DESCRIPTION: A skillfully lacquered suzuri-bako (writing box) from the Meiji Period, early 1900’s. The lid of the rectangular box is decorated with a takamakie floral design in gold, silver and shu (a hue of red-orange) lacquer on a black ro-iro ground. The interior of the lid and box are sprinkled in a nashiji cloud motif. This suzuri-bako is a complete set, fitted with the original water dropper and inkstone and its original kiri (paulownia) wood box with inscription. Excellent conditio...

The warrior’s armor and helmet, samurai sword, spears, banners and paper carps (later cloth) in the sky are all tools used to showcase boy’s day in Japan. This tradition started early Edo period (1603-1868) by samurai families wishing their son’s good health and studies to be honorable samurai.

This set is made in Kyoto, Japan and is called “Kyo-armor”. Kyoto had been the capital of Japan for over 1000 years. The culture there was developed to serve the best for the emperor...

Circa 1880, Chinese red cinnabar circular box with stand. The box is presented on a carved wood stand having several coats of cinnabar lacquer, giving it the appearance of a solid carved cinnabar stand. Extremely well done and deeply carved, the scene depicts a well known Chinese story about Kuan Ti’s defense of Lin Bang's wife before the advance of Hsian Yu. Please note the beautifully carved horse. In excellent condition, the box including stand measures 5.5" diameter x 5.5" high. The b...

Chinese Qing dynasty circular form lidded cinnabar lacquer box, the lid well carved in relief with scholars and attendants under lush trees in a landscape setting with mountains in the background. The convex sides are decorated in floral reserves interspersed with scrolling foliage. The interior surfaces and base are covered in plain black lacquer over the wood substrate. 10” diameter by 5 1/2" high. Very heavy for its size. Weighs 4.4 lbs. (2 kg). There is an area of damage on the edge of ...

Chawan in Raku style, made in dry lacquer technique (kanshitsu) simulating ceramic. The lacquer is applied in such a way that you see small crevices and patches of red and brownish black lacquer in the same way we see it in Raku ware. Japan, Meiji era.

H ca. 3 ½ inches, dia. Ca. 4 ½ inches.

Excellent condition.

Comes with brocade pouch and plain wooden box.

A Japanese lacquer bowed top box with portrait of a Kabuki actor - presumably named in gold lacquer and the role of Daihachi named in a lustrous iron color. All slightly raised work, the portrait is in gray, black, red, flesh tone, browns and gold. Lines including pattern and folds in the figure's attire and hair in his coiffure and sideburns cleanly defined with raised work. Metal along the facing edges of the top and bottom have no doubt contributed nicely to the preservation of the box. Actor...

Ca. 1700s / early 1800s

This circular box is lacquered in brownish black with mother of pearl inlay encircling the lid which is well-fitted to the bottom box. The top is painted in slightly-raised gilt lacquer with two characters: “fu” and “shou,” for happiness and longevity. There is light wear to the edges of the lid, inner rims and to the base, as would be expected, and also a few minor touch-ups. Overall, considering the age and use, the box is in good condition with the mother...

A fine Japanese incense burner, made of wood with pierced gilt copper lid, the interior with copper lining. On a black lacquer ground slightly raised decoration showing a landscape with rockwork and trees in different gold lacquer techniques. Condition: please look at the photos carefully, traces of age and usage, few small lacquer losses, rim with two cracks, lid slightly distorted. Dimension: c. 8.4 cm high, c. 4.8 cm long and wide.

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...

Beautiful Japanese Wajima lacquer stand with gold maki-e painting on a nashi-ji (pear skin) background. The designs are scrolling vines with stylized chrysanthemums and paulonias, which are the crests of the emperor and empress. The style of sparkling nashiji lacquer work and the theme were popular in the Taisho period (1912-1926) to the beginning of the Showa era, sometime after the return of the throne to the emperor.

The stand was made for a Tokonoma as a base for a flower arrangement...

Sculpture of a long-nosed tanuki, walking with a hat on its back and a flask in its left paw. The piece is built around a large piece of root wood that comprises the torso, legs, the enlarged scrotum and tail. The head is a separate piece of root wood, the ears inserted. The sake flask is a small piece of root wood, and the hat is carved from a slab of a different wood species.

Hat and sake bottle are attached to the tanuki with braided silk cords.

Mingei.

Root wood with black...

Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by a branch kiln known as Tamamizu—started by the illegitimate son of the potter Ichinyū, whose work we see here. Approximately 350 years old, this piece displays a beautiful red glaze and has a shape known as “tsutsu” with high walls and a slender form making it ideal for keeping in heat during the cold winter months. Antique gold repairs...

Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamam...

Exquisite set of Japanese Dairi bina (hina), the emperor and the empress dolls from early to mid Showa period. This is not a large set of dolls. The measurements of the wood box are 17” wide x 12 3/4” tall x 13 1/2” deep. We should add the approximate sizes of dolls. The label indicates that they are from Matsuzaka-ya, a major department store. Matsuzaka-ya started as a kimono store in late 16th century, pre Edo period. The beautiful details are packed in the small dolls - photos could n...

A rare finely carved cylindrical bamboo incense box depicting Scholars amongst rocks and pine trees in a mountain landscape. This item was made in China in the late Qing period - the characters carved into the top read "Qing Guangxu Nian Zhi" which translates as "Made in the Guangxu reign Qing dynasty" (1875-1908). Condition - one 2cm age related crack at the top - otherwise excellent with no damages or losses and no repairs or restoration. 22.7cm (8.8inches) high.

清晚੏...

A female dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated ...

A male dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated fr...

Made in USA. All metal hand hammered in the American Modernist or Arts & Crafts metal art smith tradition, this face motif free standing 116 grams copper metal sculpture can hold a vase or can be worn as a cuff bracelet. All hammered by one set of hands from beginning to end resulting in this art work by this metal art smith and signed: HANDMADE MIMI DEE.
See Image 2: Can be displayed on a table or in a shelf to hold a small bud vase or worn as a massive cuff bracelet. 116 grams.
St...

Description:

A wood water basin was nicely carved in shape of a lotus leaf with a lotus pond.
It was preserved in very good condition by nice brownish patina.
Some of the seeds in the lotus pond were still movable when some were sticked but nothing is missing.
It was a charming and very rare piece by this type.
Most of the old wood pieces were made as brush pots in relief carving.
This piece was carved in delicate workmanship to imitate the lotus leaf by thin wall a...

Large and spectacular Art Deco baluster bronze vase by Shizan ( Takano Ryoichi) with geometrical pattern carved and inlaid with silver. ******By Takano Ryoichi (born in Takaoka, Toyama prefecture, in 1907), signed Shizan
. Shizan was the art name for Takano Ryoichi, from Takaoka City, Toyama Prefecture. He had a long artistic career since the beginning of Showa (1926-1989), was awarded several prizes at exhibitions; member of Japan Kogei Association. With inscribed wood tomobako and ...

A wild boar kōgo by famous Kyoto potter Imai Masayuki 今井政之 (1930-2023). Decoration is a stylized version of the ancient Chinese character for wild boar. Masayuki used his famous inlaid colored clay technique in producing this piece. Imai Masayuki and the late Miyashita Zenji are considered the two masters of the colored clay technique in Japan. Title: Inlaid Zodiac Wild Boar Incense Container (Zōgan kanshi i kōgo 象嵌干支亥香盒) Colored and inlaid stoneware, 3.8 cm high a...

Cedar wooden ‘post-hide’ or hashira kakushi that is used as a decoration of the vertical post in a room that is not a corner post, or the vertical post of the tokonoma (niche). The post-hide is the same width as the the vertical pillar posts in a Japanese house, hiding it thus almost completely in width.
Dark stained cedar wood, the sides covered in black lacquer, the front inlaid in ceramic with Raiden the thunder god who is angling with an anchor for one of his thunder drums that dro...

Japanese Kiri wood two(2) section Tansu, Kiri and Cedar chest on chest, Meiji period, before 1900, 42" high, 33" wide, 17" deep with 5 graduated size long drawers, and carved and engraved floral shape black iron back plates have different motif carvings, and black iron handles. Pine wood used in the back and split in some areas caused by dryness and old age, shows wear and tear in original condition, as found condition from Japan.

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. This insence container is called "Garan" that means basement stone of big Buddhist temple. It seems as a natural rock. Size 5.5cm(W) 4.7cm(H) Accessary wooden box with signature

STATUE OF BUDDHA

Buddhist wood carving image, Edo-Meiji period, late 19th century, Japan. H 23 x W 8.5 x D 5cm (9.05 x 3.34 x 1.96in). Been more aesthetic and attractive with such defective but refined withered condition. Wabi-Sabi.


selected by ONEN




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A fine and very rare bat-shaped porcelain censer with what are apparently bat head feet. We believe that there would originally have been a wood cover secured into the two outer holes and that the incense smoke would have escaped through the three central holes.

This item was made in China for the domestic market as a temple or home alter piece in the early 18th Century, probably during the reign of the Kangxi emperor (1662-1722).

Condition - excellent - no damages and no restoration.

8...

Four finely carved wooden (maybe sandalwood) masks with lacquering and most with glass bead eyes. Showing different types of theatre masks as Hannya, Oni etc. Condition: minor rim frits, the Hannya mask with few lacquer losses. Dimension: c. 5.1 cm long x c. 3.5 cm wide.

Large early Republic Chinese cloisonne lidded box on stand that could have graced a scholar’s desk. On each side is a 5 toed Imperial yellow dragon with the dragon on the lid chasing the flaming pearl of wisdom; all against a dark sky blue ground, the contrasting yellow stand really makes this piece stand out. The metal and wires are bronze gilt over copper. In excellent condition it measures 13.5" wide x 7" deep x 8.75" high

RIMPA SCHOOL INKSTONE CASE WITH BAMBOO FOREST IN MAKIE

Bold and refined gold and silver three-dimensional makie lacquer design with the black background in the style of 'Rimpa (Rinpa)' (ref. https://www.metmuseum.org/toah/hd/rinp/hd_rinp.htm). Edo period, Japan. 21.8 x 16.5 x 5 cm (8.58 x 6.49 x 1.96in). Some scratches in places and slight bend at lid due to age, but considered in generally very good condition for such aged lacquerware.


selec...

This is a SAKE BOTTLE OF JAPANESE BIZEN WARE. It was made around 40 years ago. Very good condition (please see photos). Diameter: 2.9". Height: 5.5". Weight with box: 17.50 oz (500 grs). Bizen Pottery is one of the six famous ancient medieval pottery styles in Japan. It is also known as "Imbe Pottery" based on the name of the area. The brownish surface produced by the combination of clay and fire. During the firing process, the straw burns away, leaving a 'flash' of sodium vapor on the surfa...

Spectacular and extremely rare Giant size antique Buddha Figure dressed in royal robes, lacquer intricately inlaid with inset flat glass/mirror mosaics backed with colored foil and further decorated with moulded relief work forming beautiful spirals. The Buddha seated in "bhumisparshamudra" (subduing Mara), his left hand rests palm upward, on his lap, and the right hand rests on his right knee, calling the Earth to witness. He has elongated earlobes to demonstrate his princely parentage and a ve...

Japanese Marquetry inlaid Table, mid 1800's, beautifully detailed various design and color of wood Marquetry works are displayed in this three(3) functional table, all in one(1) table as a Book Stand, a Chess table and a Sewing or Work Table, 33 1/2" high, 13" deep, 35 1/2" wide when it is open, 17 1/2" wide when two(2) leaves are closed, with inlaid 4 side brackets support leaves on both sides. This multiple purpose table comes in two(2) parts, separate stand with curved black lacquered legs ...

The size of Screen: 277cm Wide x 138 cm High (109 " x 54 3/8")
The both side Left/Right Panel size: 47.2 cm x 138 cm (18 1/2" x 54 3/8")
4 panels in between size: 45.5 cm x 138 cm (17 7/8" x 54 3/8")
Each Fan design size: 55 cm (21 5/8") wide.

This is wonderful 6 panels Japanese Byobu screen from 1750's middle 18th Century with 21 Ougi (fans) design with gold leaf background. This type of painting properly called, "Senmenga" with fan design Byobu called "Senmen Byobu". Th...

Japanese Cedar, Cyprus wood two(2) section Tansu, Ca. Meiji period 1890's, 42" high, 35 1/2" wide, 16 1/2" deep, 2 graduated size long drawers above 2 long drawers in lower section, total 4 long drawers. Old red lacquer on black iron back plates are still visible. Small hole on the lower left side of bottom frame. The condition is original as found condition.

Japanese two(2) section Tansu, Cedar and Cypress Wood, Chest on chest, Meiji period before 1910's, 42"high, 34" wide, 17" deep, 2 large long graduated size drawers on upper section above one long drawer above shorter drawer next to 2 small drawers on the right side, lacquer painted Crane on the black iron round back plates, and pulls. Some of the small upper section black iron pieces are broken off and one top round black iron back plate has no crane design, maybe replaced later date some time ...