RIMPA SCHOOL INKSTONE CASE WITH BAMBOO FOREST IN MAKIE
Bold and refined gold and silver three-dimensional makie lacquer design with the black background in the style of 'Rimpa (Rinpa)' (ref. https://www.metmuseum.org/toah/hd/rinp/hd_rinp.htm). Edo period, Japan. 21.8 x 16.5 x 5 cm (8.58 x 6.49 x 1.96in). Some scratches in places and slight bend at lid due to age, but considered in generally very good condition for such aged lacquerware.
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Signed studio original hand hammered brass bold kinetic ethnographic like pendant necklace sculpture with four major segments which include an added bold carved carnelian ear of corn dangle.
Looks equally well in a shadow box on your wall, window hanging art piece or around your neck. It was wrought in a USA studio in the in the Mid Century Modernist or Arts and Crafts tradition by this self directed metalart maker and signed Mimi Dee - Handmade.
*Bold north to south: 8" X 3...
A rare flower and dove bracelet, #23 in sterling silver with Chrysoprase cabochons designed by the Danish silversmith, Georg Jensen. Marked with the stylized GJ in a rectangle that dates it between 1933-44. Also marked with Sterling, Denmark, 925 and 23 for the style number.
Measures 7" long and 1" at the widest. Weighs 35 gr. Has a round box closure that holds securely. Additionally it has a fold over safety catch.
In fine condition with a warm patina. The detail is exquisite with ...
Antique American Indian Beaded Dance Harness
Authentic Antique 19th century American Indian (Canadian Plains Cree from Saskatchewan) dance harness composed of black trade silk fabric with twelve rosettes white red and blue glass beads sown to hide discs enclosed by hanging feather attachments. The central panel of the bandoleer is constructed in a geometrical pattern beaded with emerald green and burgundy glass beads on a thick fabric. The entire sewing was done by hand. These items come fr...
A fine Japanese incense burner, made of wood with pierced gilt copper lid, the interior with copper lining. On a black lacquer ground slightly raised decoration showing a landscape with rockwork and trees in different gold lacquer techniques. Condition: please look at the photos carefully, traces of age and usage, few small lacquer losses, rim with two cracks, lid slightly distorted. Dimension: c. 8.4 cm high, c. 4.8 cm long and wide.
Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights. W...
Japanese antique nobori banner, hand painted on cotton, a tiger in bamboo grove. The style of the painting is derived from ancient Korean paintings of tigers. It is a style that became popular in Japan from the 16th century and you will see many screens and scrolls of tigers painted in this manner. The popularity of these paintings in this style continued throughout the Edo period(1608-1868) and into the Meiji era. The quality of the artwork tells us that this nobori is likely to have been done ...
Pair Korean Scholar's Book Chests, four(4) claws Korean Dragon and Phoenix Bird are battling in the flame, inlaid with Mother of Pearl, twisted Brass and faux tortoise shell, 41" high, 27" wide, 12 1/2" deep each in the background of dark brown lacquer with gold powder sparkling finish. Inlaid design of the wings of Phoenix Bird and Dragon are spread out into both sides, and the back is plain dark brown lacquer finish. Whole Book Chest supported by scrolling feet, shows continuous inlaid work....
An abstract sculpture made of fused, oblong and un-glazed porcelain tubes. The piece has been modified by willful hammering to provide it with the desired shape. Signed and dated: Takeuchi Kouzo 2009, a unique piece in the ‘Modern Remains’ series.
Takeuchi Kouzo was born in 1977 in Hyogo Prefecture. In 2001 he graduated from Osaka University of Arts ; went on to study at Tajimi Municipal Ceramic Design Institute, Gifu graduating in 2003.
Takeuchi has quickly become one of the leading expo...
A great hammered silver vase with small knobs around the shoulders, soft hammer marks covering the surface of the vase.
Signed on the bottom with a chiseled signature by the artist, Shiro, together with Mitsukoshi stamp, Silver and Sterling.
Enclosed in the original tomobako, the original box, inscribed Silver vase on the exterior of the lid and signed and sealed on the inside.
Size: H 20 x W 22 cm.
Condition: perfect, with good silver oxidation patina.
**** Sekiya Shiro (1907-1994) was b...
Beautiful Japanese Wajima lacquer stand with gold maki-e painting on a nashi-ji (pear skin) background. The designs are scrolling vines with stylized chrysanthemums and paulonias, which are the crests of the emperor and empress. The style of sparkling nashiji lacquer work and the theme were popular in the Taisho period (1912-1926) to the beginning of the Showa era, sometime after the return of the throne to the emperor.
The stand was made for a Tokonoma as a base for a flower arrangement...
There is rhodium plated metal brooch with black and red enmael. There is some wear to the enamel of the pelican's bill. All the pave rhinestones appear to be bright.
There is a Hallmark that is barely visible Made in USA and a symbol which I cannot photograph which appears to be a star with circle made of dots (Fred Gray).
Circa 1920s
Reference: Warman's Vintage Jewelry Identification and price guide, By Leigh Leshner, Krause Publications 2008 p. 117, p.11
Reference: American Costu...
Many fine antiques were exported via Hong Kong in the beginning Chinese economic reform days. This fine sancai warrior statue was exported to Japan round '80 and stored by Japanese famous collector. It was excavated from the room of huge tomb as one of the twelve god guards It is seemed the warrior had a sword, it is seen monster animal's face on the both sleeves that is a influence from Persia. It is guaranteed as genuine piece by Noriki Shimazu the famous Japanese researcher for Asian antiques...
Antique Chinese late Qing Dynasty woman’s informal satin silk robe, finely embroidered in satin silk stitch with six roundels displaying vases with branches of various flowers and butterflies, amidst branches, peonies, magnolias, and goldfish, all picked out in bright shades of red, blue, pink, brown, and orange, reserved on a cream - white ground, and edged by black silk. The cuffs, embroidered in suite, are bordered with a band of brocade woven with five-clawed Principal Celestial Long Drago...
Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...
The latest original regional marsh landscape painting by this painter. A dramatic deep red and blue marsh with a distant luminous sliver of sky in buttery yellow was painted with a very limited palette of three pigments plus white, following a more "Modernist" feel to this while the other recently painted "Marsh Moment" - # 1340185 - using the same limited palette may have more of a traditional regional appeal. Canvas laid on professional archival Amersand museum hard board panel.
Rem...
There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits. ...
A pair of 10 inch tall Pairpoint candlesticks in colorless glass with amethyst additions. The sticks are decorated in the classic “Waterford” pattern and are identified as shape F1622 Florentine candlesticks in the 1915 - 1920 company literature as illustrated in Padgett’s “Pairpoint Glass.” There is no damage to either candlestick.