEST IN THE STOCK MARKET. BUY SOMETHING PROVEN IN TIME.

We have been selling vintage watches on E-Bay since 1998 as watchco1973 with 14,500 feed backs, 100% positive. You ca...

Rolex 16mm Yellow Gold Plate Buckle 20mm Tobacco color Genuine Crocodile Strap. The strap is a new genuine stitched and padded very high grade "Hand Made in Italy". The Rolex buckle is plated (not solid gold) but is very secure and looks very nice! THIS IS A FINE COLLECTIBLE. INVEST IN HARD ASSETS, DON'T INVEST IN THE STOCK MARKET. BUY SOMETHING PROVEN IN TIME.

We have been selling vintage watches on E-Bay since 1998 as watchco1973 with 14,500 feed backs, 100% positive. You can buy...

Fine & Rare Chinese Warring States Pottery Bird with Oxford TL Test

This very rare pottery model of a bird, either a duck or a goose, was made during the Warring States period (475 - 221 BC). It is "heavily-potted" and made from quite a high-fired grey pottery. The duck stands with its neck and wings stretched, as if in the act of preparing to fly. Note the detail, especially to the wings, with the tiger heads. The style and decoration suggest this model was based on a bronze example. On the...

Chinese Qing dynasty circular form lidded cinnabar lacquer box, the lid well carved in relief with scholars and attendants under lush trees in a landscape setting with mountains in the background. The convex sides are decorated in floral reserves interspersed with scrolling foliage. The interior surfaces and base are covered in plain black lacquer over the wood substrate. 10” diameter by 5 1/2" high. Very heavy for its size. Weighs 4.4 lbs. (2 kg). There is an area of damage on the edge of ...

Chinese late Qing dynasty Guangxu period rectangular form porcelain plaque painted in famille rose enamels and gilt highlights with a crane on a pine branch above thick leafy flowers. A poem at the upper left is dated in Chinese cycle years to winter of 1902 and signed Jiang Yongyuan (active circa 1899-1919) at Zhushan, a district of Jingdezhen. A raised rim frames the composition. 15 1/4" long by 9 1/4" wide by 7/8” deep. There is a fine old brown hairline crack extending down from the top....

ANDROGYNY PERSONIFIED

Massive hermaphrodite sculpture that applies the original form of natural wood as is based on the essence of Japanese polytheism, 20th century, Height 73 cm.


selected by hotoke




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A reversible gold pendant featuring a green and amber colored jade koi fish. The pendant is marked 14k Gump's. The gold shows some discoloration and would benefit from a buffing. There is also light wear with a very tiny nick on the gold edge of the jade side ( see first picture upper right). It measures 1" x 3/4"" and weighs 6.23gr.

A fine, antique handmade pure silver tea kettle (ginbin) with knobbed surface covering the body. Each knobbed, Arare, is meticulously formed and added. Open-work knob on lid with finely worked details. Signed in the botton: Dai (great) including small pure silver mark (gin). Fitted kiri-box. H 17 cm (with handle), D 13 cm. Weight: 387 g. Condition: Excellent, used item , a slight dent on the left side of the sprout.

A Cobalt-Blue Painted White Porcelain Incense Burner Joseon Dynasty 19th Century. A true treasure. A similar example recently sold at auction in Seoul for 1.5 million dollars. The cracks are not damage. They are original to the piece and happened during firing. The polyhedral incense burner set on a square four-leg foot, overall covered with underglaze cobalt blue paint, decorated in white porcelain low-relief of the Ten Signs of Long Life (Shipjaengsaeng) with finely incised details, the flarin...

Fine and Rare Korean 19th Century Guardian Painting in Gold Leaf and Mineral Pigments on Silk in Excellent Condition with Vivid Colors. This would have hung on the door of a home to protect the household. This is the finest example of a door guardian painting we have ever seen. Frame: 22 x 10 inches, 56 x 25.5 cm; Painting: 19.5 x 7.5 inches, 50 x 19 cm.

A large rouleau vase of porcelain decorated with the Three Auspicious Gods (sanxing) of Daoism, in polychrome enamel glazes (famille verte style) on a deep, blue ground. Excellent quality of work. China, late Qing to early Republican Period, ca. 1900–1925. Marked with a Kangxi-period nianhao. H 46 cm. Condition: Excellent.